Another genre, intellectual biography, forsakes the need for basic chronological structure and develops a narrative of a life through the conceptual analysis of the subject’s motives and beliefs within the world of ideas. Those who write intellectual biography have overcome the interpretive angst of other educational researchers, what Rollyson (2005) has deemed “the biographical apologia,” who include pages of interviewee narrative and rich description but who refrain from interpreting motives and feelings. In contrast, the intellectual biographer recognizes and accepts the invasive yet justifiable analysis and overcomes the intrusive nature of inquiry with care resulting in self-reflective thoughtfulness and insight.
A third form of biographical research is defined as life history writing (and the narrative study of lives) with strong allegiance to the social science research traditions of oral history and narrative discourse and, specifically, great devotion to theoretical constructs from sociology and psychology. Case study paradigms emerge as life history writers address issues of generalizability, social interaction-social structure, and reliability and validity as well as the biographical quest of any study of a life. This research genre has taken many forms in the field of education, perhaps resonating most in the area of teacher education with the narrative study of teachers’ lives scholarship and, to a lesser degree, with the first-year teacher research that also remains loyal to aspects of intellectual biography (Goodson, 2008; Bullough, 2008).
In recent years a fourth genre, memoir biography (still distinct from autobiography and memoir) has begun to appear in the field of curriculum studies. Attention is devoted to the researcher’s motives in relation to the biographical subject and with emphasis upon the stylistic presentation of the biographer’s reflections and insights in relation to the factual account of the life. An interpretive narrative of the writer, alongside the presentation of the biographical subject, becomes part of the research. A life story is being told, yet in relation to the transactional experiences of the biographer that in turn influences and foreshadows similar experiences for the reader.
A fifth type, narrative biography, represents a dynamic portrayal of a life without the need for absolute facticity or a comprehensive account from birth to grave. Neither is this style burdened by the ultimate interpretation of the subject that must be accepted by the reader. Facts are recognized and some interpretations are accepted as being more significant than others; however, the biographer, though consciously aware of his or her personal emotions and reactions to the subject, acknowledges that the telling of the story is primarily defined by the subject in relation to the reader.
No definitive listing of biographical types can ever be constructed since, fortunately, new forms—content and process oriented—are continually being conceived and explored. Other more content-related designations include feminist biography (Alpern, et al., 1992; Ascher, et. al., 1984; Wagner-Martin, 1994) and black biography (Backscheider, 1997), all with emphasis upon identity and the restoration of the “invisible” subject.
Biography’s relationship to autobiography, memoir, and narrative research in education is well developed and will continually be redefined (Denzin, 1989; Epstein, 1991; Rollyson, 2008) Yet, with the emerging interest in biographical inquiry and with some growing interest in prosopography (group biography), little consensus of terminology exists; for example, it should be noted that while some qualitative researchers view the term as accurate, there are dramatic differences between biography and autobiography—much more than any slash or solidus can convey.
Alpern, S., Antler, J., Perry, E. I. & Scobie, I. W. (Eds.) (1992). . Urbana, Illinois: University of Illinois Press.
Ascher, C., DeSalvo, L., & Ruddick, S. (Eds.) (1984). . Boston: Beacon Press.
Backscheider, P. R. (1997). . New York: Oxford University Press.
Bullough, R. V., Jr. (2008). . Albany, NY: SUNY Press.
Denzin, N. (1989). . Thousand Oaks, CA: Sage Publications.
Epstein, W. (Ed.) (1991). . West Lafayette, IN: Purdue University Press.
Garraty, J. (1957). . New York: Knopf.
Goodson, I. (2008). . Rotterdam: Sense Publishers.
Josselson, R. & Lieblich, A. (Eds.) (1993). . Thousand Oaks, CA: Sage.
Oates, S. B. (Ed.) (1986). . Amherst, MA: University of Massachusetts Press.
Roberts, B. (2002). . London: Open University Press.
Rollyson, C. (2008). . Chicago: Ivan R. Dee.
Rollyson, C. (2005). Chicago: Ivan R. Dee.
Wagner-Martin, L. (1994). . New Brunswick: Rutgers University Press.
By Craig Kridel, University of South Carolina
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Nigel Hamilton
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ISBN 9780674066151
Publication date: 10/22/2012
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It is not surprising that biography is one of the most popular literary genres of our day. What is remarkable is that there is no accessible guide for how to write one. Now, following his recent Biography: A Brief History (from Harvard), award-winning biographer and teacher Nigel Hamilton tackles the practicalities of doing biography in this first succinct primer to elucidate the tools of the biographer’s craft.
Hamilton invites the reader to join him on a fascinating journey through the art of biographical composition. Starting with personal motivation, he charts the making of a modern biography from the inside: from conception to fulfillment. He emphasizes the need to know one’s audience, rehearses the excitement and perils of modern research, delves into the secrets of good and great biography, and guides the reader through the essential components of life narrative.
With examples taken from the finest modern biographies, Hamilton shows how to portray the ages of man—birth, childhood, love, life’s work, the evening of life, and death. In addition, he suggests effective ways to start and close a life story. He clarifies the difference between autobiography and memoir—and addresses the sometimes awkward ethical, legal, and personal consequences of truth-telling in modern life writing. He concludes with the publication and reception of biography—its afterlife, so to speak.
Written with humor, insight, and compassion, How To Do Biography is the manual that would-be biographers have long been awaiting.
This marvelous work--basically, a how-to book--is comprehensive in its treatment of everything necessary to creating a published biography. Hamilton, who has authored biographies of Field Marshall Montgomery, John F. Kennedy, and Bill Clinton, here leaves nothing unsaid on the subject. He thoroughly details biography's agenda and motivation and describes its target audience, who will expect something of a revelation concerning the human condition...He additionally scrutinizes autobiography and memoir writing, the consequence of telling the truth, and biography's afterlife. The exceptional excerpts Hamilton selects from published biographies to illustrate his points are both edifying and entertaining. —Robert Kelly, Library Journal
Drawing instruction from his own lifetime of biographic work and others'--including Samuel Johnson, Robert Caro, David McCullough, Hermione Lee, Edmund Morris, and others whom Hamilton has admired, known and worked with--the author takes readers on an intellectual journey through the creative process, from conception to publishing...Hamilton's passion, lyricism and collection of telling anecdotes make this "short book of advice" an unexpected page-turner; it's hard not to get caught up in the author's romantic vision of biography, a form he believes has nearly as many permutations as music. Elucidating not just the dos and don'ts of biography, but also the whys and hows, Hamilton has created a motivating, empowering guide for writers (and fans) of the genre. —Publishers Weekly (starred review)
No one writing biography can afford to ignore this edifying book. Nigel Hamilton has the depth and breadth of experience to write about a genre that he champions...While this is a “how-to” book, even the most seasoned biographer will find much of value about choosing a subject; doing proposals for biographies; handling interviewing; negotiating the perils of publishing unauthorized biographies; managing biographical narratives; writing with an audience in mind; and the nexus between memoir, autobiography, and biography. —Carl Rollyson, thebiographerscraft.com
[ How To Do Biography ] offers a well-written, sensible, and, given its brevity, fairly encompassing assessment of what it is that a biographer does and how he goes about doing it...Hamilton is quite eloquent and persuasive in discussing how things come around at the end, not only at death, but after, when the life meets posterity. —Sven Birkerts, Boston Globe
The book is full of good advice and interesting stories. —Owen Richardson, The Age
Shelley and his circle, 1773-1822, volumes 11 and 12.
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Blog • Perfecting your Craft
Posted on Jun 30, 2023
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Editor-in-Chief of the Reedsy blog, Dario is a graduate of Mälardalen University. As a freelance writer, he has written for many esteemed outlets aimed at writers. A traveler at heart, he can be found roaming the world and working from his laptop.
From time to time, nonfiction authors become so captivated by a particular figure from either the present or the past, that they feel compelled to write an entire book about their life. Whether casting them as heroes or villains, there is an interesting quality in their humanity that compels these authors to revisit their life paths and write their story.
However, portraying someone’s life on paper in a comprehensive and engaging way requires solid preparation. If you’re looking to write a biography yourself, in this post we’ll share a step-by-step blueprint that you can follow.
How to write a biography:
2. research your subject thoroughly, 3. do interviews and visit locations, 4. organize your findings, 5. identify a central thesis, 6. write it using narrative elements, 7. get feedback and polish the text.
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While you technically don’t need permission to write about public figures (or deceased ones), that doesn't guarantee their legal team won't pursue legal action against you. Author Kitty Kelley was sued by Frank Sinatra before she even started to write His Way , a biography that paints Ol Blue Eyes in a controversial light. (Kelley ended up winning the lawsuit, however).
Whenever feasible, advise the subject’s representatives of your intentions. If all goes according to plan, you’ll get a green light to proceed, or potentially an offer to collaborate. It's a matter of common sense; if someone were to write a book about you, you would likely want to know about it well prior to publication. So, make a sincere effort to reach out to their PR staff to negotiate an agreement or at least a mutual understanding of the scope of your project.
At the same time, make sure that you still retain editorial control over the project, and not end up writing a puff piece that treats its protagonist like a saint or hero. No biography can ever be entirely objective, but you should always strive for a portrayal that closely aligns with facts and reality.
If you can’t get an answer from your subject, or you’re asked not to proceed forward, you can still accept the potential repercussions and write an unauthorized biography . The “rebellious act” of publishing without consent indeed makes for great marketing, though it’ll likely bring more headaches with it too.
✋ Please note that, like other nonfiction books, if you intend to release your biography with a publishing house , you can put together a book proposal to send to them before you even write the book. If they like it enough, they might pay you an advance to write it.
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Once you’ve settled (or not) the permission part, it’s time to dive deep into your character’s story.
Deep and thorough research skills are the cornerstone of every biographer worth their salt. To paint a vivid and accurate portrait of someone's life, you’ll have to gather qualitative information from a wide range of reliable sources.
Start with the information already available, from books on your subject to archival documents, then collect new ones firsthand by interviewing people or traveling to locations.
Put your researcher hat on and start consuming any piece on your subject you can find, from their Wikipedia page to news articles, interviews, TV and radio appearances, YouTube videos, podcasts, books, magazines, and any other media outlets they may have been featured in.
Establish a system to orderly collect the information you find 一 even seemingly insignificant details can prove valuable during the writing process, so be sure to save them.
Depending on their era, you may find most of the information readily available online, or you may need to search through university libraries for older references.
For his landmark biography of Alexander Hamilton, Ron Chernow spent untold hours at Columbia University’s library , reading through the Hamilton family papers, visiting the New York Historical Society, as well as interviewing the archivist of the New York Stock Exchange, and so on. The research process took years, but it certainly paid off. Chernow discovered that Hamilton created the first five securities originally traded on Wall Street. This finding, among others, revealed his significant contributions to shaping the current American financial and political systems, a legacy previously often overshadowed by other founding fathers. Today Alexander Hamilton is one of the best-selling biographies of all time, and it has become a cultural phenomenon with its own dedicated musical.
Besides reading documents about your subject, research can help you understand the world that your subject lived in.
Many biographies show how their protagonists have had a profound impact on society through their philosophical, artistic, or scientific contributions. But at the same time, it’s worth it as a biographer to make an effort to understand how their societal and historical context influenced their life’s path and work.
An interesting example is Stephen Greenblatt’s Will in the World . Finding himself limited by a lack of verified detail surrounding William Shakespeare's personal life, Greenblatt, instead, employs literary interpretation and imaginative reenactments to transport readers back to the Elizabethan era. The result is a vivid (though speculative) depiction of the playwright's life, enriching our understanding of his world.
Many readers enjoy biographies that transport them to a time and place, so exploring a historical period through the lens of a character can be entertaining in its own right. The Diary of Samuel Pepys became a classic not because people were enthralled by his life as an administrator, but rather from his meticulous and vivid documentation of everyday existence during the Restoration period.
Once you’ve gotten your hands on as many secondary sources as you can find, you’ll want to go hunting for stories first-hand from people who are (or were) close to your subject.
With all the material you’ve been through, by now you should already have a pretty good picture of your protagonist. But you’ll surely have some curiosities and missing dots in their character development to figure out, which you can only get by interviewing primary sources.
This part is more relevant if your subject is contemporary, and you can actually meet up or call with relatives, friends, colleagues, business partners, neighbors, or any other person related to them.
In writing the popular biography of Steve Jobs, Walter Isaacson interviewed more than one hundred people, including Jobs’s family, colleagues, former college mates, business rivals, and the man himself.
🔍 Read other biographies to get a sense of what makes a great one. Check out our list of the 30 best biographies of all time , or take our 30-second quiz below for tips on which one you should read next.
Discover the perfect biography for you. Takes 30 seconds!
When you conduct your interviews, make sure to record them with high quality audio you can revisit later. Then use tools like Otter.ai or Descript to transcribe them 一 it’ll save you countless hours.
You can approach the interview with a specific set of questions, or follow your curiosity blindly, trying to uncover revealing stories and anecdotes about your subject. Whatever your method, author and biography editor Tom Bromley suggests that every interviewer arrives prepared, "Show that you’ve done your work. This will help to put the interviewee at ease, and get their best answers.”
Bromley also places emphasis on the order in which you conduct interviews. “You may want to interview different members of the family or friends first, to get their perspective on something, and then go directly to the main interviewee. You'll be able to use that knowledge to ask sharper, more specific questions.”
Finally, consider how much time you have with each interviewee. If you only have a 30-minute phone call with an important person, make it count by asking directly the most pressing questions you have. And, if you find a reliable source who is also particularly willing to help, conduct several interviews and ask them, if appropriate, to write a foreword as part of the book’s front matter .
Sometimes an important part of the process is packing your bags, getting on a plane, and personally visiting significant places in your character’s journey.
A place, whether that’s a city, a rural house, or a bodhi tree, can carry a particular energy that you can only truly experience by being there. In putting the pieces together about someone’s life, it may be useful to go visit where they grew up, or where other significant events of their lives happened. It will be easier to imagine what they experienced, and better tell their story.
In researching The Lost City of Z , author David Grann embarked on a trek through the Amazon, retracing the steps of British explorer Percy Fawcett. This led Grann to develop new theories about the circumstances surrounding the explorer's disappearance.
Hopefully, you won’t have to deal with jaguars and anacondas to better understand your subject’s environment, but try to walk into their shoes as much as possible.
Once you’ve researched your character enough, it’s time to put together all the puzzle pieces you collected so far.
Take the bulk of notes, media, and other documents you’ve collected, and start to give them some order and structure. A simple way to do this is by creating a timeline.
It helps to organize your notes chronologically 一 from childhood to the senior years, line up the most significant events of your subject’s life, including dates, places, names and other relevant bits.
You should be able to divide their life into distinct periods, each with their unique events and significance. Based on that, you can start drafting an outline of the narrative you want to create.
Since a biography entails writing about a person’s entire life, it will have a beginning, a middle, and an end. You can pick where you want to end the story, depending on how consequential the last years of your subject were. But the nature of the work will give you a starting character arc to work with.
To outline the story then, you could turn to the popular Three-Act Structure , which divides the narrative in three main parts. In a nutshell, you’ll want to make sure to have the following:
Only one question remains before you begin writing: what will be the main focus of your biography?
Think about why you’re so drawn to your subject to dedicate years of your life to recounting their own. What aspect of their life do you want to highlight? Is it their evil nature, artistic genius, or visionary mindset? And what evidence have you got to back that up? Find a central thesis or focus to weave as the main thread throughout your narrative.
If you don’t have a particular theme to explore, finding a distinct angle on your subject’s story can also help you distinguish your work from other biographies or existing works on the same subject.
Plenty of biographies have been published about The Beatles 一 many of which have different focuses and approaches:
Finally, consider that biographies are often more than recounting the life of a person. Similar to how Dickens’ Great Expectations is not solely about a boy named Pip (but an examination and critique of Britain’s fickle, unforgiving class system), a biography should strive to illuminate a broader truth — be it social, political, or human — beyond the immediate subject of the book.
Once you’ve identified your main focus or angle, it’s time to write a great story.
While biographies are often highly informative, they do not have to be dry and purely expository in nature . You can play with storytelling elements to make it an engaging read.
You could do that by thoroughly detailing the setting of the story , depicting the people involved in the story as fully-fledged characters , or using rising action and building to a climax when describing a particularly significant milestone of the subject’s life.
One common way to make a biography interesting to read is starting on a strong foot…
Just because you're honoring your character's whole life doesn't mean you have to begin when they said their first word. Starting from the middle or end of their life can be more captivating as it introduces conflicts and stakes that shaped their journey.
When he wrote about Christopher McCandless in Into the Wild , author Jon Krakauer didn’t open his subject’s childhood and abusive family environment. Instead, the book begins with McCandless hitchhiking his way into the wilderness, and subsequently being discovered dead in an abandoned bus. By starting in the middle of the action in medias res, Krakauer hooks the reader’s interest, before tracing back the causes and motivations that led McCandless to die alone in that bus in the first place.
You can bend the timeline to improve the reader’s reading experience throughout the rest of the story too…
While biographies tend to follow a chronological narrative, you can use flashbacks to tell brief stories or anecdotes when appropriate. For example, if you were telling the story of footballer Lionel Messi, before the climax of winning the World Cup with Argentina, you could recall when he was just 13 years old, giving an interview to a local newspaper, expressing his lifelong dream of playing for the national team.
Used sparsely and intentionally, flashbacks can add more context to the story and keep the narrative interesting. Just like including dialogue does…
Recreating conversations that your subject had with people around them is another effective way to color the story. Dialogue helps the reader imagine the story like a movie, providing a deeper sensory experience.
One thing is trying to articulate the root of Steve Jobs’ obsession with product design, another would be to quote his father , teaching him how to build a fence when he was young: “You've got to make the back of the fence just as good looking as the front of the fence. Even though nobody will see it, you will know. And that will show that you're dedicated to making something perfect.”
Unlike memoirs and autobiographies, in which the author tells the story from their personal viewpoint and enjoys greater freedom to recall conversations, biographies require a commitment to facts. So, when recreating dialogue, try to quote directly from reliable sources like personal diaries, emails, and text messages. You could also use your interview scripts as an alternative to dialogue. As Tom Bromley suggests, “If you talk with a good amount of people, you can try to tell the story from their perspective, interweaving different segments and quoting the interviewees directly.”
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These are just some of the story elements you can use to make your biography more compelling. Once you’ve finished your manuscript, it’s a good idea to ask for feedback.
If you’re going to publish your own biography, you’ll have to polish it to professional standards. After leaving your work to rest for a while, look at it with fresh eyes and edit your own manuscript eliminating passive voice, filler words, and redundant adverbs.
Then, have a professional editor give you a general assessment. They’ll look at the structure and shape of your manuscript and tell you which parts need to be expanded on or cut. As someone who edited and commissioned several biographies, Tom Bromley points out that a professional “will look at the sources used and assess whether they back up the points made, or if more are needed. They would also look for context, and whether or not more background information is needed for the reader to understand the story fully. And they might check your facts, too.”
In addition to structural editing, you may want to have someone copy-edit and proofread your work.
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Importantly, make sure to include a bibliography with a list of all the interviews, documents, and sources used in the writing process. You’ll have to compile it according to a manual of style, but you can easily create one by using tools like EasyBib . Once the text is nicely polished and typeset in your writing applications , you can prepare for the publication process.
In conclusion, by mixing storytelling elements with diligent research, you’ll be able to breathe life into a powerful biography that immerses readers in another individual’s life experience. Whether that’ll spark inspiration or controversy, remember you could have an important role in shaping their legacy 一 and that’s something not to take lightly.
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Home » Blog » Privacy Protection and Copyright: The Legal Side of Writing a Biography
Biographies are perennial bestsellers. Depending on the subject, biographies can turn an author into a household name almost overnight.
However, a biography can also leave an author with serious legal issues if they don’t approach the project in the right way. Authors also need to be objective in separating fact from opinion as they are accountable for the information they share.
Indeed, writing a biography is no easy task and must be done right, to avoid any problems along the way.
In this article, we will focus on the relevant privacy and copyright issues that may arise when writing both authorized and unauthorized biographies.
According to the Merriam-Webster dictionary, a biography is “a usually written history of a person’s life.” This definition encompasses accounts of a person’s life based on first-hand or second-hand information.
Moreover, biographies belong to the domain of non-fiction unless the events and characters surrounding actual events are fictional.
When it comes to biography sources, second-hand opinions, anecdotes, and experiences must come with documentation. For instance, interviews, videos, or even legal paperwork can substantiate claims.
Additionally, opinions must be carefully marked as such to ensure they do not constitute an attack on an individual’s character or reputation. After all, a biography should aim to tell an unbiased account of a person’s life.
Biographies can depict the lives of both living and deceased individuals.
Biographies of long-deceased historical figures often contain information extracted from previous works or otherwise in the public domain. In these cases, the risk for legal challenges is rather slim.
However, biographies of living or recently deceased figures may represent a legal challenge as there may be privacy protection and copyright issues involved.
There are two main types of biographies: authorized and unauthorized.
Authorized biographies have the consent of the book’s subject or their family or, at the very least, some collaboration from the subject or their representatives.
Unauthorized biographies, on the other hand, do not have the consent of the subject in question. These types of works often have salacious leanings, focusing on selling books first and the subject’s reputation second. Depending on the material's information, the author may face legal action by the subject or their representatives.
Ideally, authors would set about writing a biography with the full consent of the subject or their estate. Doing so provides the author with the confidence of knowing they will not face legal challenges once the work reaches publication.
Obtaining legal authorization generally involves writing material that has the subject’s seal of approval.
It is worth noting that authorized biographies usually require the author to paint the subject in a favorable light. While this isn’t always the case, subjects may require authors to remove certain events or information from the material if it is too salacious.
In the words of New York Times columnist Matt Knight , an authorized biography “suggests a puffy publicity piece.” As such, readers often view authorized biographies as skewed toward favoring the subject.
According to Writer’s Digest , a leading writer resource publication, in an authorized biography, “the author typically holds interviews with the subject of the book, the subject’s family members, and friends, co-workers, etc. The author is privy to information only attainable from the subject of the book.”
Thus, authorized biographies have an added layer of credibility that unauthorized ones do not.
Additionally, authorized biographies may require the author and publisher to share a portion of the revenue with the subject. In the event the subject is deceased, profits would be shared with their heirs or estate. As such, it is often more difficult to get authorization from a living subject than an estate.
To quote renowned literary critic Leon Edel:
“The secret of a biography resides in finding the link between talent and achievement. A biography seems irrelevant if it doesn’t discover the overlap between what the individual did and the life that made this possible. Without discovering that, you have shapeless happenings and gossip.”
Indeed, an authorized biography has a greater degree of credibility as it allows the author to portray the real person and not a public persona surrounded by gossip and hearsay (as long as the real person doesn’t have too much dirty laundry).
As far as publishing goes, traditional publishing houses generally require consent from the subject before the publication of a biography. Generally speaking, this position is due to credibility issues.
This makes it essential for authors to ensure they are providing accurate information. Otherwise, readers may dismiss the book due to false or inaccurate claims.
Risk is also an important consideration for both publishers and authors. Although the First Amendment covers authors in the United States, inaccurate information or misrepresentation of an individual can lead to serious legal consequences.
Therefore, authorized publications provide the safest means of producing a biography. Overall, this gives the book greater credibility while ensuring legal protection for all parties involved.
The heading for this section could easily read: “Proceed at your own risk.”
As its name suggests, an unauthorized biography does not have the official blessing from the subject or their representatives. As such, the author must proceed with caution as they would most likely have no cooperation whatsoever from the person who would otherwise be the primary source for their project.
Consequently, the author may have no way to corroborate the information presented in the book directly, which is the main reason why unauthorized biographies tend to contain information based on unreliable second-hand sources such as “insiders” or “people with knowledge.”
Critics point out that unauthorized biographies tend to have a sensationalist tone meant to generate buzz surrounding the topic at the expense of the subject’s reputation. To quote renowned biographer Kitty Kelley :
“Whether authorized or unauthorized, a good biography is nuanced and complex, because that is the way most people are. Being imperfect, most of us are messy and mixed-up in our private lives, inconsistent in our intentions, misled in our motives, and contradictory in our actions. Powerful public figures seem to have even more exaggerated faults and frailties, probably because their legions of publicists have spent years bleaching out the stains. The most authentic parts of a life are often quirky and filled with secrets that might startle the admissions committees of colleges and country clubs.”
Indeed, an unauthorized biography frequently paints the subject in an unfavorable light. While this assault may not have explicitly malicious intent, the point is to sell books, even if it is at the subject’s expense.
There are three main concerns when it comes to writing an unauthorized biography.
First, there is the question of libel. Libel is the use of information, usually hearsay or gossip, that damages an individual’s reputation.
Generally speaking, this information emanates from undisclosed sources or unsubstantiated information. Therefore, the publication of such information is defamatory and can lead to a lawsuit.
Authors may argue that personal opinions are factual. However, this defense is vague, especially if the overall statements are false or unsubstantiated.
While libel cases do not generally go far in court, such cases may damage the author’s reputation and hurt sales as a result.
Next, unauthorized biographies may constitute an invasion of privacy. If the author obtains information for the book using duplicitous or illegal means, the subject may have a legitimate court claim.
For example, if the information obtained emanated from hacked email accounts or bribed staff, such information would constitute an invasion of privacy. However, if the author obtained the same information lawfully via public record, an invasion of privacy claim would not be valid.
Lastly, the subject of an unauthorized biography may claim misappropriation of their likeness and any of their trademarks and copyrights. This claim occurs when authors and publishers use the subject’s name and likeness directly to promote the work, including trademarks and copyrights.
For instance, unauthorized biographies cannot use pictures of the subject on the cover unless the photographs are in the public domain. Moreover, authors and publishers need to include a disclaimer indicating the subject did not cooperate to create the content.
Privacy protection is a significant issue for public figures. After all, it is hard to define the extent to which a public figure’s life is public and what should remain private.
In general, intrusion on a person’s privacy is the result of obtaining information through unlawful means. While intrusion itself is not a crime, any false or fraudulent activity used to gain access to private information could be prosecuted as a felony.
Mark Zuckerberg, the founder of Facebook, once said, “ The question isn’t ‘What do we want to know about people?’ it is ‘What do people want to tell about themselves?’ ”
Indeed, privacy is about what individuals want to tell others about themselves instead of what other people wish to know.
This implied breach of privacy is the reason why public opinion considers unauthorized biographies unethical as they profit from commercializing unflattering personal details.
Even if you can lawfully obtain this type of information, popular opinion considers it inappropriate to benefit from the more personal struggles a public figure might go through, including divorces, addictions, and other similar scandals.
Furthermore, copyright infringement is a serious matter. For example, the use of content extracted from quotes, letters, writings, emails, books, interviews, and so on, without the copyright owner’s consent, can lead to serious legal consequences.
Copyright holders almost always contest the use of images, brands, names, and likenesses without permission. As such, authors and publishers face the risk of being sued if they are not extremely careful with their content.
It is worth stating that the fair use principle does not apply if the author and publisher use personal information or copyrighted materials for commercial purposes.
And even First Amendment rights are moot if the intent to profit from a publication is apparent.
In these instances, the subject of the unauthorized work may seek fair compensation, particularly if their reputation suffered as a result of its publication.
One key consideration in this discussion is breach of confidence. This phenomenon occurs when an individual is privy to information on a public figure and then discloses it without consent.
Disclosure of confidential information is illegal in cases where doctors, lawyers, or employers reveal personal information about an individual. In professional circles, these types of actions generally result in a revocation of a professional license.
At this point, it’s fair to ask, “Is it worth the trouble writing an unauthorized biography?”
The answer depends on the intent of the author and the publisher.
Unauthorized biographies for strictly commercial purposes are generally not worth the risk of legal action. On the other hand, an unauthorized work for entertainment or informational purposes may not trigger a lawsuit but may damage the reputations of the author and the publisher.
It is best to take into account potential privacy and copyright matters before publishing such a work.
Whenever possible, content with the subject’s consent is the best option. However, if an author or publisher feels compelled to publish an unauthorized account, they should proceed at their own peril lest they risk facing severe legal challenges.
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Writing your autobiography is like exploring a treasure trove of memories that make up your life. But starting can feel overwhelming. Where do you begin? How do you turn your experiences into a compelling story? Don't worry – this guide is here to help. Whether you're a seasoned writer or a total beginner, we'll break down the process of how to write your autobiography into easy-to-follow steps. Together, we'll uncover the magic of storytelling and turn your life into a captivating reflective essay that's uniquely yours. Get ready to start this adventure of self-discovery and creativity!
The autobiography definition explains it is a written account of a person's life penned by the individual who has lived those experiences. It is a personal narrative that chronicles significant events, reflections, and emotions throughout various stages of the author's life. Unlike a biography, which is typically written by someone else, an autobiography provides a firsthand perspective, allowing the author to share their thoughts, memories, and insights. It is a cogent medium for self-expression, enabling students to convey the essence of their unique journey, impart lessons learned, and leave a lasting record of their lives for themselves and others to explore.
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The key distinction between an autobiography and a biography lies in the authorship and perspective. An autobiography is a personal account of one's own life written by the subject themselves. It offers an intimate insight into the author's experiences, emotions, and reflections. For instance, in "The Diary of a Young Girl," Anne Frank provides a poignant autobiographical account of her life hiding from the Nazis during World War II. On the other hand, a biography is a narrative of someone's life written by another person. It often involves extensive research and interviews to present a comprehensive and objective view. A notable example is "Steve Jobs" by Walter Isaacson, a biography offering an in-depth portrayal of the Apple co-founder, drawing on interviews with Jobs himself and those who knew him. While both genres illuminate lives, the crucial difference lies in the source of the narrative – whether it emanates directly from the subject or is crafted by an external observer.
A biography vs autobiography offers distinct perspectives on individuals' lives, shaping narratives through either personal reflections or external observations. Maya Angelou's "I Know Why the Caged Bird Sings" is a powerful autobiography chronicling her tumultuous childhood and journey toward self-discovery. In contrast, a notable biography like "Leonardo da Vinci" by Walter Isaacson delves into the life of the Renaissance polymath, painting a vivid picture through meticulous research and analysis. Autobiographies often provide a deeply personal lens, as seen in "The Glass Castle" by Jeannette Walls, where Walls recounts her unconventional upbringing. In contrast, biographies such as "Unbroken" by Laura Hillenbrand meticulously document the extraordinary life of Louis Zamperini, offering a comprehensive view shaped by the author's investigative work. These examples underscore the unique storytelling approaches each genre employs, either from the firsthand perspective of the subject or the external perspective of an author.
Ready to explore autobiography examples? We've got a cool section coming up where we'll check out two awesome examples. Autobiographies are like personal tours into someone's life, and we'll be looking at the stories of Alex Sterling and Trevor Noah. They've poured their experiences onto the pages, and we're going to see what we can learn from their journeys. Get ready to be inspired and maybe even think about telling your own story down the line. Let's dive in!
Example 1: “Wanderer's Odyssey: The Uncharted Life of Alex Sterling”
This autobiography recounts the life of a character born in a bustling city who, driven by a thirst for adventure, leaves behind urban life to explore the open road. The narrative explores the protagonist's experiences of hitchhiking, forming connections, and finding self-discovery in the midst of the unpredictable journey. The story emphasizes the lessons learned from the road, the challenges faced, and the ultimate embrace of authenticity. The epilogue reflects on the character's life as a well-lived odyssey, highlighting themes of resilience, connection, and the pursuit of one's true identity.
Example 2: “Echoes of Eternity: The Memoirs of Amelia Reed”
This autobiography follows a character from a countryside village who harbors expansive dreams of adventure. The narrative unfolds as the protagonist sets out to pursue these dreams, facing trials and triumphs that shape their character and lead to self-discovery. The story emphasizes the transformative power of embracing the unknown, with the epilogue reflecting on a life well-lived, highlighting the legacy of fulfilled dreams and the enduring impact on future generations. In addition to examples, we have samples of narrative essay topics that might be useful for you as well.
Tell your story with EssayPro . Our skilled writers can help you craft an autobiography that truly reflects your journey. Share your unique experiences and life lessons in a way that resonates with readers.
Writing an autobiography provides a personal account of one's experiences, achievements, challenges, and personal growth. While each autobiography is unique, certain common elements are often found in this genre:
Introduction
Birth and Early Years
Significant Life Events
Challenges and Obstacles
Personal Growth and Development
Achievements and Milestones
Influential Relationships
Reflection and Insight
Themes and Motifs
Writing Style
Remember that autobiographies are highly personal, and the structure and emphasis on different elements can vary widely depending on the author's preferences and purpose for writing.
Autobiographies typically follow a chronological order, beginning with the author's early life and progressing towards the present or a significant moment. The introduction sets the stage, introducing the author and offering insight into the main themes. As you can see in an autobiography example, the narrative then unfolds, exploring the author's significant life events, challenges faced, and personal growth. Achievements and milestones are highlighted, and the impact of influential relationships is examined. Throughout, recurring themes and motifs add depth to the narrative. In the reflection and insight section, the author shares personal lessons learned and beliefs. The conclusion summarizes the autobiography, reflecting on the author's life and future aspirations.
Learning how to start an autobiography involves captivating the reader's attention while providing context. Authors often employ engaging anecdotes, vivid descriptions, or thought-provoking statements related to the overarching theme of their lives. The goal is to draw readers in from the beginning and establish a connection between the author and the audience. In the introduction, authors can introduce themselves to the reader. This can be done by sharing a captivating snapshot of their life or posing a question that intrigues the audience. The autobiography introduction sets the tone for the entire narrative, providing a glimpse into the themes and events that will be explored in the autobiography.
The autobiography conclusion offers the culmination of the author's life story. Here, authors often summarize the key points and experiences shared throughout the narrative. It is a moment of reflection, where the author can offer insights into the significance of their journey and the lessons learned along the way. The conclusion may also touch on the author's current perspective, providing a sense of closure to the narrative while leaving room for future aspirations and growth.
Autobiographies, while generally a non-fiction genre, can take on various literary forms and styles. Here are some literary forms commonly found in autobiographical works:
Traditional Autobiography
Diary or Journal Form
Epistolary Autobiography
Graphic Novel or Comic Memoir
Experimental or Nonlinear Autobiography
Biographical Fiction
Travelogue Autobiography
Essayistic Autobiography
Collaborative Autobiography
These literary forms highlight the versatility of autobiographical writing, showcasing how authors can creatively shape their life stories to engage readers in various ways. Are you working on other academic assignments? Use our term paper writing services to put your finger on any pending task at hand quickly and for a reasonable price.
Writing an autobiography can be a rewarding and reflective process. Here's a simplified guide in 5 steps to help you get started:
Begin by reflecting on your life, considering important events, challenges, and moments of growth. Make a mental inventory of key experiences and people who have influenced you.
Choose a central theme or focus for your autobiography. This could be a specific period of your life, a significant achievement, or a recurring theme that ties your experiences together. Having a clear focus will guide your writing.
Develop a rough chronological outline of your life story, starting from your early years and progressing through significant events to the present or another crucial point. Identify key moments and experiences to include in each section.
An important aspect of writing an autobiography for college is appealing to emotion. As you delve into each body paragraph, share your story with vivid details. Use descriptive language to bring your experiences to life for the reader. Infuse your writing with emotion, allowing readers to connect with the depth of your personal journey.
In the concluding section, summarize the key aspects of your life story. Reflect on the significance of your journey, the lessons you've learned, and how you've grown. Provide insights into your current perspective and aspirations for the future, bringing your autobiography to a thoughtful conclusion.
When you write an autobiography, the process involves employing various techniques to make the narrative engaging, evocative, and compelling. Here are some tips for writing autobiography commonly used in autobiographies:
Descriptive Language
Show, Don't Tell
Flashbacks and Foreshadowing
Metaphors and Similes
Humor and Wit
First-Person Perspective
Dramatic Irony
Parallelism
Experimenting with different styles can make your story more engaging and memorable for readers. If you haven’t used these techniques in your paper, simply say, ‘ edit my essay ,’ and our experts will imbue stylistic and creative devices in your document to increase its scholarly value.
Working on an autobiography can be incredibly beneficial on a personal level. When you take the time to reflect on your life and put it into words, you gain a deeper understanding of yourself. It's like a journey of self-discovery where you uncover patterns, values, and beliefs that have shaped who you are. This process not only promotes self-awareness but can also help you grow and bounce back from tough times. Writing about challenging moments can be a therapeutic release, allowing you to confront and make sense of your experiences, leading to emotional healing.
On a broader scale, sharing your life story through an autobiography has its impact. It becomes a piece of history, offering insights into the times you've lived through, the culture around you, and societal changes. Your personal narrative connects you with others, creating empathy and understanding. Autobiographies often inspire people by showing that it's possible to overcome challenges, find purpose, and navigate the ups and downs of life. By sharing your story, you become a part of the larger human experience, contributing to a rich tapestry of diverse stories that help us better understand the shared journey of being human. Order an essay or any other type of task to streamline your educational progress is only a few clicks.
The most valuable advice is to infuse authenticity into every word. Be genuine, raw, and honest about your experiences, emotions, and growth. Readers connect deeply with authenticity, and it's what makes your story uniquely yours. Don't shy away from expressing vulnerability, as it adds a human touch and makes your narrative relatable. Share the highs and lows, the triumphs and struggles, with sincerity, and let your true self shine through. This honesty not only enhances the impact of your autobiography but also contributes to a more profound connection between you and your readers, creating an authentic and memorable narrative. Here are additional tips for bringing your autobiography assignment up to par:
Our essay writers know many more tips regarding all possible types of academic tasks. If you ever find yourself in writer’s block, not knowing how to tackle any particular assignment, let us know!
If you want to understand how to write a good autobiography, think of it as painting a vivid picture of your life for others to see. It's about being real, digging deep into your memories, and choosing the moments that really matter. Let your personality shine through in your writing – be yourself because that's what makes your story unique. Weave in themes that tie everything together, and use storytelling techniques like dialogue and symbolism to make your narrative come alive. And as you reach the end, leave your readers with some food for thought – a reflection on the bigger lessons learned from your journey. If you ever need assistance with this or any other college assignment, use our research paper services without hesitation.
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How to start an autobiography essay, what is the difference between autobiography and biography.
is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.
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What is an intellectual biography and how should I think about writing one? • Intellectual biographies offer insights into 1) the person's life; 2) the intellectual and creative work of the person; 3) the relationship between life and work; and 4) the significance of the life and work historically.
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Writing an intellectual biography, whether for business or personal use, requires research, high-quality background information and great writing skills. Make sure you are honest but also that you promote the best and brightest aspects of the person you're writing about.
What is an intellectual biography and how should I think about writing one? • Intellectual biographies offer insights into 1) the person's life; 2) the intellectual and creative work of the person; 3) the relationship between life and work; and 4) the significance of the life and work historically. Ask yourself the following questions: Why ...
Fellowships and scholarships are structured as financial investments in an individual scholar, rather than a specific research project or scholarly endeavor. As such, applications for these types of awards often require a personal statement or personal essay of some sort that presents your intellectual biography as a scholar. Striking the appropriate tone and including the right details in a ...
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An academic biography is a concise, informative paragraph that highlights your professional identity, research interests, and significant accomplishments. It's a crucial component of your academic presence, often required when proposing conference abstracts, contributing to edited collections, or publishing articles and books.
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Whether you're capturing the life story of a famous person, a family member, or even yourself, creating a compelling biography involves a mix of thorough research, narrative skill, and a personal touch. So, how exactly do you write a successful biography?
In this guide, we show you how to write a biography from the initial book idea all the way through to publishing your book, and we throw in a free template to help you on your way.
Among the numerous forms of biographical research in education, five types are often noted: scholarly chronicles, intellectual biography, life history writing, memoir biography, and narrative biography. These orientations may take the form of articles, vignettes, chapters, monographs, and full-length books. One need not draw fine distinctions among these different approaches, however, and ...
Learn how to write a biography that intrigues readers using these tips and examples.
It is not surprising that biography is one of the most popular literary genres of our day. What is remarkable is that there is no accessible guide for how to write one. Now, following his recent Biography: A Brief History (from Harvard), award-winning biographer and teacher Nigel Hamilton tackles the practicalities of doing biography in this first succinct primer to elucidate the tools of the ...
Biographies are how we learn information about another human being's life. Whether you want to start writing a biography about a famous person, historical figure, or an influential family member, it's important to know all the elements that make a biography worth both writing and reading.
However, portraying someone's life on paper in a comprehensive and engaging way requires solid preparation. If you're looking to write a biography yourself, in this post we'll share a step-by-step blueprint that you can follow.
Writing Your Paper: APA. Things to know before you begin: Font: Times New Roman. Font Size: 12 point. Margins: 1 inch. Paragraphs: All paragraphs (except the Abstract) should be indented. Spacing: All of the text in your paper should be double-spaced. Typical APA style papers have four main sections: Title Page.
Learn how to write a biography in 5 proven steps. From research to publishing, our experts will help you create a compelling story your readers will love!
Ideally, authors would set about writing a biography with the full consent of the subject or their estate. Doing so provides the author with the confidence of knowing they will not face legal challenges once the work reaches publication. Obtaining legal authorization generally involves writing material that has the subject's seal of approval.
Wondering how to write an autobiography? This article will instruct you on the definition, structure, elements, and writing tips.
Intellectual Autobiography Essay Sample. Home › Free Essay Examples › Education › Intellectual Autobiography Essay Sample. All I can remember from my childhood is that I was a quiet child. So quiet that my parents thought my siblings were wiser than I was and, therefore, would favor them at my expense. However, what was their wisdom when ...