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Where are you.

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Common Sense Media Review

Steamy drama attempts visual poetry; language, smoking.

Parents Need to Know

Parents need to know that Where Are You is a mystery told in abstract form. Main character Nicolas (Irakli Kvirikadze) is a fashion photographer, and the movie's cinematography kind of feels like a glossy ad, full of sexy images of conventionally attractive people. Representations of women are deeply…

Why Age 16+?

Steamy sex scenes, including a threesome. Full-body nudity (female and male), bu

Strong language throughout includes "bulls--t," "s--t," and frequent use of "f--

Guns are shown, and a character is shot at close range (presumably killed). Punc

Aspirational characters drink and smoke cigarettes throughout.

Any Positive Content?

Messages abound but feel more like unanswered questions about the root of creati

Characters can be seen as aspirational in their attractiveness and demonstration

A minor Black character rescues the main character and is portrayed positively,

Sex, Romance & Nudity

Steamy sex scenes, including a threesome. Full-body nudity (female and male), but genitals aren't shown. The main character is rampantly unfaithful, even when searching desperately for his missing girlfriend. In another scene, the girlfriend defends his infidelity. A woman tells a man she's just met the story of how she lost her virginity at age 16 to her 31-year-old boyfriend, and this is presented positively.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Strong language throughout includes "bulls--t," "s--t," and frequent use of "f--k."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Violence & Scariness

Guns are shown, and a character is shot at close range (presumably killed). Punch. Dead body. The photographer main character handles his model roughly, mostly indicated by her verbalizing her discomfort, which he seems to ignore. The same character clings to/wraps himself around his girlfriend and doesn't respect her repeated order to stop touching her.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Drinking, Drugs & Smoking

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Positive Messages

Messages abound but feel more like unanswered questions about the root of creativity and the definition of love.

Positive Role Models

Characters can be seen as aspirational in their attractiveness and demonstration of qualities you might like in a friend (supportive) or partner (forgiving), but no one rises to the level of being a clear role model.

Diverse Representations

A minor Black character rescues the main character and is portrayed positively, but there's no meaningful diversity in this film about White European-American characters. Everyone is filmed with a lingering lens that accentuates their conventional attractiveness, and all of the women are thin. Young women seem to exist to fulfill the main character's sexual and romantic desires. And two women who have sex with the main character shortly after meeting him are killed, perpetuating the cinematic cliche that promiscuous girls must pay for their "sins," while male characters are celebrated for their conquests.

Did we miss something on diversity? Suggest an update.

Parents need to know that Where Are You is a mystery told in abstract form. Main character Nicolas (Irakli Kvirikadze) is a fashion photographer, and the movie's cinematography kind of feels like a glossy ad, full of sexy images of conventionally attractive people. Representations of women are deeply concerning: Women only exist here to love Nicolas and serve him sexually. He sleeps with nearly all of the young female characters, sometimes two at a time, and the movie's two middle-age women are depicted as shrews. His girlfriend ( Camille Rowe ), who has no dimension beyond being beautiful, doesn't just accept his infidelity, she defends it. And his sexual flings wind up dead, a weary cinematic cliche. There's nudity -- you'll see next to everything laid bare. Smoking is glamorized, and all of the characters drink. A handgun is photographed with noir-like glamour, and there's a presumably fatal shooting. Strong language is mostly centered on pervasive use of "f--k." To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

Where to Watch

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Parent and Kid Reviews

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What's the Story?

In WHERE ARE YOU, famed photographer Nicolas Yarna (Irakli Kvirikadze) has lost his touch, unable to find the truth in his subjects through his lens. When his girlfriend Matilda ( Camille Rowe ) goes missing, he drops everything to search for her -- and himself. The film is repackaged from the 2019 movie Now Is Everything .

Is It Any Good?

Imagine a 92-minute TV ad for designer perfume, and you've got Where Are You. The title is meant as a question to both the main character and the viewer about their existential state. The film wants to be deep and artsy, and some teens and creative folks may respond to it that way. But for most moviegoers, it's likely to come off as shallow and self-important.

The actors, many of them models, are filmed longingly (again, like a high-fashion ad). Scenes are presented like montages, with the camera swooping in from all angles, sometimes layering in versions of the same moment and the same dialogue -- not unlike a Terrence Malick movie. This attempt at visual poetry doesn't exactly make for a satisfying dramatic experience, but cinematographer Dante Spinotti creates such a resplendent aesthetic that it's likely Where Are You will live forever on the TV screens of nightclubs ... with the sound off.

Talk to Your Kids About ...

Families can talk about who the main character is in American Murderer . Are viewers meant to root for him? Why, or why not? Do you think he deserves viewers' sympathy?

Do you think the movie's representation of women is honest and accurate? How does entertainment inform our own behaviors and actions? What might viewers take away about what's acceptable or expected behavior for women?

Talk about the importance of self-expression through creativity and art. What are the benefits? What are some tips to get your creativity going if you're experiencing a block?

Movie Details

• In theaters : October 21, 2022
• On DVD or streaming : October 21, 2022
• Cast : Anthony Hopkins , Irakli Kvirikadze , Camille Rowe
• Directors : Valentina De Amicis , Riccardo Spinotti
• Inclusion Information : Female directors, Female actors, Female writers
• Studio : Gravitas Ventures
• Genre : Thriller
• Run time : 95 minutes
• MPAA rating : NR
• Last updated : June 21, 2023

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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Where Are You

By Alex Saveliev | August 13, 2021

LOCARNO FILM FESTIVAL 2021 REVIEW! “There are no meanings,” a character proclaims in Valentina De Amicis and Riccardo Spinotti’s abstract psycho-drama  Where Are You . “Words are just words.” Some will certainly view this film as just that: all sound and fury signifying nothing, or, to be fair, purporting things that have already been conveyed cinematically numerous times before. There’s no denying, however, its haunting vibes and stunning imagery. The filmmakers attempt to deconstruct the plight of a tortured, arrogant, beautiful Artiste, and in doing so, the production becomes somewhat of a tortured, arrogant, beautiful experience.

Nicolas (Irakli Kvirikadze) is a successful Italian photographer residing in Los Angeles. His subjects tend to be attractive young women, whom he frequently beds. But then there’s the alluring, mysterious muse Matilda (Camille Crowe), “an artist who writes poems,” who infiltrates his world. But the death of a close friend sends the already-pompous Nicolas into a hubristic frenzy. So Matilda disappears, leaving him a note to forget her.

From this point on, an impressionistic, fragmented narrative that somehow holds all the disparate threads together slides into complete dream logic. Nicolas receives clues, like a note scribbled in lipstick on a mirror or a meeting with an enigmatic stranger, Thomas (Anthony Hopkins), who serves him with some truth: “You say you’re interested in people, but you’re cut off from yourself.” Images and apparitions of other women (some dead) torment the photographer, ultimately leading him to Joshua Tree National Park, where he may or may not obtain closure.

“…receives clues, like a note scribbled in lipstick on a mirror or a  meeting with an enigmatic stranger …”

Imagine Nicolas Winding Refn and Terrence Malick birthing a cinematic offspring, and you’ll get a pretty good idea of what to expect with  Where Are You . The synthwave score, neon colors, sparse and surreal tone are all pure Refn, while the elegiac, sweeping camerawork and editing-as-poetry certainly bring to mind Malick. From a technical perspective, the film’s a marvel. Stalwart cinematographer Dante Spinotti’s stunning imagery buoys the narrative, infusing it with vivaciousness, sophistication, and purpose. As a coherent story, however, it lags, rushing during the second half, undermining the first’s built-up artistry and sustained mood.

The filmmakers embrace the surreal nature of the story with constant intercutting between sequences and timelines, jarring edits, mismatched dialogue mixing, and so forth. Those stylistic flourishes work (for the most part). Still, when  Where Are You  attempts to reconcile its inner and outer visions by sending its protagonist into a frankly clichéd and underdeveloped journey into the heart of darkness, it all starts to grate fast. What was sensual and deeply erotic becomes perfunctory. Abstract, intriguing notions like “are we defined by what we do?” morph into bland ruminations on control and snobbery.

Kvirikadze does a fine job as the lead, although he’s somewhat impenetrable (purposefully so). Crowe is pure magic: alluring and enigmatic, she convinces as a goddess-like muse that could drive someone as conceited as Nicolas to extreme measures. Hopkins appears for five minutes, sprinkles some gravitas onto the narrative, and disappears. Who Thomas is and what purpose he serves is up to interpretation.

Sensual, erotic, pretentious, and uneven,  Where Are You  touches upon something visceral but never quite functions as a searing indictment, a surreal treatise, or a penetrating character study. Best to accept the film for what it is: a tortured Artiste, splashing vibrant paint on a canvas, hoping that using tears instead of water will add meaning to the end result.

Where Are You  screened at the 2021  Locarno Film Festival .

Where Are You (2021)

Directed and Written: Valentina De Amicis, Riccardo Spinotti

Starring: Irakli Kvirikadze, Camille Crowe, Anthony Hopkins, Madeline Brewer, Angela Sarafyan, Melora Walters, etc.

Movie score: 6/10

"…haunting vibes and stunning imagery."

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Anthony Hopkins & Camille Rowe in Thriller 'Where Are You' Trailer

by Alex Billington October 5, 2022 Source: YouTube

"You know what I see? Fear!" Gravitas Ventures has revealed a trailer for Where Are You , a psychological thriller mystery about a photographer. This initially premiered at the 2021 Locarno Film Festival last year, but made no impact and earned no buzz. Now it's being dumped on VOD later this month. A photographer experiencing an artistic decline begins taking his aggressions out on his super attractive artist girlfriend. When she cryptically disappears, he enters his own subconscious, descending down a spiral of mystery and madness on his search for her, as well as himself. The film's ensemble cast features Anthony Hopkins , Camille Rowe , Irakli Kvirikadze , Ray Nicholson , Angela Sarafyan , Mickey Sumner , Melora Walters , Christopher Ashman , Brad Greenquist , and Madeline Brewer . This is a very strange out-of-the-90s trailer that sells it like a "coming to Saturday night TV" movie special. Doesn't seem that exciting.

Here's the trailer (+ poster) for Riccardo Spinotti & Valentina De Amicis's Where Are You from YouTube :

A grieving photographer searches through the eyes of his girlfriend through the eyes of his subconscious. Where Are You is the story of a famous fashion photographer, Nicolas Yarna (Irakli Kvirikadze), who struggles with his creativity. Now adrift and isolated, a mysterious call from a stranger lures Nicolas into a fever dream-like journey in search of his girlfriend, Matilda. This forces Nicolas to discover his own truth, a truth he was once renowned for capturing in his celebrated photographs. Where Are You is co-directed by filmmakers Riccardo Spinotti & Valentina De Amicis , both director of the movie Now Is Everything previously. The screenplay is written by Valentina De Amicis, Matt Handy, Riccardo Spinotti. Gravitas will release Where Are You in select US theaters + on VOD starting October 21st, 2022 this fall.

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‘indiana jones and the great circle,’ ‘borderlands 4’ & more trailers from gamescom opening night live, anthony hopkins, camille rowe, madeline brewer & more starring in indie drama ‘where are you’.

By Tom Grater

Senior Reporter & Deputy Film Editor, International

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EXCLUSIVE: Anthony Hopkins , off the back of securing his sixth Oscar nomination for The Father , is leading the cast of indie drama Where Are You , starring alongside model and actor Camille Rowe, Madeline Brewer ( The Handmaid’s Tale ), Angela Sarafyan ( Westworld ), Mickey Sumner ( Snowpiercer ), and Ray Nicholson ( Promising Young Woman ).

Pic is co-directed by Valentina De Amicis and Riccardo Spinotti from a screenplay by Amicis, Spinotti and Matt Handy. The film centers on a photographer experiencing an artistic decline who begins taking his aggressions out on his artist girlfriend. When she cryptically disappears, he enters his subconscious, descending down a spiral of mystery and madness on his search for her, as well as himself.

Marcella and Dante Spinotti (two-time Oscar-nominated cinematographer of L.A. Confidential and The Insider ) produced the film alongside Carte Blanche’s Kyle Stroud ( In Full Bloom ) and Rocco Bovo. Heather Kritzer also produced, with Markus Bishop-Hill and Stephanie Rennie serving as executive producers.

Watch on Deadline

Also in the cast are Melora Walters ( Magnolia ), Brad Greenquist ( Ali ), Rita Taggart ( Mulholland Dr .), and Georgian-American actor Irakli Kvirikadze. Spinotti also lensed the movie. Crew included four-time Oscar-winning costume designer Colleen Atwood ( Chicago ). The pic shot under-the-radar and is now in post-production ahead of going to market.

Anthony Hopkins is repped by UTA. Camille Rowe is repped by CAA and Management 360. Madeline Brewer is repped by CAA, Inphenate and her lawyers Schreck Rose Dapello Adams Berlin & Dunham. Angela Sarafyan is repped by Innovative Artists and Management 360. Mickey Sumner is repped by UTA and Barking Dog Entertainment. Ray Nicholson is repped by Sugar23.

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Where Are You? Reviews

• 1 hr 44 mins
• Watchlist Where to Watch

A young man struggles for survival and understanding under desperate circumstances in this independent drama from filmmaker Masahiro Kobayashi. Kawai (Yuto Kobayashi) is a teenager who grew up poor in a wealthy part of Japan; he never knew his father, and his mother has become gravely ill. Kawai has a job at a grocery store, but with his mother in the hospital, he's found it all but impossible to keep up with the bills, and as his mother's condition worsens, Kawai lives in a flat without heat or electricity. Kawai has been stealing food from work in order to eat, and when a friend informs on him to his boss, he's fired shortly before his mother's death. Stealing her body from the hospital, Kawai gives her a primitive burial by sending her remains to sea in a boat, and he sets out to Tokyo in search of a figure from his past. Where Are You? was the first feature film for leading man Yuto Kobayashi, who is the son of director Masahiro Kobayashi.

‘D.B. Cooper: Where Are You?’ documentary finds the right tone, but doesn’t find the hijacker

Endlessly fascinating netflix series considers every theory about the mysterious culprit who commandeered a jet in 1971 and parachuted into infamy..

A sketch of the runaway hijacker known as D.B. Cooper prompted much speculation about his identity.

Even if you don’t know the details of the D.B. Cooper hijacking caper, you might have seen one of a myriad of Cooper references scattered across the pop culture landscape over the years, like so many fluttering dollar bills in the wind.

• In “Loki,” we see the title character on Northwest Orient Airlines 305. He hands the flight attendant a note and says, “I have a bomb.” Later, when Owen Wilson’s Agent Mobius is debriefing Tom Hiddleston’s title character, he exclaims, “I can’t believe you were D.B. Cooper!” Loki replies, “I was young, and I lost a bet to Thor.”
• On “Breaking Bad,” when Walter White enters Saul Goodman’s office for the first time, Walter is wearing a baseball cap and sunglasses. Saul cracks, “Ah, look at you. Should I call the FBI and tell them I found D.B. Cooper?”
• As “Mad Men” was drawing to a close, there was feverish speculation about Don Draper’s shady military history and his wobbly moral compass, and the numerous airplane references throughout the series — all of it meant to imply Don would eventually become D.B. Cooper. (Pretty sure that didn’t happen.)

There was a feature film in 1981 titled, “The Pursuit of D.B. Cooper,” with Treat Williams as the infamous hijacker and Robert Duvall as the investigator who vows to capture him. Cooper was also referenced in a number of novels; the 2004 film “Without a Paddle”; episodes of TV shows such as “Twin Peaks” and “Newsradio,” “Blacklist” and “Drunk History.” And there was an HBO documentary in 2020 titled “The Mystery of D.B. Cooper.”

Now comes the expertly crafted Netflix four-part documentary series asking the question: “D.B. Cooper: Where Are You?,” which once again shines the spotlight one of the great mysteries of all time. Unlike other 20 th century crime stories that horrify us even as they fascinate us — the Green River Killer, Son of Sam, Zodiac, et al. — there’s something almost whimsical about the D.B. Cooper case, because it involved a onetime event in which nobody was hurt. Spoiler alert: If you expect this well-directed and endlessly fascinating series to provide the definitive answer, well, we’ve underestimated D.B. Cooper once again.

In the first episode, titled “Take the Money and Jump,” director Marina Zenovich neatly lays out the details of the case. On Thanksgiving Eve, Nov. 24, 1971, a man in a business suit who had purchased a ticket under the name of “Dan Cooper” boarded a Portland-to-Seattle flight, handed a flight attendant a note saying he had a bomb, opened his briefcase to give her a glimpse of what appeared to be dynamite and stated his demands: $200,000 in cash, four parachutes (in case one was rigged to fail) and a fuel truck standing by in Seattle. The aircraft landed, the passengers were released, an airport executive handed Cooper the cash and the parachutes, the Boeing 727 took off — and Cooper parachuted from the plane, never to be seen again.

With the media misidentifying the suspect as “D.B. Cooper” in early reports and that moniker sticking, the FBI initiated an extensive manhunt and investigation. The sketch released to the public was such an everyman depiction that hundreds of people were certain they knew this guy. Director Zenovich alternates between appropriately grainy-looking re-creations and archival news footage as we meet a number of prime suspects, including Duane Weber, who was living a double life as a career criminal and gave a deathbed confession to his wife; transgender woman Barbara Dayton, a former Merchant Marine who told friends she was D.B. Cooper; Sheridan Peterson, who worked for Boeing; Dick Briggs, who claimed to have been a Special Forces soldier in Vietnam and lived in the area; and the most promising lead of all, one Robert Rackstraw, who checked off more boxes than anyone and was evasive about whether he was Cooper until the day he died.

Author and TV producer Thomas J. Colbert is most prominently featured among the many journalists who became obsessed with finding D.B. and he builds an extensive, elaborate, wide-ranging case that Rackstraw is indeed Cooper — but questions are raised about “confirmation bias,” the tendency to compile information that supports one’s theory.

In the third installment, titled “Seeing Jesus in the Toast,” we dive into some increasingly far-out theories, e.g., speculation Cooper was a former intelligence operative, and the identification of certain “rare earth elements” in a tie recovered from the plane that indicate Cooper might have been working at Boeing, and (sigh) gematria stuff involving converting letters into numbers and ta da! It all means … something. Or nothing. Probably somewhere in between.

As Cooper’s legend grows, the Internet gives rises to an ever-expanding range of theories, with some looking north and claiming the fictional comic book character Dan Cooper, a Royal Canadian Air Force pilot, was the inspiration for the real-life hijacker.

The FBI closed the case against D.B. Cooper in 2016. If Cooper is still out there, he would be at least in his 80s by now. One way or another, he’s long gone, and for once, an unsolved mystery seems like the best possible ending.

Where Are You

Drama , Thriller | 1h 32m

Home » Streaming Service

D.B. Cooper: Where Are You?! review – addictive, a bit of ridiculous fun

Essentially a comedy of errors, D.B. Cooper: Where are You?! is addictive and a bit ridiculous but separates Marina Zenovich’s docuseries from the rest by focusing on the dedicated crackpot sleuths and giving them their due.

Netflix docuseries D.B. Cooper: Where Are You?! was released on the streaming service on July 13, 2022.

The subject of D.B. Cooper: Where are You?! is a mystery. It has been fifty years since he supposedly leaped into that dark, cold Pacific Northwest night. When that man with slick, shiny jet-black hair sat down in that Boeing 727-51, virtually nothing is known about him. Besides, he had swarthy skin and crow’s feet indicating he was in his mid-40s. He handed a note to the flight attendant—a common occurrence for women at the time. Airlines frequently marketed females as an attractive draw for businessmen to fly the skies.  

So, when Tina Mucklow read the notes, she was half-expecting some crude come-on. Except, this was different. D.B. Cooper’s note indicated that he had a bomb in his briefcase. He then asked Ms. Mucklow to sit next to him. He opened his briefcase and showed her a bomb with a rat’s-nest of wires attached to what looked like dynamite. He demanded $200,000, about one million in today’s dollars, and four parachutes, or he would set off the device.  

Marina Zenovich’s ( Robin Williams: Come Inside My Mind ) engaging, if not addictive, and a bit ridiculous, docuseries exploring the case is not about the man himself but the obsessives investigating the legendary crime. There are so many theories behind the incident, it has spawned dozens of movies and television shows, and they are all different. On top of that, the people who investigated the case from the beginning, the citizen sleuths, suffered physical and mental health ailments. Nearly all began to crack and come apart at the seams when they dedicated their lives to what was eventually disproven.  

This four-part docuseries now follows one of the more egregious Netflix formats — stretching a 90-minute film into four parts. The first episode could have been done with a 15-minute setup before the credits rolled. It ‘is also scattershot and lacks focus. The last episode is more of a cooling-down period. However, when things get moving, two middle episodes are compulsively watchable.  

The series focuses on several crackpot theories. (Do not take offense since I mean this as a compliment because I love a good conspiracy theory). One comes from an investigator, Thomas Colbert, who made the case a family business. He has spent over 200,000 dollars of his own money in his investigation. His focus is a man named Robert Rickshaw, a former servicemember and pilot who had ties to the CIA during the Iran Contra affair. You will quickly find every D.B Cooper conspiracy theorist has one, but Colbert’s has gained the most traction in recent years. Well, that’s because Netflix produced this particular docuseries, so take it with a grain of salt. (HBO Max recently came out with The Mystery of DB Cooper in 2020).

D.B. Cooper: Where are You?! is a comedy of errors. It played for some laughs with a set of adorable credits that will remind you of the Steven Spielberg film, Catch Me if You Can. Her series, though, points to the absurdity of it all. Yet, Zenovich does not just gather a bunch of internet bloggers who comb through the case. You have retired and esteemed FBI agents and a man who even sat next to the infamous figure on the flight. You even have the former master of disguise at the CIA, Jonna Mendez, who offers a light touch in discussing the facts of the case while providing her interpretation.  

A good docuseries that focuses on conspiracy theories should be fun; Zenovich’s film has an abundance of that. Even if the series is a tad too long, D.B. Cooper: Where are You?! is an addictive watch. For whom exactly? Well, certainly for fans of true crime and conspiracy theories, as it takes a deep dive into obsessive online detectives to give them their due. 

What did you think of the Netflix docuseries D.B. Cooper: Where Are You?!? Comment below.

Article by Marc Miller

Marc Miller (also known as M.N. Miller) joined Ready Steady Cut in April 2018 as a Film and TV Critic, publishing over 1,600 articles on the website. Since a young age, Marc dreamed of becoming a legitimate critic and having that famous “Rotten Tomato” approved status – in 2023, he achieved that status.

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Where Are You, Christmas? stands out because it does have something to say about the holiday, what it means, why we celebrate it, and the idiosyncratic relationships we all have with it.

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Tv/streaming, collections, chaz's journal, great movies, contributors, close to you.

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There are two main types of stories about small town people finding themselves: ones where they move away from the suffocating place where they grew up, and ones where they come back. “Close to You” is the second kind of movie. Written and directed by Dominic Savage , starring Elliot Page in his first lead performance as a trans man, and based on a story that Page co-wrote, it’s about a trans man going back to visit his family after four years of finding himself in a big city. It’s raw and often powerful—less of a carefully shaped drama than the equivalent of a series of boxes filled with explosive material being slung about. It’s less concerned with winning points for neatness than in letting scenes unfold in an unflinchingly immediate way. Sometimes it hurts, and it’s supposed to.

Page’s character, Sam, leaves the small flat in Toronto that he shares with a roommate and takes a train back to his hometown near Lake Ontario because his dad Jim ( Peter Outerbridge ) is having a birthday party. Jim is happy to see Sam, calls him “son,” and is generally warmer and supportive than you might have anticipated given Sam’s dread. Sam’s mom Miriam ( Wendy Crewson ) is overcome with emotion at having Sam back in the house but also afflicted by attacks of guilt and shame over having failed him. 

Sam’s sisters Kate ( Janet Porter ) and Megan ( Alex Paxton-Beesley ) and brother Michael ( Daniel Maslany ) are also supportive. But there are moments where their theoretically sensitive questions and chit-chat have a passive-aggressive undertone, or perhaps a sense that they’re trying too hard or overcompensating. It’s a performance of liberalism or “tolerance” whose primary audience is themselves, not Sam. (There may also be an unexamined defensiveness on the part of the sisters for having stayed put and embraced a classic heteronormative smalltown lifestyle rather than going off to the big city like Sam to take risks and have adventures.) Some of Page’s most eloquent and multilayered close-ups capture that grin-and-bear-it double-bind that people in Sam’s situation find themselves in, where it’s not appropriate to jump on another person for failing to react in precisely the correct way at every given millisecond because they are only human, and, in their own minds at least, they mean well. Whatever the flaws, their behavior is preferable to the alternative. 

The alternative—at least a nonviolent version of it—is represented by Sam’s brother-in-law Paul ( David Reale ). He seems to think he’s being curious and welcoming and “just asking questions” to understand things, but he comes across as a resentful, fearful person. There’s an angry undertone to his attempts at connection. He behaves as if the mere presence of Sam is an accusation of bigotry against him. He’s obsessed with how Sam’s identifying as a man forces the rest of “them” (mainly him) to change and adapt—as if it were fair to ask Sam to perform femininity under an old name so that Paul would feel comfortable? Is that what Paul wants? It’s hard to say, and Paul probably doesn’t know either. 

There’s an ugly truth to Paul’s interactions with Sam, who tries his best to let the micro-aggressions roll off his back but eventually has to stand up for himself and point out the obvious: He just wants to be treated as a human being whose very existence doesn’t require explanations and reassurance, just like everyone else at the gathering. Anybody who is the “odd person out” in a family for reasons of gender identity, race, nationality, or disability is going to feel very much seen during the family scenes of "Close to You." It sucks having to be an ambassador delivering personally tailored lessons on what the culture, terrain and weather are like in a foreign land. It’s like being handed a whole other job, with no paycheck. Paul's behavior is echoed, in a less overtly aggressive way, in other family members inquiring about whether Sam is "happy" now, something that, as Sam points out, nobody asked when he was living there. 

The movie is considerably less successful in its secondary plot, which is about the strong mutual attraction between Sam and a former high school classmate named Katherine ( Hillary Baack ), whom he meets again on the train home. The movie doesn’t go into much detail about exactly what kind of relationship the two had previously enjoyed, but it’s obvious that it was deep. This is a problem for Katherine because she’s married with children now, and is dealing with a lot of conflicted feelings and reactions at seeing an old flame in a new body. There’s a wrenching moment at the end of their first conversation on the train where Katherine gets out of the conversation abruptly, and we come to realize that it’s because she wants to escape those uncomfortable feelings more than she wants to make Sam feel loved and accepted. 

There’s potentially a whole other movie in this relationship, possibly an excellent one. But while both actors are agonizingly honest in their interactions, the scenes aren’t as carefully imagined and emotionally triangulated as the family scenes. (Cinematographer Catherine Lutes ’ mostly handheld camerawork elevates the weaker moments; she and Savage have a provocative sense of when to show the person who’s speaking and when to hold on the person listening, and this lends depth and surprise to interactions that might’ve played more superficially if they’d been covered in a more traditional way.)

In all, “Close to You” can feel contrived and inelegant at times. The first few minutes setting up the premise are especially rough going because they’re so packed with blunt expository declarations. The rest has a certain patchiness and is a bit too reliant on close-ups of the star walking and/or silently thinking, often anxiously (with good reason). But it’s also filled with scenes of great compassion and sensitivity that rarely play out on movie screens, and it faces its chosen subject head-on, which gives it historical significance as well as a baseline integrity. There were dramas about racism released in the 1960s, often but not always starring Sidney Poitier , about which many of the same things could be said. Many of them are still watched today because they show society adapting and changing, and because the situations and performances still ring true even though the details are different. Humanity itself is not done transitioning.

Matt Zoller Seitz

Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.

Now playing

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Close to You (2024)

Elliot Page as Sam

Hillary Baack as Katherine

Wendy Crewson as Miriam

Peter Outerbridge as Jim

Janet Porter as Kate

Alex Paxton-Beesley as Megan

• Dominic Savage

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‘Know Your Place’ Review: A Beguiling but Uneven Portrait of an Eriterian American Family in Seattle

In his feature debut, filmmaker Zia Mohajerjasbi shows a knack for believable characters and an eye for urban locations.

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Set in Seattle, “ Know Your Place ” follows 15-year-old Eritrean American Robel Haile as he navigates the city running an errand for his mother. Writer and director Zia Mohajerjasbi has a deft eye capturing the idiosyncracies of an immigrant community that lives like one big extended family in this Northwestern metropolis. He conjures full portraits of the characters in the story, though he’s not always in command of the rhythm of the narrative. This combination makes for a touching if uneven viewing experience. 

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It’s within that extended family that “Know Your Place” finds its most interesting sections. It presents the chaos and love of a big community. There are obligations and unmet expectations but also love, merry times and good food. There are interfering relatives who judge and admonish, as well as friends who care and help navigate messy situations. The film slows down a few times to present new characters that add multitudes to this community portrait, even if they do not push the narrative forward. Those moments feel earned and make the story stronger and more cohesive. 

Through it all, Smith navigates his character’s many heavy situations with a careful and considered performance. In particular, he builds credible relationships with Gebresus as his mother and Kidane as the grandfather suffering from dementia. In a later scene, Smith and Kidane show a complete history of this family in an emotional but economical scene with very few words. It’s just their faces looking at each other and their bodies tenderly holding each other. Gebresus fills the frame with open-hearted love even when her character is exasperated or frustrated, hinting at how this family stays a strong unit despite the daily struggles.

Nicholas Wiesnet’s camera sensitively captures the streets and back alleys of Seattle, while his lighting catches almost every flicker of emotion on the actors’ faces. As a debut feature, “Know Your Place” suggests an intriguing career for Mohajerjasbi. The filmmaker knows how to build honest relationships between his main characters. His direction of the actors is patient and allows them space to be utterly beguiling. However, “Know Your Place” stumbles when trying to encompass too much story and doesn’t always give its smaller characters the level of nuance it affords the leads. Despite that, it remains alluring and does not lose audience investment in its characters. 

Reviewed online, Aug. 15, 2024. Running time: 119 MIN.

• Production: A Blue Harbor Entertainment release of a Tycor International Film Company presentation, in association with The Midnight Bodega Society. Producers: Ty Walker, Zia Mohajerjasbi. Executive producers; Zia Mohajerjasbi, Josh Peters, Harry Calbom, Samira Gagné Ludwin, Adam Ludwin. Co-executive producers: Paul Javid, Shamim Sabeti, Rebecca Parenteau, Nika Parsa, Dhabih Eng, Tana Eng, Ata Moshiri, Nima Parsa, Roya Parsa.
• Crew: Director, writer: Zia Mohajerjasbi. Camera: Nicholas Wiesnet. Editor: Marty Martin, Zia Mohajerjasbi. Music: Richard Skelton.
• With: Joseph Smith, Natnael Mebrahtu, Selamawit Gebresus, Esther Kibreab, Haileselassie Kidane, Tirhas Haile, Aaron Sahle. 

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From 'Furiosa' to 'The Union,' 15 movies you need to stream right now

Love movies? Live for TV? USA TODAY's Watch Party newsletter has all the best recommendations, delivered right to your inbox.  Sign up now  and be one of the cool kids.

After you hit up the back-to-school sales with your kids, why not head home for a trip through the Wasteland with Furiosa?

George Miller's latest "Mad Max" vehicle leads a noteworthy pack of new movies on Netflix, Peacock, Max, Hulu, Apple TV+, Prime Video, Disney+ and Paramount+. August is packed with streaming options for film lovers of all tastes, from action comedies to all-star heist movies. There are recent theatrical releases, like Sydney Sweeney's holy horror flick and a Tom Hardy/Austin Butler biker gang drama , but also original flicks such as a superspy rom-com with Halle Berry and Mark Wahlberg.

Here are 15 notable new movies you can stream right now:

In the over-the-top horror comedy, Melissa Barrera, Kathryn Newton and Dan Stevens star as members of a motley kidnapping crew hired to watch over a ballerina girl (Alisha Weir). She's revealed to be – uh-oh! – a vicious vampire who turns the tables on her captors in a blood-soaked tale that's much twistier than it seems.

Where to watch: Peacock

'The Bikeriders'

Jeff Nichols' gripping crime drama centers on a motorcycle club of Midwestern outsiders whose dealings turn criminal when they invite new blood into the group. Austin Butler is the wild-at-heart troublemaker, Jodie Comer is his worried girlfriend, but Tom Hardy shines as the bikers' mercurial, Brando-esque leader.

'Furiosa: A Mad Max Saga'

The busy backstory of Charlize Theron’s “Mad Max: Fury Road” heroine, now played by  Anya Taylor-Joy , gets told in this explosive, world-building epic. A charismatically evil  Chris Hemsworth  is a highlight in this adrenalized revenge thriller full of post-apocalyptic hot rods, gorgeous demolition-derby carnage and demented confidence.

Where to watch: Max

'Ghostbusters: Frozen Empire'

More nostalgic than coherent, the latest "Ghostbusters" installment features a massive cast and throwbacks galore. Mckenna Grace leads the newer heroes and Bill Murray heads up the old crew against the new big bad Garraka, a horned phantom who represents a chilly existential threat to New York City (and pretty much all mankind).

Where to watch: Netflix

'Immaculate'

"The First Omen" isn't the only option for nun horror in 2024. Sydney Sweeney stars in this unholy chiller as a young American novice who joins an Italian convent and navigates increasingly unnerving episodes, including finding out she's pregnant. (Fun fact: She's a virgin!) Things just get worse from there, all leading to a bleakly bonkers climax.

Where to watch: Hulu

'The Instigators'

The heist comedy features Matt Damon as a desperate father and Casey Affleck as a snarky ex-con partnered up for a robbery that gets bungled , leading to cops and crooks alike coming after them. It's got issues but not in the supporting cast, led by Hong Chau as the very understanding therapist of Damon's on-the-lam dad.

Where to watch: Apple TV+

There's a fun dystopian Looney Tunes quality to Paul Feig's action comedy, which imagines a future LA where lottery winners have to stay alive till sundown to keep their cash. Awkwafina plays a struggling actress with her life on the line, and John Cena is in earnest goofball mode as the protection agent hired to keep her safe.

Where to watch: Prime Video

'Kingdom of the Planet of the Apes'

Will humans and simians ever get along? That existential question is revisited in the latest "Planet of the Apes" adventure, a sprawling coming-of-age sci-fi tale that follows young chimp Noa (Owen Teague) on a quest to save his friends and family who partners with a mysterious girl named Mae (Freya Allan).

'Knox Goes Away'

Michael Keaton directs and stars in the nifty crime thriller as a hitman diagnosed with Creutzfeldt–Jakob disease, a fast-acting and fatal form of dementia. He's determined to use his final days to help out his estranged son (James Marsden), though the cops are also in hot pursuit after a botched job.

'La Chimera'

Josh O'Connor, one of the best things about the aces tennis flick " Challengers ," is also superb in this Italian dramedy. He plays a British tomb raider who gets out of jail and travels to Italy to meet up with friends, find love and plunder some stolen artifacts in a narrative that turns into quite the emotional cautionary tale.

'Love Lies Bleeding'

Romance sparks between pumped-up Midwestern bodybuilder Jackie (Katy O'Brian) and introverted gym manager Lou (Kristen Stewart), but that's also when murderous trouble arises in director Rose Glass'  sultry and sweaty neo-noir thriller . If it's not too early to start talking Oscar nods, O'Brian is phenomenal in a star-making turn.

The moving period biopic tells the story of London broker Nicholas Winton, who saved hundreds of Jewish children in Prague with Nazi forces on the march in 1938. Johnny Flynn plays Winton as a young man racing to help the kids while Anthony Hopkins is the older Nicholas recalling his humanitarian efforts and wishing he could have done more.

Where to watch: Paramount+

OK, it's not the greatest, but kids wanting to dip their toes into horror could do worse. On-the-rise youngsters like Avantika ("Mean Girls") and Jacob Batalon ("Spider-Man: Homecoming") star in the PG-13 film about college pals who use a cursed deck of tarot cards and discover their eerie readings are coming to bizarre and fatal fruition.

'The Union'

A New Jersey construction worker (Mark Wahlberg) runs into his high school sweetheart (Halle Berry) in a bar. He thinks she wants to get back together, but instead, she's now a superspy who recruits him for a dangerous mission to retrieve a stolen list of secret agents. Cue the rom-com shenanigans, globetrotting action and A-list flirting.

'Young Woman and the Sea'

Like "Nyad," but better and way more rousing. "Star Wars" alum Daisy Ridley is hugely engaging in this extremely Disney-fied biopic as pioneering athlete Trudy Ederle, who conquered Olympic disappointment, misogyny and jellyfish to become the first woman to swim across the English Channel in 1926.

Where to watch: Disney+

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‘Close to You’ Review: Elliot Page’s Brave, Bold, Confusing Performance

An emotionally observant drama about coming home as yourself, only for everyone to treat you like a stranger..

After a triumphant splash in Juno,   Elliot Page got Oscar nominated, was on his way to a promising career as an important film star with range and talent, and then suddenly disappeared for 17 years. What happened? Where did he go? Now we know. 

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Close to You is my first exposure to Page since his emergence as a wistful, sensitive and dedicated man named Elliot. His absence from the screen is entirely understandable for a variety of obvious reasons, and Elliot has expressed a serious need to reach out to the vast number of friends, fans and prospective employers who wondered about his transition. To make sure you get the point, he has found a perfect vehicle in Close to You, emerging from bed in the opening scene naked, with a place for every feature, every feature in its place—flat-chested, no Adam’s apple, a clean-shaved chin with evidence of a five o’clock shadow, and a muscular torso that has been to the gym (but still a mystery about what goes where below the waist). I guess you could call it a brave, bold performance, but when you think about it you realize Page has no other choice if he wants to be both honest and a working artist with a viable future. He also wrote the screenplay with director Dominic Savage , so I think it’s safe to say the film includes excerpts from his personal experience.

 In Close to You, he plays Sam, a man living in Toronto, adjusting to his transition with a new job and a new life. Sam hasn’t seen his family for four years, but now he bites the bullet and takes a long-dreaded trip back home for his father’s birthday. On the train, he runs into Katherine, an old high school friend, and feelings from their unresolved past refresh old memories of deeply troubled times when they experienced a lesbian relationship that traumatized them both. Katherine is married with children, but still drawn to Sam. In the weekend that follows, there are more chance encounters, and the superficial circumstances that bring them together force them to interact in intensely personal ways that open old wounds and open new doors. Part of the problem with Close to You is Hillary Baack , who plays Katherine. Miscast and inexperienced, she is not up to Page’s standards and mumbles so incoherently that whole scenes clumsily pass by without clarity.

At home, Sam is impacted even more. Every concern about how his parents and his siblings will react—plus the unsolicited comments and questions he receives about his transition—mirrors the ignorance, discomfort and terror in the eyes of the people who say they love him best but understand him least. The film is an emotionally observant drama about coming home as yourself, only for everyone to treat you like a stranger. “I’m happy,” Sam explains, “I’m living my life; I just need space. You weren’t worrying about me when I was not OK.” But as the domestic anxieties and challenges build, Sam must face the painful knowledge that coping is not his responsibility, and things have never really changed in a toxic environment that never felt fully welcoming in the first place. 

Things build to a violent explosion, Sam leaves with high expectations reduced to unresolved despair, and nothing ends the way you think it will, with everyone making nice and saying, “I forgive you.” But in a weak, vacillating postscript, raw honesty wanes when Katherine arrives in Toronto, gives in to her true feelings, and ends up in bed with Sam before she exits forever, with a smile on her face and tears in her eyes. Despite Page’s lack of uncertainty about how to play a tender scene with maximum feeling, I didn’t believe this soapy resolve, and I found their nude sex scene not only a confusing way to end Close to You, but also just a little bit creepy.

• SEE ALSO : Will Keen On Playing Vladimir Putin On Broadway in ‘Patriots’

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ReelShort - Short Movie & TV 12+

Movie reels & tv mini series, newleaf publishing, designed for ipad.

• #15 in Entertainment
• 4.0 • 42.9K Ratings
• Offers In-App Purchases

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Description.

Never have enough time to finish a movie anymore? Tired of paying for subscriptions that you don’t use? Watch ReelShort - Every Second is Drama. Tired of never finishing a movie or paying for unused subscriptions? Watch ReelShort — Every Second is Drama Say hello to ReelShort, a next-gen HD streaming short movie platform offering exclusive vertical TV mini series. Recognized by Times100 for our movie reels innovation in the entertainment industry, we're changing the way you watch movies with our one-minute short movie episodes that you can enjoy anytime, anywhere, all from the convenience of your phone with the ReelShort App. Choose from our TV mini series library packed with endless addictive movie shorts added daily, from romantic encounters with billionaires and heart-wrenching tragedies to epic comeback stories and more—you won't ever be short on short movie entertainment! Featured Shows: [Breaking the Ice] Single mom Caroline dumped her first love Easton Black eight years ago…But she never told him he got her pregnant! Now he’s the hottest hockey star in the league and Caroline's boss! Will Caroline tell him the truth, or is it all too late? Based on Shutout by Jami Davenport! [We Will Love Again] You left Noah Preston, the love of your life, when he was dirt poor and had nothing. Five years later, he's now a billionaire who's looking to acquire your company and make your life a living hell. Will you tell him the truth about why you really left him, or is it too late for a second chance at love? [The Double Life of a Billionaire Heiress] You married Wes Sterling out of love, but he thinks you are a cheating gold-digger! Fed up with Wes’s accusations and mistreatments, you finally divorce him and re-embrace your true identity...a billionaire heiress! What will Wes do when he realizes he made the biggest mistake of his life? Will you make him pay...or fall for him all over again? Here's why you'll love ReelShort: Bite-sized original movie shorts designed for on-the-go viewing •Exclusive short movies with juicy vertical content that will keep you hooked •New TV mini series added daily, with hundreds of new episodes each month •Hollywood-quality entertainment, crafted for the big screen delivered to your small screen •The first ever interactive live action short movies, where you decide what happens next Experience the future of short movie entertainment, one minute at a time — download ReelShort now! "Crazy Maple Studio is quietly changing the streaming game with its ReelShort app." - Time100 "The biggest player in this new genre is ReelShort." - New York Times "Every minute has a hook that keeps you watching." - Wall Street Journal "ReelShort, which has dozens of shows — similarly light on character development and packed with curveballs — made for binge-watching in minutes." - Washington Post Follow Us on Social Media Instagram: https://www.instagram.com/reelshortapp Facebook: https://www.facebook.com/reelshortapp YouTube: https://youtube.com/@reelshortapp TikTok: https://www.tiktok.com/@reelshortapp ReelShort's Website: https://www.reelshort.com Notice: If you subscribe through Apple, the payment will be deducted from your App Store account upon purchase confirmation. Subscription privileges: While your subscription is active, you can watch all tv mini series for free. Your subscription will take effect within 24 hours after purchase, depending on the status of your order in the Apple Store. The subscription is valid for 7 days. Auto-Renewal: Your subscription will automatically renew. You will be charged within 24 hours before the start of each subscription period until you cancel your subscription. Cancellation: On iOS devices, you can cancel your subscription at least 24 hours before the next renewal date by going to Settings > iTunes & App Store > Apple ID > View Apple ID > Subscriptions > ReelShort. The subscription is billed weekly. The actual price may vary by region. Terms of Service: https://crazymaplestudios.com/v/user-agreement Privacy Policy: https://crazymaplestudios.com/v/privacy-agreement

Version 2.0.00

1. Add many popular dramas. 2. Fix some bugs to improve your experience

Ratings and Reviews

42.9K Ratings

This app ate and left like 3 crumbs😌😂

I didn’t expect to enjoy this app as much as I did. The stories are so intriguing and I was a little shocked to see K-dramas. I do wish that some of the K-dramas weren’t voiced by English actors though. I prefer just reading subtitles. It gets irritating when the mouth and words don’t match. I’m not the biggest fan of the ad situation, but I also don’t mind it either. I wish every episode was 2 minutes long and that there wasn’t a recap at the beginning. I noticed there aren’t many shows but I don’t know how long this app has been a thing so I hope more are to come. Overall I love the app. The acting is cringe at times but not as bad as some reviews make it seem. I can tell there’s a low budget so I wouldn’t expect too much anyway. Plus I feel like bad acting can make shows funnier. Still this app eats every show it puts out. I get so invested off of just a trailer. I feel like the use of adds and coins brings back what it felt like to watch shows on cable TV. Sometimes the anticipation made the show better. I also loved commercial bathroom breaks. At least I’m not waiting for a 1-2 minute clip everyday. I only have to watch an ad.

Developer Response ,

Thank you for your feedback and we very appreciate that. Could you please tell us which show has the problem of discrepancy between the mouth and the words? We will convey your suggestion to relevant department and improve it. Please stay tuned for our new version. Thank you for your support.

Normally I do not leave reviews especially negative ones. These shorts are really entertaining and I ultimately enjoy watching them. However, I am very disappointed and upset that each “short” takes up a various amount of your coins. I started out watching every ad to get my coins for the day which landed me just over 230 coins. So I was a bit excited to watch more of the series I have been trying to get through. I figured that I would be able to watch at least 4 to 5 shorts (5 minutes or so of the series for the day) but I didn’t even get that. I was able to watch two which were less then a minute long. Afterwards it says I do not have enough coins. I would give this app a 5 star review if it wasn’t for the fact that somehow the price for each short adjusts based on how many coins you have. On top of that you cannot see the price of how much each episode costs until you are out of coins. Yesterday, the next episode said it was 58 coins. Today I had over 230 coins and was only able to watch two episodes? In other words one episode cost 58 coins and the next one took the rest. It seems like a major scam to get people to really fork out the money for the game without realizing what is going on. If the company fixes the issues then I will come back and update my review. If not my review will stay. Thank you for reading. Again this is not something I do in fact this is the first review I have ever done but I would hate to see people get scammed.

Hello, please rest assured that our app will not overcharge your coins/bonus for unlocking episodes. You can also check the record of spending coins to unlock episodes by yourself: by clicking Profile-My Wallet-Detail-Episodes Unlocked. If you still have concerns in your Bonus History, please reach us via Profile-Feedback.❤️❤️

Money Hungry App

This app is a money grab. I downloaded it because I kept getting an ad for one show. I was like I might as well watch it. They prompt you every like 7 words to buy the app or watch more shows. It’s ridiculously expensive for corny shows. It cost more to buy this app then ANY streaming services and the shows are short and corny. I don’t think anyone besides children who aren’t spending their own money would do that. Anyway I watched one show over like a month would watch the ads whenever I was bored enough to do it then I get to the end of the show and they won’t let me watch the last few episodes without paying I can no longer use adds. As if they don’t make money from the ads already. Luckily because the show is corny and predictable I already know how it ends so it is what it is. And it’s $20 a week (which is $100-$120 a month, $1040 a year). not even for unlimited shows you get a certain about of coins that let you watch certain shows. It’s all confusing and a way to take money. The most expensive streaming service I know of hulus bundle with live tv is like $74 a month and that’s 3 services AND live tv. The ads are all over a minute long for less than an minute of content you will be wasting your time if you are using this app. I wouldn’t waste your time with this app. Just watch your corny shows on your normal streaming platform and save yourself the time, energy, and money. You’re not missing anything by skipping this app.

Dear, during the VIP period, you will gain unlimited access to all series on ReelShort without coins/bonus watching ads, and you can also earn free rewards: 1. Daily check-in; 2. Watch Ads; 3. Watch Ads to unlock episodes without paying. As we now with 2 new shows added weekly, hope you can give the subscription a try!

NOW AVAILABLE

App privacy.

The developer, NewLeaf Publishing , indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy .

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• Subscription $19.99
• One-time Purchase $9.99
• One-time Purchase $4.99
• One-time Purchase $19.99
• One-time Purchase $14.99
• One-time Purchase $24.99
• Premium Package $14.99
• One-time Purchase $29.99
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• Cast & crew
• User reviews

My Hero Academia: You're Next

Izuku Midoriya, a U.A. High School student who aspires to be the best hero he can be, confronts the villain who imitates the hero he once admired. Izuku Midoriya, a U.A. High School student who aspires to be the best hero he can be, confronts the villain who imitates the hero he once admired. Izuku Midoriya, a U.A. High School student who aspires to be the best hero he can be, confronts the villain who imitates the hero he once admired.

• Tensai Okamura
• Yôsuke Kuroda
• Kôhei Horikoshi
• Kaito Ishikawa
• Kenta Miyake
• 1 User review

• Shoto Todoroki

• Giulio Gandini
• Anna Scervino
• Katsuki Bakugo

• Ochaco Uraraka
• Izuku Midoriya
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia This will be the final My Hero Academia movie, as the manga will end just after the film's release.
• Connections Spin-off from My Hero Academia (2016)

User reviews 1

• October 11, 2024 (United States)
• Official website
• 我的英雄學院劇場版：You're Next
• See more company credits at IMDbPro
• $11,235,409

Technical specs

• Runtime 1 hour 50 minutes

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