Lot 47
© Written by Richard Propes The Independent Critic |
03 Sep 1999
War Zone, The
With family dysfunction, emotional brutality and misery-guts atmosphere the order of the day, Tim Roths directorial debut was never going to escape comparisons with mate Gary Oldmans Nil By Mouth. However, while certainly as grim and introspective, The War Zone is far less personal, being based on Alexander Stuarts award-winning novel set in a desolate, ugly Devon of rainswept moors, isolated farmhouses and deep-seated family shenanigans.
Ostensibly, you get a virtually catatonic teenager Tom (Cuncliffe) who becomes aware that the relationship between his fractious pop (Winstone) and edgy older sister Jessie (Belmont) has taken on a decidedly dodgy dimension. While he wrestles with his conscience, his unaware mother (Swinton) delivers another baby and his sister begins to come apart at the seams Ñ self-mutilation, fierce denial and enticing her bro into their own quasi-incestuous relationship. And with everything set out, you sit back and wait for the truth to hit the breakfast table.
Both of the kids do excellent work in complex, distressing roles - the movie works best in their shared scenes - and the film evokes an effective seriousness of tone with Roths fitting penchant for deep shadows, sultry landscapes and long, languorous sequences of sparse dialogue and heavy stares. But its all oddly inert and uninvolving, Roth locating strangeness rather than pathos in his forlorn family.
And poor old Ray Winstone is fast turning into a caricature of himself - its now prescribed film lore that any character he plays will inevitably go ape somewhere between the credits. Which automatically denies the film the forbidding ordinary-evil theme at its heart. The result is more distasteful than shocking - what should be provocative is simply depressing.
Note to readers: this review contains spoilers. While I do not believe the revelation of certain plot points will in any way compromise the viewing experience, those who wish to see The War Zone without having previous knowledge of a key element would do well to bail out now and return after they have seen the film.
The title of The War Zone conjures up images of devastation and disaster, of broken lives and rotting corpses. And, while this stunningly accomplished feature debut from Tim Roth has nothing to do with traditional battlefields, it is every bit as harrowing as the first 30 minutes of Saving Private Ryan or the whole of Schindler's List . The destruction presented in this film is as graphic and shocking as anything depicted in the most unsparing war movie, except that the victims are not soldiers trained for combat, but children placed in harm's way.
Incest isn't just a "nasty little secret" or a "family issue." It is an abuse of power and a violation of trust. Even when the sex is ostensibly consensual, it is rape. Perhaps the most unnerving thing about incest is how often it happens and how many silent victims there are. Statistics are meaningless with this kind of molestation - shame keeps a majority of those affected quiet, so there's no way to get an accurate count. Yet experts agree that it is a prevalent cancer that infects families of every racial and social background. Gather a hundred random people together, and there are virtually guaranteed to be victims (and perhaps abusers as well) in their midst. Seat those same hundred people in a theater showing The War Zone , and the visceral reactions of the victims will betray them. At a public screening of this movie during the 1999 Toronto International Film Festival, one viewer was so upset that, in the midst of a crucial scene, he rose to his feet and shouted that he couldn't take any more, then headed for the exit, intending to pull the fire alarm. Roth, who was in attendance, intercepted him at the door, and it took 20 minutes of intense conversation to calm the man down.
The War Zone is a devastating motion picture; it's the kind of movie that stuns an audience so absolutely that they remain paralyzed in their seats through the end credits. It does not deal in euphemisms nor does it hide the physical and emotional brutality of the act from viewers. What Roth has accomplished is nothing short of brilliant, but it is also incredibly daring, because the film has no commercial prospects. No matter how many critics trumpet The War Zone 's merits, viewers will not flock to see it; the subject matter is too upsetting and daunting. Yet for sheer force of emotional power, I have not seen the movie's like in years. As I write this review two weeks after seeing The War Zone , every scene remains fresh in my mind, and the overall impact has not lessened.
The film takes place in the rural Devon countryside, where a family of four has just moved from London. Events are related from the perspective of 15 year-old Tom (Freddie Cunliffe), who is unhappy with life away from the city. His 18 year-old sister, Jessie (Lara Belmont), has apparently adjusted better than he has. His parents (Ray Winstone, Tilda Swinton) seem happy and comfortable in their new home, and his mother is on the verge of delivering her third child. Then, shortly after the baby is born, Tom's world is turned upside down when he spies a covert sexual encounter between Jessie and his father. Tom confronts Jessie about the incident, but she denies it, accusing him of having an overactive imagination. He is not convinced, however, and sets out to learn the facts. The truth he must face, and its ramifications upon every member of the family, form The War Zone 's core drama.
In his handling of the material, Roth shows more ability than many accomplished, veteran filmmakers. He paints Devon as a grim, rainy place where darkness and grayness are always enroaching upon the light. Roth deals with the story in a way that does not insult the viewer's intelligence. There is much ambiguity to be found here. While one key rape is graphically depicted, the depth of the father's depravity and the question of how much the mother knows are left up to the individual to determine. Roth freely admits that, with The War Zone , he has pushed the envelope as far as it can go - had he attempted more, the movie would have become too painful for anyone to watch. Even in its current form, it is a difficult, although rewarding, experience for those who make the effort. There is no comic relief and no happy ending (although there is a catharsis of sorts). Perhaps Jessie puts it best when she says, "You want everything to be nice and sweet, but it isn't." Comparisons with Francois Truffaut's The 400 Blows and Lasse Hallstrom's My Life As a Dog (two films that Roth says inspired his approach to The War Zone ) are entirely reasonable.
While Roth's adept direction and Alexander Stuart's screenplay are integral to the film's success, the consistently high level of acting is of paramount importance. Roth has assembled an amazing quartet of actors, two of whom have not had previous screen experience. Newcomer Freddie Cunliffe plays the silent, stone-faced, and uncommunicative Tom. Cunliffe effectively captures the teenager's growing horror and anger as he learns the truth about the relationship between his father and sister. It would have been easy for Cunliffe to go over-the-top, but he keeps everything low-key, and therein lies the power of his performance. As Jessie, Lara Belmont is extraordinary. Her portrayal of the tormented, conflicted girl astonishes with its raw power. Stripped naked for the cameras (both emotionally and physically), the young actress gets everything right, from the heartbreaking pain evident during the rape scene to the subtle nuances of her interaction with the other characters. Her ability is most evident during the scene when Tom confronts their father - as a disconsolate, uncontrollably sobbing Jessie sits at the kitchen table, Belmont brings character's torment to the audience with full force. Not since Emily Watson in Breaking the Waves has an actresses' work affected me this deeply.
The two veterans in the cast are Ray Winstone and Tilda Swinton. Winstone is no stranger to this sort of role - he played something similar in Nil By Mouth (another difficult-but-powerful British film). The strength of Winstone's performance is that he makes his character into a far more complex individual than the typical child abuser. With the exception of the rape scene, he is shown to be a loving, caring father and husband. Only once does the monster come into the open. Swinton is equally effective as the mother, who is apparently oblivious to the true nature of her husband's relationship with their daughter. The actress played this part immediately after giving birth to twins, and shows great dedication to her craft for displaying her nude body in its post-birth form.
Over the years, few movies have taken this sort of forthright look at incest. Often, even in the best of films (like Atom Egoyan's masterful The Sweet Hereafter ), it is relegated to a subplot or the impact is diluted to make the picture more palatable. Stories about incest are actually presented with some frequency in network TV shows and made-for-TV movies, but the constraints of the medium emasculate the subject matter, leaving it poorly-focused and melodramatic. In my lifetime, I have seen thousands of films, but none has been as unflinching in its approach to this issue as The War Zone . For his courage and ability, Tim Roth deserves all the praise and recognition he probably will not get. To date, The War Zone is the best movie of 1999.
Reviewed by: Angus Wolfe Murray
Searing texts equate with excellence. Words such as "brave", "gritty" and "breaking new barriers" are flung about. Gary Oldman made Nil By Mouth , which many people found too tough to watch. Critics went into raptures. It had the ring of truth. It also had Ray Winstone.
The War Zone is not entirely convincing. It is tougher to watch and probably the most depressing film ever made. It is based on a novel and adapted by the author, Alexander Stuart. Performances by the two teenagers, Lara Belmont and Freddie Cunliffe, who have never acted before, are remarkable. Much credit for this must go to first time director, Tim Roth.
The setting is rural Devon. Shots of angry waves smashing against rocks have an obvious symbolism. The weather is never less than foul. A mood of lonely, sombre, brooding despair hangs about the dark, cheaply-furnished rooms of the isolated cottage. Sex is cold and ugly. Life has no meaning. The one sweet thing is Alice, a newborn baby, who gets sick.
The family is from London. Why they have decided to live in the middle of nowhere, where the teenage kids, Jessie and Tom, are so miserable they can hardly speak, is not elucidated.
Dad (Winstone) is kind and loving to Mum (Tilda Swinton), while taking Jessie to an obsolete machine-gun post on the cliff top and sodomising her. Tom watches. The cycle of anguish is complete. Why? What is being expressed here? That men like Dad can live in denial and believe they don't do what they do? That a girl as hard and damaged as Jessie would allow this to happen? That voyeurism brutalises the voyeur? There is no explanation. No answer. The pain of witness does not compensate.
Director: Tim Roth
Writer: Alexander Stuart
Starring: Tilda Swinton, Ray Winstone, Lara Belmont, Freddie Cunliffe, Aisling O'Sullivan, Kate Ashfield, Ray Winstone, Colin Farrell
Runtime: 98 minutes
Country: UK
Search database:
Forgotten username or password ?
Press Tab to complete, Enter to create
A moderator has locked this field.
The war zone.
Directed by Tim Roth
An alienated teenager, saddened that he has moved away from London, must find a way to deal with a dark family secret.
Freddie Cunliffe Lara Belmont Ray Winstone Tilda Swinton Kate Ashfield Aisling O'Sullivan Megan Thorp Colin Farrell Kim Wall Annabelle Apsion
Producers producers.
Sarah Radclyffe Steve Butterworth Dixie Linder
Alexander Stuart
Casting casting.
Jina Jay Sharon Howard-Field
Trevor Waite
Seamus McGarvey
Eric Abraham
Michael Carlin
Karen Wakefield
Liz Griffiths
Simon Boswell
Mary-Jane Reyner
Ivana Primorac
Portobello Pictures Fandango Mikado Film Film4 Productions
11 jun 1999, 03 sep 1999, 10 dec 1999, 17 dec 1999, 09 may 2008, 21 dec 2001, releases by country, netherlands.
98 mins More at IMDb TMDb Report this page
Review by NeoBhatia ★★★★★ 2
I don’t want to throw around words that are overused when reviewing films. Words like ‘great’ and masterpiece’. The War Zone is certainly a masterpiece but I don’t only want to call it a masterpiece. What the film does is capture a feeling so personal to myself and possibly other people who live in England. It’s a mixture of boredom, loneliness, depression, numbness, shock and anger. Yet the film isn’t really about those things. It’s about something far more darker. Tim Roth (in his directorial debut) tackles the subject matter (which I will not name) in an incredibly mature and intelligent way. The War Zone might just be the most surprising British film you will ever see. Why can’t all…
Review by MJsays ★★★★½ 3
Grim as hell but also extremely powerful. I froth over anything that’s as confidently depressing as this film is. Tim Roth needs to get back in the directors chair ASAP. Watch at your own risk.
Review by nick ★★★½ 1
This review may contain spoilers. I can handle the truth.
One of the most chilling, terrifying depictions of child sexual abuse. Tim Roth, who was a sexual abuse survivor himself, melancholically directed this story that clearly spoke to him on a personal level. It's a shame that Roth stopped directing after this because this is just such a potent cinematic experience.
Thanks to an amazing British cast, we get to see such a brilliant showcase of pure evil in its most unfiltered, thrilling form, via the vessels of a regular-looking family. It's brutally honest with its subject matter, focusing on the physical and mental traumas of its helpless teenage protagonists. The foursome cast all did a fantastic job delivering the intensity of a devastating family thriller, and Roth's unflinching shot and stone-cold style are spot-on and cherry on top. Highly recommended.
Review by chavel ★★★ 1
If you choose to see the bleak and shuddering The War Zone , a galling portrait of family secrets and incest, you are going to get a very well-made film that doesn’t fail in its directness with severe issues. Tim Roth, in his lone directorial effort, replicates the fleeting surface happiness and craven dysfunction of vintage Ingmar Bergman. Ray Winstone, as the blue collar father who practices sodomy with his own kin at a deserted concrete bunker that is perched on a cliff overlooking the ocean, has so successfully compartmentalized his mind from these evil acts that he re-directs the sickness label onto his own brood as a means to dodge accusation. Tilda Swinton is the mother in denial who has…
Review by james ★★★★ 1
CW: incest, rape
It's disheartening to see the bad faith approach many of this film's detractors take to its intense subject matter. Tim Roth has not made it a secret that he is a survivor of incestuous abuse, and it's that kind of pathology and barefaced disgust that keeps survivors from speaking out; for so many, there is an ingrained repulsion toward incest that not only includes the perpetrator but the victim -- arguably even more so for children raised as girls abused by their fathers. Ironically the film itself addresses this very type of victim-blaming through Tom's cruel treatment of Jessie upon his discovery, but it's hard to take that message in when one is still in the throes…
Review by Rodrigo Homsi ★★★½ 3
Conteúdo sensível.
O primeiro e único filme do "diretor" Tim Roth com participação no elenco de Tilda Swinton.
Roth mergulha de cabeça no universo sombrio do incesto e pedofilia, o tom adotado é assustadoramente cotidiano e tranquilo, aliás como são os milhares de casos de incesto que ocorrem diariamente em qualquer lugar do mundo. A filha abusada desde a infância não enxerga mais a violência em si, há um temor parental, uma síndrome de Estocolmo de quem não quer sair de uma situação ruim, até ser violentamente estuprada. A escolha do roteiro em retratar um pai exemplar evitando criar conflitos para não criar uma antipatia automática pelo abusador é o mote para mostrar alguém "normal" que pode ser qualquer parente ou conhecido insuspeito e que nega seus crimes até a morte.
Review by Mr. DuLac ★★★★½ 4
Most dramas present us with characters and what they would ideally do in traumatic situations or tragedies. Very few depict the real complexities of the human condition in extreme circumstances. This film is one of the few that does and it's not easy to see. It's like an exposed raw nerve.
The film is about a 15 year old boy, his 18 year old sister, his very pregnant mother and his old dad. The family almost lives in seclusion in a rural part of Devon. That is all the information I think someone should have going into the film other then a warning that it will test the limits of what a person can endure emotionally in a film.
Review by Horrible Reviews ★★★★ 2
Well that was surprisingly messed up!
Somehow Tim Roth's first and only movie as director, and for some reason he decided to adapt a novel telling the incredibly bleak story of a English family, normal-from-the-outside, fucked-up-on-the-inside.
I don't know how much of a secret the actual plot is, but I went in completely blind and it was quite the journey. At no point does this become gratuitous, something I very much respected. It's mostly focussed on characters, specifically the two teenage siblings, son and daughter. And it's rather slowly paced, but from the moment the son is starting to unravel the "dark family secret", I was constantly at the edge of my seat.
And it's such an English movie. Or…
Review by Graham ★★★★ 2
The ultimate (beginner’s) guide to DISTURBING MOVIES Category 3: Depressing & Misery porn
A truly dark piece of film, and Tim Roth's sole outing as a director observes the seedy underbelly of a family tearing itself apart. Having recently relocated from London to Devon and now with a newborn in the house, Dad Ray Winstone and Mother Tilda Swinton are not getting much peace in their lives. Swinton had just birthed twins in her real life, so the physical appearance of a swollen mother was her reality. Situation normal so far then, but soon it becomes clear that all is not well.
The son of the house Tom is aware of some unnatural behaviours within the family, and as he lets…
Review by Lee Morgan ★★★★½ 4
Jesus. I feel like some of the things I've seen in this film have been tattooed on the inside of my eyeballs. Indelible, unforgettable images.
And harrowing... yeah, that's the word I'm looking for.
Review by Amy Hensarling 9
My next film has to be a comedy.
Review by DallasFrance ★★★★ 2
More trigger warnings than that scene in Predator where the dudes shoot indiscriminately into the forest after Jesse “The Body” Ventura becomes Jesse “The Body With a Huge Hole in It” Ventura.
War Zone is really hard to watch. It’s interesting that it’s Tim Roth’s first and only directorial effort. It’s well done, but he might have thought, “Maaaaaybe I’ll just stick to being part of someone else’s f*cked up vision, instead of being in the center of my own supremely f*cked up vision.”
Toxic Family Drama
Select your preferred poster, upgrade to remove ads.
Letterboxd is an independent service created by a small team, and we rely mostly on the support of our members to maintain our site and apps. Please consider upgrading to a Pro account —for less than a couple bucks a month, you’ll get cool additional features like all-time and annual stats pages ( example ), the ability to select (and filter by) your favorite streaming services, and no ads!
|
December 10, 1999 FILM REVIEW `The War Zone': In a House Full of Nudity, Emotions Are Naked Too Related Articles The New York Times on the Web: Current Film Forum Join a Discussion on Current Film By JANET MASLIN he most troubling events in "The War Zone" take place inside a cement bunker, but that's not what gives the film its name. The actual battlefield is the rural English home where a teenager named Tom (Freddie Cunliffe) looks at his own family with helpless rage and astonishment. His mother (Tilda Swinton) is hugely pregnant as the film begins. Then she is preoccupied with the new baby and not eager to notice much else. Tom's older sister, Jessie (Lara Belmont), is sullen and uneasy, especially in the presence of their father (Ray Winstone). And Tom already senses what he will eventually know for sure: that sex between Dad and Jessie is a fact of this family's life. The actor Tim Roth makes a fierce, disturbing directorial debut with a film that treats incest as something worse than a terrible secret. In this story, adapted by Alexander Stuart from his own novel, the father-daughter relationship is almost a given. It arises fearsomely from the sexual tensions in the household, which Roth underscores with many scenes in which the characters are unself-consciously naked, unsettling one another. He need not specify how explosive this atmosphere must be to a frustrated adolescent who often tussles angrily with his beautiful sister. Raw as it is in spirit, "The War Zone" is filmed with cool blue-green tones and spare, painterly precision. (Seamus McGarvey's striking cinematography is mournfully expressive.) Similarly, the minimal dialogue often gives way to bitter, smoldering silence. Unlike Gary Oldman's voluble "Nil by Mouth," which also starred Winstone as a frighteningly abusive father and had a watchful, tormented boy as its protagonist, Roth's film treats the pain in this household as literally unspeakable. So he favors extreme understatement. One hauntingly effective shot finds Tom outside in the rain, with green landscape occupying most of the frame and a band of yellow light on its right-hand side. That light comes from a window through which Tom can see his father and sister. Just a hint of that image goes a monstrously long way. "The War Zone" first startles its audience with a violent automobile accident as the family is en route to the hospital, waiting for the baby's birth. That event has a stark, surreal quality that shows up in the rest of the story as well. The film concentrates on sexual currents to the dreamlike exclusion of anything else in the characters' lives, to the point where its most shocking events take place in a psychological vacuum. For all its dramatic power, "The War Zone" leaves much about its characters' urges and motives unexplored. Although it's hard to imagine Roth himself playing a role as passively and balefully as his leading man does here, he directs the inexperienced Cunliffe to make the most of it. This young actor is a powerfully disturbing presence. And Ms. Belmont, also an acting newcomer, is no less hauntingly used. Her facial resemblance to Ms. Swinton is artfully exacerbated, as is her carnal presence. Ms. Swinton, in her small but crucial role, makes the mother far more than an oblivious bystander. Winstone again proves himself an extremely natural, courageous actor blessed or cursed with the ability to bring heedless brutishness to life. PRODUCTION NOTES 'THE WAR ZONE' Directed by Tim Roth; written by Alexander Stuart, based on his novel; director of photography, Seamus McGarvey; edited by Trevor Waite; music by Simon Boswell; production designer, Michael Carlin; produced by Sarah Radclyffe and Dixie Linder; released by Lot 47 Films. WITH: Ray Winstone (Dad), Tilda Swinton (Mum), Lara Belmont (Jessie), Freddie Cunliffe (Tom) and Aisling O'Sullivan (Carol). Running time: 99 minutes. "The War Zone" is unrated. It includes frequent nudity and very disturbing sexual situations.
| | | | | | | | | | | | | | | | | | | | | | | | |
|
Trouble logging in?
By continuing, you agree to the Privacy Policy and the Terms and Policies , and to receive email from the Fandango Media Brands .
By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes and to receive email from the Fandango Media Brands .
By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes.
Let's keep in touch.
By clicking "Sign Me Up," you are agreeing to receive occasional emails and communications from Fandango Media (Fandango, Vudu, and Rotten Tomatoes) and consenting to Fandango's Privacy Policy and Terms and Policies . Please allow 10 business days for your account to reflect your preferences.
OK, got it!
Movies in theaters
Movies at Home
Certified fresh picks
New TV Tonight
Most Popular TV on RT
Certified fresh pick
30 Most Popular Movies Right Now: What to Watch In Theaters and Streaming
25 Most Popular TV Shows Right Now: What to Watch on Streaming
What to Watch: In Theaters and On Streaming
Awards Tour
Weekend Box Office: Beetlejuice Beetlejuice Holds on to Top Spot
Renewed and Cancelled TV Shows 2024
Where to watch.
Rent Punisher: War Zone on Fandango at Home, Prime Video, Apple TV, or buy it on Fandango at Home, Prime Video, Apple TV.
Punisher: War Zone recalls the excessively violent, dialogue-challenged actioners of the 1980s, and coincidentally feels two decades out of date.
Audience reviews, cast & crew.
Lexi Alexander
Ray Stevenson
Frank Castle
Dominic West
Billy Russoti
Doug Hutchison
Looney Bin Jim
Colin Salmon
Agent Paul Budiansky
Wayne Knight
Linus Lieberman
Related movie news.
Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews
Related lists from IMDb users
Common Sense Media
Movie & TV reviews for parents
Punisher: war zone.
Violent vigilante comic book story is gory, grim stuff.
Parents need to know that this over-the-top action movie is unrepentantly violent, with a body count in the dozens and constant extreme, grisly depictions of hand-to-hand combat, gunshot wounds, explosions, industrial accidents, and much more. The movie's tone is also very moody and bleak -- it may be based on a…
Characters smoke, drink hard liquor, and are seen snorting cocaine. References a
Constant strong language, including "f--k," "motherf--ker," "s--t," "ass," "a--h
The movie's body count is in the dozens, with constant, extreme, and bloody/gory
Some brands -- Range Rover, Krispy Kreme, Beretta -- are mentioned by name.
A brief refrence to "screwing hookers."
The film's "hero" is a vigilante who fights New York's organized crime figures a
Characters smoke, drink hard liquor, and are seen snorting cocaine. References are made to crystal meth and anti-psychotic drugs.
Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.
Constant strong language, including "f--k," "motherf--ker," "s--t," "ass," "a--hole," "crap," "c--ksucker," and more. Some Italian vulgarities.
Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.
The movie's body count is in the dozens, with constant, extreme, and bloody/gory violence -- including shootings, fights, bare-handed neck-breakings, decapitations, several point-blank shotgun blasts (viewers see the victim's face obliterated), stabbings, death by explosion, and more. A man stabs another man through the neck with the stem of a broken wineglass. A man is killed by having a chair leg thrust through his face. A man is seen devouring another man's kidneys after murdering him. A man is hurled into an industrial glass crusher; viewers see his face, stripped bare of skin and pouring blood (later his face is a grotesque patchwork of scars, grafts, and transplants). Several extremely detailed special-effects deaths -- like when the "hero" punches someone so hard that he penetrates their skull. A man is hurled onto the sharp metal posts of a wrought-iron fence.
Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.
Sex, romance & nudity.
Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.
The film's "hero" is a vigilante who fights New York's organized crime figures after his family is executed for accidentally witnessing a mob execution. His murderous work is in many ways secretly approved of by legitimate law enforcement personnel. He shoots and kills an undercover FBI agent and is tormented by this. Discussion of terror plots and biological weapons (which are to be sold "to the ragheads in Queens"). Some discussion of God's mercy and forgiveness and plan; the main character rationalizes his work by explaining that "someone has to punish the corrupt." A criminally insane character is referred to as "Looney Bin Jim."
Parents need to know that this over-the-top action movie is unrepentantly violent, with a body count in the dozens and constant extreme, grisly depictions of hand-to-hand combat, gunshot wounds, explosions, industrial accidents, and much more. The movie's tone is also very moody and bleak -- it may be based on a popular Marvel comic book character, but it's not kids' stuff. It's more akin to the adventures of Dirty Harry than those of Spider-Man. Not only does the film tacitly endorse the vigilante "hero" and his violent methods, but so do law enforcement characters -- who either turn a blind eye to his activities or actively help him. Characters also use extremely strong language, drink, and use drugs (some are shown snorting cocaine). To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .
Videos and photos.
Based on 12 parent reviews
What's the story.
Based on a popular comic book character first introduced in the pages of The Amazing Spider-Man in 1974, PUNISHER: WAR ZONE revolves around ex-Marine/Special Forces instructor Frank Castle ( Ray Stevenson ). When Frank's wife and children are slain after witnessing a mob execution, Frank begins a one-man war on New York's underworld, unimpeded by due process and the rule of law. Frank's most recent assault on crime boss Bily Russoti ( Dominic West ) not only sees Frank killing an undercover FBI agent but also leaves Rusotti grievously wounded, insane with rage, and even more dangerous. As Frank tries to atone for his acts to the agent's wife and daughter, Rusotti breaks his criminally insane brother, "Looney Bin Jim" (Doug Hutchison), out of the asylum to pull off a bioweapons-smuggling scheme -- and exact personal revenge.
There's no denying the vim, verve, and energy that director Lexi Alexander ( Hooligans ) brings to Punisher: War Zone ; there's also no denying the movie's extreme gore and violence. This film marks the third time that The Punisher's come to the big screen -- previous iterations have starred Dolph Lundgren and Thomas Jane -- and unrepentant fans of hardcore action cinema will enjoy it. In many ways, the filmmakers were even right to make the film so over-the-top; a sanitized, PG-13 version of a film about a semi-insane vigilante who murders criminals might be even more upsetting than the atomized flesh and spraying blood on display here.
Stevenson is easily watchable in the lead role -- tormented when he needs to be, lightning-fast and unhesitant when in action. And West (best known for his work on The Wire ) grimaces, giggles, and glowers out from under disgusting make-up and prosthetics as the mutilated villain, who goes by the name "Jigsaw" (in many ways, Jigsaw is a modern -- and disgusting -- nod to classic Dick Tracy villains like Flatop, the Brow, and other deformed, demented pulp fiction criminals ). Punisher: War Zone is going to appeal to a very limited audience of older action fans, but they'll love its high-adrenaline, gore-heavy approach. If you go in expecting the glossy, "biff bang pow!" bloodless action of recent comic book adaptations like Iron Man or Batman Begins , you're going to get a rude, gory awakening.
Families can talk about the appeal of extreme violence on screen. What draws viewers to this kind of movie? What are the effects of watching so much grisly violence, even if it's intended to be deliberately over-the-top and cartoonish? Families can also discuss the film's endorsement of "going outside the law" to punish criminals who've evaded the consequences of their actions. Do the ends ever justify the means? What other recourse do people have when the system doesn't work?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.
What to watch next.
Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
Jigsaw (Dominic West) as Jigsaw in this, the third "Punisher" movie.
You used to be able to depend on a bad film being poorly made. No longer. “The Punisher: War Zone” is one of the best-made bad movies I’ve seen. It looks great, it hurtles through its paces and is well-acted. The soundtrack is like elevator music if the elevator were in a death plunge. The special effects are state of the art. Its only flaw is that it’s disgusting.
There’s a big audience for disgusting, and I confidently predict the movie will “win the weekend,” if not very many hearts and minds. Here you will see a man’s kidney ripped out and eaten, a chair leg pushed through a head via the eyeball, a roomful of men wiped out by the Punisher revolving upside-down from a chandelier and firing machine-guns with both hands, a widow and her wee girl threatened with mayhem, heads sliced off, victims impaled and skewered, and the villain thrown into a machine that crushes glass bottles in much the same way concrete is mixed.
The glass-crushing machine caught my eye. Billy ( Dominic West ) is socked into it by the Punisher ( Ray Stevenson ) and revolves up to his neck in cutting edges while screaming many, many four-letter words, which, under the circumstances, are appropriate.
What confused me is that nearby in the same factory, there is a conveyor belt carrying large lumps of hamburger or something. I expected Billy to emerge as ground round, but then I thought, how much ground glass can you really add to ground round? It’s not often that you see meat processing and bottle crushing done in adjacent operations in the same factory. I was looking for the saltwater taffy mixer.
Billy survives his ordeal and announces to his henchmen, “From now on, my name is ‘Jigsaw.’ ” This is after he has had operations, apparently lasting only minutes by the movie’s timeline, to stitch up his face with twine. He now looks like the exhibit in the entrance lobby of the Texas Chainsaw Museum, and one eye looks painfully introspective.
The movie is not heavy on plot. By my Timex Indiglo, there was no meaningful exposition at all during the first 15 minutes, just men getting slaughtered. Then things slow down enough to reveal that the Punisher, a.k.a. Frank Castle, who avenged the murder of his family in an earlier film, has now killed a good guy who was father to little Grace (Stephanie Janusauskas) and husband to Angela ( Julie Benz ), who will Never Be Able to Forgive Him for What He’s Done, nor should she, but she will.
The city, Montreal playing New York, has a small population, consisting only of good guys and bad guys and not much of anybody else. I’d get out, too. It’s the kind of violence the president should fly over in Air Force One and regard sadly through the window. It goes without saying that the bad guys are unable to shoot the Punisher with their machineguns. That’s consistent with the epidemic of malfunctioning machineguns in all recent super-violent films. Yet the Punisher kills a couple dozen hoodlums with his machineguns, while spinning upside-down under that chandelier.
Now pause to think with me. Everyone around the table is heavily armed. More armed men bust in through the door. The revolving Punisher is suspended in the center of the room. Because of the logic of the laws of physical motion, most of the time, he is shooting away from any individual bad guy. How can they possibly miss hitting him? It’s so hard these days, getting good help.
“The Punisher: War Zone” is the third in a series of Punisher movies. It follows “ The Punisher ” (1989) starring Dolph Lundgren and “The Punisher” (2004), starring Thomas Jane and John Travolta . Since the second film has the same title as the first, it’s hard to tell them apart, but why would you want to? My fellow critic Bill Stamets, settling down for the screening, shared with me that he watched the 2004 movie for his homework. I did my algebra.
Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.
Now playing.
Latest articles.
The best movie reviews, in your inbox.
The War Zone (Credit: FilmFour Distributors)
Directorial debut by Tim Roth, The War Zone, is based on the novel that goes with the same name written by Alexander Stuart. He also worked as a writer for the movie. So, people who read the book will quickly realize that it contains violence. Thus, it got considered ‘a dark stunner.’
The 95-minute-long British movie , The War Zone, produced by Lot 47 Films and distributed by FilmFour Distributors, got mainly positive reviews. Many viewers appreciated the director and considered his talent behind the camera.
Produced by Dixie Linder and Sarah Radclyffe, the movie addresses sorrow, wounds, shame, guilt, and empathy. It made a box office collection of $254,441 in the United States.
Jack reynor portrays a layered and intense character in the thrilling sci-fi drama the peripheral, green lantern shines again with a new tv series promising thrilling detective adventure, the bear dominates emmy night with multiple wins and notable nominations, a promising cast fails to save millers in marriage from its emotional shortcomings.
The main cast of The War Zone includes Ray Winstone (as Dad), Kate Ashfield (as Lucy), Lara Belmont (as Jessie), Colin Farrell (as Nick), Kate Ashfield (as Lucy), Aisling O’Sullivan (as Carol), Freddie Cunliffe (as Tom), Kim Wall (as Barman), and Annabelle Apsion (as Nurse).
Also Read: Where Is Flamin’ Hot Filmed? All Locations Revealed
The War Zone Plot
The story begins with a rural house in winter in Devon. Tom, the 15-year-old boy, is disappointed after moving to a home in a rural area in London because he misses his friends . Moreover, interaction with family members is weird.
Tom’s dad is a cheerful guy working in the home-furniture industry. Tom also has an 18-year-old sister, Jessie, and a pregnant mom who soon goes into labor, and the whole family gets driven to a hospital by the dad.
The car crashes, but fortunately, none gets hurt hard, and the mum gives birth to a beautiful baby girl. In the next scene, the mum is in the maternity ward, and the remaining family members get treated in the hospital.
Jessie keeps going nude before Tom, and they take it casually. It seems to be a happy family , but it is not. One day, after coming from shopping with Mom, the disappointed Tom sees Jessie and their dad sitting in a bathtub with no clothes. Tom confronts Jessie, but she denies it.
Namarata, a 28-year-old mass journalism student residing in Mumbai, India, possesses a deep affection for writing on diverse subjects such as movies, television shows, lifestyle, filming locations, and more.
Boris Becker, once a tennis prodigy who amazed the world by winning Wimbledon at just 17 in 1985, has experienced...
© 2014-2024 OtakuKart. A Proud Member of CW Media.
With animated sequences and intimate profiles, 'Athlete A' directors Jon Shenk and Bonni Cohen’s latest is another heartfelt look at a pressing social issue.
By Michael Nordine
Popular on variety.
Marcus Capone, Matty Roberts and DJ Shipley all spent a significant amount of time in Afghanistan and bring to mind the quotation that opens “The Hurt Locker”: “The rush of battle is a potent and often lethal addiction, for war is a drug.” They all seem to have been born for military life, not that any amount of training or mental fortitude can truly prepare one for the horrors of war and its lingering aftereffects. Each of them lost several comrades and suffered injuries of their own, which is to say that not all of their scars are visible.
The filmmakers’ focus on these three men lends “In Waves and War” an intimate quality, though at times it seems as though they could have expanded their scope without losing sight of them. The film never delves into why ibogaine and 5-MeO-DMT remain illegal or if there’s a significant push among proponents to reschedule them, nor do we hear much from the Stanford researchers studying the drugs.
Lucky, then, that the main trio are worthy of that level of focus. Hearing them talk about actively wanting to die makes “In Waves and War” a difficult sit, but the urge to hear the rest of their story is always stronger than the urge to turn away.
More from our brands, sean combs denied bail in racketeering, sex trafficking case.
IMAGES
VIDEO
COMMENTS
Dad (Ray Winstone) is bluff and cheery, extroverted, a good guy. Tom (Freddie Cunliffe) is a 15-year-old, silent and sad because he misses his friends in London. Jessie (Lara Belmont) is 18 years old, ripe with beauty. This looks like a cheerful story. Roth tells it obliquely, sensitive to the ways families keep secrets even from themselves.
After his family relocates from London to rural Devon, sullen British teen Tom (Freddie Cunliffe) spends most of his time moping about the house. When he inadvertently discovers an incestuous ...
The War Zone received mainly positive reviews. ... The War Zone is a gem of a movie." [8] James Berardinelli wrote "The War Zone is a devastating motion picture; it's the kind of movie that stuns an audience so absolutely that they remain paralyzed in their seats through the end credits. In his handling of the material, Roth shows more ability ...
The War Zone: Directed by Tim Roth. With Annabelle Apsion, Kate Ashfield, Lara Belmont, Freddie Cunliffe. An alienated teenager, saddened that he has moved away from London, must find a way to deal with a dark family secret.
The War Zone Reviews. The best film ever created on the subject of sexual abuse/family violence. Full Review | Original Score: 4.0/4.0 | Sep 26, 2020. dark and disturbing journey of family ...
It is a magnificent choice even as the young teenage male in question makes very challenging choices. "The War Zone" is, in my opinion, the best film ever created on the subject of sexual abuse/family violence. It is a chillingly painful film to watch, relentless in its truth and vivid in its vision. With painstaking detail, Roth creates a ...
18. Original Title: War Zone, The. With family dysfunction, emotional brutality and misery-guts atmosphere the order of the day, Tim Roth s directorial debut was never going to escape comparisons ...
As I write this review two weeks after seeing The War Zone, every scene remains fresh in my mind, and the overall impact has not lessened. The film takes place in the rural Devon countryside, where a family of four has just moved from London. Events are related from the perspective of 15 year-old Tom (Freddie Cunliffe), who is unhappy with life ...
Reviews; Feb 3, 1999 11:00pm PT The War Zone ... Boasting first-rate production values and resplendent from first frame to last, "The War Zone" is a gem of a movie. Jump to Comments.
Summary For fifteen-year old Tom (Cunliffe), the war zone is at the heart of his seemingly happy middle-class family. Nothing can prepare him for the terrible secret that binds his father (Winstone) and his seventeen-year-old sister Jessie (Belmont). Isolated, confused and consumed by adolescent anger, Tom is determined to reveal the truth ...
It had the ring of truth. It also had Ray Winstone. The War Zone is not entirely convincing. It is tougher to watch and probably the most depressing film ever made. It is based on a novel and adapted by the author, Alexander Stuart. Performances by the two teenagers, Lara Belmont and Freddie Cunliffe, who have never acted before, are remarkable.
Alexander Stuart adapts from his own novel and it stars Ray Winstone, Lara Belmont, Freddie Cunliffe and Tilda Swinton. Story is about a family who have moved from London to the Devonshire coast. The son, Tom, is unhappy and feels alienated in the new surroundings, but when he discovers a dark family secret, things become much much worse.
Cast. Freddie Cunliffe Lara Belmont Ray Winstone Tilda Swinton Kate Ashfield Aisling O'Sullivan Megan Thorp Colin Farrell Kim Wall Annabelle Apsion. 家园禁地, Zona di guerra, La zona oscura, Hadszíntér, Военна зона, Зона военных действий, I familiens hjerte, 전쟁 지역, Zona de Conflito, 素肌の涙 ...
An alienated teenager, saddened that he has moved away from London, must find a way to deal with a dark family secret. Suddenly, moody 15-year-old Tom, and his 18-year-old sister Jessie find themselves relocated from the hustle and bustle of urban London to the sullen silence of wind-swept rural Devon, at a little but neat cottage in the middle ...
FILM REVIEW `The War Zone': In a House Full of Nudity, Emotions Are Naked Too. Related Articles; The New York Times on the Web: Current Film. Forum. ... "The War Zone" is filmed with cool blue-green tones and spare, painterly precision. (Seamus McGarvey's striking cinematography is mournfully expressive.) Similarly, the minimal dialogue often ...
Not a horror film in the traditional sense but Tim Roth's directorial debut The War Zone is a powerful and scary disturbing movie. There is a lot of horrific things going on in this movie some of it's kinda in your face and a lot of the more disturbing elements are merely suggestive.
Rated: 2.5/5 Jul 11, 2023 Full Review Emilie Black Cinema Crazed Punisher: War Zone is a colorful, violent, almost perfect comic book adaptation which seems to be forgotten by some fans of the genre.
cedric_owl 15 March 2005. Strange, opaque and deeply unsettling, the War Zone is the only way a film about a topic as horrifying as incest should be. Tim Roth, realizing that the family of the film is too far gone to elicit much empathy from the audience, simply tries to convey the story as truthfully as possible.
Our review: Parents say (12 ): Kids say (16 ): There's no denying the vim, verve, and energy that director Lexi Alexander (Hooligans) brings to Punisher: War Zone; there's also no denying the movie's extreme gore and violence. This film marks the third time that The Punisher's come to the big screen -- previous iterations have starred Dolph ...
107 minutes ‧ R ‧ 2008. Roger Ebert. December 3, 2008. 3 min read. Jigsaw (Dominic West) as Jigsaw in this, the third "Punisher" movie. You used to be able to depend on a bad film being poorly made. No longer. "The Punisher: War Zone" is one of the best-made bad movies I've seen. It looks great, it hurtles through its paces and is ...
The 95-minute-long British movie, The War Zone, produced by Lot 47 Films and distributed by FilmFour Distributors, got mainly positive reviews. Many viewers appreciated the director and considered his talent behind the camera. Produced by Dixie Linder and Sarah Radclyffe, the movie addresses sorrow, wounds, shame, guilt, and empathy.
The Image: So, this abandoned, derelict fort - left over from WW2, I suppose - must without doubt be the most god-forsaken building in Britain. What horrors ...
'In Waves and War' Review: Moving Doc About Afghanistan Vets Treating PTSD With Hallucinogens Is an Odyssey of the Mind Reviewed, Sep. 2, 2024 at Telluride Film Festival. Running time: 108 MIN.