experiment iv kate bush video

Experiment IV

Experiment iv lyrics.

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The song tells a story about a secret military plan to create a sound that is horrific enough to kill people. The ending of the story is unclear, but in the music video nearly every person working on the project is killed by the horrific sound.

Find answers to frequently asked questions about the song and explore its deeper meaning

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Experiment IV

‘Experiment IV’ is a song written by Kate Bush. It was originally released as a single on 27 October 1986, ahead of the compilation album The Whole Story , where it was one of two new recordings and the only new song. The song tells a story about a secret military plan to create a sound that is horrific enough to kill people. 

‘Experiment IV’ was released as a 7″ single and a 12″ single. The B-side of the 7″ single featured Wuthering Heights (New Vocal); the 12″ single featured a 12″ mix of ‘Experiment IV’ along with Wuthering Heights (New Vocal) and December Will Be Magic Again .

There are three versions of ‘Experiment IV’: the single version, the video version and the 12″ mix.

Music video

The music video, directed by Kate, for the song adapts the “storyline” of the song and chronicles the destruction of a secret military installation by a creature made of sound. The science fiction film-in-miniature includes appearances from Dawn French, Hugh Laurie, Gary Oldman, Richard Vernon , Peter Vaughan and Del Palmer . Kate appears on screen as an orderly officer serving tea, as the sound creature and at the end entering a van. The set was an old military hospital near Blackheath which was actually designed by Florence Nightingale. The video was banned from Top of The Pops because it was considered too violent. The music video was nominated for the Best Concept Music Video at the 1988 Grammy Awards.

Performances

Kate performed ‘Experiment IV’ on the BBC television programme Wogan on October 31, 1986. The elaborate set featured a desk with paperwork, at least two Fairlight CMI’s and the KT Bush band dressed in lab coats. Midway through the song the violinist Nigel Kennedy appears to play his solo. Although this is a lipsynch performance, great care and preparation was taken to make this a visually appealing performance.

Cover versions

‘Experiment IV’ was covered by Rikki Arkitech , Big City Orchestre , Kat Devlin and Hybrid .

Critical response

The first lady of progressive rock warbles out another chilling fantasy. Kate crams more into seven inches of plastic than most science fiction writers could fit into a trilogy of novels. An epic to curl up with on some storm torn winters evening. Edwin Pouncy, Sounds, 1 November 1986

Initially conventional, she hides inside the slight shapes, sticking the needle into our eyeballs with customary delicacy… it grows. Mick Mercer, Melody Maker, 1 November 1986

Chilling, moody, beautiful… An essential purchase. Mark Putterford, Kerrang!, 5 November 1986

Behind ethereal dreamy swirls of sound, a story line worthy of Stephen King. Nancy Erlich, BillBoard (USA), 6 December 1986

Kate about ‘Experiment IV’

This was written as an extra track for the compilation album The Whole Story and was released as the single. I was excited at the opportunity of directing the video and not having to appear in it other than in a minor role, especially as this song told a story that could be challenging to tell visually. I chose to film it in a very handsome old military hospital that was derelict at the time. It was a huge, labyrinthine hospital with incredibly long corridors, which was one reason for choosing it. Florence Nightingale had been involved in the design of the hospital. Not something she is well known for but she actually had a huge impact on hospital design that was pioneering and changed the way hospitals were designed from then on. The video was an intense project and not a comfortable shoot, as you can imagine – a giant of a building, damp and full of shadows with no lighting or heating but it was like a dream to work with such a talented crew and cast with Dawn French, Hugh Laurie, Peter Vaughn and Richard Vernon in the starring roles. It was a strange and eerie feeling bringing parts of the hospital to life again. Not long after our work there it was converted into luxury apartments. I can imagine that some of those glamorous rooms have uninvited soldiers and nurses dropping by for a cup of tea and a Hobnob. We had to create a recording studio for the video, so tape machines and outboard gear were recruited from my recording studio and the mixing console was very kindly lent to us by Abbey Road Studios. It was the desk the Beatles had used – me too, when we’d made the album Never For Ever in Studio Two. It was such a characterful desk that would’ve looked right at home in any vintage aircraft. Although it was a tough shoot it was a lot of fun and everyone worked so hard for such long hours. I was really pleased with the result. ( KateBush.com, February 2019 )

We were working secretly For the military We only know in theory What we are doing: Music made for pleasure Music made to thrill It was music we were making here until

They told us All they wanted Was a sound that could kill someone From a distance So we go ahead And the meters are over in the red It’s a mistake in the making

From the painful cry of mothers, To the terrifying scream, We recorded it and put it into our machine. Then they told us All they wanted Was a sound that could kill someone From a distance. So we go ahead, And the meters are over in the red It’s a mistake in the making

It could feel like falling in love It could feel so bad But it could feel so good It could sing you to sleep But that dream is your enemy

We won’t be there to be blamed We won’t be there to snitch I just pray that someone there Can hit the switch

But they told us All they wanted Was a sound that could kill someone From a distance So we go ahead, And the meters are over in the red It’s a mistake we’ve made

And the public are warned to stay off

Drums: Stuart Elliott Guitar: Alan Murphy Violin: Nigel Kennedy

• Experiment IV . Wikipedia, retrieved 11 November 2014.
• Kevin Cann & Sean Mayes, Kate Bush: A visual documentary , cop. 1988. ISBN 0711910391.

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The Meaning Behind The Song: Experiment Iv by Kate Bush

The Meaning Behind The Song: Experiment IV by Kate Bush

The song “Experiment IV” by Kate Bush holds a deep and intriguing meaning that captivates listeners with its thought-provoking lyrics and haunting melody. Released in 1986 as a single, the song delves into the realm of science, power, and the consequences of technology. Let us unravel the layers of this fascinating composition and explore the hidden messages within.

Table of Contents

The Consequences of Uncontrolled Scientific Experimentation

At its core, “Experiment IV” presents a cautionary tale about the perils of unchecked scientific experimentation. The lyrics portray a fictional scenario where a group of scientists is commissioned to create a sound weapon capable of causing intense fear and panic. As the experiment progresses, the consequences become evident, revealing the destructive nature of the weapon.

The song opens a dialogue that questions the ethical boundaries of scientific pursuits, urging us to consider the potential ramifications of tampering with nature. It serves as a warning against the blind pursuit of power and the unforeseen consequences that may arise from such endeavors.

The Dark Side of Human Curiosity

Another theme that resonates through “Experiment IV” is the exploration of the dark side of human curiosity. It portrays a society driven by power and an insatiable thirst for knowledge without regard for the potential harm it may cause. It highlights humanity’s tendency to push boundaries, often at the expense of ethical considerations.

Through the lyrics, Kate Bush emphasizes the importance of balance and responsibility in our pursuit of knowledge. The song calls for a critical examination of the morality behind scientific and technological advancements, reminding us to question the potential consequences of our actions.

Frequently Asked Questions

1. what inspired kate bush to write “experiment iv”.

Kate Bush drew inspiration for “Experiment IV” from her concern about the destructive influence of scientific advancements and the potential dangers of unchecked experimentation.

2. Has “Experiment IV” received critical acclaim?

Yes, the song received positive reviews upon its release and has remained a fan favorite throughout the years. It showcases Kate Bush’s artistic brilliance and ability to tackle complex themes in her music.

3. Is “Experiment IV” based on a true story?

No, “Experiment IV” is a work of fiction created by Kate Bush. It serves as a cautionary tale and a reflection on the potential consequences of uncontrolled scientific experimentation.

4. Are there any specific influences on the song?

While no specific influences are commonly attributed to “Experiment IV,” it showcases Kate Bush’s unique style and her ability to infuse her music with thought-provoking themes.

5. Can “Experiment IV” be interpreted metaphorically?

Yes, many listeners interpret the song metaphorically, seeing it as a commentary on the dangers of political manipulation, the suppression of creative expression, and the perils of embracing power without consideration for the consequences.

6. Did “Experiment IV” achieve commercial success?

Although “Experiment IV” did not reach the same level of commercial success as some of Kate Bush’s previous hits, it performed well on the charts and solidified her reputation as a versatile and introspective artist.

7. Has Kate Bush ever performed “Experiment IV” live?

Kate Bush has rarely performed “Experiment IV” live. It has been included in a few of her concerts and live recordings, but it remains a relatively rare occurrence in her repertoire.

8. Are there any cover versions of “Experiment IV”?

While there are no widely known cover versions of “Experiment IV,” the song has inspired and influenced numerous artists who appreciate its unique style and thought-provoking lyrics.

9. What impact did “Experiment IV” have on Kate Bush’s career?

“Experiment IV” further established Kate Bush’s reputation as a boundary-pushing artist unafraid to tackle intricate and societal themes in her music. It showcased her versatility and songwriting prowess.

10. How does “Experiment IV” fit into Kate Bush’s discography?

“Experiment IV” stands out as a bold and unique entry in Kate Bush’s discography. It presents a departure from her more introspective and personal songs, highlighting her ability to explore diverse musical and thematic territories.

11. What emotions does “Experiment IV” evoke?

“Experiment IV” evokes a sense of unease, curiosity, and contemplation. Its haunting melody, accompanied by eerie lyrics, creates a haunting atmosphere that resonates deeply with listeners.

12. Is there any symbolism in the music video for “Experiment IV”?

The music video for “Experiment IV” incorporates symbolism through haunting visuals and references to the potential dangers of technology and scientific experimentation. It adds another layer to the song’s already impactful message.

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Experiment IV

Experiment iv lyrics.

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The title "Experiment IV" brings to mind Nazi era practices.

'Experiment 4'

Some say that heaven is hell Some say that hell is heaven... (SIYL)

Adolf Hitler: ‘By means of shrewd lies, unremittingly repeated, it is possible to make people believe that heaven is hell - and hell, heaven ... The greater the lie, the more readily will it be believed’ (Mein Kampf).

It was '39, before the music started... (HWD)

Operation T-4 was a program in Nazi Germany, officially between 1939 and 1941, during which the regime of Adolf Hitler systematically killed between 200,000 to 250,000 people with intellectual or physical disabilities. The T4 program developed from the Nazi Party's policy of "racial hygiene," the belief that the German people needed to be "cleansed" of "racially unsound" elements, which included people with disabilities. The killing of patients in mental asylums and other institutions was carried out in secrecy. The Aktion T4 set important precedents for the later Holocaust of the Jews of Europe.

A picture of you, a picture of you in uniform Standing with your head held high Hot down to the floor But it couldn't be you It couldn't be you It's a picture of Hitler... (HWD)

'T-4' referred to "Tiergartenstrasse 4", the address of the Berlin Chancellery offices where the program was headquartered. Operation T-4 centers were places of brutal medical experiments and mass killings of unwanted people considered a burden to society.

Physicians, the most highly Nazified professional group in Germany, were key to the success of "T-4," since they organized and carried out nearly all aspects of the operation. One of Hitler's personal physicians, Dr. Karl Brandt, headed the program, along with Hitler's Chancellery chief, Philip Bouhler. (During the postwar 'Doctors Trial', Dr Karl Brandt and six others would be sentenced to death.) In the beginning, patients were killed by lethal injection. The damned were bussed to killing centers in Germany and Austria, walled-in fortresses, such as former psychiatric hospitals.

KB: "We filmed in an old disused hospital, and the conditions were very cold and damp, but everyone got very involved and we had a great time..."

By 1940, Hitler, on the advice of Dr. Werner Heyde, suggested that carbon monoxide gas be used as the preferred method of killing. Experimental gassings had first been carried out at Brandenburg Prison in 1939. There, gas chambers were disguised as showers complete with fake nozzles in order to deceive victims...

From the painful cries of mothers, To the terrifying scream...

Experiment IV is notable for featuring Nigel Kennedy on violin, who at one point replicates the screeching violins from Bernard Herrmann's famous scoring of the shower scene in Alfred Hitchcock's 1960 film Psycho (wiki).

This (musical) link between Experiment IV and Psycho is interesting because there seems to be a (narrative) link between Psycho and Mother Stands For Comfort.

Has KaTe got a thing for Alfred Hitchcock, Norman Bates, Hitler, psychopathology, and Nazi Uniforms 'Hot down to the floor'? ... The Night Porter (1974) ... Abuse Attachment? ... Identifying with the Aggressor? ... Compulsive Repetition?

At the start of the Experiment IV video, the shopkeeper of the disguised "Music For Pleasure" store is counting out fresh copies of Kate's newest single, 'Experiment IV'. The Professor is called Jerry Coe, an obvious pun on Jericho, whose walls came tumbling down at the sound of trumpets.

'Music for Pleasure' (or MFP) was a United Kingdom record label set up in 1965. 'Music for Pleasure' is also the name of the second album by the punk rock band The Damned. It was released on November 18, 1977 and produced by Nick Mason of Pink Floyd. The Damned is also the title of a 1969 film by Luchino Visconti, on the Nazi Party's rise to power in 1930's Germany.

It was music we were making here until...

The instruments on display in the 'fake' Music For Pleasure store include dijeridu, strumento da porco, balalaika, mandolin, trombone, and Kate's own Celtic harp and Babooshka bass viol... The KT Bush Band have obviously been making music! And Paddy has gone mad...

KB: "Paddy played the lunatic, and in every take his sounds were just as impressive as his visuals - I wish I'd put it onto tape. He literally "threw'' himself into the part, and the crew were so impressed they applauded him - a great accolade!"

In the Experiment IV video (1986), Paddy is seen strapped inside a straitjacket and screaming in a padded cell. The straitjacket reappears seven years later in the Rubberband Girl video (1993). In the Rubberband Girl video, Kate is seen dancing into a straitjacket and waving around like she's about to be sectioned or committed. Straitjackets are used to restrain people who may otherwise cause harm to themselves and others. Institutional straitjackets tend to be made of canvas or duck cloth for material strength. It is possible for one person to put a willing volunteer into a straitjacket, but it generally takes at least two people to jacket a struggling person.

During the Experiment IV, the sound wave causes a ghostly apparition of a mermaid with long blonde hair (Kate Bush) to be generated. The mermaid flies around the experimental subject (Del Palmer). Then, with a kiss, the mermaid transmogrifies into a nightmarish ghoul-like spectre.

A mermaid is a legendary aquatic creature with the head and torso of human female and the tail of a fish. Much like sirens, mermaids would sometimes sing to sailors and enchant them, distracting them from their work and causing them to walk off the deck or cause shipwrecks. Other stories would have them squeeze the life out of drowning men while trying to rescue them. They are also said to take them down to their underwater kingdoms, forgetting that humans cannot breathe underwater, while others say they drown men out of spite. The Sirens of Greek mythology are sometimes portrayed in later folklore as mermaids.

The Experiment IV mermaid gets out and causes everyone around to drop down dead. The video ends with the 'music shop' vicinity cordoned off and 'PROHIBITED' like an outbreak of foot and mouth. At the end of the song a helicopter is heard (the very same helicopter sound heard in Pink Floyd's The Happiest Days of our Lives from their 1979 album, The Wall). At the end of the video, KaTe escapes disguised as a hitch hiker, and invites us to keep her little secret. But her wink at the end is as deadly as the mermaid's kiss. The weirdness is out! ... "But that dream is your enemy!"

The video is vampish, ghoulish, witchy, and hints at B-movies, such as Deadly Strangers (1974) and Invasion of the Body Snatchers (1978).

And the public are warned to stay off...

Also, as early as the 1880s, Nikola Tesla began working on harmonic vibrations. Tesla understood that the cosmic symphony is resonance. Nothing exists in the Universe that does not have harmonic vibration. Tesla even designed a small machine that you could attach to a building and it would bring the building down in a matter of hours...

Another one of my favourite Kate Bush songs and a great video too which has Hugh Laurie and Dawn French in.

Clearly this is about the powers that be (See Army Dreamers and Breathing) doing bad things again. This time they have taken something beautiful and creative like music which is meant for pleasure - and turned it into a weapon that can kill.

However - having something so extreme - which could make you feel like falling in love etc - will end up killing you. So like be warying of helping the government and anyone who wants to distort the good things in life because it will end up costing your own life. The experiment goes wrong but the guys at the top will get away without being harmed.

I guess music can be a metaphor for people generally. A child is usually innocent but bad parenting or/and government propaganda can turn that child into a criminal or a soldier propping corrupt regimes. They can do violence onto others. Basically you reap what you sow.

• The Kick Inside
• Never For Ever
• The Dreaming
• Hounds of Love
• The Sensual World
• The Red Shoes
• Director’s Cut
• 50 Words for Snow
• Before the Dawn
• How To Be Invisible

Experiment IV from The Other Sides

Watch the video here

Kate recalls:

This was written as an extra track for the compilation album The Whole Story and was released as the single. I was excited at the opportunity of directing the video and not having to appear in it other than in a minor role, especially as this song told a story that could be challenging to tell visually. I chose to film it in a very handsome old military hospital that was derelict at the time. It was a huge, labyrinthine hospital with incredibly long corridors, which was one reason for choosing it. Florence Nightingale had been involved in the design of the hospital. Not something she is well known for but she actually had a huge impact on hospital design that was pioneering and changed the way hospitals were designed from then on.

The video was an intense project and not a comfortable shoot, as you can imagine – a giant of a building, damp and full of shadows with no lighting or heating but it was like a dream to work with such a talented crew and cast with Dawn French, Hugh Laurie, Peter Vaughn and Richard Vernon in the starring roles. It was a strange and eerie feeling bringing parts of the hospital to life again. Not long after our work there it was converted into luxury apartments. I can imagine that some of those glamorous rooms have uninvited soldiers and nurses dropping by for a cup of tea and a Hobnob.

We had to create a recording studio for the video, so tape machines and outboard gear were recruited from my recording studio and the mixing console was very kindly lent to us by Abbey Rd Studios. It was the desk the Beatles had used – me too, when we’d made the album Never For Ever in Studio Two. It was such a characterful desk that would’ve looked right at home in any vintage aircraft.

Although it was a tough shoot it was a lot of fun and everyone worked so hard for such long hours. I was really pleased with the result.

THE OTHER SIDES

Released 8th march in uk & europe, and 22nd march row.

UK and Europe Pre-Order here . RoW Pre-order here .

4 CD DISCS FEATURING:

12″ MIXES

RARE TRACKS

COVER VERSION

Under The Ivy from The Other Sides

The Man I Love from The Other Sides

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Kate Bush - Experiment IV

Kate Bush slays in music video form. Her creativity especially shines in this somewhat obscure song Experiment IV (1986); Its plot is the military subsidizes recording engineers to create a sound that can kill someone and they catastrophically succeed.

Da Link: https://www.youtube.com/watch?v=NTUcoR8_pyE

There is much to appreciate in this video, but I want to draw focus to an early scene where two scientists walk a corridor while a camera tracks infront of them, a few steps ahead. (00:25-00:42)

What is going on here? The subjects walking rate/distance traveled is unnaturally fast in proportion to the how fast they are moving their bodies/the speed of the bg actors, which first led me to believe green screen. However, the entire scene is a one-take(?) and the beginning and end interact with the scenery (opening and closing doors), and the ambient lighting perfectly tracks with the subjects. Its also not a dolly track, or at least if it was it would also mean the actors need to stand on a platform which moves at the same rate as the camera... So I challenge ye reddit to answer, what the heck is going on here?

Feel free to share any appreciations you have, I personally love this late 80s early 90s ghostbusters era of video overlay; as well as the emersion of practical effects like the the shot where the 'sound-demon' sucks the soul out of the scientist. (3:00-3:03).

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Experiment IV Chords

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Lyrics beta, frequently asked questions about this recording, do you know the chords that kate bush plays in experiment iv , what is the tempo of kate bush - experiment iv , do you know in which key experiment iv by kate bush is, in which year was experiment iv first released, what genre is experiment iv .

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• Experiment IV 4:19
• Wuthering Heights (New Vocal) 4:57

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Kate bush – cloudbusting – official music video/experiment iv.

IGOR SMIRNOV‘S DEVICE AND THE THOUGHT CONTROL

A participant in the meetings with Igor Smirnov in the USA (wishing to remain in anonymity) is quoted in the article in the DEFENSE ELECTRONICS as saying: “the intelligence agencies… had been tracking Smirnov for years…, we know there is evidence the Soviet Army‘s special Forces used the technology during the conflict in Afghanistan.”

But there is still another possibility how to deliver them into the human brain – and this is electromagnetic transmission. It can not be a very complicated problem to transcode those high frequency messages into electromagnetic signals just the same way the radiofrequency sound can be transmitted into the human brain.

Weather as a Force Multiplier Owning the Weather in 2025

• Abstract: In 2025, US aerospace forces can own the weather by capitalizing on emerging technologies and focusing development of those technologies to war fighting applications. Such a capability offers the war fighter tools to shape the battlespace in ways never before possible. It provides opportunities to impact operations across the full spectrum of conflict and is pertinent to all possible futures. The purpose of this paper is to outline a strategy for the use of a future weather modification system to achieve military objectives rather than to provide a detailed technical road map. A high risk, high reward endeavor, weather modification offers a dilemma not unlike the splitting of the atom While some segments of society will always be reluctant to examine controversial issues such as weather modification, the tremendous military capabilities that could result from this field are ignored at our own peril. From enhancing friendly operations or disrupting those of the enemy via small scale tailoring of natural weather patterns to complete dominance of global communications and counterspace control, weather modification offers the war fighter a wide range of possible options to defeat or coerce an adversary. Some of the potential capabilities a weather modification system could provide to a war fighting commander in chief CINC are listed in table 1. Technology advancements in five major areas are necessary for an integrated weather modification capability 1 advanced nonlinear modeling techniques, 2 computational capability, 3 information gathering and transmission, 4 a global sensor array, and 5 weather intervention techniques. Some intervention tools exist today and others may be developed and refined in the future.

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For 30 years I have been a talk radio junkie revealing to millions upon millions the deep dark machinations of the shadow government. I have learned that corporate media is nothing but a slick propaganda machine to lure us into sleep. I was one of the only ones to see the codes the Illuminists use to presage their black operations. They are revealed in the clear, right in your face. Remember, the world moves at the speed of the predator, not the prey. We have to step up to the plate or perish because the ultimate law on this planet is the law of the jungle - might makes right. That's why constitutions are needed to enshrine those rights to the people, but those documents are mere scraps of paper if they're not fought over by a tenacious press.

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