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Academic Appeal: The 11 Best Fonts for Academic Papers

• BY Bogdan Sandu
• 26 February 2024

Imagine settling into the rhythm of crafting your academic magnum opus—the words flow, ideas chime, yet it all hinges on how your prose meets the reader’s eye. You’re well aware that  the best fonts for academic papers  don’t just whisper to the intellect; they shout to the discerning critic in each evaluator. Here unfolds a narrative, not merely of  typography  but your academic saga’s silent ambassador.

In forging this guide, I’ve honed focus on one pivotal, often underestimated player in the academic arena:  font selection .

Navigate through this roadmap and emerge with a treasure trove of  legible typefaces  and format tips that ensure your paper stands hallmark to clarity and professionalism.

Absorb insights—from the revered  Times New Roman  to the understated elegance of  Arial —paired with indispensable  formatting nuggets  that transcend mere compliance with  university guidelines .

Dive deep, and by article’s end, unlock a dossier of sage advice, setting your documents a class apart in the scrutinous world of academic scrutiny. Here’s to  typography  serving not just as a vessel but as your ally in the scholarly discourse.

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Great fonts for a PhD thesis – and terrible ones

There are thousands of fonts out there – which one should you choose for a great-looking PhD thesis? I will explain the differences between serif and sans-serif fonts, what ligatures are and why you shouldn’t use that fun free font you found on the internet.

Great fonts for a PhD thesis: Serif vs. sans-serif

As I explained in my Ultimate Guide to preparing a PhD thesis for printing , there are two basic kinds of fonts: Serif fonts and sans-serif fonts. Serif fonts have small lines – serifs – at the ends of all lines. Sans-serif fonts don’t have those lines. Compare these two, Palatino Linotype and Arial:

Serifs guide the reader’s eyes, making sure that they stay in the same line while reading a printed text. In turn, your reader’s brain won’t get tired so quickly and they can read for longer.

But there is another feature that many serif fonts have. Look at these three (which are all great fonts to use in your PhD thesis, btw):

If you look closely, you will see that serif fonts often have different stroke thicknesses within every letter. This is called “weight contrast”. A subtle weight contrast further improves legibility of a printed text. Hence, I recommend you use a serif font with a bit of a weight contrast for your main text.

Which serif font should you choose?

But whatever you do, this one thing is extremely important: Choose a font that offers all styles: regular, italics , bold , and bold italics . Since these four styles all need to be designed separately, many fonts don’t offer all of them. Especially bold italics is absent in most free internet fonts and even from many fonts that come with your operating system or word processor.

Also: In your bibliography and in-text citations (if you go with an author-year citation style) you will have to display author’s names from all over the world. Many of them will contain special letters. For example German umlauts (ä, ö, ü), accented letters used in lots of of languages, i.e. French or Spanish (à, é, ñ, etc.), and dozens of other special letters from all kinds of languages (ç, ı, ł, ø, etc.). Be aware that only a very limited number of fonts offer all of these!

If you have mathematical equations in your thesis that require more than +, – and =, your font choices are limited even further . After all, the vast majority of fonts do not offer special operators.

As you can see, these criteria severely limit your choice of font for the main text. Needless to say, they rule out free fonts you can download from dafont.com or 1001fonts.com . That is why I urge you to go with a classic font. To make things easier for you, here is a table with serif fonts that offer all the characters you could dream of:

Failsafe serif fonts for your PhD thesis

These fonts are heavily based on fonts that have been in use since the invention of the mechanical printing press in the 15th century. Hence, these types of fonts have been tried and tested for more than 500 years. Hard to argue with that!

But which of these fonts is The Best TM for a PhD thesis? That depends on how much text you have in your thesis vs. how many figures, tables, equations, etc. As I have noted in the table, fonts have different widths. Look at this image showing the same text in Times New Roman (TNR), Cambria, and Sitka Text; all at the same size:

Hence, setting entire pages of text in TNR will make the page look quite dense and dark. So, a thesis with a lot of text and few figures is best set in a wider font like Sitka Text. On the other hand, if you have a lot of figures, tables, etc., TNR is a good choice because it keeps paragraphs of text compact and therefore the page from looking too empty. Medium-width fonts like Cambria are a good compromise between the two.

To see some of these fonts in action, check out this example PhD thesis where I show all sorts of font combinations and page layouts.

When to use a sans-serif font in your PhD thesis

This covers serif fonts. But which sans-serif fonts are great for your PhD thesis? And when do you use them?

As mentioned above, serif fonts are good for the main text of your thesis. But titles and headings are a different story. There, a sans-serif font will look very nice. Plus, using a different font in your headings than in the main text will help the reader recognize when a new section begins.

Here are some examples for good sans-serif fonts:

Each of these fonts – Futura, Franklin Gothic Book, and Gill Sans – are wonderful for headings in a PhD thesis. Why? Because they are easily readable, well-balanced and don’t call undue attention to themselves. Also, they have many options: regular, light, medium, bold, extra bold, including italics for all of them. And most operating systems or word processors have them pre-installed.

The criteria for heading fonts are not nearly as strict as those for main text fonts. If you have Latin species names in your headings, make sure the font offers (bold) italics. If you need to display Greek letters in your headings, make sure the font offers those. Done.

However, there are some criteria for headings. Just for fun, let’s have a look at some sans-serif fonts that would be a bad choice for a thesis:

I’d like to explicitly state that these are wonderful, well-designed fonts – you just shouldn’t use them in a scientific document. Heattenschweiler is too narrow, Broadway has too much weight contrast and Aspergit Light is too thin. All of these things impair readability and might make your opponents squint at your headings. Of course, you will want to do everything in your power to make the experience of reading your thesis as pleasant a possible for your opponents!

How are these fonts great for my PhD thesis? They are boring!

Why yes, they are, thanks for noticing!

Seriously though, the fonts not being interesting is the point. Your PhD thesis is a scientific document showing your expertise in your field and your ability to do independent research. The content of your thesis, the science, should be the sole focus. A PhD thesis is not the place to show off your quirky personality by way of an illegible font.

However, you can infuse your personality into your thesis cover and chapter start pages. There, you can use a fun font, since you probably don’t have to display any special characters.

Choosing the right font is too much pressure? Contact me for help with your layout!

Don’t use fonts made for non-Latin alphabets (Cyrillic, Hanzi, etc.)

Every computer nowadays comes pre-installed with a number of fonts made for displaying languages that don’t use the Latin alphabet (Latin alphabet = The alphabet in which this very article is displayed). Prominent examples for languages that don’t use the Latin alphabet are Asian languages such as Chinese, Japanese, Korean, Thai, etc. Other examples include the Arabic, Brahmic, and Cyrillic script. But there are many more fonts for a myriad of non-Latin alphabets. These fonts were optimized to make the characters of their languages easily readable.

However (and this is why I’ve written this entire section) they usually also contain Latin characters to be able to display the occasional foreign word.

Hence, you might want to honour your roots by using a font in your thesis that was made for your native language, by someone from your home country. It is tempting, because all the Latin characters are there, right? I completely understand this wish, but I strongly advise against it since there are some serious drawbacks.

Don’t get me wrong, I’m not throwing shade on these fonts, they are fantastic at what they were made for. Displaying long stretches of text in the Latin alphabet, however, is not one of those things. Let me explain why.

They don’t offer all necessary characters

Firstly, fonts made to display languages with a non-Latin alphabet contain the bare minimum of Latin characters. That is, the basic letters and the most important punctuation marks. Hence, they don’t have all those math operators and special characters I talked about in the section about serif fonts.

Also, the Latin characters in these fonts are usually sans-serif, so less suitable for long text.

But let’s say the non-Latin alphabet font you chose does offer all special characters and has serifs. Unfortunately, they are still not suitable to use in your PhD thesis, for the following reasons:

They are often too small or large for use with greek letters

Do you mention β-Mercaptoethanol or α-Histidin antibodies in your Materials and Methods? Or any other Greek letter? Since Latin characters are scaled differently in fonts made for non-Latin alphabets, Greek letters will not be the same size as the rest of the text anymore. For example, look at this text, where I rendered everything (I swear!) in the specified font size:

In the first panel (Cambria), the Greek letters are the same size and weight as the main text. As I have said, Cambria is one of the fonts explicitly recommended for your thesis. If you look closely at the enlarged line on the bottom of the panel, you can see that the alpha is the same height as the lower-case letters, whereas the beta is the same height as the upper-case letters. It looks neat and tidy.

However, by using a non-Latin font for your PhD thesis, you are asking for trouble.

In the second panel, I show Cordia New, a font for Thai script. At 12 pt, it is way smaller than the Latin font. The Greek letters – which are also at 12 pt! – stand out awkwardly. Also, Cordia New produces a line distance that is larger than it should be when using it for a text in the Latin alphabet.

In the last panel I show Microsoft YaHei for displaying Hanzi characters. Here, the Latin characters are larger. This leads to the Greek letters being too small. And, as you can see in the second and third lines of the paragraph of text, the line distance is quite narrow. However, the Greek letter β requires a regular line distance. So, it pushes the following line down, making the paragraph look uneven.

They don’t offer ligatures

Now, what on earth are ligatures? I could dive into the history of book printing here but I’ll spare you those details. In essence, Ligatures are two or more letters that are printed as one single glyph. Let me show you:

In the top line, you can see that the characters inside the boxes “melt” into each other. This single shape made out of several letter is called a ligature. They are mostly common with the small letter f. If you take a magnifying glass and look at the pages of a novel, you will quickly find these same ligatures. E-readers also display ligatures. Heck, even WhatsApp does it!

Ligatures also make the text easier to read. However, in order to display them, a font actually has to have the glyphs for the ligatures. And many fonts don’t. In order to find out whether a font you chose offers them, go to the character map of that font. (In Windows 10, simply click the windows logo in the corner of your screen and start typing the word “character”.) Pick a font in the drop-down menu. Now, search for the word “ligature” in the character map. If the map is empty after this, the font has no ligature glyphs.

All that being said, ligatures are not super important. I just wanted to mention them.

You can still use fonts made for non-Latin alphabets

If you want to honour your roots by way of a font, you can still do this. For example in your thesis title and/or for the chapter start pages.

In a word: Don’t go crazy with those fonts! Let your science do the talking. If you want to see what your thesis could look like with some of the fonts I recommended, check out the example PhD thesis .

Do you want to see a font combination that’s not in the example thesis? Contact me and I’ll set a few pages in your desired font, free of charge!

Click here for help with your PhD thesis layout!

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What font should I choose for my thesis?

This post is by DrJanene Carey, a freelance writer and editor based in Armidale NSW. She occasionally teaches academic writing at the University of New England and often edits academic theses, articles and reports. Her website is http://www.janenecarey.com

Arguably, this question is a classic time waster and the student who poses it should be told to just get on with writing up their research. But as someone who edits theses for a living, I think a bit of time spent on fonts is part of the process of buffing and polishing what is, after all, one of the most important documents you will ever produce. Just bear in mind that there is no need to immerse yourself so deeply in the topic that you start quibbling about whether it’s a font or a typeface that you are choosing .

Times New Roman is the standard choice for academic documents, and the thesis preparation guidelines of some universities stipulate its use. For many years, it was the default body text for Microsoft Word. With the release of Office 2007, the default became a sans serif typeface called Calibri. Lacking the little projecting bits (serifs) at the end of characters makes Calibri and its many friends, such as Arial, Helvetica and Verdana, look smoother and clearer on a screen, but generally makes them less readable than a serif typeface when used for printed text . The other problem with choosing a sans serif for your body text is that if you want passages in italics (for example, lengthy participant quotes) often this will be displayed as slanted letters, rather than as a true italic font.

You would like your examiners to feel as comfortable as possible while their eyes are traversing the many, many pages of your thesis, so maximising legibility and readability is a good idea. Times New Roman is ubiquitous and familiar, which means it is probably the safest option, but it does have a couple of drawbacks. Originally designed for The Times in London, its characters are slightly narrowed, so that more of them can be squished into a newspaper column. Secondly, some people intensely dislike TNR because they think it has been overused, and regard it as the font you choose when you are not choosing a font .

If you do have the luxury of choice (your university doesn’t insist you use Times New Roman, and you have defined document styles that are easy to modify, and there’s enough time left before the submission deadline) then I think it is worth considering what other typefaces might work well with your thesis. I’m not a typographical expert, but I have the following suggestions.

• Don’t use Calibri, or any other sans serif font, for your body text, though it is fine for headings. Most people agree that dense chunks of printed text are easier to read if the font is serif, and examiners are likely to expect a typeface that doesn’t stray too far from the standard. To my eye, Calibri looks a little too casual for the body of a thesis.
• Typefaces like Garamond, Palatino, Century Schoolbook, Georgia, Minion Pro, Cambria and Constantia are all perfectly acceptable, and they come with Microsoft Word. However, some of them (Georgia and Constantia, for example) feature non-lining numerals, which means that instead of all sitting neatly on the base line, some will stand higher or lower than others, just like letters do. This looks nice when they are integrated with the text, but it is probably not what you want for a tabular display.
• Consider using a different typeface for your headings. It will make them more prominent, which enhances overall readability because the eye scanning the pages can quickly take in the hierarchy of ideas. The easiest way to get a good contrast with your serif body text is to have sans serif headings. Popular combinations are Garamond/Helvetica; Minion Pro/Myriad Pro; Times New Roman/Arial Narrow. But don’t create a dog’s breakfast by having more than two typefaces in your thesis – use point sizes, bold and italics for variety.

Of late, I’ve become quite fond of Constantia. It’s an attractive serif typeface that came out with Office 2007 at the same time as Calibri, and was specifically designed to look good in print and on screen. Increasingly, theses will be read in PDF rather than book format, so screen readability is an important consideration.  Asked to review Microsoft’s six new ClearType fonts prior to their release, typographer Raph Levien said Constantia was likely to be everyone’s favourite, because ‘Even though it’s a highly readable Roman font departing only slightly from the classical model, it still manages to be fresh and new.’

By default, Constantia has non-lining numerals, but from Word 2010 onwards you can set them to be lining via the advanced font/number forms option, either throughout your document or in specific sections, such as within tables.

Here is an excerpt from a thesis, shown twice with different typefaces. The first excerpt features Calibri headings with Constantia body text, and the second has that old favourite, Times New Roman. As these examples have been rendered as screenshots, you will get a better idea of how the fonts actually look if you try them on your own computer and printer.

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• KU Libraries
• Subject & Course Guides
• KU Thesis and Dissertation Formatting
• Fonts and Spacing

KU Thesis and Dissertation Formatting: Fonts and Spacing

• Formatting Specifics
• Title and Acceptance Pages
• Page Numbering
• Table of Contents
• List of Figures
• Rotating Charts or Tables
• Working with Footnotes
• Converting to PDF
• Embedding Fonts
• Completed KU Dissertations & Theses
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Office of Graduate Studies Thesis and Dissertation Formatting Guidelines

These rules are taken from the KU Office of Graduate Studies Thesis or Dissertation Formatting Guidelines. To see the full thesis or dissertation formatting requirements, visit https://graduate.ku.edu/submitting

• Students should use the same font size (11- or 12-point) and style (typically Times New Roman) through the thesis, including labels and references.
• Tables, captions, and footnotes should use the same font style but may be smaller in size (usually 10-point).
• Chapter and section headings may be bold and no more than 2 points larger than the text size.
• Non-standard typefaces, such as script, are generally not acceptable except for commonly used symbols.
• The Office of Graduate Studies recommends that students get their font choice approved by their department and their graduate division before the thesis defense.
• Lettering and symbols in tables and figures should be no less than 10 points.
• Normally theses and dissertations use double-spaced formatting.
• Single-spaced formatting is acceptable in the table of contents, footnotes, end notes, charts, graphs, tables, block quotations, captions, glossary, appendices and bibliography.
• Students may use singe- or one-and-a-half-spacing for the body of the text with prior written approval of their thesis committee and graduate division.

Subject Guide

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• Last Updated: May 9, 2024 9:48 AM
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Thesis and Dissertation Guide

• « Thesis & Dissertation Resources
• The Graduate School Home

• Introduction
• Copyright Page
• Dedication, Acknowledgements, Preface (optional)
• Table of Contents
• List of Tables, Figures, and Illustrations
• List of Abbreviations
• List of Symbols

Non-Traditional Formats

Font type and size, spacing and indentation, tables, figures, and illustrations, formatting previously published work.

• Internet Distribution
• Open Access
• Registering Copyright
• Using Copyrighted Materials
• Use of Your Own Previously Published Materials
• Submission Steps
• Submission Checklist
• Sample Pages

II. Formatting Guidelines

All copies of a thesis or dissertation must have the following uniform margins throughout the entire document:

• Left: 1″ (or 1 1/4" to ensure sufficient room for binding the work if desired)
• Right: 1″
• Bottom: 1″ (with allowances for page numbers; see section on Pagination )
• Top: 1″

Exceptions : The first page of each chapter (including the introduction, if any) begins 2″ from the top of the page. Also, the headings on the title page, abstract, first page of the dedication/ acknowledgements/preface (if any), and first page of the table of contents begin 2″ from the top of the page.

Non-traditional theses or dissertations such as whole works comprised of digital, artistic, video, or performance materials (i.e., no written text, chapters, or articles) are acceptable if approved by your committee and graduate program. A PDF document with a title page, copyright page, and abstract at minimum are required to be submitted along with any relevant supplemental files.

Fonts must be 10, 11, or 12 points in size. Superscripts and subscripts (e.g., formulas, or footnote or endnote numbers) should be no more than 2 points smaller than the font size used for the body of the text.

Space and indent your thesis or dissertation following these guidelines:

• The text must appear in a single column on each page and be double-spaced throughout the document. Do not arrange chapter text in multiple columns.
• New paragraphs must be indicated by a consistent tab indentation throughout the entire document.
• The document text must be left-justified, not centered or right-justified.
• For blocked quotations, indent the entire text of the quotation consistently from the left margin.
• Ensure headings are not left hanging alone on the bottom of a prior page. The text following should be moved up or the heading should be moved down. This is something to check near the end of formatting, as other adjustments to text and spacing may change where headings appear on the page.

Exceptions : Blocked quotations, notes, captions, legends, and long headings must be single-spaced throughout the document and double-spaced between items.

Paginate your thesis or dissertation following these guidelines:

• Use lower case Roman numerals (ii, iii, iv, etc.) on all pages preceding the first page of chapter one. The title page counts as page i, but the number does not appear. Therefore, the first page showing a number will be the copyright page with ii at the bottom.
• Arabic numerals (beginning with 1, 2, 3, 4, etc.) start at chapter one or the introduction, if applicable. Arabic numbers must be included on all pages of the text, illustrations, notes, and any other materials that follow. Thus, the first page of chapter one will show an Arabic numeral 1, and numbering of all subsequent pages will follow in order.
• Do not use page numbers accompanied by letters, hyphens, periods, or parentheses (e.g., 1., 1-2, -1-, (1), or 1a).
• Center all page numbers at the bottom of the page, 1/2″ from the bottom edge.
• Pages must not contain running headers or footers, aside from page numbers.
• If your document contains landscape pages (pages in which the top of the page is the long side of a sheet of paper), make sure that your page numbers still appear in the same position and direction as they do on pages with standard portrait orientation for consistency. This likely means the page number will be centered on the short side of the paper and the number will be sideways relative to the landscape page text. See these additional instructions for assistance with pagination on landscape pages in Microsoft Word .

Format footnotes for your thesis or dissertation following these guidelines:

• Footnotes must be placed at the bottom of the page separated from the text by a solid line one to two inches long.
• Begin at the left page margin, directly below the solid line.
• Single-space footnotes that are more than one line long.
• Include one double-spaced line between each note.
• Most software packages automatically space footnotes at the bottom of the page depending on their length. It is acceptable if the note breaks within a sentence and carries the remainder into the footnote area of the next page. Do not indicate the continuation of a footnote.
• Number all footnotes with Arabic numerals. You may number notes consecutively within each chapter starting over with number 1 for the first note in each chapter, or you may number notes consecutively throughout the entire document.
• Footnote numbers must precede the note and be placed slightly above the line (superscripted). Leave no space between the number and the note.
• While footnotes should be located at the bottom of the page, do not place footnotes in a running page footer, as they must remain within the page margins.

Endnotes are an acceptable alternative to footnotes. Format endnotes for your thesis or dissertation following these guidelines:

• Always begin endnotes on a separate page either immediately following the end of each chapter, or at the end of your entire document. If you place all endnotes at the end of the entire document, they must appear after the appendices and before the references.
• Include the heading “ENDNOTES” in all capital letters, and center it 1″ below the top of the first page of your endnotes section(s).
• Single-space endnotes that are more than one line long.
• Number all endnotes with Arabic numerals. You may number notes consecutively within each chapter starting over with number 1 for the first note in each chapter, or you may number notes consecutively throughout the entire document.
• Endnote numbers must precede the note and be placed slightly above the line (superscripted). Leave no space between the number and the note.

Tables, figures, and illustrations vary widely by discipline. Therefore, formatting of these components is largely at the discretion of the author.

For example, headings and captions may appear above or below each of these components.

These components may each be placed within the main text of the document or grouped together in a separate section.

Space permitting, headings and captions for the associated table, figure, or illustration must be on the same page.

The use of color is permitted as long as it is consistently applied as part of the finished component (e.g., a color-coded pie chart) and not extraneous or unprofessional (e.g., highlighting intended solely to draw a reader's attention to a key phrase). The use of color should be reserved primarily for tables, figures, illustrations, and active website or document links throughout your thesis or dissertation.

The format you choose for these components must be consistent throughout the thesis or dissertation.

Ensure each component complies with margin and pagination requirements.

Refer to the List of Tables, Figures, and Illustrations section for additional information.

If your thesis or dissertation has appendices, they must be prepared following these guidelines:

• Appendices must appear at the end of the document (before references) and not the chapter to which they pertain.
• When there is more than one appendix, assign each appendix a number or a letter heading (e.g., “APPENDIX 1” or “APPENDIX A”) and a descriptive title. You may number consecutively throughout the entire work (e.g., 1, 2 or A, B), or you may assign a two-part Arabic numeral with the first number designating the chapter in which it appears, separated by a period, followed by a second number or letter to indicate its consecutive placement (e.g., “APPENDIX 3.2” is the second appendix referred to in Chapter Three).
• Include the chosen headings in all capital letters, and center them 1″ below the top of the page.
• All appendix headings and titles must be included in the table of contents.
• Page numbering must continue throughout your appendix or appendices. Ensure each appendix complies with margin and pagination requirements.

You are required to list all the references you consulted. For specific details on formatting your references, consult and follow a style manual or professional journal that is used for formatting publications and citations in your discipline.

Your reference pages must be prepared following these guidelines:

• If you place references after each chapter, the references for the last chapter must be placed immediately following the chapter and before the appendices.
• If you place all references at the end of the thesis or dissertation, they must appear after the appendices as the final component in the document.
• Select an appropriate heading for this section based on the style manual you are using (e.g., “REFERENCES”, “BIBLIOGRAPHY”, or “WORKS CITED”).
• Include the chosen heading in all capital letters, and center it 1″ below the top of the page.
• References must be single-spaced within each entry.
• Include one double-spaced line between each reference.
• Page numbering must continue throughout your references section. Ensure references comply with margin and pagination requirements.

In some cases, students gain approval from their academic program to include in their thesis or dissertation previously published (or submitted, in press, or under review) journal articles or similar materials that they have authored. For more information about including previously published works in your thesis or dissertation, see the section on Use of Your Own Previously Published Materials and the section on Copyrighting.

If your academic program has approved inclusion of such materials, please note that these materials must match the formatting guidelines set forth in this Guide regardless of how the material was formatted for publication.

Some specific formatting guidelines to consider include:

• Fonts, margins, chapter headings, citations, and references must all match the formatting and placement used within the rest of the thesis or dissertation.
• If appropriate, published articles can be included as separate individual chapters within the thesis or dissertation.
• A separate abstract to each chapter should not be included.
• The citation for previously published work must be included as the first footnote (or endnote) on the first page of the chapter.
• Do not include typesetting notations often used when submitting manuscripts to a publisher (i.e., insert table x here).
• The date on the title page should be the year in which your committee approves the thesis or dissertation, regardless of the date of completion or publication of individual chapters.
• If you would like to include additional details about the previously published work, this information can be included in the preface for the thesis or dissertation.

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What Is The Best Font For A Dissertation?

Published by Alvin Nicolas at April 9th, 2024 , Revised On April 9, 2024

For many students, embarking on a dissertation is a daunting task. Beyond the research, writing, and analysis , a seemingly insignificant detail can cause unexpected stress: font selection. While it might seem like a minor concern, the right font can significantly impact the readability, professionalism, and overall look of your dissertation and can highly influence the decision of the readers. 

This blog will help you in choosing the right font for your dissertation. Let’s explore!

Why Does Font Choice Matter?

While the content of your dissertation is paramount, the presentation also plays a crucial role. The chosen font can influence how easily your reader absorbs the information. A poorly chosen font can lead to eye strain, reduced comprehension, and even a negative first impression.

Here are some specific reasons why font choice matters:

• Readability: The primary function of your dissertation is to communicate your research effectively. A clear and readable font is essential for ensuring your reader can easily grasp the information presented.
• Professionalism: Certain fonts convey a sense of seriousness and formality, aligning with the academic tone of your dissertation.
• Consistency: Maintaining a consistent font throughout your dissertation creates a sense of unity and professionalism.

Key Factors To Consider When Choosing A Font

Before discussing the specific font recommendations, let’s explore some key factors to consider when making your decision:

University Guidelines

Many universities have specific guidelines regarding font choices for dissertations. Always refer to your university’s style guide or handbook to ensure you adhere to any established requirements.

Readability

Opt for fonts with clear letterforms, adequate spacing, and sufficient contrast between the font and background colour. Avoid decorative or script fonts that can be challenging to read.

Serif Vs Sans-Serif

Serif fonts, characterised by small lines extending from the ends of characters (e.g., Times New Roman), are generally considered more readable for extended reading, making them ideal for the body text of your dissertation. Sans-serif fonts lacking these serifs (e.g., Arial) can be suitable for headings or short text snippets.

Font Size & Line Spacing

Maintain a comfortable reading experience with an appropriate font size (typically 10-12 points) and line spacing (usually 1.15 or 1.5 lines).

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Popular Font Choices For Dissertations

Now, let’s explore some popular font options that meet the criteria for dissertation writing:

Times New Roman

The classic academic font, Times New Roman, remains a widely accepted and safe choice for dissertations due to its readability and formal appearance.

Similar to Times New Roman, Georgia offers good readability with a slightly wider design, making it suitable for screen-based reading.

This elegant serif font adds a touch of sophistication while maintaining excellent readability.

A modern serif font, Cambria provides a clean and professional look often favoured for on-screen reading.

While not ideal for the body text due to its lack of serifs, Arial can be a good choice for headings and subheadings due to its clarity and clean lines.

Additional Tips for Font Selection

Here are some additional tips to ensure your font choice shines:

• Consistency is key: Maintain the same font throughout your dissertation, including body text, headings, subheadings, and captions.
• Avoid excessive font variations: Stick to one or two fonts, with variations reserved for specific purposes (e.g., different fonts for headings).
• Consider the overall design: Ensure your chosen font complements the overall visual style of your dissertation, including layout and graphics.

Frequently Asked Questions

What font should i use for my dissertation uk.

Use a clear and readable font like Times New Roman, Arial, or Calibri for a UK dissertation. Most universities recommend a serif font like Times New Roman, size 12, for the main text, with clear distinctions for headings and subheadings. Always follow your institution’s guidelines for formatting and font selection.

What font should a dissertation be in?

Use a legible serif font such as Times New Roman, Arial, or Calibri for a dissertation. Typically, the font size should be 12 points for the main text, with variations for headings and subheadings as specified by your institution’s guidelines. Consistency and readability are key for academic documents.

What size font should my dissertation be?

Your dissertation’s main text should generally be in a 12-point font size for readability and consistency. Headings and subheadings may vary, typically larger than the main text, to emphasise hierarchy and organisation. Always adhere to your institution’s specific formatting requirements for font sizes and styles to ensure compliance.

What font shall I use for my undergraduate dissertation?

For an undergraduate dissertation, using a clear and legible font like Times New Roman, Arial, or Calibri is advisable. Aim for a font size of 12 points for the main text to ensure readability. Follow any specific formatting guidelines your university or department provides for consistency and professional presentation.

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Thesis / dissertation formatting manual (2024).

• Filing Fees and Student Status
• Submission Process Overview
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• Formatting Overview
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• Dedication Page
• Table of Contents
• List of Figures (etc.)
• Acknowledgments
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Selecting a font (typeface)

Be consistent in the use of font/typeface throughout your manuscript. All text material must be in the same font/typeface; all headings and figure/table titles/captions must be in a consistent typeface.

Please select a font, size, and color that are highly legible and will reproduce clearly. Ornate or decorative fonts such as script, calligraphy, gothic, italics, or specialized art fonts are not acceptable. For electronic submissions, embedded fonts are required.

Any symbols, equations, figures, drawings, diacritical marks, or lines that cannot be typed, and therefore are drawn, must be added in permanent black ink.

Below are suggested fonts and sizes.

Establish and follow a consistent pattern for layout of all headings.  All headings should use the same font size, font weight, typeface, etc.

For example: center all major headings; place secondary headings at least two lines below major headings.

Typeface/printing quality (paper submissions only)

If you are submitting your manuscript on paper, printer quality is critical to produce a clean, clear image. You are strongly urged to use a laser printer, as ink jet and line printers generally do not produce fully clear, legible results. Dot matrix-type printers are not acceptable.

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Dissertation layout and formatting

Published on October 21, 2015 by Koen Driessen . Revised on February 20, 2019.

The layout requirements for a dissertation are often determined by your supervisor or department. However, there are certain guidelines that are common to almost every program, such as including page numbers and a table of contents.

If you are writing a paper in the MLA citation style , you can use our  MLA format guide .

Table of contents

Font, font size, and line spacing, tables and figures, referencing, paragraph marks, headers and footers, page numbering, dissertation printing.

Use a clear and professional font. Some examples include Verdana, Times New Roman, and Calibri (which is the default font in Microsoft Word). Font size is best set to 10 or 11.

In scientific articles and theses, a line spacing of 1.15 or 1.5 is generally preferred, as it makes the document more readable and enables your supervisor to post comments between the lines of text.

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With tables, the number and title should be placed above; with figures and all other illustrations, the number and title should be placed below.

Microsoft Word has a feature that can help you to automatically place these numbers and titles in the correct position. Select the graphic, right-click, and choose “Insert Caption…” In the dialogue box that appears, specify whether it is a table or figure and enter a title. Once you click “Okay,” the number and the title will be generated in the right place.

Another advantage of using this Word feature to label your graphics is that you will later be able to generate lists of tables and figures with a push of a button.

Different heading styles are frequently used to help the reader differentiate between chapters, sections, and subsections of your dissertation. For instance, you may choose to bold all chapter headings but to italicize all lower-level headings.

Once you decide on the scheme you will use, it is important that you apply it consistently throughout your entire dissertation. Using the “Styles” feature of Microsoft Word can be very helpful in this regard. After you have created a heading, just highlight it and select a style (such as Heading 1 or Heading 2) from the home tool bar. Keeping a list may help you keep track of what style to use when.

Citing sources in a correct and appropriate manner is crucial in a dissertation, as failing to do so can make you guilty of plagiarism . It is important that these references follow certain standards.

The APA standard is most commonly used. After realizing how difficult it is to create correctly formatted citations manually, we developed the APA Citation Generator  to assist you. You can use this free and simple tool to easily generate citations that follow the official APA style.

We also recommend that you use a plagiarism scanner to check for unintended plagiarism.

Prevent plagiarism. Run a free check.

Using the “Show paragraph marks” feature can help you to avoid this scenario. To turn it on, click on the paragraph symbol in your home tool bar (as shown in the above illustration). A black paragraph symbol will then be shown after every paragraph and “hard return” in your document, which allows you to see how the layout is constructed.

This can be very helpful when you are trying to determine the cause of mysterious jumps and other problems.

Headers and footers can give your dissertation a very professional look. They also make it immediately clear to readers what document is before them.

A header or footer can be added by double-clicking respectively at the top or bottom of a page in your document. There are generally no firm rules about what you must include; the following are common choices:

• The name/logo of your home educational institution
• The name/logo of the company or organization where you completed a placement
• The title of your dissertation (which may be shortened if necessary)
• Page numbers

Page numbers are commonly placed in the lower right-hand corner of the page. They can easily be added by simply creating a footer. Bear in mind that a page number is usually not included on the title page of a dissertation.

• To ensure that the page numbering doesn’t start on the cover page, but the numbering begins on page 1, place the cursor on the bottom of the page where you want to start with page numbering (if you want to start on page 2, click at the bottom of the first page).
• Next go to “Page layout” and then “Breaks”. Next, choose the submenu “Next page”.
• Switch to the side, where the numbering should begin (in this case, page 2). In the edit mode of the header or footer, choose “link to previous”, after that click on “Move to footer” and click on the “Link to previous” again.
• Now, to add a page number, click on the “Insert” tab, then on the “Header and footer” group, and then click “Page number”. Now you can also choose where the page number should be (top of the page, bottom of the page or page margins) and you can choose a design.
• Finally select the option “format page number” and enter the page numbers, in what page you want the numbering to begin. After you have pressed “ok”, the page number then begins with the number from the previously selected break.

A clear and well-presented title page is a nice finishing touch for your dissertation. Certain information should be included here by default. We have prepared a separate article on title pages that includes a handy checklist you can use to make sure you don’t forget anything.

Always make sure that everything in your dissertation is in the correct order and placed in the appropriate chapter. More information on how to put your document together can be found in our article on structure a dissertation .

If you are interested in seeing how other students have tackled preparing their theses, you may find it useful to check out these dissertation examples .

The last step is usually to prepare a hardcopy of your final document. There are many issues to think about, such as whether you will make it single- or double-sided.

Before you print, however, we recommend that you check one last time that your document meets all of the below requirements!

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If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

Driessen, K. (2019, February 20). Dissertation layout and formatting. Scribbr. Retrieved August 26, 2024, from https://www.scribbr.com/tips/dissertation-layout-and-formatting/

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Formatting Guidelines For Theses, Dissertations, and DMA Documents

Guidelines for Formatting Theses, Dissertations, and DMA Documents is intended to help graduate students present the results of their research in the form of a scholarly document.

Before beginning to write a master’s thesis, PhD dissertation, or DMA document, students should read the relevant sections of the  Graduate School Handbook, section 7.8  for dissertations and/ or  section 6.4  for master’s theses.

Candidates for advanced degrees should also confer with their advisors and members of their graduate studies committees to learn about any special departmental requirements for preparing graduate degree documents.

Members of the graduation services staff at the Graduate School are available to provide information and to review document drafts at any stage of the planning or writing process. While graduation services is responsible for certifying that theses and/or dissertations have been prepared in accordance with Graduate School guidelines, the student bears the ultimate responsibility for meeting these requirements and resolving any related technical and/or software issues . Graduation services will not accept documents if required items are missing or extend deadlines because of miscommunication between the student and the advisor.

Accessibility Features

As of Spring, 2023, all theses and dissertations will need to incorporate the following accessibility features to align with the university’s accessibility policy.  When you submit your final document to OhioLINK you will be verifying that accessibility features have been applied.

• PDF file includes full text
• PDF accessibility permission flag is checked
• Text language of the PDF is specified
• PDF includes a title

Features and Other Notes

Some features are required, and some are optional. Each component is identified with a major heading unless otherwise noted. The major heading must be centered with a one-inch top margin. 

Sample Pages and Templates

Templates are available for use in formatting dissertations, theses, and DMA documents. Please read all instructions before beginning. 

• Graduate Dissertations and Theses Templates - OSU Login Required

FRONTISPIECE (OPTIONAL)

If used, no heading is included on this page.

TITLE PAGE (REQUIRED)

The title page should include:

• the use of title case is recommended
• dissertation, DMA. document, or thesis
• Presented in Partial Fulfillment of the Requirements for the Degree [insert the applicable degree such as Doctor of Philosophy, Doctor of Musical Arts, Master of Science, etc.] in the Graduate School of The Ohio State University
• Name of the candidate 
• Initials of previous earned degrees
• insert correct name from program directory
• Year of graduation
•  Dissertation, document, or thesis [select applicable title] committee and committee member names

COPYRIGHT PAGE (REQUIRED)

Notice of copyright is centered in the following format on the page immediately after the title page. This page is not identified with a page number.

Copyright by John James Doe 2017

ABSTRACT (REQUIRED)

The heading Abstract is centered without punctuation at least one inch from the top of the page. The actual abstract begins four spaces below the heading. See sample pages.

DEDICATION (OPTIONAL)

If used, the dedication must be brief and centered on the page.

ACKNOWLEDGMENTS

(OPTIONAL, BUT STRONGLY RECOMMENDED)

Either spelling of the word, acknowledgments or acknowledgments, is acceptable. The acknowledgment is a record of the author’s indebtedness and includes notice of permission to use previously copyrighted materials that appear extensively in the text. The heading Acknowledgments is centered without punctuation at least one inch from the top of the page.

VITA (REQUIRED)

Begin the page with the heading Vita, centered, without punctuation, and at least one inch from the top of the page. There are three sections to the vita: biographical information (required), publications (if applicable), and fields of study (required).

There is no subheading used for the biographical information section. In this section, include education and work related to the degree being received.

Use leader dots between the information and dates. The publication section follows. The subheading Publications should be centered and in title case. List only those items published in a book or journal. If there are none, omit the Publication subheading. The final section of the vita is Fields of Study, which is required. Center the subheading and use title case. Two lines below the Fields of Study subheading, place the following statement: Major Field: [insert only the name of your Graduate Program as it reads on the title page] flush left. Any specialization you would like to include is optional and is placed flush left on the lines below Major Field.

TABLE OF CONTENTS (REQUIRED)

The heading Table of Contents (title case preferred) appears without punctuation centered at least one inch from the top of the page. The listing of contents begins at the left margin four spaces below the heading. The titles of all parts, sections, chapter numbers, and chapters are listed and must

be worded exactly as they appear in the body of the document. The table of contents must include any appendices and their titles, if applicable. Use leader dots between the listed items and their page numbers.

LISTS OF ILLUSTRATIONS (REQUIRED IF APPLICABLE)

Lists of illustrations are required if the document contains illustrations. The headings List of Tables , List of Figures , or other appropriate illustration designations (title case preferred) appear centered without punctuation at least one inch from the top of the page. The listing begins at the left margin four spaces below the heading. Illustrations should be identified by the same numbers and captions in their respective lists as they have been assigned in the document itself. Use leader dots between the listed items and their page numbers. See sample pages .

BIBLIOGRAPHY/REFERENCES (REQUIRED)

Include a complete bibliography or reference section at the end of the document, before the appendix, even if you have included references at the end of each chapter. You may decide how this section should be titled. The terms References or Bibliography are the most commonly chosen titles. The heading must be centered and at least one inch from the top of the page.

Include this heading in the table of contents.

APPENDICES (REQUIRED IF APPLICABLE)

An appendix, or appendices, must be placed after the bibliography. The heading Appendix (title case preferred) centered at least one inch from the top of the page. Appendices are identified with letters and titles. For example: Appendix A: Data. Include all appendix headers and titles in the table of contents.

Other Notes

Candidates are free to select a style suitable to their discipline as long as it complies with the format and content guidelines given in this publication. Where a style manual conflicts with Graduate School guidelines, the Graduate School guidelines take precedence. Once chosen, the style must remain consistent throughout the document.

Top, bottom, left, and right page margins should all be set at one inch. (Keep in mind that the left margin is the binding edge, so if you want to have a bound copy produced for your personal use, it is recommended that the left margin be 1.5 inches.)

It is recommended that any pages with a major header, such as document title, chapter/major section titles, preliminary page divisions, abstract, appendices, and references at the end of the document be set with a 2-inch top margin for aesthetic purposes and to help the reader identify that a new major section is beginning.

The selected font should be 10 to 12 point and be readable. The font should be consistent throughout the document. Captions, endnotes, footnotes, and long quotations may be slightly smaller than text font, as long as the font is readable.

Double spacing is preferred, but 1.5 spacing (1.5 × the type size) is acceptable for long documents. Single spacing is recommended for bibliography entries, long quotations, long endnotes or footnotes, and long captions. Double spacing between each bibliography entry is recommended.

Each major division of the document, including appendices, must have a title. Titles must be centered and have at least a one inch top margin. The use of title case is recommended. If chapters are being used, they should be numbered and titled. For example: Chapter 1: Introduction. Appendices are identified with letters and titles. For example: Appendix A: Data.

PAGE NUMBERS

Every page must have a page number except the title page and the copyright page. If a frontispiece is included before the title page, it is neither counted nor numbered. The page numbers are centered at the bottom center of the page above the one inch margin. Note: You may need to set the footer margin to 1-inch and the body bottom margin to 1.3 or 1.5- inches to place the page number accurately.

Preliminary pages (abstract, dedication, acknowledgments, vita, table of contents, and the lists of illustrations, figures, etc.) are numbered with small Roman numerals (i, ii, iii, iv, etc.). Page numbering begins with the first page of the abstract, and this can be either page i or ii (The title page is technically page i, but the number is not shown on the page).

Arabic numerals are used for the remainder of the document, including the text and the reference material. These pages are numbered consecutively beginning with 1 and continue through the end of the document.

Notation practices differ widely among publications in the sciences, the humanities, and the social sciences. Candidates should confer with their advisors regarding accepted practice in their individual disciplines. That advice should be coupled with careful reference to appropriate general style manuals.

• Arabic numerals should be used to indicate a note in the text. 
• Notes may be numbered in one of two ways: either consecutively throughout the entire manuscript or consecutively within each chapter.
• Notes can be placed at the bottom of the page (footnotes) or at the end of a chapter or document (endnotes). Once chosen, the notation style must be consistent throughout the document.
• Notes about information within tables should be placed directly below the table to which they apply, not at the bottom of the page along with notes to the text.

ILLUSTRATIONS

Tables, figures, charts, graphs, photos, etc..

Some documents include several types of illustrations. In such cases, it is necessary that each type of illustration (table, figure, chart, etc.) be identified with a different numbering series (Table 1, Table 2, and so on, or Chart 1, Chart 2, and so on). For each series, include a list with captions and page numbers in the preliminary pages (for example, List of Tables, List of Charts, etc.). These lists must be identified with major headings that are centered and placed at the two-inch margin.

Each illustration must be identified with a caption that includes the type of illustration, the number, and a descriptive title (for example, Map 1: Ohio). Numbering may be sequential throughout the document (including the appendix, if applicable) or based on the decimal system (corresponding to the chapter number, such as Map 2.3: Columbus). When using decimal numbering in an appendix, the illustration is given a letter that corresponds with the appendix letter (for example, Figure A.1: Voter Data). Captions can be placed either above or below the illustration, but be consistent with the format throughout the document. If a landscape orientation of the illustration is used, make sure to also orient the illustration number and caption accordingly. The top of the illustration should be placed on the left (binding) edge of the page.

If an illustration is too large to ft on one page it is recommended that you identify the respective pages as being part of one illustration. Using a “continued” notation is one method. For example, the phrase continued is placed under the illustration on the bottom right hand side of the first page. On the following pages, include the illustration type, number, and the word continued at the top left margin; for example, Map 2: Continued. Whatever method you choose just make sure to be consistent. The caption for the illustration should be on the first page, but this does not need repeated on subsequent pages.

If an illustration is placed on a page with text, between the text and the top and/or bottom of the illustration, there must be three single spaced lines or two double spaced lines of blank space. The same spacing rule applies if there are multiple illustrations on the same page. The top/bottom of the illustration includes the caption.

All final Ph.D. dissertations, DMA. documents, and master’s theses are submitted to the Graduate School through OhioLINK at https://etdadmin. ohiolink.edu. The document must be saved in PDF embedded font format (PDF/A) before beginning the upload at OhioLINK. During the submission process, OhioLINK will require an abstract separate from your document. This abstract has a 500-word limit. You will get a confirmation from OhioLINK that the submission is complete. The submission then goes to the Graduate School for review. After it is reviewed by staff of the Graduate School, you will receive an email that it has been accepted or that changes need to be made. If changes are required, you will need to re-submit the revised document via an amended OhioLINK submission. You will receive an “accepted” email from the Graduate School once the document has been approved.

THESIS OR DISSERTATION IN A FOREIGN LANGUAGE

The Graduate School has no policy specifically permitting graduate degree documents to be written in a foreign language. The practice is allowed as long as it is approved by the student’s advisor and Graduate Studies Committee. Documents in a foreign language must comply with the following requirements:

• The title page must be in English, but the title itself may be in the same language as the document.
• If the title is in a language using other than Roman characters, it must be transliterated into Roman character equivalents.
• The abstract must be in English.
• The academic unit must notify the Graduate School of dissertations in a foreign language so that an appropriate graduate faculty representative can be found to participate in the final oral examination

Dissertation and Theses

The dissertation is the hallmark of the research expertise demonstrated by a doctoral student. It is a scholarly contribution to knowledge in the student’s area of specialization. 

A thesis is a hallmark of some master’s programs. It is a piece of original research, generally less comprehensive than a dissertation and is meant to show the student’s knowledge of an area of specialization.

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When preparing the dissertation for submission, students must meet the following minimum formatting requirements. The Registrar’s Office will review the dissertation for compliance and these formatting elements and will contact the student to confirm acceptance or to request revision. The Harvard Griffin GSAS resource on dissertation formatting best practices expands on many of the elements below.

Please carefully review your dissertation before submitting it to ProQuestETD. The Registrar’s Office will email you through ProQuest if they have identified major formatting errors that need correction. Students will be provided with a brief extended deadline to make only the requested formatting updates.  

• Embedded Fonts : If fonts are not embedded, non-English characters may not appear as intended. It is the student’s responsibility to make sure that fonts are embedded properly prior to submission. Instructions for embedding fonts can be found on the Dissertation Formatting Guidance resource .  
• Thesis Acceptance Certificate: A copy of the Thesis Acceptance Certificate (TAC) should appear as the first page. This page should not be counted or numbered. The TAC will appear in the online version of the published dissertation. The author name and date on the TAC and title page should be the same.  
• Title Page: The dissertation begins with the title page; the title should be as concise as possible and should provide an accurate description of the dissertation. The author name and date on the TAC and title page should be the same. Do not print a page number on the title page. It is understood to be page  i  for counting purposes only. 
• Abstract : An abstract, numbered as page  iii , should immediately follow the copyright page and should state the problem, describe the methods and procedures used, and give the main results or conclusions of the research. The abstract will appear in the online version of the dissertation and will be made available by ProQuest and DASH. There is no maximum word count for the abstract.  
• Preliminary pages (abstract, table of contents, list of tables, graphs, illustrations, and preface) should use small Roman numerals (i, ii, iii, iv, v, etc.). 
• All pages must contain text or images.  
• Count the title page as page i and the copyright page as page ii, but do not print page numbers on either page. 
• For the body of text, use Arabic numbers (1, 2, 3, 4, 5, etc.) starting with page 1 on the first page of text.
• Page numbers must be centered throughout the manuscript at the top or bottom. 
• Every numbered page must be consecutively ordered, including tables, graphs, illustrations, and bibliography/index (if included); letter suffixes (such as 10a, 10b, etc.) are not allowed. 
• It is customary not to have a page number on the page containing a chapter heading. Check pagination carefully. Account for all pages. 
• Copyright Statement: A copyright notice should appear on a separate page immediately following the title page and include the copyright symbol ©, the year of first publication of the work, and the name of the author: © [ year ] [ Author’s Name ]. All rights reserved. Alternatively, students may choose to license their work openly under a Creative Commons license. The author remains the copyright holder while at the same time granting upfront permission to others to read, share, and—depending on the license—adapt the work so long as proper attribution is given. (If a student chooses a Creative Commons license, the copyright statement must not include the “all rights reserved” disclaimer and should instead indicate the specific Creative Commons license.) Please note: The copyright statement applies only to the student’s own work; the copyright status of third-party material incorporated into the dissertation will not change. Do not  print a page number on the copyright page. It is understood to be page  ii  for counting purposes only. 
• Abstract 
• Table of Contents 
• Front Matter 
• Body of Text 
• Back Matter 

Students can refer to the resource on Dissertation Formatting Best Practice Resource for information on best practices for front and back matter

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What Font Should I Choose for My Dissertation?

Date published November 06 2020 by Ella James

As I sat in front of my screen with all my notes gathered around me, I was quite mind boggled when I thought about this.

What is the best font for dissertation?

It seems like a very silly question but when you have been working your brains out for a few months, you get a bit paranoid ( and that is understandable).

Let’s be quick here, finding the correct font for dissertation didn’t require any rocket science or assistance from a dissertation format service. So to keep things short for you the answer is: Times New Roman.

Yep, that’s the right one but it’s not all. There are a lot of other things that you have to keep in mind. From size to spaces to margins, you have to consider everything and get everything right to be able to submit a completely legit dissertation.

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Recommended Font Size

The recommended font size in a dissertation is 10 to 12 points at max. Having larger or smaller fonts can give you a bad time in structuring your dissertation according to the pages.

Margins… Are They Important?

Oh yes, they are…

Don’t you ever think: “oh, why should I care about the spacing on the sides? Does it matter?”

Margins play an important role in structuring your dissertation. So make sure that there are 1.5 inches on the left while 1 inch on the right, top, and bottom.

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You don’t have to go to professionals and ask them “write my dissertation please, I don’t know about the fonts, margins or spacing” ever. Although, if you want, you can still take assistance from services to help you write your dissertation.

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Times New Roman is considered the best font for dissertation. You can use it for your dissertations and thesis unless your supervisor or professor recommends any other font.

Keep that in mind that Sans Serif fonts are usually not considered an ideal choice while writing your research papers or any other professional papers. Although they are not used for body text you can use Sans Serif fonts for headings. You can such combinations such as in the format of body text/headings:

• Garamond/Helvetica
• Minion Pro/Myriad Pro
• Times New Roman/Arial Narrow

Using Calibri or any other Sans Serif might not be the valid option generally. It is recommended to use a Serif font like Times New Roman or Garamond . Although, you can use Arial Narrow for the headings in a combination with Times New Roman.

There is an endless number of new fonts being made by developers and designers every other day. Although many fonts are recognized just by their names or their designs such as:

• Times New Roman

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Times New Roman, Georgia, Garamond, Arial, Verdana, Cambria, Century Gothic, Constantia, and Arial Narrow are some of the ideal fonts for dissertation writing.

What is Dissertation Writing ?

In the term – Dissertation writing, the word “Dissertation” has originated from the Latin language where ‘ dissertare’ means ‘to debate’. This word was first used in the English language in around 1651 which gave us a definition to write extensively on a certain subject. It is also defined as a long piece of writing on any particular topic which you have studied.

In a dissertation writing, the writer should always choose to write with the help of using a clear font like Arial, Times New Roman, etc. They should also set perfect font sizes such are 10 to 12 also the line spacing should be done of 1.15 or 1.5 which is generally accepted as it makes the document appear more neat and tidy and allows the reader to put comments in between.

Mistakes that should be avoided while choosing the Font for dissertation writing:

• Do not choose fonts on the basis of your personal likes and dislikes. Always the writer should keep in mind that they should choose the font on the basis of the reader’s perspective as it is not easy to go through a 20 pages dissertation with a complex font.
• Always avoid using too many fonts as the write-ups become too much complicated and is also not considered well organized.
• All fonts for dissertation do not match or work together, therefore, a student should make sure that they should choose fonts which go along their write up
• Try separating the fonts of your subtitles and the paragraphs as the same fonts used might make your writing monotonous and boring for the reader.

11 Best Font for Dissertation Writing

Times new roman: most common fonts for dissertation.

This font was originally designed for Times Newspaper of London. This font has a separate and different aesthetician a formal style that is prescribed or assigned by many universities and colleges. It is also quite easy to read.

This is a serif type font designed by Matthew Carter and was founded by Microsoft Corporation. It was created and released in 1993 and 1996 respectively.

This another font which has a pleasant-looking appearance on dissertation writing and is also considered as an old-style serif typeface which was named for 16th-century Parisian engraver Claude Garamond. This font is very much popular and is used for printing books etc.

This is also a Serif style typeface commissioned by Microsoft which was designed by Steve Matteson, Robin Nicholas and Jelle Bosma in 2004. It is distributed by windows and office.

Century Gothic:

This is also designed in a sans serif typeface style and a geometric style that was released in 1991 by Monotype Imaging. 

Palatino Linotype:

This font was first released in 1949 by Stempel foundry. This serif typeface style font was designed by Hermann Zapf. It has bee also classified as old style font.

This font style is one of the commonly used font styles which is also displayed sometimes as Arial MT. It has been classified as neo-grotesque sans-serif which was released in 1982 and was designed by Robin Nicholas and Patricia Saunders.

This font style is widely used for writing dissertations or any other academic papers as they provide a very cleaned and very simple – smooth look to the paper and also to the eyes of the reader. This was designed by Matthew Carter for Microsoft Corporation.

Constantia:

This was designed by John Hudson, a serif style design that was commissioned by Microsoft. The developmental work for this writing began in 2003 and was finally released in 2006

Century schoolbook: Fonts for dissertation

It is again a serif style typeface that was designed by Linn Boyd and Morris F Benton. This belongs to the century writing font family which was released in between 1894-1923.

Arial Narrow:

This is a high style font that is available for free download for personal and commercial use. However, the free version provides all upper case and lower case with some special character and features.

Therefore above are some of the most popularly used ideal fonts for dissertation writing. Times Roman is the most chosen font styles for thesis and dissertation writing but still, it has some common drawbacks as this font was created mostly to create spaces in between the words and letters but according to some professionals, the usage of this font causes overuse of view.

Similarly, Verdana and Arial fonts for dissertation might provide a simple and clear look on the screen but on the paper, it appears a little congested and a little less formal. But still, all of these fonts discussed above are some of the most appropriate fonts which are ideally used in writing a thesis, dissertation, essays or any writing assignment given to a student in college.

HelpwithAssignment.com provides the best quality dissertation help to the students. We have a team of skilled and experienced dissertation writers who have undergone double specialization in related fields. They are capable of writing any kind of dissertation from scratch within no time.

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Choice of font

For most theses, the font should be one that is appropriate for an academic paper. Generally, the same font should be used throughout the thesis (dedication page and scholarship-appropriate alterations excepted).

Normally the font should be equivalent to 10 to 12 point font in Times New Roman or Arial for main text, and at least 2mm high in tables and figures.

Font colour should normally be black throughout, except for web links which should be blue.

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5 fonts that add credibility and professionalism to scientific research

by ikumikayama | Apr 29, 2013 | Uncategorized | 14 comments

Choosing the right fonts can affect how your scientific research is received.

Note: This is part 2 of a 2-part blog series about choices in fonts. You can read part 1 here .

You are dressed in your best. You edited the manuscript with a fine-tooth comb…but are your figures and images wearing flip-flops?

Last time we talked about fonts that suck professionalism out of your scientific research . In this article, we’ll talk about fonts that actually add credibility and professionalism to your research. Dress your research in a custom-tailored suit by just using these fonts!

My friend and colleague, Cassio Lynm described how a good figure should be like a billboard found in many highways around the country. Anyone who sees the billboard will understand what they are advertising in a split second. If someone is confused or gets the wrong idea, the image is not very successful.

Similarly, the best professional fonts should be one that’s easy to read with very little “bells and whistles”. When writing prose of informational value such as scientific research, a reader should pay attention to what the text is describing, not how the text looks.  A good professional font should be like air–we don’t really even pay attention to it most of the time.

Some of the fonts I’ll share with you today are considered “boring” and “overused” by some. These fonts are everywhere because they are champions of legibility and simplicity.  Make your work professional and trustworthy by using a time-tested font.

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1. Arial- “All-Around Champion with IBM Roots”

According to fonts.com , Arial is one of the most used typefaces of the last 30 years. Its electronic origins go back to 1982 for IBM laser-xerographic printers by designers Robin Nicholas and Patricia Saunders. When it came out, it was supposed to compete with Helvetica, which was one of the core fonts in Apple Computers in the mid 1980’s.

Arial letters have more round shapes and the edges of letters do not end in a horizontal line. Instead, the edges are at an angle.

Arial is an easy-to-read font in small and large blocks of text. Nature requests that the figure text be in Arial or Helvetica. It’s especially nice for figure labels and legends. When using Arial as figure legends, keep the font size small ~8 points for best results.

2. Helvetica- “All-Around Champion with Apple Roots”

Helvetica is the most heavily-used font. Helvetica was originally designed by a Swiss designer named Max Miedinger in 1957. The font was designed to be an easy-to-read font. The name “Helvetica” comes from “Helvetia” – Latin name for Switzerland. Actually, the font received a facelift in 1983-the newer version is called, you guessed it, Neue Helvetica.

Helvetica even has its own movie . I haven’t seen it yet, but please comment in the section below if you have.

Besides its Hollywood (Indie) status, Helvetica is a font that looks great on both print and on screen.  Nature , Science , and Cell request that their figure labels be in Helvetica. (If you need assistance setting up figures, I’m here to help). It looks great small as in figure labels, and it looks pretty good in large formats as posters. I lost count of how many figures I labeled using Helvetica, since that’s what one of the publishers used for their books.

3. Baskerville- “Tends to have positive influence on readers”

Baskerville’s history goes all the way back to 1757 when John Baskerville designed a typeface that works well in print and easy to read.  Mr. Baskerville preferred his letters simple and refined. He was also a writing master, so he had some ornamental letters like the upper case Q.

There was an  informal study  (not official, but some experiments here and there) that showed using Baskerville font increased trustworthiness of the text compared to other fonts. In the same study, Comic Sans had the most negative influence on the readers.

Baskerville is a serif font, which means that there are “tails” at the edge of the letters. Generally, serif fonts are better suited for print. This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results. This font looks dignified, so use this for your important professional occasions-award ceremonies, recognitions, etc.

4. Caslon- “When in doubt, use Caslon”

Caslon is another font with a long history. William Cason I designed the typeface back in the early 1700’s. This font is considered as the first original typeface from England. This font was very popular in colonial America, and it was used for many historical documents including the US Declaration of Independence.

Caslon is a serif font (with tails), and is best used in blocks of text. Like Baskerville, try to keep this font between 8 and 14 points for best results. Using this in a report or an application would be a good places.

5. Garamond – “Second best font after Helvetica”

This font’s history also goes way back. The font was designed by Claude Garamond (or Jean Jannon), who was commissioned to make a typeface for King Francis I of France (1515-47) to be used in series of books. The modern, electric version was revived in 1989 by Robert Slimbach.

Because there are different sources available for Garamond, there are numbers of different variations of the font. Adobe Garamond is the most popular and widely-available version today.

Garamond is still used extensively by French publishers. They also insist that Garamond be printed in size 9.  Some of the most famous publications in France are in Garamond such as Histoire de l’édition français.  The publishers prefer this font “for its beauty, its richness and its legibility” combined with “an uncluttered graphic style that underscores the rigour of essays and analysis providing a radical critique of contemporary society”.

Garamond is a great font to be used in long proses such as textbooks, dissertations and theses. Keeping it at 9 point is optional. In fact, my master’s thesis was in Garamond.

So that’s the 5 fonts that add credibility and professionalism to your scientific research. Did you find your favorite fonts here? Do you have other favorites? Please share your thoughts in the comment section. Also, please feel free to send this article along to those who might benefit from this short article.

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Now that you know about great scientific fonts, learn more about: PowerPoint Tips for the Scientist

Sources and Further reading:

Arial vs Helvetica – fonts.com

Research on font trustworthiness: Baskerville vs. Comic Sans

Caslon typeface

History of Garamond

Cell Press Figure Guide

Nature -Guide to preparing final artwork

Science Magazine: Preparing your manuscript

14 Comments

I’d rather like to know which font was used to write that article – it’s simple and readable, better than all presented above.

And the font being used for that article is Helvetica, which is one of the fonts mentioned above 😀

Hi Ewa! Great point. The font used is called “Open Sans” by Steve Matteson. For my blog, I made the font color dark grey to make it easier on the eyes, and also made them slightly bigger than average for easier reading. Hope this helps!

Hollo there, i liked the article but none of this fonts looks like the one used in the papers i read, (Journals of the American Chemical Society), do you know which one they use?

Hi There! Thank you for the note! ACS suggests Arial and Helvetica for their journal figures, so that’s what I introduced in this article–for the text, they might very well have their own custom font they use for their publications. I’ll dig into this a little deeper–thank you again!

I’m sorry, but this article is full of misinformation. Part 1 is a reiteration of articles that have been around for years. Absolutely nothing new there, and honestly, is there anyone even considering the typefaces you name there for scientific articles? Is it conceivable that anyone would use Curlz for his essay?

But my real concern goes to the second part. Arial and Helvetica are absolutely not scientific typefaces. The notion that ACS suggests these typefaces doesn’t make them suitable for scientific works. I think you ought to do research as to WHY these typefaces came recommended. Helvetica has history, as it won out of contemporaries like Univers as Helvetica was very heavily marketed. As a side note, Helvetica is actually based on the Akzidenz Grotesk model. Arial was designed to have the same metrics as Helvetica so it could be used on the same printers without having to pay a license fee to use Helvetica. Arial is more legible while Helvetica is more neutral and clear, but neither is particularly great.

So I would say Helvetica and Arial haven’t been chosen because they’re perfect. They’ve been chosen because they’re popular, and Arial is on every Windows computer, so people don’t have to purchase any fonts. I would say neither Arial and Helvetica are known to be particularly good to read. I suspect typefaces like Proxima Nova and Avenir will fair better. To be clear, I don’t think Arial or Helvetica are bad choices for labels and such, but to suggest them as top 5 typefaces, that’s very clearly misinformation.

“When using Arial as figure legends, keep the font size small ~8 points for best results.” For best results? Not entirely. It’s probably a good estimate, but in actuality the pt size should depend on the layout. I would recommend always making a test print to see if the text looks good in print, if that’s what it is intended for. Sometimes 0.2pts more or less could make the difference.

“Helvetica is the most heavily-used font.” I don’t think so. First off, Helvetica is not a font. It’s a typeface. Helvetica Regular would be a font. Helvetica is the most heavily-used typeface in graphic design, and likely the most heavily-used sans typeface. It’s not the most heavily-used typeface. At least, I would be very surprised if it was. I suspect Times New Roman is the most heavily-used.

“The font was designed to be an easy-to-read font.” No, Helvetica was designed to steal the popularity of Akzidenz Grotesk away.

Also, follow this link to see some of the problems of Helvetica at small sizes, and what professionals in the field have to say about it: http://spiekermann.com/en/helvetica-sucks/

“Actually, the font received a facelift in 1983-the newer version is called, you guessed it, Neue Helvetica.” Who would guess that the prefix for the new Helvetica would be German though? Small detail… Anyway, if you like Helvetica but want a more professional typeface (because really, Max Miedinger was not a type designer and as far as I’m concerned that shows), I can recommend Neue Haas Grotesk (a typeface that is true to the original Helvetica, but improved) or Neue Haas Unica (a more fresh looking Helvetica that deviates from the original).

“Helvetica even has its own movie. I haven’t seen it yet, but please comment in the section below if you have.” I have seen it a few times now. It’s quite a pleasure to watch, but there’s a lot of propaganda involved as well. You have the likes of Massimo Vignelli drooling over how great Helvetica is. The man was a pretty great graphic designer (although insisting on always using Helvetica has little to do with graphic design, as one ought to select the perfect typeface for the job, not use one typeface for every job), but he had no insight in type design. On the other hand, you have Erik Spiekermann formulate perfectly what Helvetica stands for. I would say for a type designer the Helvetica documentary is quite pleasant to watch. For the layman I’m afraid the documentary amounts to propaganda. It gives the layman the feeling this is one of the best typefaces out there and it’s simply not, by far.

“Besides its Hollywood (Indie) status, Helvetica is a font that looks great on both print and on screen.” Absolutely not! On Windows computers, websites set in Helvetica tend to look horrendous. The problem is that Helvetica is not well hinted, and so rendering problems occur. Helvetica was obviously not designed for monitors. Neue Helvetica doesn’t have the rendering problem to the same extent I believe, but relatively few people have Neue Helvetica, so it wouldn’t be wise to use that on your website, unless you embed the fonts. For websites I highly recommend using Arial rather than Helvetica.

“Baskerville’s history goes all the way back to 1757 when John Baskerville designed a typeface that works well in print and easy to read.” Easy to read? Not particularly, though it’s not bad either. Baskerville is a transitional typeface, meaning the weight modulation is vertical and the contrast is high. This is the tradition of the Baroque, but it’s not the most pleasant to read. However, Baskerville does look quite academic. For typefaces that are more pleasant to read, I would look at the Garalde style. Garamond and Caslon belong to that classification. They have a diagonal weight modulation, which naturally leads the eyes to the next letters. Typefaces with vertical weight modulation and high contrast tend to feature a fence effect, which disturbs the reading experience. To see this effect well, look at Didone typefaces like Didot and Bodoni.

“This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results.” 14pt seems quite large. Try 9–12pt. This goes for any serif typeface to be used for body text that is intended for print (for the web try 10–14pt, also depending on which device it’s intended for). But again, it will depend on the layout, and always make test prints to make sure it’s pleasant to read.

“Garamond is a great font to be used in long proses such as textbooks, dissertations and theses. Keeping it at 9 point is optional. In fact, my master’s thesis was in Garamond.” I distinctly remember years ago I noticed my Harry Potter book was set in Garamond. Both Garamond and Caslon are still used extensively for books.

However, Garamond may be a bit much for scientific documents. It’s quite classical and it has a low x-height, which these days is not preferable. Caslon is a bit less expressive and has a taller x-height. I would say Caslon is probably better for scientific articles.

One group of typefaces that certainly seems to be missing here is Century. Typefaces like Century Roman and Century Schoolbook. They belong to the Clarendon classification and are reminiscent of typefaces like Baskerville. These typefaces have been popular since the late 19th century and are still used extensively in academic literature. But I suppose you should also make a consideration of whether your article should be about the most comfortable typefaces to read, or the best suitable for scientific work, because they most certainly don’t amount to the same thing, yet you seem to be equating the two in this article.

Hi Martin! Thank you so much for your in-depth note! I have to look over and digest all your excellent points. Would you be open to expanding your writing and be a guest author or send me a link to your website/blog so the readers can have more information about what types to use for their work?

THE quick brown fox jumps over the lazy dog!!!!!

Leelawadee is a bit underrated. It is easy on the eyes, and simple. It could use a bit of a TimesNewRoman-punch to it, though.

Where can I download Helvetica from? I couldn’t find it anywhere

Seriously? I don’t know what this smug guy does with typography, in which he seems to be well versed, but if he were to take up writing he would need to work on his grammar.

I’m not an expert on fonts, but I’m currently using Helvetica for headlines and other Sans text in my thesis and DejaVu for the main text. Feels pretty scientific to me 🙂

I enjoyed the historical aspect of this article. Thanks! PS. I see you use a sans serif font.

How i download these font types?

University of South Florida

Office of Graduate Studies

Main navigation, font options.

Choose one single font, color and size to use throughout the manuscript (front matter, headings, and body), acceptable exceptions for footnotes, tables, table captions, figures and figure captions are noted below.

Font Typeface

Choose a single font (typeface) for use throughout the thesis/dissertation, with the exception of figures. You may have a different font style within figures you create or use with permission to reprint. 

Choose a common True-Type font generally found on most computers (this prevents conversion issues when converted to a PDF for publishing). Recommended choices are:

Students using LaTeX may use Computer Modern Roman.

For the primary font size, you may choose to use 10 pt., 11 pt., or 12 pt. , and must use this one chosen size throughout; with the exception of tables, figures, table captions, figure captions, and footnotes, which may (optional) be reduced to 8 pt .

In tables and figures, as well as their captions, you may go as small as 8 pt., as long as it is legible, to ensure everything fits on one page. If it is not legible, you will be asked to adjust the size.

Footnotes should be smaller than the body text, but no smaller than 8 pt.

Font Styles

Manuscripts may contain all common font styles, such as boldface, italics, and underline. The use of the style must be consistent throughout the text. Including color. We typically reserve special formats for Titles/Headings.

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Top 5 Best Fonts for Dissertation to Make it Look Organized

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Every student hates the fact that professors deduct their marks in the dissertation for not choosing an appropriate font in their writing. Most of the time, students choose times new roman font for their dissertation writing. But before making any decision regarding font selection for this type of document, students should first consider reading university guidelines. It will certainly help them in selecting the best fonts for dissertation writing without any hassle.

As we said above, in case your font doesn't match with the guidelines, then the professor might reject your dissertation. It would affect your overall academic career and lead to negative feedback, as well. So, to make the dissertation look organized, students can seek dissertation writing service from the Assignment Desk. Our writers always ensure delivering the content with the best fonts in it that certainly follow the university guidelines. Experts have listed all the font styles that are best for dissertation writing , so let's have a look at it.

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1. Times New Roman

Times new roman is the most preferred font in dissertation writing. Most of the universities have this font in their guidelines that must be followed by the students. It is because, from many years, times new roman is the default body text for Microsoft Word. This font help students in making their content look structured and aligned properly. So, apart from almost every font, times new roman is considered the best font that universities accept. This is the reason students always use it in their dissertation writing.

Apart from times new roman, students can choose Georgia font for their dissertation writing. Georgia is a type of font which was created back in 1993 by Matthew Carter. According to university professors, students who use this font certainly make their content organized. It is also considered that by using this font, you will make your writing look elegant.

3. Garamond

According to our expert writers, Garamond font is considered the most professional font style, among others. This is why our experts advise students to use this font in their dissertation writing. It also helps in making their document look structured with all required elements in it. When students use this font, they can easily create a good impression on the entire dissertation committee. This font is used in the dissertation because it helps in making long passages more readable than any other font.

Cambria font style is designed specifically for on-screen reading. When students write their dissertation, they often use this font style. It is because it helps in constructing letters more sturdy that helps in making the dissertation content look presentable in the eyes of professors. Apart from being sturdy, it also helps in retaining legibility even at small sizes as well. So, Cambria is indeed a good choice for students to use in their dissertation writing.

Calibri is considered as the universally readable sans-serif font. It is because of replacing times new roman font style from the default setting of Microsoft word. According to professionals, it is the second-best font style that students can use while writing their dissertations. Professors also suggest this type of font style to students as it looks great on-screen, which makes them read every word easily without any hassle. So, to make a dissertation organized properly, Calibri is another font style that can be used.

Now, it is all up to you that whichever font you like to use according to the university guidelines. If not restricted, try using subtle fonts that can make your overall content look organized. With all this explanation, isn't it quite obvious to buy dissertation  and eliminate your stress related to the selection of best fonts in your dissertation writing? We at Assignment Desk, provide the best assignment help to students who are struggling with writing their assignments.

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Formatting your thesis, thesis templates and support.

As you prepare your thesis for deposit, please contact our office with any questions you might have.  We can answer questions related to formatting requirements, help you assemble your manuscript, and provide technical assistance with thesis submission.  We will also provide a pre-deposit check of your thesis.  Contact Erin Kaufman ([email protected]) for more information.

Our preliminary page templates help ensure your preliminary pages are formatted correctly and include accurate information.  There is a version for PC users and a version for Mac users .  If you want your 1) chapters and subheadings automatically numbered and / or 2) table and figure captions to include the number of the chapter in which they appear, use this template .  This template relies on a multi-level list to generate automatic numbering, and it can be difficult to navigate if you are new to using Microsoft Word to format large documents.

For suggestions on how to reduce thesis file size, download our Ways to Reduce File Size handout.

For general formatting support, download the Manuscript Construction Guidelines for PC or the Manuscript Construction Guidelines for MAC .  Understanding how to use a number of basic Microsoft Word and Adobe Acrobat tools will greatly simplify the formatting and completion of your thesis.  All topics are essential to the proper construction of your thesis or dissertation. 

Required and Optional Elements

Formatting Requirements

Page numbers.

• Preliminary page numbers begin with a lower-case Roman numeral ii on the first page following the Title Page, or the Copyright Page should you choose to include one.  Center these page numbers in the footer, 1/2 to 1 inch above the bottom of the page.
• Manuscript text page numbers must be in Arabic with a 1 on the first page of your first chapter. They may be located in the upper or lower right-hand corner or the bottom center of the page and must be consistent throughout the manuscript.
• List your degree as it appears on MyUI.  If you have an official sub-track, you may include it in parentheses after your degree.
• List the correct month and year of your graduation.
• List the names of your committee members.  Your thesis supervisor should be listed first, followed by a comma and the phrase “Thesis Supervisor.”
• There is no page number on the Title Page.

Copyright Page

• The copyright date is the year of graduation.
• There is no page number on the Copyright Page.
• Text should be single-spaced and centered on the page, both horizontally and vertically.
• This page requires a lower-case Roman numeral page number, at the bottom center of the page.

Acknowledgements

• Text should be top-aligned, double-spaced, and with each paragraph indented.

An External Abstract is no longer required.

• A Scholarly Abstract (“Abstract”) is required for PhD and Master’s students, but not for DMA or MFA students.
• A Public Abstract (“Public Abstract”) is required for all students.
• These pages require lower-case Roman numeral page numbers, at the bottom center of the page.

Table of Contents

• All major headings from the manuscript must be included.  Entries should be consistently spaced.
• Entries here must match corresponding titles in the text, but should not carry over boldface, italics, or underlining from the text.
• Do not include entries for the preliminary pages that come before the Table of Contents.
• Do not include an entry for the Table of Contents in the Table of Contents.
• Include the List of Tables and List of Figures, if the thesis contains them.  Page numbering for these entries should be lower-case Roman numerals.
• Entries should not run into the page number column.
• Page numbers should be vertically aligned by the rightmost digit.

List of Tables / List of Figures

• Entries should be single-spaced, with a double space between them.
• Captions listed must match corresponding captions in the text, but should not carry over boldface, italics, or underlining from the text.
• The List(s) require a lower-case Roman numeral page number, at the bottom center of the page.
• Treat Appendix headings (Appendix A, B, etc.) as major headings and include them in the Table of Contents.
• If more than one Appendix is included, identify them as Appendix A, Appendix B, and so on. Lettering is unnecessary when there is only one Appendix.
• Major headings should be consistently formatted in a professional manner.
• Spacing around major headings should be consistent throughout the entire manuscript.
• Different order subheadings should each have a distinct style.
• Spacing around subheadings should be consistent.
• Headings may not be placed at the bottom of the page without at least two lines of text beneath them.

Tables and Figures

• Brief descriptive titles for tables and figures must be included in the List of Figures / List of Tables (if included).
• Tables and figures may be located above, below, or adjacent to the manuscript text.
• Gaps around tables and figures are allowed if the table or figure is larger than half a page.
• Table captions must not extend beyond the width of the table(s) being described.
• Spacing between a caption and its corresponding table / figure should be consistent.
• Tables / figures that appear in an Appendix must have their own numbering system (A.1, A.2, etc.).
• If a table or figure continues to one or more following pages, the number with a “continued” notation (e.g. Table 3—continued) is placed on each page after the first.  The descriptive title is not repeated in part or full on continuation pages. A separation line is not required.

References / Bibliography

• The References heading should be treated as a major heading and included in the Table of Contents.
• References should be single-spaced, and indenting conventions should be consistent.
• There may be a single- or double-space between entries.
• References may be placed at the end of each chapter or at the end of the manuscript.
• Entries should not break across a page.

Margins 

• Margins must be a minimum of 1 inch on all sides and on all pages, including the Preliminary Pages.
• Margins should be consistent throughout the entire text.

Line Spacing

• Line spacing may be either 1.5 or double-spaced. Line spacing should be consistent throughout.
• Use 10–12-point font for the body of the manuscript.  Font smaller than 8-point is not allowed.
• You may use 12-point font for major headings.  Font larger than this may be used sparingly, if at all.
• A range of font styles is acceptable, but font styles and sizes should be professional in appearance.

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What kind of fonts can I use for academic presentation? [closed]

Many videos and documents say that we should use Arial as the font for academic presentation. However, I think Arial is really ugly.

Certainly, there are other fonts suitable for academic presentations. How can I recognise them? Is it just every sans-serif font or what do I need to consider?

• presentation

• 4 This is probably to some extent a matter of taste. But for all things concerning academic design and layout, Edward Tufte is a classical go-to reference. –  henning no longer feeds AI Commented Aug 23, 2021 at 20:40
• 4 If your presentation is not about fonts, any boring font is suitable. –  Anonymous Physicist Commented Aug 23, 2021 at 20:50
• 5 Not Comic Sans. –  Captain Emacs Commented Aug 23, 2021 at 20:53
• 3 One advantage of a hideously ugly font is that you will know if someone swipes your slides and posts them online! ;-) –  Ed V Commented Aug 23, 2021 at 21:21

I take it as given that you won’t use typefaces that are not suitable for an academic setting at all, like a comic or blackletter typeface, i.e., any typeface you that is not suitable for a printed poster either. With those constraints, the main thing to consider is that your typeface must render well on a projector or via screencast. Interestingly, those different settings lead to similar conclusions:

You have to expect that projectors have low resolutions (and no sub-pixel hinting ), which causes intricate details such as most serifs look ugly.

For screencasts, you have to expect that they will be scaled on the viewer’s side, which again causes problems with detailed components such as most serifs and works bests with straight lines and similar.

For this reason, most sans-serif typefaces are well suited for presentations while serif typefaces are not. However you can find exceptions such as organic grotesques, which are sans serif but scale badly and render badly on low resolutions – or slab serifs, which work well with scaling as well as on low resolutions.

• Does anyone know the name of the four example fonts in this answer? (Especially the two "good" examples) –  Caleb Stanford Commented Jan 30, 2022 at 0:56
• 2 @6005: The fonts from top to bottom are: Aakar, Ubuntu, Linux Biolinum and Zilla Slab. However, please note that I chose them for highlighting the aspects relevant to this answer, and not to endorse (or attack) these particular fonts. –  Wrzlprmft ♦ Commented Jan 30, 2022 at 9:35
• Thank you! Understood yes –  Caleb Stanford Commented Jan 30, 2022 at 13:24

Not the answer you're looking for? Browse other questions tagged presentation formatting .

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The Easiest Font to Read Is Already on Your Phone

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When it comes to typing a message, font choice can sometimes add a creative touch to your work, but for mass media formats like newspapers , academic papers, TV and popular web sites, sticking to a legible font is often more important than the flourish of decorative fonts.

Here, we'll go over some candidates for the easiest font to read in print and web documents, along with some history of typesetting and what makes for a readable font.

Common Qualities of the Most Readable Fonts

Serif vs. sans serif fonts, 4 of the best sans serif fonts, 4 of the best serif fonts, dishonorable mentions: fonts to avoid, the first printed font.

The easiest fonts to read are designed to be able to reach the most amount of people. They may be reading the font off of printed documents, road signs, or on mobile devices with low resolution screens. The reader could also potentially have eyesight problems or be a fair distance away from the text.

With these factors in mind, the most readable fonts need to have very distinguishable characters that can be easily read by the viewer at a variety of font sizes. The ideal font can serve everyone as long as they are literate, and it will also make the process easier for those just learning to read. Font weight is also an important factor.

For instance, things like road signs which are intended to be viewed far distances generally feature bold letter shapes. Readable font should also make capital letters and lowercase letters easy to tell apart from one another, with careful spacing between words and characters to make sure nothing appears to overlap or spread too far apart.

While browsing online, reading a newspaper or typing in a document editor like Microsoft Word, there are thousands of different fonts you could potentially encounter. However, popular fonts tend to fall in one of two categories : serif fonts and sans serif fonts.

Serif Fonts

The serif font style (named from the Germanic word for "pen stroke") was first designed in the late 1700s and features little flourishes or "tails" on each letter that give the fonts a bit of character.

These tails also showed off the precision quality of the printing dies which were becoming more widely available at the time.

Serif fonts look great blown up to big sizes and on high-resolution computer screens, but they tend to have poorer readability at smaller text sizes. For this reason, newspapers and online articles tend to use a serif font for the headline instead of the main body text of the piece.

Sans Serif Fonts

On the other hand, sans serif typeface is a derivative of serif font and attempts to solve some of its apparent shortcomings. Sans serif fonts do away with the little flourishes of serif and instead focus on bolder letters with very straight lines and uniform curves for maximum legibility.

Sans serif tends to be the easiest type of font to read, sometimes sacrificing creative potential. They're also used in graphic designs that aim to look more "modern" versus older serif typefaces.

• Arial : Originally based on Helvetica, this is a supremely readable font that can be found on all types of software and web pages.
• Calibri : In 2007, Calibri replaced Times New Roman as the default font for Microsoft Office apps and became one of the most prolific fonts in the digital space before being replaced itself in 2023 (the new kid on the block is Aptos).
• Open Sans : This popular sans serif font was commissioned by Google in 2011 and soon became the standard font for the Android mobile operating system.
• Montserrat : This is a very simple, classy, yet easy-to-read font that looks great in thinner styles, bolded or in italics.
• Times New Roman : First commissioned by London newspaper The Times in 1931, this ubiquitous serif font became a popular choice for book printing and is now included in most major computer operating systems.
• Berkeley Old Style : Also known as " Californian " font, this typeface created for the University of California newspaper in the 1930's can add a bit of class to your work without sacrificing readability.
• Larken : This is the font choice for adding bold, stylish letters to a poster or book title.
• Merriweather : A popular font choice for modern book printing, this serif derivative has a distinct mid-century feel by combining strong modern lettering with some classical flourishes.
• Comic Sans : This sans serif font is technically one of the easiest fonts to read, but the exaggerated bubbly style of its lettering means it's the most commonly mocked by graphic designers.
• Papyrus : Despite a clone typeface being used in the logo for the Avatar movies, this vaguely ancient-looking font has never been taken seriously.
• Jokerman : This silly font's lettering includes a bunch of needless and inconsistent details which give it poor readability and generally make it too irregular to be used in a professional setting.
• Wingdings : Before we had an emoji keyboard on our phones, this Microsoft Windows font replaced the characters on your keyboard with seemingly random icons and symbols. This is quite possible the least readable font in existence.

Basically everything that we take for granted today about fonts and typesetting started with the invention of the industrial printing press by Johannes Gutenberg in the 1400's. Before the invention of Gutenberg's press, nearly all books in European circulation were bound and inscribed by monks of the Catholic Church who copied the body text by hand over several weeks.

This was grueling work, causing books to be generally unaffordable to the commoner and literacy rates to be low. Gutenberg's invention drove down the cost of bookmaking and allowed literature to reach the masses.

The default font for this press, Blackletter , was initially based on the writing of the monks, with a big font size and bold, ornate letters. It had style, but it didn't have the readability required for mass media and web design.

Improving Legibility

In 1470, a French printer named Nicolas Jenson came up with what could be considered the first readable typeface: the " Roman " font.

This style did away with ornate flourishes and focused on distinctive letter shapes that were evenly spaced, making it much easier to read by the layman. Many modern variants of the typeset exist today including the popular font, Times New Roman.

Please copy/paste the following text to properly cite this HowStuffWorks.com article:

The best fonts on DaFont

No need to scroll the whole site, here's the ultimate selection of the best fonts available on DaFont.

Any designer will know that choosing the right font in a platform like DaFont is one of the most crucial decisions to be made in a project. The right font has an ambitious task on its hands; it must be distinctive and recognisable initially, but also must create familiarity.

Typography also plays a big part in setting the tone for a project and the right font can offer a base to create a piece of distinctive typography of your own. A good font is not too definitive or restrictive; it suggests the groundworks for something that is yet to be created.

DaFont is just one of the many providers of free fonts , but it is possibly the most widely used alternative to Adobe Fonts , and for good reason. Its archive consists of 40,000 different styles. This might sound overwhelming, but no need to panic! We’ve done the sifting for you and created a roundup of all the best fonts on DaFont, for all your designing and typography needs. Just make sure you check the font licensing terms.

01. VCR OSD Mono

• Download VCR OSD Mono by Riciery Leal from DaFonts

VCR OSD Mono is a personal favourite of mine, and with its frequent use in my own video and graphic design work, I can vouch for its versatility. For a digital look that can be made to appear either glitchy or glowing in all sorts of different colours, VCR OSD Mono provides an old-school version of this, reminiscent of the beginning of the digital era, when super 8mm camcorders were a revelation to the art world. This font gives you the perfect base to inject some glitchy and retro pizazz into your project.

• Download Bebas by Dharma Type from DaFonts

Bebas is a favourite with many designers, myself included. You’ll be pleased to know that it can be used commercially – and often is – so you can feel free to unleash it on all your branding projects. Bebas Neu is another division of Bebas, and also enjoys immense popularity. Bebas Neu is, however, only a slightly more condensed version of the same font, meaning that the use of Bebas covers all bases. Bebas is more flexible as the same condensed effect that Bebas Neu achieves could essentially be created in Photoshop with only a few letter spacing adjustments anyway.

03. University

• Download University by Geronimo Font Studios from DaFonts

If you need to find a font that looks like the lettering on the back of the varsity jacket, DaFont provides a surprising number of options. University is by far the best of the pick; there are many snazzier versions with more flourishes, but University is our favourite.

04. Drunken Hour

• Download Drunken Hour by Pizzadude from DaFonts

Drunken Hour is slightly more ‘out there’ in the world of typography, but is of a style currently gaining a lot of traction on social media. A template for this font continues to gain viral circulation on both Reels and TikTok , so it’s perfect if you want to make something of your own within this trend. For the Mean Girls Burn Book meets an old-school scrapbook meets a magazine-cut-out-anonymous-message look – Drunken Hour covers all bases.

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• Download Butler by Fabian De Smet from DaFonts

What would a more feminine Times New Roman look like? Butler shows us with its traditional lettering with an extra dose of elegance. Butler is distinctive enough to be used in large typography, and stripped back and classy enough to work well as standard body text with its own stylised touch.

06. Open 24 Display

• Download Open 24 Display by Southype from DaFonts

Another digitally inspired font, Open 24 Display echoes the devices created near the tail end of the technological revolution in the early 2000s, when digital devices were becoming the norm and text such as this was widely seen. While VCR OSD Mono (above) gives us a font reminiscent of a ‘90s camcorder, Open 24 Display is perfect for achieving something similar to the design of an early 2000s pocket digital camera.

07. Coolvetica

• Download Coolvetica by Typodermic Fonts from DaFonts

Coolvetica is a popular choice for the loyal Helvetica enthusiasts out there who want to stay true to their sans serif ways while spicing it up with an extra roundedness. The essentials of Helvetica remain intact, but a distinctive extra roundedness to the letters stands out and a more compressed and bolder lettering shines through.

• Download Garet by Type Forward Foundry from DaFonts

Garet offers a light typeface. It's not as flexible as some of the others on this list, and you’ll either love it or hate it. Perfect for website copy or stripped back body text, Garet offers something beautiful with enough individuality to finish off the right project.

• Download Agency by Vladimir Nikolic from DaFonts

Agency has a hint of retro branding, and looks as though it may have been the favourite font used for the basework design of ‘80s posters and packaging. It’s important to note that punctuation and numbers are not included in this font pack, so it is best suited for creating impact with punchy titles and headings.

• Download Apollo by 177Studio from DaFonts

Apollo offers a fully stocked 1930s-themed typeface. Completely equipped with its own flourishes that define its post-art-deco style, its creation is still not so finite that its impossible to add your own touch. It comes with both uppercase and lowercase lettering as well as a full set of matching numbers and punctuation; to completely equip you to create 1930s-inspired typography.

11. Just Sans

• Download Just Sans by Jacob Cass from DaFonts

Possibly one of the best sans serif fonts out there, Just Sans does what it says on the tin. It fully sets you up for clear and professional writing, but its beautiful simplicity makes it perfect for striking headings as well.

12. Paparazzi

• Download Paparazzi by Vladimir Nikolic from Dafonts

Paparazzi can deliver an eye-catching result, especially when used with strategically placed bold colours. Paparazzi comes with a full set of everything other than some punctuation, accentuating its intended use for just the fundamentals. Best for headers and large typography, Paparazzi stays punchy from a distance and offers endless opportunities to make it into your own striking piece of work.

•   Download Vogue by Vladimir Nikolic from DaFonts

The Vogue font enables you to customise however you’d like, meaning you can add yourself or your pets onto Vogue covers without needing the viral Vogue cover filter. This one is only available for personal use.

14. New York

•   Download New York by Artem Nevsky from DaFonts

The name of the font is fitting; it feels awfully similar to the classic old-fashioned look of The New Yorker’s branding. New York may look like a header font at first glances, but this pack comes with a full set of upper case and lower case lettering as well as numbers and punctuation.

15. Constantine

• Download Constantine by Dukom Deisgn from DaFonts

Constantine offers a full keyboard set, and as a light, upper case only font it’s perfect for headings and title graphics when you need to make a stylised impact.

16. Serfiyan

• Download Serfiyan by Storytpe Studio from DaFonts

A dignified font presents itself in Serfiyan; perfect for both casual writing and more complex design pieces. It presents a timeless and endlessly classy style, but is a more unusual serif font, so is ideal for a more stylised look. The typeface offers the full keyboard – giving you the space to use it for any project. 

17. Wensley

• Download Wensley by creativetacos from DaFonts

Wensley would be the perfect tool for a branding project, but bear in mind that there is no punctuation included and it only comes up in upper case, meaning it's not as versatile as some of the others on this list. It is, however, timeless, and beautiful enough to deserve a place as the title font for a large number of branding projects.

• Download Hello by Graphix Design Studio from Dafonts

We love a good script font and Hello covers all bases. This full keyboard has a sophisticated and friendly flourish that isn't always present in a calligraphy font. It's available for personal use only.

19. Blacksword

• Download Blacksword by Youssef Habchi from DaFonts

Blacksword is a lettering with a larger flourish and a heavier slant than Hello, making it an ideal alternative for those who need a font with more of a dramatic slant, while staying sophisticated.

20. Creato Display

• Download Creato Display by Lafontype from DaFonts

For a stripped back sans serif font, Creato Display is a classic display typeface – designed for headings and title graphics. However its simplicity and the modern touch of its rounded letters make it perfect for anything from title graphics to professional documents. With its breathtaking design and versatility, Creato Display could well end up as the new Helvetica.

21. Belgiano Serif

• Download Belgiano Serif from by Fajarisha Phonna from DaFonts.

Belgiano Serif is, in my opinion, one of the best serif fonts out there, and I'm wondering why it’s not a standard Adobe font to begin with. Belgiano Serif’s beauty has the ability to create outstanding graphics both at large headline scale as well as at a small body text scale. Download it and make the most of it, because Belgiano Serif should have overtaken Times New Roman as the standard serif font a long time ago.

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Mabel is a freelance writer, artist and filmmaker. When she's not writing about the arts industry, books or culture, she's working on writing and illustrating her stories or developing experimental filmmaking projects. Working in journalism, poetry, documentary-filmmaking, illustration and fiction, storytelling is at the heart of what she does. She started writing articles in online magazines when she was seventeen. After training at the BFI Academy and then studying at UAL, she is now continuing to write articles while she works on creating and launching her first books and films.

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