An elderly man reads a story to his ailing wife about two star-crossed lovers from years ago. Noah Calhoun and Allie Nelson met at a local carnival in 1932. They fell in love at first sight and became inseparable until her family moved away. For the next two years, Noah wrote to Allie regularly but never received a reply. He went on with his life, first moving to New Jersey where he worked in a scrapyard, and later went off to fight in Europe during WWII. No matter where he went, the ghost of his whirlwind summer romance with Allie haunted him, making it impossible to have a successful relationship. Fourteen years later, Noah is living a peaceful existence in North Carolina in an old house that he restored after returning from the war, when who should pull into his driveway, but the woman he's never been able to forget.
Allie had never forgotten Noah either. Her parents didn't really approved of Noah, thinking he wasn't good enough for their daughter. She went off to college and has since become engaged to a man who is more to their liking. She loves her fiancé, but knows there is something missing in their relationship, the passion that she has only shared with one man. Three weeks before her wedding, Allie sees a picture of Noah in the local paper and knows she must see him one more time before getting married. When she pulls up to Noah's house, she isn't quite sure what she's hoping for, but what she finds is that their love never died. After only one day with Noah, she's sure she'll never have anything like this with her fiancé, but will she have the strength to make the most difficult decision of her life?
The Notebook is a poignant story of true and unending love in its purest form, and the power and magic of love to defy all odds. It begins with an elderly man, sitting by his wife's bedside, reading her a story. From there, we travel back in time to when star-crossed lovers Noah and Allie met as teenagers in 1932 and spent one magical summer together. They were from opposite sides of the tracks. Allie was from a well-to-do family with political connections, and Noah was more or less a nobody. An aristocratic type system still prevailed in the South, so Allie's family didn't approve of a match with Noah and the two were separated for fourteen years. Noah moved to New Jersey where he worked for several years before joining the Army and heading for Europe to fight in WWII. Allie went to college, abandoned her artwork of which her parents did not approve, and eventually became engaged to an attorney of whom they did approve. Over the years, neither was able to forget the other. Noah has had no successful relationships since, because the ghost of the time he spent with Allie still haunts him, and deep down, Allie knows there is something missing in her relationship with her fiancé.
Neither really knows what became of the other until Allie sees a picture of Noah in a local newspaper just three weeks before her wedding. Seeing him again, stirs memories and emotions, and even though she doesn't really know why at the time, she is compelled to go see him in person one last time before getting married. She tells her family and fiancé that she needs to get away from the stress of wedding planning and heads for New Bern alone. Noah can hardly believe his eyes when the woman of his dreams pulls up in front of his house one day out of the blue. The longing and desire between Noah and Allie is extremely moving and palpable and hasn't dimmed one bit in fourteen long years. I love how they slip right back into a comfortable relationship as though they've never been apart. It's obvious that they're soul mates and perfect for each other, and in their heart of hearts, they know it too. After only one evening with Noah, Allie knows that what they share is something she's never had with her fiancé and never will.
At the point when Allie must make her fateful decision about which man she is going to choose, the story cuts back to the elderly man and his wife who we discover has Alzheimer's. This part of the book is so powerful and affecting, I read parts of it through a blur of tears. The lengths to which this man goes to help his wife remember the love they share is moving beyond words, an expression of a true and pure love. The way he romances her and gets her to fall in love with him over and over again and persists in doing it day after day, never giving up even when it doesn't always turn out the way he hopes is potent stuff, so much so that I'm sitting here crying my eyes out while writing this. It's the kind of love I think we all hope for, but so few seem to actually achieve.
Many readers seem to categorize The Notebook as romance, but I don't see it as such. For me, romance as a genre, usually only follows the couple through the falling in love stages of the relationship with the happily ever after implied. It taps into the fantasy of what we want love to be, while The Notebook takes that one step further. Not only do we get to see the beginnings of a relationship, we also get to see one very advanced in years, but no less passionate for the passage of time. It also takes a more realistic look at what it truly means to love someone. It's not just the gooey feeling we get when first falling in love or the sexual desire that soon follows. It's something that can last a lifetime when nurtured and a couple is fully committed to one another. Make no mistake, The Notebook is very romantic, but to me it is not merely a romance, but a love story.
The Notebook was my first read by Nicholas Sparks and certainly won't be my last. It was also his debut novel and very impressive for a first effort. The opening chapter and the latter part of the book with the elderly couple is written in first person, present tense which was beautifully rendered, giving these parts a deep sense of immediacy. Noah and Allie's story in the past is written in third person, past tense. This part was wonderful too, but I did have a small problem with the second chapter. When the author goes back to Noah and Allie's first meeting that summer, he tells it more like a narrator relating a story which made it a little difficult to get into at first. Because of the passive nature of this passage, I wasn't able to fully immerse myself on an emotional level like I wanted to and couldn't help wondering if it might have been better if written in a more active voice. Once the narrative got to Noah and Allie's reunion it was much better and only improved with every page I read. The ending was so utterly beautiful, I couldn't help giving the book the full five stars despite the early misstep.
Mr. Sparks definitely has a way with words, turning prose into pure poetry. There are so many quotable passages in this book, I almost feel like putting the whole thing in my memorable quotes file. For some reason, I was under the impression that Nicholas Sparks' books didn't have any love scenes in them, but apparently I was mistaken. I was very pleasantly surprised to find one, as well as other expressions of sexual desire, and even though that one love scene is only moderately descriptive, it was very sensual and emotional, unexpectedly well done for a male author. The Notebook is the first story in a duet about members of the Calhoun family, and I very much look forward to reading its sequel, The Wedding . This book has certainly found a spot on my keeper shelf. Reading it was a touching and emotional experience that has left a huge impression on me. It was an inspiring, thought-provoking, powerful and passionate love story that was absolutely unforgettable.
Nicholas Sparks
Sensuality Rating Key
1 Heart = Smooching
May contain mild to moderate sexual tension and/or possible implications of something more taking place off canvas, but nothing beyond kissing actually occurs within the text. Our take: These books would be appropriate for teen and sensitive readers.
2 Hearts = Sweet
May contain moderate to high sexual tension which could include passionate clinches that end in cut scenes and/or extremely mild love scenes with virtually no details. Our take: These books should still be appropriate for most mature teens and sensitive readers.
3 Hearts = Sensuous
May contain moderately descriptive love scenes, usually no more than three. Our take: Teen and sensitive readers should exercise caution.
4 Hearts = Steamy
May contain a number of explicitly descriptive love scenes. Our take: Not recommended for under 18 or sensitive readers.
5 Hearts = Scorching
May contain a number of explicitly descriptive love scenes that typically include explicit language and acts which some readers may find kinky and/or offensive. Our take: Definite adults only material, not for the faint of heart.
We always endeavor not to give away endings or major plot twists in either our synopses or reviews, however they may occasionally contain information which some readers might consider to be mild spoilers.
Trouble logging in?
By continuing, you agree to the Privacy Policy and the Terms and Policies , and to receive email from the Fandango Media Brands .
By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes and to receive email from the Fandango Media Brands .
By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes.
Let's keep in touch.
By clicking "Sign Me Up," you are agreeing to receive occasional emails and communications from Fandango Media (Fandango, Vudu, and Rotten Tomatoes) and consenting to Fandango's Privacy Policy and Terms and Policies . Please allow 10 business days for your account to reflect your preferences.
OK, got it!
Movies in theaters
Movies at Home
Certified fresh picks
New TV Tonight
Most Popular TV on RT
Certified fresh pick
The 100 Best Horror Movies of the 1970s
100 Best Movies on Disney Plus (September 2024)
What to Watch: In Theaters and On Streaming
Awards Tour
Lupita Nyong’o Explains How Variety Has Guided Her Career Decisions on The Awards Tour Podcast
TV Premiere Dates 2024
Where to watch.
Rent The Notebook on Fandango at Home, Prime Video, Apple TV, or buy it on Fandango at Home, Prime Video, Apple TV.
It's hard not to admire its unabashed sentimentality, but The Notebook is too clumsily manipulative to rise above its melodramatic clichés.
Audience reviews, cast & crew.
Nick Cassavetes
Ryan Gosling
Noah Calhoun
Rachel McAdams
Allie Hamilton
James Garner
Gena Rowlands
Allie Calhoun
James Marsden
Related movie news.
By nicholas sparks.
'The Notebook' by Nicholas Sparks is a short romantic novel with a classic tale of love that sails on turbulent waters. Noah and Allie share a love that wades through many challenges but triumphs at the end.
Article written by Israel Njoku
Degree in M.C.M with focus on Literature from the University of Nigeria, Nsukka.
‘ The Notebook ‘ by Nicholas Sparks is a short novel of eight chapters and less than a hundred pages. The events in the novel have three timelines and two narrative frames told in a combination of the first-person and the third-person points of view. Here is a summary of the work.
‘ The Notebook ‘ by Nicholas Sparks begins when Noah, who lives in a nursing home for old people, visits his wife Allie, who stays in another room in the same nursing home.
When Noah gets to Allie’s room, he sits down and begins to read to her from a notebook. The story Noah reads from the notebook is that of himself and Allie and tells of their reunion as lovers after fourteen years of separation. But Allie enjoys Noah’s reading without comprehending that she is one of the characters being read about.
From Noah’s reading, Noah and Allie fell in love when they met as teenagers in New Bern, North Carolina. They spend a passionate summer together, where they both lose their virginity. But after the summer, Noah and Allie are separated when Allie’s family moves out of New Bern. During this separation, Noah tries to stay in touch with Allie but is unable to reach her. Eventually, Noah tries to forget Allie and move on with his life. He gets a job where he impresses his employer and inherits a fortune, enlists in the army, and takes up a project of refurbishing an old house in New Bern where he intends to settle down. But despite all these, he is still unable to stop loving or thinking about Allie.
Allie, on her part, is engaged to be married in a few weeks but decides to visit Noah in New Bern to seek closure from an old flame.
However, things do not go as planned as Noah and Allie find themselves falling in love with each other again, and Allie is left with the difficult decision of choosing between her current fiancé Lon and her old flame Noah.
Warning : This article contains spoilers and important details
This chapter is titled “Miracles.” We are introduced to Noah, who at this point is frail at eighty years old, as he repeats his habit of visiting Allie’s room in the morning to read to her from an old notebook. Noah remarks to himself that the outcome of his visit to Allie is never predictable, but this never changes his resolve to visit her every day and to hope for a miracle that defies science and all odds. The content of the notebook Noah reads makes up the subsequent chapters.
The second chapter, titled “Ghosts,” flashes back to Noah in his early thirties. He is a wealthy war veteran who is haunted by memories of his lost love but tries to pacify his mind through physical work and poetry. Noah lives in solitude with his dog Clem and with occasional companionship from his neighbors and beneficiaries, Gus and Martha.
Meanwhile, Allie is a few weeks away from getting married to a fellow socialite, Lon Hammond, who is also an exceptional lawyer. But when she reads a newspaper article about how Noah is reconstructing an old historic building in New Bern, she decides to visit New Bern and see Noah. Allie lies to her fiance that her visit to New Bern is just to shop for antiques. She checks into a hotel in New Bern and calls Lon from the hotel room. Satisfied that she would not speak on the phone with Lon for the rest of the day, she leaves the hotel and drives to Noah’s house.
In Chapter Three, titled “Reunion,” Noah is both delighted and surprised to see Allie in his driveway after fourteen years of separation, but he calmly welcomes her, and they have dinner together in his home. They do not talk much or catch up on lost time; they just eat together and enjoy each other’s company until late at night when Allie leaves with the promise of visiting the following day again at noon.
In this chapter captioned ”Phone Calls,” Lon calls Allie’s hotel late at night but does not receive a response. He calls the reception at the hotel and is informed that Allie had left the hotel hours ago. This makes Lon suspicious, and he begins to think of all the details that will enable him to make sense of the situation. Eventually, he remembers that Allie had once loved a boy in New Bern and connects Allie’s absence at the hotel to this old lover.
The main occurrence in these chapters is Allie’s second visit to Noah. They go on a kayak ride in the creek where they see the scenic view of flowers, swans, and other beautiful elements of nature. They, however, get caught in the storm and hurriedly return to the house to warm up and have dinner. Allie is constrained to spend the night in Noah’s house because of the storm. After freshening up and having dinner together, Allie and Noah make love by the fireplace and reignite their passion and love for each other.
Lon is worried when he cannot reach Allie at her hotel after many hours and numerous calls. Because of this, he excuses himself from a court hearing that had already commenced and headed to New Bern in search of Allie.
Anne arrives at New Bern ahead of Lon to warn Allie about Lon’s suspicion and arrival in New Bern. She then apologizes to Noah for how she treated him in the past and hands over Noah’s letters to Allie, which she had been intercepting and withholding over the years.
Allie thanks her mother for her eventual revelation, then taking the letters with her, she leaves Noah’s house to think about her choices and to finally decide who to marry.
In Chapter Eight, ”Winter for Two” we return to the aged Noah, who has finished reading to Allie from the notebook. Allie, who suffers from dementia as a result of Alzheimer’s disease, asks Noah who Allie chooses at the end because she does not realize that she is the one in the story. Noah replies that Allie chose the one who was right for her.
Noah and Allie spend a romantic day together in the nursing home, but Noah does not remind her of her identity or her disease as he believes it will hurt her feelings. Allie regains her memory for a moment and professes her undying love for Noah, an action that defies all scientific explanations about her disease.
Noah suffers a partial stroke in addition to arthritis he suffers from, but when he recuperates a little, he continues his routine of visiting Allie’s room to read to her against all odds.
The plot twist in ‘ The Notebook ‘ is that Hannah, who is being read to from the notebook, happens to be Allie from the story being read, and the reader Duke happens to be Noah in the same story being read.
Anne Nelson hid Noah’s letters from Allie because she did not want them together as a couple. Noah wrote countless letters to Allie for twelve years, but Anne ensured that none got through to Allie.
Lon was suspicious of Allie because of the numerous calls he put across to her, all of which she missed, and also because he realized that Allie had an old flame in the town she was visiting.
Join Book Analysis for Free!
Exclusive to Members
Free newsletter, comment with literary experts.
Israel loves to delve into rigorous analysis of themes with broader implications. As a passionate book lover and reviewer, Israel aims to contribute meaningful insights into broader discussions.
About the Book
Discover the secrets to learning and enjoying literature.
Join Book Analysis
A history of thinking on paper.
by Roland Allen ‧ RELEASE DATE: Sept. 3, 2024
An enthusiastic, informative cultural history.
A celebration of the joys of putting pen to paper.
British publisher and diarist Allen brings his love of notebooks to a lively, wide-ranging history of bound blank pages. Notebooks, he writes, “interest me as a technology that has had tangible effects on the world around us.” The author started keeping a journal in 2002: “Writing a diary made me happier; keeping things-to-do lists made me more reliable (which in turn made those around me happier), and I learned never to go to a doctor’s appointment, or a meeting of any kind, without taking notes of what I heard.” Wondering how and when notebooks were invented and why their use spread, he decided to fill a historical gap with the results of his own sleuthing. After an overview of record-keeping in the ancient world—diptychs, papyrus, and parchment—Allen begins in 13th-century Florence, where ledgers, first on parchment and later on paper, a superior product imported from Provence, became indispensable for business. Books of paper became indispensable for many artists, as well, who developed their techniques in sketchbooks. Notebooks grew in popularity, finding uses in the home to keep track of accounts or compile personal anthologies of entries such as prayers, medical recipes, riddles, and poems. Those anthologies evolved into commonplace books, favored by Erasmus and W.H. Auden, among others. Ships’ logs, travelogues, recipe books, and naturalists’ findings are just a few of the many uses for notebooks across the centuries. Isaac Newton, Swiss naturalist Conrad Gessner, and Charles Darwin recorded their discoveries in notebooks; Leonardo da Vinci worked out inventions. In treating chronic pain or PTSD, physicians have found that for patients, keeping a diary has “proven therapeutic value.” As an intimate repository for thought, notebooks, Allen amply shows, are essential.
Pub Date: Sept. 3, 2024
ISBN: 9781771966283
Page Count: 416
Publisher: Biblioasis
Review Posted Online: June 13, 2024
Kirkus Reviews Issue: July 15, 2024
HISTORY | MODERN | WORLD
Share your opinion of this book
Awards & Accolades
Our Verdict
Kirkus Reviews' Best Books Of 2017
New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
The osage murders and the birth of the fbi.
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann ( The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession , 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
GENERAL HISTORY | TRUE CRIME | UNITED STATES | FIRST/NATIVE NATIONS | HISTORY
More by David Grann
BOOK REVIEW
by David Grann
More About This Book
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
More by Elie Wiesel
by Elie Wiesel ; edited by Alan Rosen
by Elie Wiesel ; illustrated by Mark Podwal
by Elie Wiesel ; translated by Marion Wiesel
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Popular in this Genre
Hey there, book lover.
We’re glad you found a book that interests you!
Create a new bookshelf.
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
Trouble signing in? Retrieve credentials.
Welcome Back!
Contact us: 1-800-316-9361 or email [email protected].
Don’t fret. We’ll find you.
Magazine Subscribers ( How to Find Your Reader Number )
If You’ve Purchased Author Services
Don’t have an account yet? Sign Up.
Advertisement
More from the Review
Subscribe to our Newsletter
Best of The New York Review, plus books, events, and other items of interest
October 3, 2024
Current Issue
October 3, 2024 issue
Rouelle Umali/Alamy
Then president Rodrigo Duterte at a Philippine National Police ceremony, Quezon City, Philippines, April 2018
Submit a letter:
Email us [email protected]
Some People Need Killing: A Memoir of Murder in My Country
Before the 2016 election in the Philippines, the journalist Patricia Evangelista pleaded with her readers not to believe the sinister promises of Rodrigo “Rody” Duterte, the leading candidate for president. Duterte, a trash-talking strongman from Davao City, on the southern island of Mindanao, had made a career of deploying cops, prosecutors, and vigilantes to commit violence against “criminals,” especially drug users and dealers, in the name of public safety. Now he was vowing to export this brutal politics to Manila and the rest of the country. Evangelista listened carefully to his speeches:
Vote for people like us, he says. People like you and me. There are many of us. Don’t vote for people who defend criminals.
Forget about the laws protecting human rights. Forget about the regulations made by men. Look up to the sky, and there you will see the eternal justice of God. By what right in the universe do those sons of bitches dare to cook up crystal meth? Where in the vastness of the sky do they find the license to feed drugs to the nation’s children?
He had entered the race to oppose Grace Poe, the adopted daughter of Filipino movie stars and a former US citizen. “I cannot accept an American president,” Duterte said. He was the antithesis of Poe: ruthlessly masculine, Filipino to his core, disdainful of America’s liberal-democratic pieties. As the mayor of Davao, he had overseen the killings of more than 1,400 alleged criminals. “The streets will run red if Rodrigo Duterte keeps his promise,” Evangelista wrote. “Take him at his word—and know you could be next.”
Evangelista was working the “night shift”—the drug-war beat—for the Manila-based news website Rappler. Within hours of Duterte’s inauguration, the first victim “was found at three in the morning abandoned in a Tondo back alley,” she writes. “A cardboard sign sat on his chest: I AM A CHINESE DRUG LORD .” The police would later admit that they were killing an average of six “drug suspects” per day. Duterte invited the nation to join him in eliminating “drug pushers” and “addicts.”
His assault recalled other drug wars waged in the US, Mexico, and Thailand: it responded to real concerns over the spread of cheap, toxic substances and related crime, especially in poor areas, yet did little to cure the joblessness, despair, and chronic pain that often lead people to use and sell. (The average monthly income in the Philippines, which has a population of 115 million, is about $314.) Duterte’s battlefields were far from the gated communities of Manila. His drug war’s only tool was punishment, and in this he was singularly unrestrained.
During Duterte’s six-year presidency, his government and supporters killed between 12,000 and 30,000 people; thousands more were tortured, arrested, and imprisoned. His government contorted numbers to cast drugs as the biggest problem in society. Law enforcement exploited the syncretic inventiveness of spoken Filipino to cover acts of unimaginable cruelty. Evangelista offers a partial glossary of this regime: tokhang , a Visayan portmanteau ( toktok plus hangyo ) for “knock and plead,” meaning house visits made by the police in hunts for small-time suspects; salvage , from the Spanish salvaje , which had morphed into “apprehend and execute without trial”; and nanlaban , “to fight back,” used by activists during martial law and now, under Duterte, “the assumption of resistance in the drug war: you fought, and then you died.”
In her reported memoir, Some People Need Killing , Evangelista writes that the president, with all the cultivated vulgarity of his speech, “did not call for murder, not once. It was a word he avoided with careful precision.” Those even suspected of drug use or drug dealing “would ‘have to perish,’ said the president. They would be ‘wiped out from the face of the earth.’”
Some People Need Killing is both a reporter’s notebook and a contemporary political history of the Philippines. Evangelista pulls from her investigations at Rappler, augmented by diaristic recollections. (“I spent the nights in the mechanical absorption of organized killing.”) She explains in the preface: “This is a book about the dead, and the people who are left behind. It is also a personal story, written in my own voice, as a citizen of a nation I cannot recognize as my own.”
Evangelista was born in 1985, the last full year of Ferdinand Marcos’s rule. 1 In 1983, Benigno “Ninoy” Aquino Jr., the former journalist and exiled opposition leader, had returned to Manila from Harvard, only to be murdered on the tarmac. When Marcos fixed a subsequent election, hundreds of thousands of Filipinos took part in the Edsa Revolution, which finally dethroned him. “My people said that no man should die because a dictator said he must,” Evangelista writes. “They said it in front of guns. They knelt and they sang and they prayed and they were brave, and because they were, I was born free.” (The writing is like this throughout: dramatic and grandiose.) President Reagan welcomed the Marcoses and their billions in loot to Hawaii; Aquino’s widow, Corazon, became president of the Philippines.
During this transition, the Aquino administration installed caretaker bureaucrats throughout the country. In Davao, which had a long history of violence between US-backed government forces and Communist and Islamist rebels, she tapped seventy-year-old Soledad “Soling” Duterte, a schoolteacher and the wife of a former governor. Soling asked that her son Rody, a recent law graduate, take the position instead. In 1988 he was elected mayor, a position he would hold, on and off, until 2016.
Rody had grown up wealthy—in “a house with a cook and a driver and an errand boy and a passel of bodyguards”—yet asserted his distance from the transnational elites of Manila. (If the Philippines had to align with a superpower, he preferred China to the US, the former colonizer.) He claimed to know the struggles of a traumatized population and promised to eliminate petty crime, rape, and murder, even if that meant becoming a murderer himself. Drug users and dealers—especially of shabu , the common term for crystal methamphetamine—were metonyms for criminality.
Evangelista, who was raised in a middle-class, intellectual household near Manila, has the kind of profile Duterte liked to angle himself against. Her grandfather was a journalist and a founding member of the National Press Club of the Philippines, with close ties to the ruling class. “He shared a typewriter with Ninoy and sent bushels of fresh tomatoes to Marcos,” she writes. As a student at the University of the Philippines, she traveled to London to participate in a public-speaking contest, delivering a speech “about the Filipino diaspora and the promise of multicultural cooperation.” Around that time, the Davao Death Squad, a vigilante group associated with Duterte, engaged in what the United Nations has called “a systematic practice of extrajudicial killings.” Yet these horrors were not widely known outside Mindanao.
After graduation, Evangelista worked for the English news channel of ABS-CBN , the country’s dominant TV broadcaster. In 2009 she was dispatched to Maguindanao, a Muslim area of Mindanao, to cover a massacre of fifty-eight people, the majority of whom were journalists. (“I was, at the time, a foreign correspondent in my own country,” she says of her first visit to Duterte’s home region.) She reported to an editor named Glenda Gloria; the head of the newsroom was a former CNN correspondent, Maria Ressa. “Philippine journalism,” Evangelista writes, “is a largely female enterprise.”
This was certainly the case at Rappler, which Ressa and Gloria founded in 2011. Evangelista was one of their first recruits. As a profile in The New York Times Magazine noted, initially “competitors derided the mostly female reporting staff as ‘Rappler-ettes.’” But the site made stars of dogged young investigators like Pia Ranada, who at twenty-five covered Duterte’s campaign “before the rest of the news media caught on.”
Evangelista, the site’s “trauma reporter,” linked Duterte the politician to Duterte the commander of a war against his own people. She observed how he took the crude puffery of electioneering to a macho extreme. He bragged, as part of his platform, about having shot a classmate at law school, or about a bust of Chinese drug suspects in Davao, in which he’d told a police officer to “finish them off.” (The officer did, killing nine and leaving his colleague to kill two more; they split the bounty.) Duterte and Donald Trump, with whom he ascended in parallel, were around the same age and indulged in a similar shtick: hulking shoulders, comedic timing, misogyny, a message of total liquidation. Duterte would quickly become part of a global authoritarian vogue.
What sorts of voters would find this appealing? Evangelista sketches a few profiles. Joy Tan, from a town in Mindanao, had seen family members resort to drugs in the face of conditions beyond their control: “cannon blasts from Camp Abubakar” (rebel fighting); “a riot over the failed delivery of rice supplies”; “the day Super Typhoon Haiyan pounded the province into rubble.” When her brother and cousins sank “so deep into their addictions that they were stealing from the family to buy illegal drugs out of Liguasan Marsh,” she wished for their arrest. Duterte promised to save them all, and Tan was ready to believe: “When Tan saw Duterte on television, ‘it was like seeing Jesus.’”
Jason Quizon—who rose from poverty to become an OFW (Overseas Filipino Worker) in the Gulf, supervising a pipeline project—was inspired by Duterte’s campaign against corruption. Just before the election, an extortion scheme that involved the planting of bullets in airport luggage had put OFW s like him in constant fear. “The line between traveling safely and spending weeks in jail had become a narrow one, dependent on the whim of a single airport employee,” Evangelista writes. It was a banal but emblematic dysfunction, which President Benigno Aquino III, son of Ninoy and Corazon, who took office in 2010, mostly ignored. Mayor Duterte stepped into the gap, promising to hire lawyers for scam victims and issuing an ultimatum to Aquino. “What Jason liked was that the mayor was a man of action. That he swore like Jason, spoke like Jason, saw solutions instead of problems, as Jason did.”
Duterte won the presidency by a large margin, in a five-way race. Yet at the same time, Filipinos chose as their vice-president (the two are elected separately) Leni Robredo, a human rights lawyer and an ally of Aquino, over Ferdinand “Bongbong” Marcos, the dictator’s son. “The results in that race demonstrated the capricious nature of Philippine democracy”: an authoritarian from Davao was not the same as a dynastic successor. But neither Robredo nor the parliament could stop the new president from pulling the levers of the drug war.
Politicians made kill lists, while police officers and vigilantes were rewarded with cash. (The book’s title comes from something a vigilante says at one point: “I’m really not a bad guy. I’m not all bad. Some people need killing.”) Shakedowns were common. Evangelista tells the story of Elena de Chavez, the mother of a young trans woman named Heart who sold tiny amounts of drugs. “It was an enterprise that terrified her mother,” Evangelista writes, but “Heart brushed off the warnings. She said no cop would take notice of a ten-dollar deal. She was wrong.” The police arrested and jailed Heart, then demanded money; de Chavez pawned her husband’s pension to retrieve her daughter. Heart was released, but three days later seven masked gunmen broke into her home and dragged her to a shack down the street. “The man in the lead held his gun with both hands. He ordered everyone back into their homes,” Evangelista writes. De Chavez “found Heart inside an empty house with a bullet in her cheek.” 2
Neither local policemen nor vigilante gangs took their orders directly from Duterte. But his mandate filtered down throughout the country. 3 Much of her book consists of reconstructed crime scenes, such as the tokhang of Dee and Ma, a married couple suspected of using drugs, in a Manila slum. Ma had so feared the coming of the drug war that she kept their treatment records close at hand. “The baby wailed. Ma wept. She thrust a handful of paper at the man who killed her husband. Here was proof, she sobbed, that they had mended their ways.” The witnesses to this execution were the couple’s eleven-year-old daughter, Love-Love, and a baby curled on Dee’s chest.
Many, many Filipinos risked their lives to speak with Evangelista and other journalists and human rights groups. A few politicians also resisted the drug war, including Leila de Lima, a lawyer and former senator who’d condemned Duterte when he was still in Davao. De Lima was jailed on bogus drug charges from 2017 until she was allowed to post bail in November 2023, and still faces prosecution.
Evangelista offers the case of Efren Morillo, who survived a massacre by the police in Quezon City. He was playing pool outside a friend’s house, with four other men, when a group of officers approached. They ransacked the home and found no drugs, but beat and shot all the men anyway, claiming nanlaban. “Call the crime scene operatives,” one of the officers instructs. “Leave the evidence behind. Say they all fought back.” Morillo, the sole survivor, was prosecuted for assault but refused to take a plea deal. After five years in court, he was acquitted. “The discovery of those lies,” Evangelista writes, was “due only to a single irregularity in the daily circumstances of fatal police encounters under the administration of Rodrigo Duterte. That irregularity is named Efren Morillo.”
Not only in the Philippines, but in much of the world, drug use is treated as a moral defect or mental dysfunction. Some People Need Killing doesn’t quite explain how Duterte was able to twist this prejudice into a policy of mass murder. What social conditions made this possible? A bad economy? An increase in crime? Dissatisfaction with the politics that came before? Perhaps Evangelista decided that any explanation would be too conjectural. But as the award-winning Filipino podcast Tokhang sa Tokhang argues, Duterte was not the first politician to push a drug war in the Philippines. In the 1970s and 1980s, Marcos Sr. persecuted drug users alongside Communists; he oversaw the establishment of the Dangerous Drugs Board, a health agency with a tellingly judgmental name. In the 1990s, Vice President Joseph Estrada founded an abstinence initiative based on the Reagan-era Drug Abuse Resistance Education ( DARE ) program, and Alfredo Lim, the mayor of Manila, mirrored Duterte’s Davao approach, killing dozens of suspected drug users and dealers. The persecution of opium users by the Catholic Church goes much further back, to the colonial period.
Evangelista notes that the use of illicit drugs in the Philippines is quite low, “roughly half the global average.” 4 The Duterte administration exaggerated the crisis by inventing data and making unscientific claims. (In a recent book, The Ghost in the Addict , the psychologist Shepard Siegel cites Duterte as an extreme case of “appealing to the brain-disease model of addiction”—the idea that every drug user is an addict, and that every addict is beyond rationality.) Yet polls throughout Duterte’s term showed overwhelming support for the war on drugs. Researchers Gideon Lasco and Lee Edson Yarcia have observed that, because of a longstanding religious panic around drug use and limited investments in behavioral health and harm reduction, many Filipinos see forced treatment in prisonlike settings as the only alternative to violent punishment—a “paradigm that dichotomizes between killing and ‘rehab.’” (In my reporting on drug policy in the US, I’ve observed a similar, stubborn reliance on criminal penalties and mandatory treatment.)
Every war on drugs is principally a war on the poor, waged in alleyways and shacks. Evangelista describes the home life of Djastin Lopez, who was killed for having used marijuana and meth: twenty-eight members of his family “lived shoulder to sweaty shoulder in four boxes each roughly the size of a standard parking space.” She often had to refuse her sources’ requests for burial expenses. “Sometimes a grandmother would tell me there was no money for school. One woman would plead every so often for a loan—for food, for power bills, for rent, for funds to visit a son in jail.” Evangelista typed these harrowing stories while drinking cappuccinos and chain-smoking in her “apartment suburbia,” she writes with bleak self-awareness. “Had I not been a journalist, the practical impact of Rodrigo Duterte’s election on me would have been limited to my tobacco consumption and little else.”
Evangelista worked at Rappler between 2011 and 2018, a difficult period for Filipino journalists. (She left “halfway through the war,” to take a nonfiction fellowship in New York. “Rappler decided my presence in Manila was a security risk. I agreed.”) Some two dozen media workers were killed while Duterte was in power; the majority of these crimes occurred in urban areas and went unsolved. In December 2021, for example, gunmen murdered Jesus Malabanan, a freelance reporter and a contributor to Reuters’s Pulitzer-winning coverage of the drug war, as he was watching television in his family’s store. The Duterte administration also engaged in widespread “red-tagging” (red-baiting), singling out journalists (and activists and professors, among others) as communists. Len Olea, the secretary-general of the National Union of Journalists of the Philippines, recently likened this experience to “having a target on your face.”
Duterte also went after entire media outlets. In 2020, during the worst months of the pandemic, his administration refused to renew the broadcast license of ABS-CBN , Evangelista’s first workplace, jeopardizing 11,000 media jobs and potentially cutting off a weekly audience of 70 million. (The company now has half the number of employees.) Rappler faced the retraction of its operating license and charges of tax evasion and “cyberlibel”; its reporters, most of whom were in their twenties, were banned from the presidential palace. The site was also denigrated as a propaganda arm of the CIA based on its receipt of foreign (namely, American) funding and its large Western readership. “We were threatened daily on social media,” Evangelista writes. “Because we were women, the threats included rape.” (Ressa, the editor-in-chief, won the Nobel Peace Prize in 2021. Last month an appeals court in the Philippines ruled that Rappler’s license should be restored.)
It was harder yet for the photographers. Evangelista mentions Eloisa, who “supplemented the five-dollar contributing freelancer rate with weekends shooting birthday parties,” and Vincent, who was often “the only journalist left following the morgue truck…. Once, when the call came on a Sunday night, he brought his toddler along, leaving her in the car with his wife just long enough to do his job.”
Just before Christmas 2020, an off-duty police officer in Manila shot and killed his neighbors: a mother, Sonya, and her grown son, Anton. The cop had become upset when Anton launched an improvised boga firecracker, and the two men got into a fight outside. Sonya intervened, as did the cop’s teenage daughter, who yelled, “My father is a policeman” (meaning, “Do you know who you’re dealing with?”), after which the cop pulled out his gun. It was all caught on video, and #MyFatherIsAPoliceman went viral. The double homicide caused many Filipinos to reevaluate the war on drugs.
For Evangelista, the murders registered with “no particularity.” She scoffed at a Twitter post that read, “This is not who we are.” Her anger wasn’t directed at the police alone. “I was furious instead at everyone who announced their indignation after ignoring a four-year parade of coffins.”
Near the end of the book, Evangelista stands on Epifanio de los Santos Avenue as cannons shoot confetti into the air. It’s February 2022, the anniversary of the Edsa Revolution, and Duterte, “whose government had allowed the burial of the dictator Ferdinand Marcos in the Cemetery of Heroes with a twenty-one-gun salute,” has chosen not to come.
A few months later, on election day, Evangelista is back on the same avenue. Bongbong Marcos and Sara Duterte, the former president’s daughter, have been elected president and vice-president. “The jubilant crowds have poured into the driveway of the Marcos-Duterte campaign headquarters,” Evangelista writes, “where the citizens of the revolution once marched to overthrow Ferdinand Marcos, Sr.” Duterte’s youngest son, meanwhile, is elected mayor of Davao.
Today, nearly two years into Marcos Jr.’s term, the killings have slowed down, but Duterte’s drug war is still official policy, still coming into view. In August a former high-ranking customs official accused close allies of Duterte, including his son and son-in-law, of direct involvement in importing more than a ton of shabu from Vietnam, valued at nearly $200 million, in 2018. (Duterte denies the allegations.) Marcos, meanwhile, has refused to cooperate with the International Criminal Court in a probe of crimes against humanity: “It’s not right for outsiders to tell us who to investigate,” he said at a press conference last fall.
Evangelista was recently on book tour in the Philippines. 5 Northeast of Manila, in Quezon City—home to Love-Love, the girl who’d watched a vigilante shoot her parents, and Morillo, the stubborn pool player who wasn’t meant to survive—Evangelista met with survivors and family members at the Church of Our Lady of the Promised Land. They held candles and stood in a circle, under a big white banner that said “ STOP THE KILLINGS .”
Despite their protests, despite the investigative reporting and testimonies and human rights reports, the killings did not stop. As journalists, we labor and wish for a different result: accountability, social change, the affliction of the powerful. When this doesn’t happen, what do we make of our work? Returning to the Rappler newsroom this past spring, Evangelista emphasized the keeping of evidence over transformation: “I hope to have honored the people who told the story. I hoped to have done it in a compelling fashion. And I believe in a record, I think that’s what I offer.” At the church meeting in Quezon City, a young woman named Marilyn Malimban, whose boyfriend was murdered on his knees by the police, addressed her fellow survivors—and perhaps us reporters, too. “Tell the story,” she said. “Tell it, again and again. Even if there is no justice now, there is justice above. There is justice somewhere else.”
Dynamism & Discipline
Living the Nakba
An Entry of One’s Own
Subscribe to our Newsletters
More by E. Tammy Kim
The current Hollywood strikes have a precedent in Disney’s golden age, when the company was a hothouse of innovation and punishing expectation.
October 5, 2023 issue
The longshoreman labor leader Harry Bridges may no longer be widely known, but his philosophy of inclusive, democratic unionism imbues much of today’s most ambitious organizing campaigns.
April 20, 2023 issue
May 14, 2022
E. Tammy Kim is a contributing writer for The New Yorker , a Puffin Fellow at Type Media Center, and a contributing editor at Lux . (October 2024)
Marcos and his glamorous wife, Imelda, stole billions from the state treasury while presiding over the arrests and killings of thousands of supposed “Communists,” all with American support—a common cold war story. ↩
Later, one of Evangelista’s sources in law enforcement arranges for de Chavez to receive “a wad of bills. Seven thousand pesos, the exact amount Elena claimed had been extorted by the Pritil police.” ↩
The early years of the drug war focused on greater Manila and depended heavily on vigilante labor; later, the epicenter migrated to Luzon, and the police played a larger role. ↩
Other reporting, from 2016, suggests that the rate of drug use might be even lower: 1.69 percent of Filipinos ages ten to sixty-nine, compared with a global average of 5.2 percent of people ages fifteen to sixty-four. See Camille Diola, “How Duterte’s Drug War Can Fail,” The Philippine Star , September 19, 2016. ↩
In January the journalist Carolyn Arguillas met with Duterte and handed him a copy of the book. He hadn’t heard of it, she wrote, but “his eyes lit up upon hearing the title.” See Carolyn Arguillas, “Gifting Duterte with Pat Evangelista’s Book,” Mindanao Times , January 12, 2024. ↩
‘Knee Deep in the Hoopla’
December 21, 1989 issue
Lost in the Cosmic
June 14, 1990 issue
The Russians Have a Word for Dressing Up Reality
December 22, 1988 issue
The Senator Giovanni Agnelli International Prize
March 17, 1988 issue
Short Review
November 20, 1980 issue
The Lion of Judah
May 20, 1965 issue
The Good Soldier
December 22, 1983 issue
Reagan and the Apocalypse
January 19, 1984 issue
Give the gift they’ll open all year.
Save 65% off the regular rate and over 75% off the cover price and receive a free 2025 calendar!
Specifications.
Reviews for the honor magicbook x16 plus 2024.
AMD Radeon 780M : Integrated graphics card in the Ryzen 7040 mobile series APUs based on the RDNA3 architecture with 12 CUs (= 768 shaders) and a clock speed of up to 3 GHz.
Modern games should be playable with these graphics cards at low settings and resolutions. Casual gamers may be happy with these cards.
» Further information can be found in our Comparison of Mobile Graphics Cards and the corresponding Benchmark List .
R7 8845HS : A powerful Hawk Point family chip that saw the light of day in H2 2023. We believe the 8845HS to be an R7 7840HS in disguise. The 8845HS features 8 cores (16 threads thanks to SMT support) running at up to 5.1 GHz; in addition to the full might of the Zen 4 architecture, the chip comes with the 2nd generation Ryzen AI technology that's set to make generative AI more ubiquitous than ever before. Last but not the least, the Radeon 780M serves as the integrated GPU.» Further information can be found in our Comparison of Mobile Processsors .
15-inch display variants are the standard and are used for more than half of all laptops.
The reason for the popularity of mid-sized displays is that this size is reasonably easy on the eyes, often allows high resolutions and thus offers rich details on the screen, yet does not consume too much power and the devices can still be reasonably compact - simply the standard compromise.
In 2014 Huawei created the sub brand Honor and offers certain smartphone series under this name. Occasionally the products are also called Huawei Honor.
The market share of Honor products is manageable, but there are several reviews on Honor smartphones with average ratings (as of 2016).
» Further information can be found in our Notebook Purchase Guide.
Current prices.
Devices with the same GPU and/or Screen Size
Devices with the same GPU
Devices with Same Screen Size and/or Weight
Devices from the same Manufacturer
Top 10 Laptops Multimedia , Budget Multimedia , Gaming , Budget Gaming , Lightweight Gaming , Business , Budget Office , Workstation , Subnotebooks , Ultrabooks , Chromebooks
under 300 USD/Euros , under 500 USD/Euros , 1,000 USD/Euros , for University Students , Best Displays
Top 10 Smartphones Smartphones , Phablets , ≤6-inch , Camera Smartphones
IMAGES
VIDEO
COMMENTS
THE NOTEBOOK. An epic of treacle, an ocean of tears, made possible by a perfect, ideal, unalloyed absence of humor. Destined, positively,... Sparks's debut is a contender in the Robert Waller book-sweeps for most shamelessly sentimental love story, with honorable mention for highest octane schmaltz throughout an extended narrative.
The Notebook Review 'The Notebook' is a classic romantic tale that captures existential themes as it tells a love story between a poor small-town boy and a rich socialite girl.Nicholas Sparks puts a noble and loving soul in the lead character Noah. And Noah's musings are touching thoughts that are both heartwarming and inspirational.
Book Review: The Notebook by Nicholas Sparks. Allison Hamilton, now 29 years old, can't seem to shake away her first love, Noah Calhoun. Torn between her fiancé Lon and her soul mate Noah, Allie must make a decision that won't be easy and faces the danger of breaking one of these man's hearts. Nicholas Sparks writes a jaw-dropping ...
The Notebook is an achingly tender story about the enduring power of love, a story of miracles that will stay with you forever. Set amid the austere beauty of coastal North Carolina in 1946, The Notebook begins with the story of Noah Calhoun, a rural Southerner returned home from World War II. Noah, thirty-one, is restoring a plantation home to ...
The Notebook. by Nicholas Sparks. Publication Date: February 1, 2004. Genres: Fiction, Romance. Mass Market Paperback: 239 pages. Publisher: Warner Books. ISBN-10: 0446605239. ISBN-13: 9780446605236. Noah Calhoun carried his love for the willowy Allie Nelson with him long after their youthful romance ended.
The Notebook is also being adapted into a musical, featuring music and lyrics by Ingrid Michaelson. Sparks lives in North Carolina. He contributes to a variety of local and national charities, and is a major contributor to the Creative Writing Program (MFA) at the University of Notre Dame, where he provides scholarships, internships, and a ...
Bookshelf 'The Notebook' Review: The Power of the Blank Page Access to paper and the ability to scribble on it helped usher in the modern world.
The Notebook was Nicholas Sparks' first published novel and written over a time period of six months in 1994. [1] [2] Literary agent Theresa Park discovered Sparks by picking the book out of her agency's slush pile and reading it.Park offered to represent him. In October 1995, Park secured a $1 million advance for the book from the Time Warner Book Group, and the novel was published in October ...
THE NOTEBOOK is a story about a 1940s summer romance between Allie (Rachel McAdams), the daughter of wealthy parents, and Noah (Ryan Gosling), a working-class boy. They're crazy about each other, but her parents disapprove. When Allie goes to college, Noah writes to her every day, but Allie's mother (Joan Allen) withholds his letters.
Israel loves to delve into rigorous analysis of themes with broader implications. As a passionate book lover and reviewer, Israel aims to contribute meaningful insights into broader discussions. 'The Notebook' is a 1996 novel by American Novelist Nicholas Sparks. It tells the romantic story of two aged lovers and the role of time in their lives.
Themes. Like books such as ' Romeo and Juliet ' by William Shakespeare and ' Pride and Prejudice ' by Jane Austen, the familiar theme of love is found in ' The Notebook ' by Nicholas Sparks. Also, there are other less popular but important themes, such as aging, memory, beauty in nature, and class discrimination in this novel.
June 25, 2004. 4 min read. "The Notebook" is based on the best-selling novel by Nicholas Sparks and directed by Nick Cassavetes. 'The Notebook" cuts between the same couple at two seasons in their lives. We see them in the urgency of young romance, and then we see them as old people, she disappearing into the shadows of Alzheimer's, he ...
review: Nicholas Sparks' novel leaps off the page and onto the stage in emotional new musical. Noah and Allie's love story still isn't over! The pair's whirlwind romance is brought to life once ...
The Notebook. Mass Market Paperback - June 24, 2014. by Nicholas Sparks (Author) 4.6 13,389 ratings. Book 1 of 2: The Notebook. See all formats and editions. Experience the unforgettable, heartbreaking love story set in post-World War II North Carolina about a young socialite and the boy who once stole her heart -- one of PBS's "Great ...
Critics are weighing in on the world premiere of The Notebook at Chicago Shakespeare Theater. Based on the bestselling novel by Nicholas Sparks that inspired the film of the same name, the new ...
The Kobo Libra Colour is a colored e-reader and notebook with long battery life and a waterproof design. Learn more about my experience using it to download and read books via OverDrive.
Review. The Notebook is a poignant story of true and unending love in its purest form, and the power and magic of love to defy all odds. It begins with an elderly man, sitting by his wife's bedside, reading her a story. From there, we travel back in time to when star-crossed lovers Noah and Allie met as teenagers in 1932 and spent one magical ...
Rated: 1/5 Feb 2, 2019 Full Review Leslie Felperin Times (UK) A honey-dipped love story with a surprisingly tart aftertaste, The Notebook is a better-than-you'd-expect adaptation of Nicholas ...
The Notebook 'Spoiler-Free' Summary. ' The Notebook ' by Nicholas Sparks begins when Noah, who lives in a nursing home for old people, visits his wife Allie, who stays in another room in the same nursing home. When Noah gets to Allie's room, he sits down and begins to read to her from a notebook. The story Noah reads from the notebook ...
The Notebook Book Review. The Notebook by Nicholas Sparks is a contemporary love story set in the period of Pre and Post World war II. The story revolves around Noah and Allie who spend one summer together when they were still young and carefree.
A celebration of the joys of putting pen to paper. British publisher and diarist Allen brings his love of notebooks to a lively, wide-ranging history of bound blank pages. Notebooks, he writes, "interest me as a technology that has had tangible effects on the world around us.". The author started keeping a journal in 2002: "Writing a ...
The Notebook is a 2004 American romantic drama film directed by Nick Cassavetes, from a screenplay by Jeremy Leven and Jan Sardi, and based on the 1996 novel of the same name by Nicholas Sparks.The film stars Ryan Gosling and Rachel McAdams as a young couple who fall in love in the 1940s. Their story is read from a notebook in the present day by an elderly man, telling the tale to a fellow ...
Some People Need Killing is both a reporter's notebook and a contemporary political history of the Philippines. Evangelista pulls from her investigations at Rappler, augmented by diaristic recollections. ... Best of The New York Review, plus books, events, and other items of interest. Email Address. Continue. More by E. Tammy Kim. Storyboards ...
Обзор Honor MagicBook X16 Plus: имба среди офисных ноутбуков Source: Hi-Tech Mail RU→EN Single Review, online available, Very Long, Date: 07/26/2024