fun activities for a creative writing club

43 Creative writing exercises

A selection of fun creative writing exercises that can be completed solo, or with a group. Some are prompts to help inspire you to come up with story ideas, others focus on learning specific writing skills.

I run a  Creative Writing Meetup  for adults and teens in Montpellier or online every week. We start with a 5 to 20 minute exercise, followed by an hour and a half of silent writing, during which each participant focuses on their own project. Every exercise listed below has been run with the group and had any kinks ironed out.  Where the exercises specify a number of people, if you have a larger group, simply split everyone up into smaller groups as appropriate.

The solo exercises are ideal to help stimulate your mind before working on a larger project, to overcome writer’s block, or as stand-alone prompts in their own right. If a solo exercise inspires you and you wish to use it with a larger group, give every member ten minutes to complete the exercise, then ask anyone who wishes to share their work to do so in groups of 3 or 4 afterwards.

Looking for something quick to fire your imagination? Check out these  creative writing prompts for adults .

Writing Retreat in South France

A note on running exercises remotely

While you can enjoy the exercises solo, they are also designed for online writing groups using Zoom, WhatsApp, or Discord.

If you're running a group and follow a ' Shut Up and Write ' structure, I recommend connecting on WhatsApp (for example) first, doing the exercise together, sharing writing samples as needed. Next, write in silence for an hour and a half on your own projects, before reconnecting for a brief informal chat at the end. This works great with small remote groups and is a way to learn new techniques, gain online support, and have a productive session.

If you have a larger online group, it's worth looking into Zoom, as this has a feature called  Breakout Rooms . Breakout Rooms let you split different writers into separate rooms, which is great for group activities. The free version of Zoom has a 40 minute limit, which can be restrictive, but Zoom Pro is well worth it if you're going to use it on a regular basis. In my experience, Zoom has a better connection than Facebook chat or WhatsApp.

A Letter From Your Character To You

Spend ten minutes writing a letter from a character in your novel to  you , the author, explaining why you should write about them. This serves three purposes:

• As you write, it helps you get into the mindset of the character. Ask yourself how they would language this letter and what they would consider important.
• It's motivating to know that your character wants you to write about them.
• If your goal is to publish a complete work of fiction one day, whether it be a novel, a play or a movie script, you will want to contact an agent or publisher. This helps you practice in an easy, safe way.

If you're doing this exercise with a group of teens or adults, and some of the group haven't already started working on their masterpiece, they can instead choose any fictional novel they love. Ask participants to imagine that a character within the book wrote to the author in the first place to ask them to write their story. How did they plead their case?

The Opening Sentence

The opening sentence has to grab the reader's attention and make them want to keep reading. Many authors achieve this by starting with an action scene. In modern literature, it's best to avoid starting with someone waking up, or a description of the weather. In this exercise the task is to write an opening sentence either to a book you're currently writing, or simply for an imaginary piece of literature.  Here are some of my favourite opening sentences to get you going:

It was a bright cold day in April, and the clocks were striking thirteen.

George Orwell , 1984

The Golem's life began in the hold of a steamship.

Helene Wecker , The Golem and the Djinni

All happy families are alike; each unhappy family is unhappy in its own way.

Leo Tolstoy , Anna Karenina

It wasn't a very likely place for disappearances, at least at first glance.

Diana Gabaldon , Outlander

You better not never tell nobody but God.

Alice Walker , The Color Purple

The cage was finished.

Gabriel Garcia Marquez ,  Balthazar’s Marvelous Afternoon

Imagine that you are living your life out of order: Lunch before breakfast, marriage before your first kiss.

Audrey Niffenegger ,  The Time Traveler's Wife

Far out in the uncharted backwaters of the unfashionable end of the western spiral arm of the Galaxy lies a small unregarded yellow sun.

Douglas Adams ,  The Hitchhiker's Guide to the Galaxy

There are a plethora of ways you can start a book, however two ways that help engage the reader immediately are:

• Set the scene in as few words as possible, so the reader immediately knows what's happening and wants to know what happens next.  The scene must be original and create a vivid image in the reader's mind.
• Surprise the reader with an unusual event or usual point of view.

Spend 5 minutes working on your own opening sentence, then share it with the other participants.

Make your protagonist act!

Exercise for 2 writers, or can be done solo.

According to John Gardner:

"Failure to recognise that the central character must act, not simply be acted upon, is the single most common mistake in the fiction of beginners."

Spend 5 minutes writing a scene where the protagonist is passive in a conversation with one other character. It could be that the other character says something dramatic, and the protagonist just listens, or it could be anything else of your choice!

Once the 5 minutes is up, swap papers with another writer. If you're using Zoom, or working online, send it to each other in a private chat. Now the other person spends 8 minutes rewriting the scene to make the protagonist as active as possible. This might include:

Read both scenes together. Which makes you want to keep on reading?

If you're doing this as a solo writing exercise, simply complete both parts yourself.

• Showing the emotion this evokes.
• Getting them to disagree with the other character.
• Showing how they respond physically (whether it's as a physical manifestation of how they feel, or a dramatic gesture to make a point).

Overcoming writer's block

Are you staring at a blank page or stuck for any story ideas? This exercise will help anyone who's experiencing writer's block with a particular piece of writing. If this isn't you, that's great, others will value your input!

If anyone has a particular scene they're stuck with (a pool of blood on the floor they have no explanation for, a reason why the rich lady just walked into a particular pub, etc.) then at the start of the exercise everyone briefly describes their scenes (if working online with a large group, typing it into the chat might be best). Everyone then chooses one scene to use as a writing prompt to write a short story for 10-15 minutes.

Afterwards, split into small groups if necessary, and read out how you completed someone else's writing prompt. As everyone listens to everyone else's ideas, this can be a wonderful source of inspiration and also improves your writing. As an alternative solo exercise, try free writing. With free writing, simply write as quickly as you can on the topic without editing or censoring yourself - just let your creative juices flow. If you're not sure what happens next, brainstorm options on the page, jot down story ideas, or just put, "I don't know what happens next." Keep going and ideas will come.

Writing Character Arcs

There are several different types of character arc in a novel, the 3 most common being:

For this exercise choose either a positive or negative character arc. Spend 8 minutes writing a scene from the start of a novel, then 8 minutes writing a scene towards the end of a novel showing how the character has developed between the two points. Don't worry about including how the character has changed, you can leave that to the imagination.

The point here is to capture the essence of a character, as they will be the same, but show their development.

• Positive  - Where a character develops and grows during the novel. Perhaps they start unhappy or weak and end happy or powerful.
• Negative  - Where a character gets worse during a novel. Perhaps they become ill or give in to evil tendencies as the novel progresses.
• Flat  - In a flat character arc the character themself doesn't change much, however the world around them does. This could be overthrowing a great injustice, for example.

Sewing Seeds in Your Writing

In this exercise, we will look at how to sew seeds. No, not in your garden, but in your story. Seeds are the tiny hints and indicators that something is going on, which influence a reader's perceptions on an often unconscious level. They're important, as if you spring a surprise twist on your readers without any warning, it can seem unbelievable. Sew seeds that lead up to the event, so the twists and turns are still surprising, but make intuitive sense. Groups : Brainstorm major plot twists that might happen towards the end of the novel and share it in a Zoom chat, or on pieces of paper. Choose one twist each. Individuals : Choose one of the following plot twists:   -  Your friend is actually the secret son of the king.   -  Unreliable narrator - the narrator turns out to be villain.   -  The monster turns out to be the missing woman the narrator is seeking.   -  The man she is about to marry happens to already have a wife and three kids.

Write for ten minutes and give subtle hints as to what the plot twist is. This is an exercise in subtlety. Remember, when the twist occurs, it should still come as a surprise.

This is a fun writing activity for a small group. You’ve found a magic potion labelled ‘Cat Chat’ and when you drink it, you turn into whichever animal you’re thinking about; but there’s a problem, it also picks up on the brainwaves of other people near you!

Everyone writes down an animal in secret and then reveals it to the other writers.  The spell will turn you into a creature that combines elements of all the animals.  Each person then spends 5 minutes writing down what happens when they drink the potion.

After the 5 minutes is up, everyone shares their story with the other participants.

If you enjoy this exercise, then you may also want to check out our  Fantasy and Sci-Fi writing prompts  full of world building, magic, and character development prompts..

Joe Brainard wrote a novel called:  I Remember It contains a collection of paragraphs all starting with “I remember”.  This is the inspiration for this exercise, and if you’re stuck for what to write, is a great way to get the mental gears turning.  Simply write “I remember” and continue with the first thing that pops into your head.

Spend 5 minutes writing a short collection of “I remember” stories.

Here are a couple of examples from Joe Brainard’s novel:

“I remember not understanding why people on the other side of the world didn't fall off.”

“I remember waking up somewhere once and there was a horse staring me in the face.”

Giving feedback to authors

If you're running a workshop for more experienced adult authors and have at least an hour, this is a good one to use. This is the longest exercise on this page, but I felt it important enough to include.

Give each author the option to bring a piece of their own work. This should be double spaced and a maximum of 3 pages long. If you're running a workshop where not everyone is likely to bring a manuscript, ask everyone who wants to bring one to print two copies each. If someone forgets but has a laptop with them, the reader can always use their laptop.

Print out a few copies and hand them around to everyone in the workshop of the guide on: 'How to give constructive feedback to writers'

Each author who brought a sample with them then gives them to one other person to review. They write their name on the manuscript in a certain colour pen, then add any comments to it before passing it to a second person who does the same (commenting on the comments if they agree or disagree).

Then allow 5 minutes for everyone to discuss the feedback they've received, ensuring they are giving constructive feedback.

The Five Senses

Painting by Giovanni Battista Manerius -  The Five Senses

Choose a scene and write it for 5 minutes focusing on one sense, NOT sight. Choose between:

Hearing  Taste Smell Touch

This can be internal as well as external (I heard my heartbeat thudding in my ears, or I smelt my own adrenaline).

After the 5 minutes stop and everyone reads it out loud to each other. Now write for another 5 minutes and continue the other person's story, but do NOT use sight OR the sense they used.

You can use any sense to communicate the essentials, just focus on creating emotions and conveying the story with the specific sense(s).

If you need some writing prompts, here are possible scenes that involve several senses:

• Climbing through an exotic jungle
• Having an argument that becomes a fight
• A cat's morning
• Talking to someone you're attracted to

Show don't tell

2 or 3 people

A lot of writing guides will advise you to, "Show, don't tell". What does this actually mean?

If you want to evoke an emotional reaction from your reader, showing them what is happening is a great way to do so.  You can approach this in several ways:

Split up into pairs and each person writes down a short scene from a story where they "tell" it.  After this, pass the description of the scene to your partner and they then have 5 minutes to rewrite it to "show" what happened.  If there are an odd number of participants, make one group of three, with each person passing their scene clockwise, so everyone has a new scene to show.  After the 5 minutes, for small groups everyone reads their new description to everyone else, or for large groups, each person just reads their new scene to their partner.

• Avoid internal dialogue (thinking), instead have your protagonist interact with other people, or have a physical reaction to something that shows how s/he feels.  Does their heart beat faster?  Do they notice the smell of their own adrenaline?  Do they step backwards, or lean forwards?
• Instead of using an adjective like creepy, e.g. "Mary entered the creepy house", show why the house is creepy through description and in the way the protagonist responds - "The light streamed through the filthy skylight, highlighting the decomposing body of a rat resting on top of it.  As Mary stepped inside, she felt a gust of freezing air brush past her. She turned, but there was nothing there..."

World building

World building is the art of conveying the magic of living in a different world, whether it's a spaceship, a medieval castle, a boat, or simply someone's living room. To master world building, it's not necessary to know every intricate detail, rather to convey the experience of what it would be like to live there.

Choose one of the above images as a prompt and spend 10 minutes writing a scene from the perspective of someone who is seeing it for the first time. Now, move your character six months forward and imagine they've spent the last six months living or working there. Write another scene (perhaps with an additional character) using the image as a background, with the events of the scene as the main action.

Click the above image for a close-up.

Gossiping about a character as if they're a friend.

Judy Blume says that she tells her family about her characters as if they’re real people. 

Chris Claremont said, "For me, writing the 'X-Men' was easy - is easy. I know these people, they're my friends." 

Today’s exercise has 2 parts. First, spend 5 minutes jotting down some facts about a character you’ve invented that might come up if you were telling your friends about them. Either choose a character in something you’ve already written, or invent one from scratch now.

Answer the questions:

What are they up to? How are they? What would you say if you were gossiping about them?

Then split up into groups of 4 to 6 writers. 2 volunteers from each group then role-play talking about their character as if they were a friend (perhaps another character in the story).  The other participants will role-play a group of friends gossiping about the character behind their back and ask questions. If you don’t know the answer, invent it!

Degrees of Emotion Game

This is based on an acting game, to help actors understand how to perform with different degrees of emotion.

Ask everyone to write the following 4 emotions:

For groups of 5 or less, write down numbers starting with 1 and going up until everyone has a number, then give them out in order. For groups of 6 or more, divide groups into 3's, 4's or 5's.

Each person has to write a scene where the protagonist is alone and is only allowed to say a single word, e.g. "Banana".  The writer with number 1 should write the scene with a very low level of the emotion (e.g. happiness), number 2 increases the intensity a bit and the highest number writes a scene with the most intense emotion you can possibly imagine.

Once each writer has written about happiness, rotate the numbers one or two spaces, then move onto anger, then fear, then sadness.

It can help to give everyone numbers showing the intensity of the emotions to write about at the start of the exercise, in which case you may wish to print either the Word or PDF file, then use the ones corresponding to 3, 4 or 5 writers.

Everyone shares their scene with the other course participants.

Three birds, one line

The first paragraph of a surprising number of best-selling novels serves multiple purposes. These are to:

• Establish a goal
• Set the scene
• Develop a character

Nearly every chapter in a novel also serves all three purposes. Instead of establishing a goal though, the protagonist either moves towards it, or encounters an obstacle that hinders them from achieving it.

Some books manage to meet all three purposes with their opening lines, for example:  

Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.

J.K. Rowling ,  Harry Potter and the Philosopher's Stone  

A little more than one hundred days into the fortieth year of her confinement, Dajeil Gelian was visited in her lonely tower overlooking the sea by an avatar of the great ship that was her home.

Iain M. Banks ,  Excession  

"We should start back," Gared urged as the woods began to grow dark around them.

George R.R. Martin ,  A Game of Thrones

For this exercise write a sentence or short paragraph that serves all three purposes. If you're already writing a novel, then see if you can do this for the first line in a chapter. If not, choose any combination from the following table:

Blind Date on Valentine's Day (Exercise for Adults)

In pairs one writer spends a minute or two describing a character they're writing about, or alternatively they can describe a celebrity or someone from a work of fiction.  The next writer then describes their character.

The story is that these 2 characters (or in my case, person and alien, as I'm writing a sci-fi) have accidentally ended up on a blind date with each other. Perhaps the waiter seated them in the wrong location, perhaps it's an actual blind date, or perhaps they met in some other fashion the writers can determine.

Now spend 10 minutes discussing what happens next!

A Success (Works best for online groups)

This exercise works best for online groups, via Zoom, for example.  The instructions to give are:

"In a few words describe a success in your life and what it felt like to achieve it. It can be a small victory or a large one."

Share a personal example of your own (mine was watching my homeschooled sons sing in an opera together).

"Once you have one (small or large), write it in the chat.

The writing exercise is then to choose someone else's victory to write about for 10 minutes, as if it was the end of your own book.

If you want to write for longer, imagine how that book would start. Write the first part of the book with the ending in mind."

This is great for reminding people of a success in their lives, and also helps everyone connect and discover something about each other.

Your dream holiday

You’re going on a dream holiday together, but always disagree with each other. To avoid conflict, rather than discuss what you want to do, you’ve decided that each of you will choose a different aspect of the holiday as follows:

• Choose where you’ll be going – your favourite holiday destination.
• Choose what your main fun activity will be on the holiday.
• Decide what mode of travel you’ll use to get there.
• If there’s a 4 th  person, choose what you’ll eat on the holiday and what you’ll be wearing.

Decide who gets to choose what at random. Each of you then writes down your dream holiday destination/activity/travel/food & clothes in secret.  Next spend 5 minutes discussing your dream holiday and add any other details you’d like to include, particularly if you’re passionate about doing something in real life.

Finally, everyone spends another 5 minutes writing down a description of the holiday, then shares it with the others.

A haiku is a traditional Japanese form of non-rhyming poetry whose short form makes it ideal for a simple writing exercise.

They are traditionally structured in 3 lines, where the first line is 5 syllables, the second line is 7 syllables, and the third line is 5 syllables again. Haiku tend to focus on themes of nature and deep concepts that can be expressed simply.

A couple of examples:

A summer river being crossed how pleasing with sandals in my hands! Yosa Buson , a haiku master poet from the 18 th  Century.

And one of mine:

When night-time arrives Stars come out, breaking the dark You can see the most

Martin Woods

Spend up to 10 minutes writing a haiku.  If you get stuck with the 5-7-5 syllable rule, then don’t worry, the overall concept is more important!

See  How to write a haiku  for more details and examples.

Unlike a haiku, which is profound and sombre, a limerick is a light-hearted, fun rhyming verse.

Here are a couple of examples:

A wonderful bird is the pelican. His bill can hold more than his beli-can He can take in his beak Food enough for a week But I'm damned if I see how the heli-can.

Dixon Lanier Merritt, 1910

There was a young lady named Bright, Whose speed was far faster than light; She started one day In a relative way, And returned on the previous night.

Arthur Henry Reginald Buller in  Punch,  1923

The 1 st , 2 nd  and 5 th  line all rhyme, as do the 3 rd  and 4 th  line.  The overall number of syllables isn’t important, but the 3 rd  and 4 th  lines should be shorter than the others.

Typically, the 1 st  line introduces the character, often with “There was”, or “There once was”. The rest of the verse tells their story.

Spend 10 minutes writing a limerick.

Time Travel - Child, Adult, Senior

Imagine that your future self as an old man/woman travels back in time to meet you, the adult you are today.  Alternatively, you as a child travels forward in time to meet yourself as an adult.  Or perhaps both happen, so the child you, adult you, and senior you are all together at the same time.  In story form write down what happens next.

Participants then share their story with other writers either in small groups, or to the whole group.

Focus on faces

Solo exercise.

One challenge writers face is describing a character. A common mistake is to focus too much on the physical features, e.g. "She had brown eyes, curly brown hair and was five foot six inches tall."

The problem with this is it doesn't reveal anything about the character's personality, or the relationship between your protagonist and the character. Your reader is therefore likely to quickly forget what someone looks like.  When describing characters, it's therefore best to:

• Animate them - it's rare that someone's sitting for a portrait when your protagonist first meets them and whether they're talking or walking, it's likely that they're moving in some way.
• Use metaphors or similes  - comparing physical features to emotionally charged items conjures both an image and a sense of who someone is.
• Involve your protagonist  - if your protagonist is interacting with a character, make it personal.  How does your protagonist view this person?  Incorporate the description as part of the description.
• Only give information your protagonist knows  - they may know if someone is an adult, or a teenager, but they won't know that someone is 37 years old, for example.

Here are three examples of character descriptions that leave no doubt how the protagonist feels.

“If girls could spit venom, it'd be through their eyes.” S.D. Lawendowski,  Snapped

"And Ronan was everything that was left: molten eyes and a smile made for war." Maggie Stiefvater,  The Dream Thieves

"His mouth was such a post office of a mouth that he had a mechanical appearance of smiling." Charles Dickens

Spend 5 minutes writing a character introduction that is animated, uses metaphors or similes and involves your protagonist.

If working with a group, then form small groups of 3 or 4 and share your description with the rest of the group.

Onomatopeai, rhyme and alliteration

Today's session is all about sound.

Several authors recommend reading your writing out loud after you've written it to be sure it sounds natural.   Philip Pullman  even goes as far as to say:

"When I’m writing, I’m more conscious of the sound, actually, than the meaning. I know what the rhythm of the sentence is going to be before I know what the words are going to be in it."

For today's exercise, choose the name of a song and write for 10 minutes as if that's the title for a short story. Focus on how your writing sounds and aim to include at least one onomatopoeia, rhyme or alliteration.  At the end of the 10 minutes, read it out loud to yourself, or to the group.

Alliterations

An alliteration example from Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner”

The fair breeze blew, the white foam flew, The furrow followed free; We were the first that ever burst Into that silent sea.

Onomatopoeias

Buzz, woof, quack, baa, crash, purr, beep, belch,...

The alphabet story - creating a story as a group

This is a novel way to write a story as a group, one word at a time.  The first person starts the story that begins with any word starting with “A”, the next person continues the story with a word starting with “B”, and so on.

Keep going round until you have completed the alphabet.  Ideally it will all be one sentence, but if you get stuck, start a new sentence.  Don’t worry if it doesn’t make complete sense!

It can be tricky to remember the alphabet when under pressure, so you may wish to print it out a couple of times, so the storytellers can see it if they need to, this is particularly helpful if you have dyslexics in the group.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Here’s an example of an alphabet story:

A Band Can Dance Each Friday, Ghostly Hauntings In Jail Kill Lucky Men, Nobody Or Perhaps Quiet Rats, Still That Unifies Villains Who X-Ray Your Zebras.

As I mentioned, it doesn’t need to make sense!

A question or two

Small or large groups

The standard format in our group is a short writing exercise followed by an hour and a half of silent writing on our projects.

At one point I felt like we'd done a lot of small group exercises, and wanted to gain an insight into what everyone was working on, so we did the following exercise instead:

Go round the table and ask everyone to briefly talk about their writing.  Each person then asks one or two yes/no questions.

Everyone responds either by raising their hand for 'yes' or shaking their heads for 'no'. You can also leap up and down to indicate a very strong 'yes'.

Questions can be about anything, and you can use them either to help guide your writing or to help find other people in the group who have similar interests.

Here are some random examples you might ask:

• I want to write a romance novel and am considering setting it in Paris, a traditional romantic setting, or Liverpool which is a less obvious setting. Who thinks Liverpool would be best?
• I need to know more about the life of a farmer. Has anyone got farming experience who I can interview in exchange for a drink?
• My character gets fired and that night goes back to his office and steals 35 computers. Does that sound realistic as the premise of a story?

This works best when you give participants some advance notice, so they have time to think of a question.

Murder Mystery Game

Groups of 3 or 4

This exercise takes 20-30 minutes and allows participants to create a murder mystery outline together.

Phase 1 (3 minutes)

• Split into groups of 3 or 4
• Decide as a group where the murder occurs (e.g. the opera house, a bar, a casino)
• Decide one person who will write the details of the victim and the murder itself.  Everyone else writes the details of one suspect each.
• The ‘victim author’ then invents a few extra details about the scene of the crime, who the victim was (a teenage punk, an adult opera singer, etc.) and the murder weapon and summarises this to the others.

Phase 2 (10 minutes)

Each person then writes a police report as if they are either describing the scene of the crime, or recording the notes from their interview with a single suspect:

Write the following:

• 1 line description of the victim.
• When they were last seen by a group of witnesses (and what they were doing).
• How the murder occurred in more detail based on the evidence available.

Write the following (from the perspective of the investigator):

• 1 line description of the suspect
• What they said during the interview (including what they claim to have doing when the murder occurs).
• A possible motivation (as determined by the police from other witnesses).

Phase 3 (5 minutes)

• Each person reads out their police reports to the other members of their small group
• As a group, decide who the murderer was and what actually happened

See more ideas on  creating murder mystery party games

The obscure movie exercise

Pick a famous movie and spend 5 minutes writing a scene from it from an unusual perspective.  Your aim is to achieve a balance between being too obscure and making it too obvious.  Feel free to add internal dialogue.

At the end of the 5 minutes, everyone reads their movie scene to the others and all the other participants see if they can guess what the movie is.

How to hint at romantic feelings

Write a scene with two people in a group, where you hint that one is romantically interested in the other, but the feelings aren’t reciprocated.

The goal of this exercise is to practice subtlety. Imagine you are setting a scene for the future where the characters feelings will become more important. Choose a situation like a work conference, meeting with a group of friends, etc. How do you indicate how the characters feel without them saying it in words?

Some tips for hinting at romantic feelings:

• Make the characters nervous and shy.
• Your protagonist leans forward.
• Asks deeper questions and listens intently.
• Finds ways to be close together.
• Mirrors their gestures.
• Gives lots of compliments.
• Makes eye contact, then looks away.
• Other people seem invisible to your protagonist.

A novel idea

Take it in turns to tell everyone else about a current project you’re working on (a book, screenplay, short story, etc.)

The other writers then brainstorm ideas for related stories you could write, or directions your project could take.  There are no right or wrong suggestions and the intention is to focus on big concepts, not little details.

This whole exercise takes around 15 minutes.

Creative writing prompts

Exercise for groups of 3-5

If you're in larger group, split up into groups of 3 or 4 people.

Everyone writes the first line of a story in the Zoom chat, or on paper. Other people can then choose this line as a writing prompt.

For this exercise:

• Say who the protagonist is.
• Reveal their motivation.
• Introduce any other characters

Once everyone's written a prompt, each author chooses a prompt (preferably someone eles's, but it can be your own if you feel really inspired by it.)  Then write for 10 minutes using this prompt. See if you can reveal who the protagonist is, what their motivation is (it can be a small motivation for a particular scene, it doesn't have to be a huge life goal), and introduce at least one new character.

Take turns reading out your stories to each other.

• Write in the first person.
• Have the protagonist interacting with an object or something in nature.
• The challenge is to create intrigue that makes the reader want to know more with just a single line.

Creative story cards / dice

Cut up a piece of paper and write one word on each of the pieces of paper, as follows:

Give each participant a couple of pieces of paper at random.  The first person says the first sentence of a story and they must use their first word as part of that sentence.  The second person then continues the story and must include their word in it, and so on.  Go round the group twice to complete the story.

You can also do this creative writing exercise with story dice, your own choice of words, or by asking participants to write random words down themselves, then shuffling all the cards together.

Alternative Christmas Story

Every Christmas adults tell kids stories about Santa Claus. In this exercise you write a Christmas story from an alternative dimension.

What if every Christmas Santa didn't fly around the world delivering presents on his sleigh pulled by reindeer? What if gnomes or aliens delivered the presents? Or perhaps it was the gnomes who are trying to emulate the humans? Or some other Christmas tradition entirely that we humans have never heard of!

Group writing exercise

If you're working with a group, give everyone a couple of minutes to write two possible themes for the new Christmas story. Each theme should be 5 words or less.

Shuffle the paper and distribute them at random. If you're working online, everyone types the themes into the Zoom or group chat. Each writer then spends 10 minutes writing a short story for children based on one of the two themes, or their own theme if they really want to.

If working alone, choose your own theme and spend 15 minutes writing a short story on it. See if you can create the magic of Christmas from another world!

Murder Mystery Mind Map

In a murder mystery story or courtroom drama, there's often conflicting information and lots of links between characters. A mind map is an ideal way to illustrate how everything ties together.

Split into groups of 3 or 4 people each and place a blank piece of A3 paper (double the size of A4) in the middle of each group. Discuss between you who the victim is and write their name in the middle of the piece of paper. Then brainstorm information about the murder, for example:

Feel free to expand out from any of these, e.g. to include more information on the different characters involved.

The idea is that  everyone writes at the same time!   Obviously, you can discuss ideas, but anyone can dive in and write their ideas on the mind map.

• Who was the victim? (job, appearance, hobbies, etc.)
• Who did the victim know?
• What were their possible motivations?
• What was the murder weapon?
• What locations are significant to the plot?

New Year’s resolutions for a fictional character

If you’re writing a piece of fiction, ask yourself how your protagonist would react to an everyday situation. This can help you to gain a deeper insight into who they are.

One way to do this is to imagine what their New Year’s resolutions would be.

If completing this exercise with a group, limit it to 3 to 5 resolutions per person. If some participants are historical fiction or non-fiction writers, they instead pick a celebrity and either write what their resolutions  will  be, or what their resolutions  should  be, their choice.

Verb Noun Fiction Exercise (Inspired by Stephen King)

Stephen King said, "I believe the road to hell is paved with adverbs, and I will shout it from the rooftops."

He also said, "Take any noun, put it with any verb, and you have a sentence. It never fails. Rocks explode. Jane transmits. Mountains float. These are all perfect sentences. Many such thoughts make little rational sense, but even the stranger ones (Plums deify!) have a kind of poetic weight that’s nice."

In this fiction writing exercise, start by brainstorming (either individually or collectively) seven verbs on seven different pieces of paper. Put those aside for later. Now brainstorm seven nouns. Randomly match the nouns and verbs so you have seven pairs. Choose a pair and write a piece of fiction for ten minutes. Avoid using any adverbs.

It’s the end of the world

It’s the end of the world!  For 5 minutes either:

If working as a team, then after the 5 minutes is up each writer reads their description out to the other participants.

• Describe how the world’s going to end, creating evocative images using similes or metaphors as you wish and tell the story from a global perspective, or
• Describe how you spend your final day before the world is destroyed.  Combine emotion and action to engage the reader.

7 Editing Exercises

For use after your first draft

I’ve listened to a lot of masterclasses on writing by successful authors and they all say variants of your first draft won’t be good and that’s fine. Terry Pratchett and Neil Gaiman summarise it the best:

“The first draft is just you telling yourself the story.”  

Terry Pratchett

“For me, it’s always been a process of trying to convince myself that what I’m doing in a first draft isn’t important. One way you get through the wall is by convincing yourself that it doesn’t matter. No one is ever going to see your first draft. Nobody cares about your first draft. And that’s the thing that you may be agonising over, but honestly, whatever you’re doing can be fixed… For now, just get the words out. Get the story down however you can get it down, then fix it.”

Neil Gaiman

Once you’ve written your first draft, it will need editing to develop the plot, enhance the characters, and improve each scene in a myriad of ways – small and large. These seven creative editing exercises are designed to help with this stage of the process.

The First Sentence

Read the first paragraph of the novel, in particular the first sentence. Does it launch the reader straight into the action? According to  On Writing and Worldbuilding  by Timothy Hickson,  “The most persuasive opening lines are succinct, and not superfluous. To do this, it is often effective to limit it to a single central idea… This does not need to be the most important element, but it should be a central element that is interesting.” Ask yourself what element your opening sentence encapsulates and whether it’s the best one to capture your readers’ attention.

Consistency

Consistency is crucial in creative writing, whether it’s in relation to location, objects, or people.

It’s also crucial for personality, emotions and motivation.

Look at scenes where your protagonist makes an important decision. Are their motivations clear? Do any scenes force them to choose between two conflicting morals? If so, do you explore this? Do their emotions fit with what’s happened in previous scenes?

As you edit your manuscript, keep the characters’ personality, emotions and motivation in mind. If their behaviour is inconsistent, either edit it for consistency, or have someone comment on their strange behaviour or be surprised by it. Inconsistent behaviour can reveal that a character is keeping a secret, or is under stress, so characters don’t always need to be consistent. But when they’re not, there has to be a reason.  

Show Don’t Tell One

This exercise is the first in  The Emotional Craft of Fiction  by Donald Maass. It’s a writing guide with a plethora of editing exercises designed to help you reenergize your writing by thinking of what your character is feeling, and giving you the tools to make your reader feel something.  

• Select a moment in your story when your protagonist is moved, unsettled, or disturbed… Write down all the emotions inherent in this moment, both obvious and hidden.
• Next, considering what he is feeling, write down how your protagonist can act out. What is the biggest thing your protagonist can do? What would be explosive, out of bounds, or offensive? What would be symbolic? … Go sideways, underneath, or ahead. How can your protagonist show us a feeling we don’t expect to see?
• Finally, go back and delete all the emotions you wrote down at the beginning of this exercise. Let actions and spoken words do the work. Do they feel too big, dangerous, or over-the-top? Use them anyway. Others will tell you if you’ve gone too far, but more likely, you haven’t gone far enough.

Show Don’t Tell Two

Search for the following words in your book:

Whenever these words occur, ask yourself if you can demonstrate how your characters feel, rather than simply stating it. For each occasion, can you use physiological descriptors (a racing heart), actions (taking a step backwards) or dialogue to express what’s just happened instead? Will this enhance the scene and engage the reader more?

After The Action

Find a scene where your characters disagree – in particular a scene where your protagonist argues with friends or allies. What happens next?

It can be tempting to wrap up the action with a quick resolution. But what if a resentment lingers and mistrust builds? This creates a more interesting story arc and means a resolution can occur later, giving the character development a real dynamic.

Review how you resolve the action and see if you can stretch out the emotions for a more satisfying read.

Eliminating the Fluff

Ensure that the words used don’t detract from the enormity of the events your character is going through. Can you delete words like, “Quite”, “Little”, or “Rather”? 

Of “Very” Florence King once wrote: “ 'Very' is the most useless word in the English language and can always come out. More than useless, it is treacherous because it invariably weakens what it is intended to strengthen .” Delete it, or replace the word after it with a stronger word, which makes “Very” redundant.

“That,” is another common word used in creative writing which can often be deleted. Read a sentence as is, then reread it as if you deleted, “That”. If the meaning is the same, delete it.

Chapter Endings

When talking about chapter endings, James Patterson said,  “At the end, something has to propel you into the next chapter.”

Read how each of your chapters finish and ask yourself does it either:

• End on a cliff hanger? (R.L. Stine likes to finish every chapter in this method).
• End on a natural pause (for example, you’re changing point of view or location).

Review how you wrap up each of your chapters. Do you end at the best point in your story? Can you add anticipation to cliff hangers? Will you leave your readers wanting more?

How to run the writing exercises

The editing exercises are designed to be completed individually.

With the others, I've always run them as part of a creative writing group, where there's no teacher and we're all equal participants, therefore I keep any 'teaching' aspect to a minimum, preferring them to be prompts to generate ideas before everyone settles down to do the silent writing. We've recently gone online and if you run a group yourself, whether online or in person, you're welcome to use these exercises for free!

The times given are suggestions only and I normally get a feel for how everyone's doing when time's up and if it's obvious that everyone's still in the middle of a discussion, then I give them longer.  Where one group's in the middle of a discussion, but everyone else has finished, I sometimes have a 'soft start' to the silent writing, and say, "We're about to start the hour and a half of silent writing now, but if you're in the middle of a discussion, feel free to finish it first".

This way everyone gets to complete the discussion, but no-one's waiting for ages.  It's also important to emphasise that there's no wrong answers when being creative.

Still looking for more? Check out these creative writing prompts  or our dedicated Sci-Fi and Fantasy creative writing prompts

If you've enjoyed these creative writing exercises, please share them on social media, or link to them from your blog.

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51 Creative Writing Activities For The Classroom: Comics, Prompts, Games, And Pretend Play

January 4, 2024 //  by  Milka Kariuki

Creative writing can be tough for learners of any age. From knowing where to start to establishing the vocabulary to develop their story, there are a bunch of different skills they’ll need to perfect their creative writing pieces. There are so many creative writing activities out there, but which ones are best for your kiddos? Our list of 51 creative writing activities is the perfect place to start looking if you’ve got a creative writing unit coming up! Read on and see which ones might grab your little writers’ attention!

1. Make Your Own Comic Books

We bet your kiddos just love comic books! Let them create their very own in the style of the super popular Diary of a Wimpy Kid books! Encourage your students to come up with their own plot, dialogue, and illustrations to spark their creativity. Even your most reluctant writers will love this fun activity! 

Learn More: Puffin Schools

2. Mad Libs

Using Mad Libs is a super popular way to develop your little creative writers! Use these free printables to get their creative juices flowing as they try to come up with words to fill the gaps to create weird and wonderful new stories. The best thing is that you can use these printables as many times as you like as their answers will be different each time!

Learn More: Teacher Vision

3. Flash Fiction

Flash fiction is a fantastic way to get your kiddies writing creatively while keeping things short and sweet! Use the range you prompts included in this resource to challenge them to write a creative story in less than 100 words. Flash fiction is amazing because your students won’t be overwhelmed by a huge writing task and it also means that your more confident writers will need to focus on the quality of their work, not the quantity! 

Learn More: TES

4. Write a Story Based on the Ending

Test your students’ creativity by providing them with writing prompts that start at the end! In backward story writing, your budding writers will need to plan and pen a story that eventually leads to the ending you give them. This idea is a fantastic way to turn your traditional creative writing lesson on its head and in many ways take the pressure off your kids, as ending their stories is often the most difficult part for them!

Learn More: Teachers Pay Teachers

5. Found Poetry

Your learners will love this fun and creative found poetry activity. You can encourage them to collect words or a group of words from a favorite story or song then write them on a piece of paper or cut them out of a printed page. The overall goal is to have them rearrange the words differently to make an interesting poem with a unique writing style or genre!

Learn More: Homeschooling Ideas

6. Picture Dictionary

A picture dictionary is a brilliant way to support every member of your younger elementary class in their creative writing. The words paired with pictures give your writers a ‘dictionary’ that they can use pretty independently, so your less confident writers or non-native English-speaking students can still access your writing lessons! 

Learn More: Twinkl

7. Creative Journal Writing

Why not start a creative journal with your kiddos? Have them engage in daily journaling activities by giving them a different creative prompt each day. For instance, write a story about what would happen if dogs took over the world or what would you do if you were the security guard at a zoo and someone stole an animal? The fun is never-ending with these prompts!  

Learn More: Think Written  

8. Roll a Story

Roll-a-Story is one of the best ways to help any of your kids who are suffering from a bout of writer’s block! They’ll roll the dice to discover the character, setting, and problem for their story then set to work weaving their creative tale! It could be a story about a wise doctor being chased by a mysterious creature in a casino, or maybe a rich artist losing their wallet in a library. Then it’s up to your students to fill in the gaps!

Learn More: TPT

9. Pass-it-on Story Writing

There’s no telling quite where this fun writing game will end up! Start by writing the first sentence of a story on a piece of paper then pass it around your class, having your kids come up with a sentence that continues the story. The paper is then passed around the whole class until every student has contributed. Finally, once it makes its way back to you, read out your collaborative story to the whole class!

Learn More: Minds In Bloom

10. Picture Writing Prompts

Creative writing prompts activities test not only your little ones’ imaginations but also their ability to craft a story and dialogue from that. Display an intriguing picture prompt for your class and have a discussion about it, recording their ideas. You could discuss what the person or animal in the picture is doing or what they’re thinking, where they think the picture was taken, and much more. They can use your collective notes to inspire their story!

Learn More: Pandora Post

11. What’s the Question?

What’s the Question is a simple, yet super engaging game that requires your young learners to think creatively. Spark their creativity by writing an answer on the whiteboard such as “the moon would explode,” and task your kiddos with coming up with a question to match it. There’ll be lots of laughs as everyone shares what they came up with!

Learn More: That Afterschool Life

12. Creative Writing Printables

This website is absolutely full of quick and fun graphics for children that’ll encourage their creative writing! The cute graphics and simple directions make it an easy bellringer activity for your writing class. Just print out some of these cool sheets and let your students get creative as they write thank-you notes to helpful heroes or finish little cartoon comics!

Learn More: Jarrett Lerner

13. Paint Chip Poetry

Nothing says creative writing quite like figurative language! Grab some of these free paint swatches from your local home improvement store and have your students create metaphors about their chosen color! We love this low-prep activity as once your kids have finished their poems, they’re a ready-made multi-colored display that’ll brighten the walls of your classroom! 

Learn More: Fabulous In Fifth

14. Story Storm Activities

Once again, these Jarrett Lerner activities do not disappoint! Your students will have a blast pretending they are the principal for a day and they’ll get to create their very own rules for the school. Not only will this be an engaging writing exercise that we’re sure they’ll love getting creative with, but it also challenges children to think about why rules in school are important.

Learn More: Tara Lazar

15. Story Bag

Story bags are a fantastic way to destroy any kind of writer’s block! Grab an assortment of random objects from your home or classroom and pop them into the story bag. Next, gather your students around and pull out all the objects in the bag. Can they then write a story connecting all the items? Be sure to leave time to let them share their stories at the end of the lesson!

Learn More: Life Hack

16. Change the Ending

An easy way to ease your kiddos into the writing process is by having them rewrite part of a story. Grab their favorite read-aloud, and challenge them to come up with a new ending! They’ll need to finish the story in a way that makes sense, but aside from that, they can be as creative as they like! Your reluctant readers will like this one as much of the work on setting and characters has already been done! 

Learn More: Make Beliefs Comix

17. Plot Twist Writing Prompts

BUT WAIT – there’s a twist…This fun writing practice is perfect for older middle or high school but could also be simplified for younger students. Write these twist prompts on notecards and have your kids draw one each before letting them go off and write a story around their chosen twist! They’ll be eager to share their finished work with classmates at the end. After all, who doesn’t love a good plot twist?

Learn More: Pinterest

18.  Craft Box Craft

Every kid loves the book The Day the Crayons Quit for its creative narrative about this familiar box of coloring supplies! This extension activity rolls art and creative writing into one! Your students will have fun coming up with dialogue for each of the different crayons and you could even make it into a fun display for your classroom walls!

Learn More: Buggy And Buddy

19. Dialogue Pictures

Personalizing writing activities always makes it more engaging for kids! Print out a picture of yourself with a blank speech bubble, and model how to add in some dialogue. Then, let your kiddos practice speech bubbling with a photo of themselves, a pet, or a favorite celebrity, and have them come up with some interesting things for each of their subjects to say!

Learn More: SSS Teaching

20. Figurative Language Tasting

Your students will be creative writers in no time after practicing their figurative language with food tasting! Not only do tasty treats make this activity incredibly fun, but it also brings the writing process of metaphors and hyperbole to life. Just give each of your kids a few pieces of candy or snacks, and have them practice writing figures of speech relating to each one! They’ll have the words on the tip of their tongue- literally! 

Learn More: It’s Lit Teaching

21. Explode the Moment

One of my favorite writing concepts as a teacher is ‘exploding the moment’. This method is perfect for showing your kiddies that even the smallest moment can be turned into an imaginative, descriptive story! Start by having them brainstorm some ideas and expand on tiny memories like losing a tooth, getting a pet, or making a winning goal in a soccer game!

Learn More: Raise The Bar Reading

22. Round-Robin Storytelling

Round-robin storytelling is the perfect collaborative creative writing activity! This one can be done verbally or in writing, and it challenges your class to build a story using a given set of words. They’ll have a fun and challenging time figuring out how to incorporate each piece into one cohesive story.

Learn More: Random Acts Of Kindness

23. Acrostic Poems

Acrostic poetry is one of the least intimidating creative writing exercises as there are no rules other than starting each line with the letter from a word. Challenge your kiddies to use each letter in their name to write lines of poetry about themselves, or they could choose to write about their favorite food or animal!

Learn More: Surfin’ Through Second

24. Sentence Sticks

This exercise requires minimal prep and can be used in so many different ways. All you’ll need are some craft sticks in which you will write sentences with blanks and word banks. Your young writers can then pull a stick and fill in the blanks to practice creative thinking! Task them with a different goal each time; can they make the sentence silly or sad for example?

Learn More: Liz’s Early Learning Spot

25. Conversation Prompts

These fun prompts require your kids to think creatively and answer a range of interesting questions. They’ll be excited to write stories about waking up with a mermaid tail or describe what is in a mystery package delivered to their doorstep! These creative prompts are perfect for bellringers or transitions throughout the school day!

Learn More: Twitter

26. Pretend Play Writing

Do you remember playing with fake money and fake food when you were younger? This idea takes it a step further by incorporating some writing practice! All you’ll have to do is print the templates for dollars, shopping lists, and recipes then let your little learners have fun with these play-pretend writing ideas!

Learn More: Prekinders

27. Question Cubes

Your class will be on a roll with these amazing question cubes! Whether the cubes are used for responding to a story, brainstorming the plot of a story, or practicing speech and listening, they are an easy, affordable tool for your little readers and writers! You can snag some foam dice at the dollar store and hot glue questions on each side to spark some creative writing ideas for your class.

Learn More: A Love 4 Teaching

28. Balderdash

Not only is Balderdash an addicting board game, but it can even be used in the classroom! Your little learners will have a blast as they create made-up, imaginative definitions for words, important people, and dates. Whoever guesses the real answer out of the mix wins the points!

Learn More: EB Academics

29. Two Sentence Horror Story

This creative writing exercise is best for older students and would be a great one to try out around Halloween! You’ll be challenging your learners to write a story that runs chills up their readers’ spines, but there’s a twist…the story can only be two sentences long! Your kiddos will love writing and sharing their writing to see who can come up with the spookiest short story!

30. Telephone Pictionary

Another game that your kids will be begging to play over and over again is telephone pictionary! The first player will write down a random phrase, and the next person must draw their interpretation of the phrase. The third player will write what they think the picture is and so on!

Learn More: Imagine Forest

31. Consequences

You need at least two players for this fun creative writing game. Each pair or group of kids will start by having one person write a random phrase and conceal it by folding the paper. Then, they pass it to the next student to fill in the blank using the prompt. Once all the blanks are filled in, let them unfold the paper and get ready to reveal some seriously silly stories!

32. Story Wands

​​Story wands are a fun way to have your kids respond to stories and study what makes something their favorite. Responding to what they’re reading is a super helpful exercise in preparing them for creative writing as it allows your students to connect to their favorite stories. By figuring out what elements make stories great, this is sure to help them in their own creative writing assignments!

Learn More: Little Lifelong Learners

33. The Best Part of Me

Probably my favorite creative writing activity, this one is infused with social-emotional learning and self-esteem building! Let your students get to choose their favorite physical characteristics about themselves; whether it be their eyes, hands, feet, etc. Then, they take a picture to attach to their written reasoning! Make sure to boost the creative element of this writing task by encouraging your learners to use a bunch of adjectives and some figurative language!

Learn More: Sarah Gardner Teaching

34. Me From A-Z

Challenge your kiddos to get creative by coming up with 26 different words to describe themselves! Me From A-Z gives your students the opportunity to explore who they are by coming up with words describing them in some way using each letter of the alphabet. Why not let them decorate their lists and turn them into a display celebrating the uniqueness of each of your class members?

35. How to Make Hot Chocolate

How-to writing is a great way to get the creative writing wheels turning in your kiddies’ brains! They’ll have a fun time coming up with their instructions and ways to explain how to make hot chocolate! Do they have a secret recipe that’ll make the best-ever hot cocoa!? Once they’ve written their instructions, be sure to try them out and do a taste-test of their recipes!

Learn More: Teacher Mama

36. Give Yourself a Hand

Hands up if you love this idea! For this creative writing activity, have your little ones trace their hand on a piece of paper and decorate it with accessories. Then, encourage them to write a list of all the different things they do with their hands all over their tracing! This is a great warm-up to get the creative gears turning.

Learn More: Write Now Troup

37. Word Picture Poem

A word picture poem is a fantastic way to challenge your kids to write descriptive poetry about a common object! Your little poets will learn to find beauty in ordinary things and strengthen their sensory language skills and their vocabulary. For some added fun, you can even task them with writing a short story about the item as well! The results are sure to be fun to read!

Learn More: Teaching With Terhune

38. Shape Poem

Shape poems are some of the most creative poetry as they combine words and art into one! First, your young poets can choose an object to use as their muse and lightly trace an outline onto some paper. Then, they’ll write words along the outlined shape in the form of a poem that describes the object! The result is a bunch of fun and striking poems that’ll look great displayed around your classroom!

39. Crazy Hair Poetry

Here’s another one that combines writing and art! Start by guiding your kiddos in drawing a self-portrait then adding some crazy hair by blowing watercolor paints around! After the paint dries, have your kids come up with a short but creative poem describing their hair art.

Learn More: Grade School Giggles

40. Fingerprint Poetry

Nothing is more creative than getting your kiddies to let down the barriers in their mind and tap into their stream of consciousness! Show them how to pick a topic and then let their words flow straight from mind to paper in a swirling pattern. This fingerprint idea can be used for a get-to-know-you activity as well!

Learn More: Kristen Dembroski

41. Doggie Haiku Poems

Put a fun twist on classic haiku poetry! Your students will have a paw-some time writing three-line poems about dogs which they can then illustrate afterwards! Before starting the activity, you can use Dogku by Andrew Clements as a read-aloud to get your class hooked on this idea!

Learn More: Teaching Fourth

42. Fractured Fairy Tale

Ever wondered if the Big Bad Wolf was framed? Or if Sleeping Beauty was actually a snorer? Your writers in training will have a fun time taking a classic fairytale and putting their own spin on it! Following five simple steps, your kids will be funky fairytale authors in no time!

43. Letter Writing

These creative letter-writing prompts are sure to boost your kiddies’ imaginative writing skills! Whether writing to a pen pal or a favorite celebrity, letter writing is a great way to practice handwriting, word flow, descriptive language, and communicating all rolled into one! Have your writers grab their pencils and let the creativity flow as they write fun response letters to these prompts!

44. Hersey’s Kisses Similes

Teach sensory language and similes by connecting this tasty treat with the sense of taste! Your students will have a lovely time brainstorming how chocolate connects to each of our senses and applying that knowledge by writing some sweet similies! What a fantastic way to teach them how to use these essential creative writing tools!

Learn More: Teacher By The Beach

45. Sensory Poetry

Another great way to teach sensory details is to have your learners write poems about their favorite foods! Task them with writing a line for each sense to describe the food! Everyone will be hungry after this creative writing lesson so it might be a good idea to have some snacks on hand!

Learn More: Mrs. Tice’s Class

46. Season Personification

Each season of weather has an array of characteristics making this the perfect activity to practice personification in creative writing! Allow your little writers to choose a season to write about as if it were a person with human characteristics. Winter is a no-brainer! It’s Elsa!

Learn More: Write Shop

47. Class Book of Character Traits

To be creative writers, your kids need to know how to create realistic characters for their stories. For this class book, you’ll start by giving each student two opposing character traits. Next, have them demonstrate these traits by illustrating two characters and displaying them through dialogue!

Learn More: Crafting Connections

48. Socialgrams

With Instagram being all the rage these days, your kiddos will have a fun time creating a ‘socialgram’ on paper! Challenge them to create a descriptive and engaging caption to go along with their “photo” in the post. Then, classmates can comment on each other’s work! 

Learn More: Breezy Special Ed

49. Story Introduction Worksheets

Creative writing worksheets are a simple, minimal-prep tool to use in your creative writing units. Print out a variety of options, and have your kids practice their skills by finishing imaginative story introductions. By giving them a place to start their story, you can really take the pressure off your kids which will help ease them into the creative writing process!

Learn More: Lanternfish ESL

50. Dialogue Worksheets

Here’s another low-prep option for the last-minute planners! Pre-written dialogue can help guide the mood of the story and allow your kiddies to just focus on filling in the characters’ actions. This is also a great way to model how dialogue is spaced out and balanced in a story!

Learn More: ESL Writing Worksheets

51. Character Trait Posters

In this personalized character trait activity, your students will create a poster of themselves and label it with a bunch of different character traits. Descriptive, interesting characters are what make a story captivating, so this is a great introduction to understanding characters and their physical as well as personality traits! This is an activity that’s sure to help them build a strong foundation for their creative writing skills to build from!

Learn More: Life In First Grade

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Posts • Writing Techniques and Tips

Posted on Dec. 20th, 2021

50 fun group writing exercises

'Fill in the blank' writing exercises are fun to do in a group. Writing exercises with some set parameters highlight the diverse, interesting ways different writers interpret and respond to the same prompts. Try one of 50 'fill in the blank' creative writing prompts below, and share your creativity in the comments or tag @NowNovel if sharing your version on social media.

The group writing exercises

The first prompt was a prompt for a contest to win a place on our Group Coaching writing course .

Contest prompt

Every year, I'd made a resolution not to ever __ again. Yet by January 20th I’d already __ and __.

Entries were voted on blind by a panel of four from the Now Novel team, and the winner was Ethan Myers with this entry:

Here are 49 more prompts to enjoy and stimulate creative ideas:

Writing exercises featuring scene-setting

On leaving As soon as I turned 18, I left__. It was a town of__and__ .

On arrival I walked through the arched entryway and my jaw dropped. Everywhere you looked there were__. Marco Polo himself could never have imagined__.

The first time It was my first ever flight. I was__. Then a__ sat down next to me, turning to me and asking, "__?"

Compare and contrast My hometown was__. When I got to__, a college town, the first thing I noticed was__.

Use the senses The minute you entered, you could smell __. Paired with the sound of __, it was unmistakably home.

Be specific The home we'd rented for the holidays was neither__ nor__, contrary to the listing. Yet my younger brother was delighted when we found__.

Build a bucket list I'd always wanted to go to__. I'd read so much about its__, though nothing had prepared me for__.

Create a world In the books I had read as a kid, portals were gateways to worlds where __. Yet here, I was surprised to find a__.

Outside/inside Outside, the sounds of__ filled the air__. Yet inside, the 19th Century __was like another world, full of strange __.

Group writing exercises featuring conflict

Lovers' quarrel We thought it would be a romantic getaway to Rome. Then__. By the end of the day, hot and fed up, we__.

A troubling lookout He climbed the watchtower, yet when he turned to the window, what he saw made him tremble.__.

The duel Many had said that if they were ever to duel, no two could be more equally matched. But what his opponent didn't know was__.

Alien invasion In alien movies, they always blew up The White House or__. So he hadn't expected to be toe to toe with an extraterrestrial having a screamed debate about__.

An assassin As the most skilled contract killer in the kingdom, she knew how to__. Yet nobody knew that she__.

Warring nations It started with a trade embargo. Then the president said that our neighbors' president was a __ with a __. Next thing we knew, __.

Difficult decisions I couldn't decide whether to__ or to__, but it was 4:45 pm and the last train was leaving in five minutes.

Writing exercises using dialogue

Secrets and lies "I never__," he said. Yet I knew he was lying because__.

Surprises "Guess what I have behind my back?" she said. "__?" I guessed. "No!" She held out__.

Confessions "I didn't know how to tell you this ... I__." "I'm glad you told me, now we can__."

Embarrassing family "Your son is very talented, Mr Jones," the__ said. "You say that now. You should have seen when he was 9. He__ and we were told that__."

Thinking aloud "You should__." "What did you just say?" "Did I just say that out loud? I was thinking about__."

Know-it-all "Bet you didn't know__," he gloated. "Bet you didn't know__," I clapped back, full sass.

Bad bard "Shall I compare thee-" I married a thespian. "Shall I compare you to __?" I rolled my eyes.

Writing exercises using simile and metaphor

Wild reactions His face was as __ as a__ after the bug bite and we were all a bit worried.

Comparing the moon The moon is a__ tonight, its thin crescent glowing like a__.

Making abstraction specific My anxiety is like a__ on the first day of school. A__ with a __.

Sound and simile The first minutes the orchestra was like a __, the music shimmering like __. But in the allegro the principal violinist's string broke and the conductor__.

Describing emotions Fear is a__ with a__.

Describing the human voice He had a voice like__, like a__ echoing in a __.

Degrees of comparison The mysterious drink they prepared was sweeter than__. But sweeter still was__.

Writing exercises using different POVs

Fugitive I had run all night, adrenaline keeping fatigue at bay. When I saw__ as dawn broke, I knew__.

Collective They had ways of dealing with dissent. If you dared to go against the clan, you would be__, God help you.

The reader as reader You decide to go to the library. You want to read a book about__. The librarian raises an eyebrow as they run the barcode scanner. "__?" They ask, as you blush.

The group as one That summer, we__ until we couldn't__. We were all in our twenties, and the days were__.

Writing exercise using different moods of the verb

Future perfect tense, indicative mood In several years' time, she will have changed, our__ changing like__.

Present tense, potential mood "They may change their minds," the King says, scowling, "or else we may have to__ and__."

Future tense, subjunctive mood If I should__, then tell everyone I never__.

[See a helpful explanation of verb moods and tenses in Ursula K. Le Guin's Steering the Craft . ]

Writing exercises from creating blanks in books

Colum McCann - Let the Great World Spin We had a short driveway full of__. If we crossed the road, we could stand on__ and__.

Gabriel Garcia Marquez - Love in the Time of Cholera He had returned from a long stay in Paris, where he__, and from the time he set foot on solid ground he__.

Margaret Atwood, Oryx and Crake Jimmy's earliest complete memory was of a huge__. He must have been five, maybe six. He was wearing__.

Virginia Woolf - Mrs Dalloway Her only gift was__. If you put her in a room with some one, up went her back like a cat's; or she__.

Italo Calvino - The Complete Cosmicomics I thought only of the Earth. It was the Earth that caused each of us to__.

David Sedaris - Me Talk Pretty One Day When painting proved too difficult, I turned to__, telling myself__.

Eva Hoffman - Lost in Translation The library is located in a__ street, in an ancient building, which one enters through a__. It is Plato's cave, Egyptian temple, the space of__.

Chimamanda Ngozi Adichie - Half of a Yellow Sun Richard said little at the parties Susan took him to. When she introduced him, she always added__. But they were pleasant to him; they would be to__.

Ursula K. Le Guin - The Left Hand of Darkness I'll make my report as if I told a story, for I was taught__.

Colson Whitehead - The Zone The reunions were terrific and rote, early tutelage in the recursive nature of human experience. "__?" the girlfriends asked as they padded in bearing__, and he'd say "__".

Barbara Kingsolver - The Poisonwood Bible Once every few years, even now, I catch the scent of__. It makes me want to keen, sing,__.

Jorge Luis Borges - Labyrinths He opened a drawer of the black and gold desk. He faced me and in his hands he held__.

Emily Brontë - Wuthering Heights While enjoying a month of fine weather at the sea-coast, I was thrown into the company of a__, a real__.

Find daily writing prompts plus literary device definitions and terms.

Build focus and a steady writing routine, and get help from experienced coaches and editors while connecting with other writers on our 6-month Group Coaching course. Learn more and see what alumni loved.

These exercises look like fun! Sometimes there comes a point when you can't think of anything worth writing. I guess every writer will know what I mean. But with these templates, I can get some inspiration and share whole stories with my friends. Thank you, Jordan.

Daisy Hartwell - Almost 3 years ago

Hi Daisy, I'm glad that you found these ideas inspiring, it's a pleasure. Thank you for sharing your feedback!

Jordan - Almost 3 years ago

I love these! They’re inspiring (although I want to cheat and use them as-is). Lots of material for future fun 😉

Margriet - About 2 years ago

Hi Margriet, thank you! I'm glad you find these writing exercises fun. We can share fill-in-the-blank exercises in the challenge group, that's another idea.

Jordan - About 2 years ago

Thankyou Jordan for these great points.

Dave - Almost 2 years ago

It's a pleasure, Dave. Thank you for reading our blog.

Jordan - Almost 2 years ago

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Engaging Writing Exercises for a Group Setting

by Amelia Winters | Oct 16, 2019 | Useful Resources | 2 comments

Group writing exercises can help get us writers out of our own heads and bring our creative energy into a social situation, which I think we all need sometimes (even introverts like me). So, here are some writing exercises I learned from the Thin Air writers’ festival to help get your creative mind flowing in a group setting.

The Two Lies and a Truth Exercise

In a group, everyone takes a moment to write down two lies and a truth about themselves. Once everyone’s done, each member takes a turn to read their three statements aloud. My three statements were:

I have a pet dog named Dobby.

I grew up overseas in Qatar.

I broke my finger riding a swing when I was a kid.

After reading the statements aloud, everyone votes on which statement they think is the truth. After the person reveals the truth, the group takes some time to discuss why they thought a statement sounded truer than the others. This is a great exercise for exploring what characteristics make for a convincing detail.

The Bad Writing Exercise

This is a fun one. In this exercise, everyone takes a moment to write an intentionally bad description. It’s based on the idea that good writers know when their writing is bad. Without that critical self-awareness, it’s really hard to self-edit and improve your writing. (The psych major in me wants to let you know that this is a legitimate, studied concept: amateurs in a field tend to be unaware of their weaknesses and believe that they are more skilled than they are, whereas experts have the self-awareness to know where the gaps in their skills and knowledge are.)

The exercise is also based on the idea that the line between good and bad writing is very thin. You need to be unafraid of approaching that line so you can be free to experiment and simply write. If you know you can catch bad sentences, you don’t need to wake up each morning afraid that you’ll write one.

You can do this exercise on your own, but I find it much more useful (and entertaining) when you get to hear other people’s sentences too. Once you read the sentences aloud, the group then discusses why the descriptions are bad and how to avoid such cringe-worthy prose. The purpose is to develop your ear for bad writing, even in your own work. (It’s also an inadvertent lesson on the nature of being comically bad.)

Here are some types of bad sentences you could practice writing in a group:

The Terrible Metaphor : My love for you is an eagle flying silently into a purple blot in the sky.

Implausible Emotions : After his divorce, he decided not to be sad, and so he was happy.

Oddly Vague Statements : He was nice and I liked him, but it would be better if he didn’t do that thing.

See what other types you can come up with and discuss what makes them bad descriptions.

The Character Interview Exercise

I’ve saved the best for last. This is my favorite writing exercise from the festival. Fair warning though: this one requires some role-playing. I enjoy acting and guided improvisation, but not everyone does. If you want to try the exercise, make sure everyone in your group is okay doing a bit of acting before you start.

Good dialogue sounds realistic and character-specific, it reveals the character’s personality, and it serves to develop the plot. Doing all those things at once, and doing them well, is really challenging! This is an exercise that uses role-playing to explore what realistic, character-specific dialogue sounds like.

The exercise starts with everyone thinking about a scene from their writing where the protagonist needs to convey something important to another character. Everyone writes down the following:

• the protagonist’s name,
• in first person, what the character’s goal and message is (“I am going to convince my grandma to move out of her house because . . . ”),
• the main statement the protagonist wants to say to the other character (“It’s not safe here anymore. Please come stay with us in town.”),
• and the other character’s name.

Once everyone is done writing, all the group members get comfortable in their chairs, close their eyes, and imagine their character looking at them across a field. They imagine the general details of what the character looks like and as the character walks closer, more specific details become apparent (what necklace she’s wearing, the shape of his nose, the smell of her perfume). Then the group imagines that they are actually looking at themselves in a mirror. Everyone opens their eyes.

Note that this previous step can be done as a mindfulness exercise. If anyone in the group is uncomfortable with that or no one wants to lead the exercise, then keep this step simple. Just tell everyone to imagine what their character looks like and imagine that they are their character.

Once everyone is in the mindset of their character, the actual dialogue can start. One at a time, someone sits at the front of the group facing everyone else in a semi-circle. The group starts interviewing the person who responds as if he is his character. The group usually starts with the basics:

What’s your name?

How old are you?

What’s your occupation?

Where are you from?

The interviewers can then dive into more personal questions:

What is your biggest fear?

Are you happy with your marriage?

What do you need to feel fulfillment?

And be sure to ask about the character’s current situation:

Who are you going to meet?

What do you want to tell them?

Why is this person important to you?

What do you stand to lose if this goes wrong?

Then once the group has a sense of the scene and who the other character is, another group member volunteers to role-play as the other character. The two then go through the scene and improvise what happens.

This is such a great way to study how your character talks and really visualize what it’s like from their mind as they talk with the other character. I recommend making an audio recording of the interview and transcribing the good parts of it later. That way, you can see what your character’s spoken words could look like on the page. Maybe your improvisation skills weren’t that great, but even then, it’s still useful to examine how regular speech transitions to the page.

What do you think of these group writing exercises? Any you’d want to try? Or do you have another good one you’d like to share? We can keep the conversation going in the comments below!

About the Author

I’m Amelia Winters, a professional fiction editor, language nerd, and story aficionado. By night, I chase stories and explore distant worlds through books, role-playing games, and sewing my own historical garments. By day, I journey with authors to help them hone their story craft, elevate their voice, and polish their prose.

To learn more about my editing services, click here .

I made an addition to the bad writing exercise. After each person in my writers group wrote a bad sentence, we then traded sentences and the assignment became: follow the other person’s bad sentence for 10 minutes with writing that attempts to provide a pathway for the bad sentence to become, retroactively, a good sentence.

Nice! That’s a good idea ?.

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Four Creative Writing Games to Get Your Group Started

Last updated on March 17th, 2023 at 07:16 am

This article is part four of a series about starting your own creative writing group/club. Part one is here .  Topics will include giving constructive criticism , running a workshop , and writing games / prompts .

I found that the best way to start a group meeting is a fun game.

Here are my general rules for writing games/prompts:

• Encourage everyone to share their writing, but no one ever has to share. This creates an environment where people feel comfortable. The important thing is doing the exercise. If they decide to share, they must read their prompt aloud so everyone knows what it was.
• Set a time limit. I would generally give everyone five to ten minutes per round to write, and then I would open up for sharing. Once everyone had the opportunity to read their work, I would start another round or move on. This also encouraged people to share. After all, no story is good after five minutes.
• No one ever has to keep their prompt. You’ll notice that all of these games include pulling prompts randomly out of a basket. If someone gets something and they don’t like it, they’re allowed to put it back and pick something else.

I created these games for a teen writing group. However, they’re still fun and can easily be played by adults. I encourage you to try them, and tell me how it goes!

The Inanimate Perspective

My teens loved this one. Write down some nouns on slips of paper and put them in a basket for people to randomly pick out. Write a description or a story from the perspective of the inanimate object, and everyone else will try and guess what your noun was. Your goal is to try to trick your listeners but still give them all the information they need in order to guess. Here are some nouns to get you started: rug, clock, ocean, laptop, rubber band, pencil, applesauce, printer, TV, photograph, bookmark, credit card, comic book, water bottle, tape, playing cards, headphones, bed, trash can, shoes, seed, calculator, blender.

Create a Villain

Write down adjectives on slips of paper and put them in a basket for people to randomly pick out. Pick two adjectives and describe or write a story about a villain that matches those adjectives. You can put back your adjectives, but you must put back both and pick two new ones. Here are some adjectives to get you started: pensive, onerous, arrogant, quiet, sneaky, classy, fumbling, disillusioned, determined, mature, chilly, cautious, tough, nervous, meek, grateful, dull, dysfunctional, selfish, proud, smart, ashamed, self-righteous, sulky, squeamish, weary, delicate, discreet, tactful, silent, outgoing, somber, cowardly, ambitious, elitist, whimsical, cheerful, noisy,  lazy.

Occupation Meet Setting

For this game, you’ll need two baskets. One for various occupations and one for various settings. Pick one from each basket to write a story about a person with that occupation in that setting. You can put back your prompts, but you must put back both and pick two new ones. Some occupations and settings to get you started: doctor/nurse, princess/prince, baker/chef, lawyer, journalist, student, tour guide, server, writer, farmer, secretary, homemaker, scientist, musician, photographer, cave, forest, asylum, desert, airport, cemetery, cottage, library, castle, restaurant, boat/yacht, classroom, office, car, hotel, church.

Photo Character

This is my favorite game. Get a bunch of pictures of people from the internet. There are several places to do this . Mix in pictures of people doing everyday things with people wearing bizarre costumes or doing bizarre things. Print them out and put them in a basket for people to randomly pick out. Write a story about the person or one of the people in the photo. It’s an exercise in character development that garners some pretty funny and unique results.

Do you want access to my templates for these games? Check out my resource library !

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6 Activities for Your Teens’ Writing Club

One of my favorite extracurricular homeschool activities was leading a monthly homeschool writers’ club. We called ourselves “Writing Nerds” because that’s what we were—a group who loved reading and were interested in writing. Our group was made up of junior high and high school homeschoolers. We met for an hour and a half each month. If you like reading and know the basics of fiction writing, consider starting a group with your own homeschoolers.

Here are some activities to get your teens’ writing club started!

5 minute story:.

Give each student each three slips of paper. On the first, they write a character. On the second, they write a setting. On the third, they write a conflict. I had a basket for each (characters, setting, conflict), and they tossed them all in. They drew one slip of paper out of each basket, then they had five minutes to write a story about their character, conflict, and setting. The requirements for the story were:

• Open with dialogue in paragraph #1
• Describe the action in paragraph #2
• Then they could describe the setting in paragraph #3.

After that they could continue with the story as they saw fit. They then read the stories out loud, and they were HILARIOUS! I still remember one was about a nun who had to bail from a plane that was crashing in Paris.

Teaching Dialogue:

To teach dialogue, I used plays, such as mixed-up fairy tales ( here are some free ones!) . We assigned parts and read sections of them out loud. Then I had them write the dialogue of the same characters in a different situation. For example, what if Baby Bear in the three bears showed up at the first day of school and his seat mate was Goldilocks?

Color Coding:

I photocopied the first pages of a novel—such as Kingdom’s Dawn by Chuck Black —and gave everyone a copy and crayons:

• Red for action.
• Green for dialogue.
• Yellow for internal thoughts.
• Orange for description.
• Pink for emotion.

This really helped them see how novels are not just narrative (this happened, then that happened, etc.). Sometimes I had them write their own story following the same “color pattern.” The results were impressive. Sometimes we colored the openings to two different novels and then compared the authors’ writing style.

Snowflake Method:

We used Randy Ingermanson’s Snowflake Method and “plotted” a novel. You can learn more about The Snowflake Method here .

3 Likes + 1 Dislike:

We assigned people to bring short stories or parts of their book to class every week. They had a limit of 1,000 words and they had to make enough photocopies for everyone in class. We passed around the story and gave eight to ten minutes for everyone to read the story. Then everyone went around and shared three things they liked and one thing they didn’t like.

I was the last to comment after everyone was done, and I did the same (but I usually gave two or three suggestions about ways they could improve their story). I was amazed how insightful the students were. The majority of the time they discovered all the “issues” by the time it got to me.

Sensory Exercise:

I had a collection of objects—steel wool, sponge, a plant, coins, etc.—that they could handle, and they had to write descriptions of them. Then they had to use that same description and describe something else—for example, the description for steel wool became the description for a knight’s armor.

Those are a few ideas to get you started. A writing club is so much fun—and educational, too!

Here is a FREE printable to use for your writing club!

More resources:.

Homeschooling for the Rest of Us by Sonya Haskins

Homeschooling 101  by Erica Ardnt

Hope and Refreshment for Homeschooling Parents

Need more ideas and advice on homeschooling? Pick up a copy of Homeschool Basics . Receive tried-and-true homeschool advice from veteran homeschooling moms Tricia Goyer and Kristi Clover. We dish out practical help on getting started and staying the course. Homeschool Basics will remind you that the best homeschooling starts with the heart. Packed with ideas to help you push aside your fears and raise kids who will grow to be life-long learners. Kristi and I believe that homeschooling can transform your life, your home, and your family. Mostly, we believe homeschooling can truly prepare your children for the life God’s called them to live. Don’t let doubts hold you back any longer. Get Homeschool Basics on Amazon Now!

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Thank you this was helpful was researching for my teens.Bless up .

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