mfa programs creative writing new england

2024 Best Creative Writing Schools in the New England Region

Choosing a great creative writing school, creative writing rankings by degree level, best schools for creative writing in the new england region, 10 top new england region schools in creative writing.

There were roughly 48 creative writing students who graduated with this degree at Brown in the most recent year we have data available.

There were approximately 40 creative writing students who graduated with this degree at Harvard in the most recent year we have data available.

Embrace your passion for storytelling and learn the professional writing skills you'll need to succeed with our online MFA in Creative Writing. Write your novel or short story collection while earning a certificate in the Online Teaching of Writing or Professional Writing, with no residency requirement.

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There were roughly 19 creative writing students who graduated with this degree at Wellesley in the most recent data year.

There were roughly 17 creative writing students who graduated with this degree at Boston U in the most recent data year.

There were about 8 creative writing students who graduated with this degree at Providence in the most recent year we have data available.

There were approximately 185 creative writing students who graduated with this degree at Emerson in the most recent data year.

There were approximately 11 creative writing students who graduated with this degree at Brandeis in the most recent year we have data available.

There were approximately 6 creative writing students who graduated with this degree at Wheaton College Massachusetts in the most recent data year.

There were approximately 685 creative writing students who graduated with this degree at SNHU in the most recent year we have data available.

There were roughly 12 creative writing students who graduated with this degree at Fairfield U in the most recent data year.

Best Creative Writing Colleges by State

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Bachelor's degrees in creative writing, master's degrees in creative writing, rankings in majors related to creative writing, most popular majors related to creative writing.

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UMass Boston

• Creative Writing MFA

Further your commitment to writing as the center of your professional life.

Intensive study and practice of fiction and poetry writing with award-winning and nationally renowned faculty at the most diverse university in new england..

UMass Boston's Creative Writing MFA offers you an intense, 3-year program and focused opportunity to further your commitment to writing as the center of your professional life. Through a combination of mentoring by accomplished faculty in a series of creative writing workshops, courses focused on the study of literature offered through the English MA Program, and electives that include the practice of literary editing, the teaching of creative writing, documentary poetics, the art of memoir, and more—you will have the guidance to develop and shape your work to the full extent of your talent.

All accepted students receive funding. Graduate assistantships offer the opportunity to work with students as teaching assistants and fellows, or in editorial positions with one of our sponsors, including 826 Boston, Hanging Loose Press, Write on the Dot, Consequence Magazine, Breakwater Review, and Arrowsmith Press.

Career Possibilities

Pursue a career as a professional writer, publishing your work in literary journals, magazines. Work as an editor and collaborate with writers to refine their work and shape the final product for publication. These are just a few of the possibilities.

Become a(n):

• Writer/Author
• Literary Agent
• Writing Instructor/Professor

Attend An Info Session     Start Your Application

Plan Your Education

How to apply.

Applicants must meet general graduate admission requirements in addition to the following program-specific requirements:

• A 3.0 GPA overall and in the student’s major
• Two substantive and detailed letters of recommendation, from former teachers familiar with the applicant’s most recent academic and creative work
• A 3-5 page personal statement focusing on the role of the candidate’s reading life in his or her development as a writer. (Note: The general Graduate Admissions application refers to this as a statement of interests and intent. They are one and the same.)
• Applicants must indicate whether they are applying in FICTION or POETRY in their Statement of Purpose. If you want to apply in both genres, include one writing sample in FICTION and one in POETRY and indicate in the Statement of Purpose that the application is for both.
• A writing sample of 10 manuscript pages of poetry or 20 manuscript pages of fiction

Deadlines & Cost

Deadlines: February 1 (priority) for fall. While rare, if space is available, we’ll happily consider applications until June 15 (final deadline).

Application Fee: The nonrefundable application fee is $75. UMass Boston alumni and current students that plan to complete degree requirements prior to graduate enrollment can submit the application without paying the application fee.

Estimate Your Program Cost: Get a feel for your expected program costs using the Graduate Program Cost Calculator .

Program Cost Information: For more detailed information on costs, please visit the Bursar's website .

Writing Workshops (24 Credits)

Complete one from below four times.

• CW 601 - MFA Poetry Workshop 6 Credit(s) or
• CW 602 - MFA Fiction Workshop 6 Credit(s)

Literature Courses (9 Credits)

Complete three graduate literature courses.

Electives (9 Credits)

Complete three from below.

• CW 605 - Memoir Workshop 3 Credit(s)
• CW 606 - Literary Editing and Publishing 3 Credit(s)
• CW 614 - The Teaching of Creative Writing 3 Credit(s)
• CW 675 - Creative Writing Internship 3 Credit(s)
• CW 697 - Special Topics in Creative Writing 1-6 Credit(s)

Students may elect courses offered by other graduate programs with approval from the graduate program director.

• ENGL 459 Seminar for Tutors may be taken for graduate credit (see Undergraduate Catalog)
• ENGL 675 - Reading and Writing Poetry 3 Credit(s)
• ENGL 676 - Reading and Writing Fiction 3 Credit(s)
• ENGL 681 - Advanced Workshop in Poetry 3 Credit(s)
• ENGL 682 - Advanced Workshop in Fiction 3 Credit(s)

Thesis Courses (6 Credits)

Complete the course below both semesters of the third year.

• CW 699 - MFA Thesis 3 Credit(s)

Graduation Criteria

Complete 48 credits from twelve courses including four writing workshops, three literature courses, three electives, and two semesters of thesis workshops.

The MFA degree requires six semesters of full-time study, with 9 credits required in each of the first four semesters, and 6 credits in the final two semesters, during which students will concentrate on completing a thesis in fiction or poetry under the direction of a faculty member. MFA workshops are limited to 12 students, and seminars are limited to 15. Students have the opportunity to interact with writers in our Global Voices Visiting Writer series (recent visitors have been Raquel Salas Rivera and Carole Maso), and work with visiting prose writers - recently these have included Jane Unrue, ZZ Packer, and Fanny Howe.

Capstone: Completion of an MFA thesis of 48 to 64 pages of poetry or 100 to 200 pages of fiction written under the supervision of a thesis advisor, reviewed by a thesis committee, and subject to a public defense.

Statute of limitations: Five years.

Contact & Faculty

Graduate Program Director John Fulton john.fulton [at] umb.edu (617) 287-6700

English & Creative Writing MFA Department englishmfaprogram [at] umb.edu (617) 287-6702

Fiction Faculty

John Fulton , Program Director & Associate Professor Askold Melnyczuk , Professor Eileen Pollack , Visiting Assistant Professor

Poetry Faculty

Jill McDonough , Professor Shangyang Fang , Associate Lecturer

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Learn more about UMass Boston's English department, our programs, and our faculty.

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Stonecoast MFA in Creative Writing

Stonecoast connects emerging writers with award-winning authors to create a uniquely inclusive and challenging low-residency MFA in creative writing. Our innovative curriculum and supportive community will propel your writing forward. You’ll work with writers who care deeply about the power of telling stories to reimagine and reshape the world we share. At Stonecoast, we provide mentorship, structure, and community so you can find your voice.

• Academic programs
• Writing for Inclusivity and Social Equity (WISE)
• Stonecoast Writers’ Conference – June 20-25
• Stonecoast Review
• Student Stories: From English major to Stonecoast MFA

Pursuing a career in writing

Lea Smith (she/her) is a current graduate student at Stonecoast and will graduate in June 2025. She sat down and shared her experience as a student at USM and gave an inside look at how she decided on her area of study and seeking a career in writing.

Low-Residency with High Standards

Stonecoast students lead busy, active lives. Which is why faculty mentors work with those students to co-create a study plan which reflects the student’s goals and fits their life.

• Bi-annual residencies ensure that every student can connect with the writing faculty and their peers.
• Our innovative curriculum supports those students who wish to study a genre deeply as well as those whose interests cross the boundaries of genre.
• In addition to learning writing craft, our community triest to instill the habits that will sustain your writing career.

Writing for Inclusivity and Social Equity

As Audre Lorde put it, “You will never dismantle the master’s house with the master’s tools.”

Thankfully, writers have access to some powerful tools. Consider empathy, which cuts against systems of power and repression. It is subversive. Reading and writing–both of which depend upon our ability to bridge distances between and inside people–are fueled by empathy.

Fully Funded MFA Programs in Creative Writing

As part of our series  How to Fully Fund Your Master’s Degree , here is a list of universities that have fully funded MFA programs in creative writing. A Master’s of Fine Arts in creative writing can lead to a career as a professional writer, in academia, and more.

Fully funded MFA programs in Creative Writing offer a financial aid package for full-time students that includes full tuition remission as well as an annual stipend or salary during the entire program, which for Master’s degrees is usually 1-2 years. Funding usually comes with the expectation that students will teach or complete research in their field of study. Not all universities fully fund their Master’s students, which is why researching the financial aid offerings of many different programs, including small and lesser-known schools both in the U.S. and abroad, is essential.

In addition to listing fully funded Master’s and PhD programs, the ProFellow fellowships database also includes external funding opportunities for graduate school, including fellowships for dissertation research, fieldwork, language study, study abroad, summer work experiences, and professional development.

Would you like to receive the full list of more than 1000+ fully funded Master’s and PhD programs in 60 disciplines? Download the FREE Directory of Fully Funded Graduate Programs and Full Funding Awards !

Here is the list of 53 universities that offer fully-funded MFA programs (Master’s of Fine Arts) in Creative Writing.

University of Alabama (Tuscaloosa, AL): Students admitted to the MFA Program are guaranteed full financial support for up to 4-years. Assistantships include a stipend paid over nine months (currently $14,125), and full payment of up to 15 credit hours of graduate tuition.

University of Arizona (Tucson, AZ): All accepted MFA students receive full funding through a graduate teaching assistantship for 3 years. This package includes tuition remission, health insurance, and a modest stipend (in 2018 it was about $16,100 per academic year).

Arizona State University (Tempe, AZ): 3-year program. All students admitted to the MFA program who submit a complete and approved teaching assistantship application are awarded a TA by the Department of English. Each assistantship carries a three-course per year load and includes a tuition waiver and health insurance in addition to the TA stipend ($18,564 per year). In addition, students have diverse opportunities for additional financial and professional support.

University of Arkansas (Fayetteville, AR): Four-year program. Teaching assistantships currently carry an annual stipend of $13,500 for students with a BA. TAs also receive a waiver of all tuition costs and teach two courses each semester. Nearly all of our accepted students receive TAs. Additionally, the students compete each year for several fellowships.

Boise State University (Boise, Idaho): 3-year fully funded MFA program dedicated to poetry and fiction. All students receive a tuition waiver, health insurance, and a Teaching Assistantship with a stipend of $11,450 per year.

Bowling Green State University (Bowling Green, OH): 2-year program, graduate assistantships (including stipend and scholarship) are available for all eligible face-to-face students. 100% tuition scholarship. Graduate stipend (the 2020-21 stipend is $11,500).

Brown University (Providence, RI): All incoming MFA students received full funding. All graduate students receive a fellowship that pays a monthly stipend and provides tuition remission, the health fee, and health insurance. The stipend for the 2020-2021 academic year is $29,926. Also, students in good standing receive a summer stipend of $2,993.

Boston University (Boston, MA): Tuition costs will be covered for every admitted student for the MFA degree in the BU Creative Writing Program. In addition, admitted students will receive university health insurance while they are enrolled, and all admitted students will receive stipend support of roughly $16,000 for the academic year.

Cornell University (Ithaca, NY): All MFA degree candidates are guaranteed 2 years of funding (including a stipend, a full-tuition fellowship, and student health insurance).

University of California Irvine (Irvine, CA): 3-year program. The Department is committed to providing 3 full years of financial support to all domestic students in the MFA Programs in Writing. Financial support for MFA students is given in the form of Teaching Assistantships providing full tuition coverage as well as University health insurance. Students will earn an estimated $22,569 for the academic year.

University of California San Diego (La Jolla, CA): MFA in Writing students are eligible for financial support if they study full-time, maintain good academic standing and make timely progress toward the degree. All students are eligible for full funding, including international students provided they meet the English language certification requirement for teaching assistants.

University of California Riverside (Riverside, CA): All incoming students are granted a full fellowship and stipend for their first year. After the first year, students receive full tuition and a salary through teaching assistantships.

Florida Atlantic University (Boca Raton, FL): 3-year program. All of the MFA students qualify for a position as a Graduate Teaching Assistant. The GTA position comes with a tuition waiver and a stipend. The standard stipend is $9,000, but some enhanced stipends are available. The Graduate College offers several fellowships for current graduate students.

Florida State University (Tallahassee, FL): The majority of students receive support in the form of a teaching assistantship and are provided with a stipend, a tuition waiver, and a health-insurance subsidy. MFA students receive a three-year assistantship. For 2022-23, MA/MFA stipends will be $16,400, and typically these amounts go up each year. Also, The FSU Graduate School offers several fellowships and awards.

Georgia College & State University (Milledgeville, GA): The MFA Program offers workshops in fiction, creative nonfiction, and poetry, and students take cross-genre workshops. All students admitted to the MFA program receive a Graduate Assistantship for all 3 years that includes a stipend and tuition remission.

University of Houston (Houston, TX): MFA students can receive a teaching assistantship for 3 years. Starting salary for MFAs is $17,935/9 months. Students in the Creative. As part of the assistantship, students are awarded either a Graduate Tuition Fellowship, which remits tuition, or a Creative Writing Program Fellowship, which covers the cost of tuition.

University of Idaho (Moscow, Idaho): All English Teaching Assistants (TA’s) are offered full tuition waivers. Teaching Assistants are given a stipend of $14,000 per year. Also offers three scholarships and three outstanding fellowships to support qualified MFA, graduate students.

University of Illinois, Urbana-Champaign (Urbana, IL): Three-year MFA program. Students accepted into the MFA program will receive full tuition waivers, guaranteed teaching assistantships.

Indiana University (Bloomington, IN): M.F.A. programs offer a generous teaching package to creative writing students. All applicants receive consideration for appropriate fellowships that will carry a stipend of about $19,000, plus tuition and fee-remission that covers roughly 90% of the cost of enrollment.

Iowa State University (Ames, IA): 3-year MFA program. Starting half-time 20 hours per week teaching assistantships for MFA students total $19,250 over 10 months and also receive a full-tuition waiver scholarship (approximate value $10,140) and health insurance coverage. The department has several resources available through which to offer fellowships and scholarships to qualifying new students.

University of Iowa (Iowa City, IA): 2-year residency program. Financial assistance is available for all students enrolled in the program, in the form of teaching assistantships, research assistantships, and fellowships. Most fellowships and assistantships provide either tuition scholarships or full tuition remission.

John Hopkins University (Baltimore, MD): 2-year program. All students receive full tuition, health insurance, and a generous teaching fellowship, currently set at $30,500 per year. Some students work as assistant editors on The Hopkins Review. They often win prizes such as Stegner Fellowships or grants from the National Endowment for the Arts.

University of Maryland (College Park, MD): This 3-year program accepts 8 applicants who are fully funded by Teaching Assistantships for up to three years of graduate study. Our aid packages include a stipend of about $20,000 per academic year and 60 credit hours of tuition remission.

Miami University (Oxford, OH): All students admitted to the MFA program in Creative Writing hold generous Graduate Assistantships (which include a summer stipend). Non-teaching assistantships may also be available.

University of Miami (Coral Gables, FL): An intensive two-year study with a third year option. The James Michener Fellowships and Teaching Assistantships support all our graduate students. Awards include a full tuition waiver and annual stipend of $18,915.

University of Michigan (Ann Arbor, MI): All MFA students accepted into the program are offered a full tuition waiver, a stipend of $23,000/yearly as well as $5,000 in summer funding, and health care benefits. Additionally, various fellowships and prizes are awarded each year to MFA students.

University of Minnesota (Minneapolis, MN): All admitted MFAs receive full funding, in the form of teaching assistantships or fellowships. Teaching assistantships carry a full tuition waiver, health benefits, and a stipend of about $18,600. Also, a variety of fellowships are available for graduate students.

University of Mississippi (University, MS): All of our students are fully funded.  We offer two main sources of funding, the Grisham Fellowships and Teaching Assistantships.

University of Nevada Las Vegas (Las Vegas, NV): 3-year program. All MFA students admitted to the Creative Writing International program at UNLV are offered Graduate Assistantship funding of $15,000 per year (which includes in-state tuition and provisions for health insurance).

Northwestern University (Evanston, IL): Funding is provided for 3 full years, summers included. Tuition is covered by a tuition scholarship during any quarter in which you are receiving a stipend.

University of Notre Dame (Notre Dame, IN): Every student admitted to the MFA receives a full-tuition scholarship, a fellowship that carries a full stipend of $16,000 per year and access to a 100% health insurance subsidy.

North Carolina State University (Raleigh, NC): A two-year, fully-funded program, They accept only about a dozen students each year and offer full funding in the form of a graduate teaching assistantship to all eligible admitted applicants.

Ohio State University (Columbus, OH): All admitted students are fully funded for our 3-year MFA program in Creative Writing. In addition, all students receive either a graduate teaching associateship, a Graduate School fellowship or a combination of the two. For graduate teaching associateships, the student receives a stipend of at least $17,000 for the nine-month academic year.

University of Oregon (Eugene OR): A two-year residency MFA program. All incoming MFA students funded with a teaching appointment. Student instructors receive tuition remission, monthly stipends of approximately $18,000.

Oregon State University (Corvallis, OR): All students admitted to the MFA program will automatically receive a standard teaching Graduate Teaching Assistantship contract, which provides full tuition remission and stipend of approximately $12,800 per year to cover living expenses. In addition to tuition remission, all graduate students have the option to receive 89% coverage of health insurance costs for themselves and their dependents.

University of Pittsburgh (Pittsburgh, PA): 3-year MFA program. All students admitted to the program will receive Teaching Assistantships for two or three years. All Teaching Assistantships include salary, medical benefits, and tuition remission.

Rutgers University–Newark (Newark, NJ): Each full-time incoming student receives in-state Tuition Remission and a Chancellor’s Stipend of 15K per year. Students are also eligible for Teaching Assistantships, and Part-Time Lectureships teaching Comp or Creative Writing. Teaching Assistantships are $25,969 (approximate) plus health benefits.

University of South Florida (Tampa, FL): 3-year program. MFA students receive a tuition waiver, a teaching assistantship that comes with a stipend, and enrollment in group health insurance.

Southern Illinois University (Carbondale, IL): Almost all MFA students hold graduate assistantships, which provide stipends for the academic year and full remission of tuition. The annual stipend, which comes with tuition remission, ranges from $13,000 to $14,500.

Syracuse University (Syracuse, NY): Three-Year M.F.A. in Creative Writing. All students are fully funded. Each student admitted receives a full-tuition scholarship in addition to an annual stipend of $17,500.

University of South Carolina (Columbia, SC): 3-year MFA program. The MFA at Carolina is pleased to provide fellowship and/or assistantship funding to all accepted students, earning our program the designation of “fully funded” from Poets and Writers.

University of Tennessee — Knoxville (Knoxville, TN): There is no cost to apply to the MFA program. All of our PhD candidates and MFA students are fully funded, with generous opportunities for additional financial support.

University of Texas in Austin (Austin, TX): All students in the New Writers Project receive three years of full funding through a combination of teaching assistantships (TA), assistant instructorships (AI), and fellowship support. The complete package includes full tuition remission, health insurance, and a salary.

University of Texas James Michener Center (Austin, TX): A three-year, fully funded residency MFA program that provides full and equal funding to every writer. All admitted students receive a fellowship of $29,500 per academic year, plus total coverage of tuition.

Vanderbilt University (Nashville, TN): Each year a small, select class of talented writers of fiction and poetry enroll in Vanderbilt’s three-year, fully-funded MFA Program in Creative Writing. The University Fellowship provides full-tuition benefits, health insurance, and a stipend of $30,000/yearly. In 2nd year and third-year students have the opportunity to teach for one semester.

University of Virginia (Charlottesville, VA): Three-year MFA program. Students will receive fellowship support and/or teaching income in the amount of $20,000 each academic year, as well as full funding of your tuition, enrollment fees, and the health insurance premium for single-person coverage through the university.

Virginia Tech (Blacksburg, VA): Three-year MFA degree offers tracks in Poetry and Fiction, and all students are fully and equally funded via GTA-ships of more than $20,000 per year.

Washington University in St. Louis (St. Louis, MO): Because of selectivity and size they are able to offer all the new students full and equal financial aid for both years in the program in the form of a University Fellowship, which provides a complete tuition waiver plus a stipend sufficient for students to live comfortably in our relatively inexpensive city. All MFA students receive health insurance through Washington University.

Western Kentucky University (Bowling Green, KY): Three-year, fully-funded, residential MFA program in creative writing offering generous assistantships, which will allow MFA students to gain valuable experience tutoring and teaching.

West Virginia University (Morgantown, WV): A three-year program. All Master of Fine Arts students receive a full tuition waiver and an assistantship, which includes a stipend valued at $16,750.

Wichita State University (Wichita, Kansas): Most of the MFA students are GTAs who teach two composition classes each semester. They pay no tuition, receive $4,250 each semester and may buy discounted health insurance. The MFA program also awards two $12,500 fellowships each year.

University of Wisconsin–Madison (Madison, WI): All accepted MFA candidates receive tuition remissions, teaching assistantships, generous health insurance, and other financial support. In addition to the approximately $14,680 paid to each MFA annually in exchange for teaching, every MFA candidate will receive another $9,320 in scholarships each year.

University of Wyoming (Laramie, WY): All of our full-time MFA students are fully funded with two-year graduate assistantships. Currently, assistantships include a stipend of $12,330 per academic year, a tuition and fees waiver, and student health insurance. Students also receive summer stipends of up to $2,000 for the summer.

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MFA Programs Database

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Our MFA database includes essential information about low- and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply.

Adelphi University

Poetry: Jan-Henry Gray, Maya Marshall Prose: Katherine Hill, René Steinke, Igor Webb

Albertus Magnus College

Poetry: Paul Robichaud Fiction: Sarah Harris Wallman Nonfiction: Eric Schoeck

Alma College

Poetry: Leslie Contreras Schwartz, Jim Daniels, Benjamin Garcia Fiction: Karen E. Bender, Shonda Buchanan, Dhonielle Clayton, S. Kirk Walsh Creative Nonfiction: Anna Clark, Matthew Gavin Frank, Donald Quist, Robert Vivian

American University

Poetry: Kyle Dargan, David Keplinger Fiction: Dolen Perkins-Valdez, Stephanie Grant, Patricia Park Nonfiction: Rachel Louise Snyder

Antioch University

Poetry: Cathy Linh Che Prose: Lisa Locascio Nighthawk

Arcadia University

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith Literature: Matthew Heitzman, Christopher Varlack, Elizabeth Vogel, Jo Ann Weiner

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith

Arizona State University

Poetry: Sally Ball, Natalie Diaz, Alberto Álvaro Ríos, Safiya Sinclair Fiction: Matt Bell, Jenny Irish, Tara Ison, Mitchell Jackson, T. M. McNally Creative Nonfiction: Sarah Viren

Ashland University

Poetry: Dexter Booth, Marcelo Hernandez Castillo, Adam Gellings, Tess Taylor, Vanessa Angélica Villareal Fiction: Kirstin Chen, Edan Lepucki, Sarah Monette, Nayomi Munaweera, Vi Khi Nao, Naomi J. Williams, Kyle Winkler Nonfiction: Cass Donish, Kate Hopper, Lauren Markham, Thomas Mira y Lopez, Lisa Nikolidakis, Terese Mailhot

Augsburg University

Poetry: Michael Kleber-Diggs Fiction: Stephan Eirik Clark, Lindsay Starck Nonfiction: Anika Fajardo  Playwriting: Carson Kreitzer, TyLie Shider, Sarah Myers Screenwriting: Stephan Eirik Clark, Andy Froemke

Ball State University

Poetry: Katy Didden, Mark Neely Fiction: Cathy Day, Sean Lovelace Nonfiction: Jill Christman, Silas Hansen Screenwriting: Rani Deighe Crowe, Matt Mullins

Bard College

Jess Arndt, Shiv Kotecha, Mirene Arsanios, Hannah Black, Trisha Low, Christoper Perez, Julian Talamantez Brolaski, Simone White

Bath Spa University

Poetry: Lucy English, Tim Liardet, John Strachan, Samantha Walton, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Alexia Casale, Anne-Marie Crowhurst, Lucy English, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Steve Hollyman, Emma Hooper, Claire Kendal, Natasha Pulley, Kate Pullinger, C.J. Skuse, Gerard Woodward Nonfiction: Celia Brayfield, Lily Dunn, Richard Kerridge Scriptwriting: Robin Mukherjee

Poetry: Lucy English, Tim Liardet, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Anne-Marie Crowhurst, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Claire Kendal, Natasha Pulley, Kate Pullinger, Gerard Woodward Nonfiction: Lily Dunn, Richard Kerridge

Bay Path University

Mel Allen, Leanna James Blackwell, Jennifer Baker, Melanie Brooks, María Luisa Arroyo Cruzado, Shahnaz Habib, Susan Ito, Karol Jackowski, Yi Shun Lai, Anna Mantzaris, Meredith O’Brien, Mick Powell, Suzanne Strempek Shea, Tommy Shea, Kate Whouley

Bennington Writing Seminars at Bennington College

Poetry: Jennifer Chang, Michael Dumanis, Randall Mann, Craig Morgan Teicher, Mark Wunderlich Fiction: Peter Cameron, Jai Chakrabarti, Stacey D’Erasmo, Monica Ferrell, Rebecca Makkai, Stuart Nadler, Téa Obreht, Moriel Rothman-Zecher, Katy Simpson Smith, Taymour Soomro Nonfiction: Garrard Conley, Sabrina Orah Mark, Spencer Reece, Lance Richardson, Shawna Kay Rodenberg, Hugh Ryan, Greg Wrenn

Binghamton University

Poetry: Tina Chang, Joseph Weil Fiction: Amir Ahmdi Arian, Thomas Glave, Leslie L. Heywood, Claire Luchette, Liz Rosenberg, Jaimee Wriston-Colbert, Alexi Zentner Nonfiction: Amir Ahmdi Arian, Leslie L. Heywood

Bluegrass Writers Studio at Eastern Kentucky University

Poetry: Julie Hensley, Young Smith Fiction: Julie Hensley, Robert Dean Johnson Nonfiction: Robert Dean Johnson, Evan J. Massey Playwriting: Young Smith

Boise State University

Poetry: Martin Corless-Smith, Sara Nicholson, Taryn Schwilling Fiction: Mitch Wieland (Director), Anna Caritj Creative Nonfiction: Chris Violet Eaton, Clyde Moneyhun

Boston University

Poetry: Andrea Cohen, Karl Kirchwey, Robert Pinsky Fiction: Leslie Epstein, Jennifer Haigh, Ha Jin

Boston University—MFA in Literary Translation

Odile Cazenave, Yuri Corrigan, Margaret Litvin, Christopher Maurer, Roberta Micaleff, Robert Pinsky (advising), Stephen Scully, Sassan Tabatabai, J. Keith Vincent, William Waters, Dennis Wuerthner, Cathy Yeh, Anna Zielinska-Elliott

Bowling Green State University

Poetry: Abigail Cloud, Amorak Huey, Sharona Muir, F. Dan Rzicznek, Larissa Szporluk, Jessica Zinz-Cheresnick Fiction: Joe Celizic, Lawrence Coates, Reema Rajbanshi, Michael Schulz

Brigham Young University

Poetry: Kimberly Johnson, Lance Larsen, Michael Lavers, John Talbot Fiction: Chris Crowe, Ann Dee Ellis, Spencer Hyde, Stephen Tuttle Nonfiction: Joey Franklin, Patrick Madden

Brooklyn College

Poetry: Julie Agoos, Ben Lerner Fiction: Joshua Henkin, Madeleine Thien Playwriting: Dennis A. Allen II, Elana Greenfield

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Writing (M.F.A.)

Why get a Master of Fine Arts in writing?

Do you want to shape your gifts and passion for writing? Work one-on-one with nationally recognized faculty? Get the support of a talented community of peers? Focus on fiction, narrative nonfiction or poetry in our graduate M.F.A. program, which has launched the careers of hundreds of poets, novelists, storywriters, essayists and memoirists. What is notable is not just how hard students work on their own creative writing, but how much effort goes into their response to the work of their peers. Writers here care deeply about each other, and the production of honest work that captures life on the page.

Why choose UNH for your writing degree?

The M.F.A. writing program at UNH is small, highly-ranked and selective. We emphasize one-on-one contact between a nationally recognized faculty and talented students. Many exciting opportunities are available, including a visiting writers’ series, where you’ll have the chance to connect with some of the finest contemporary poets, novelists and essayists currently at work. You can take advantage of paid internships in local arts organizations, editorial positions at our online journal Barnstorm, teaching assistantships, tuition scholarships and grant awards. Our students typically complete the program in two to three years.

Potential career areas

• Fiction writing 
• Journalism 
• Literary agencies
• Public relations 
• Publishing 
• Screenwriting

Contact Information

Curriculum & Requirements

Program description.

The MFA Program in Writing at the University of New Hampshire has a clear and abiding focus: to help you shape your gifts and passion for the art, and to prepare you for the opportunities and demands that all writers will experience in a long professional career. Over the years, the graduate writing program has launched the careers of hundreds of poets, novelists, storywriters, essayists and memoirists. This is a small, highly-ranked, and selective program. We emphasize one-on-one contact between a nationally recognized faculty and talented students. Students typically complete the program in two to three years.

We are most proud of the supportive community we have created here, one in which cross-genre exploration is strongly encouraged. Six out of ten of our MFA students receive direct financial aid , with most funding taking the form of teaching assistantships, tuition scholarships, and grant awards. Other opportunities include paid internships in local arts organizations, and editorial positions at our on-line journal Barnstorm .

We also run an exciting visiting writers' series , so that students have a chance to connect with some of the finest contemporary poets, novelists and essayists currently at work. Add to all this the fact that we're located in a stunningly beautiful spot, close to mountains and sea coast, but within an hour of Boston and other cosmopolitan areas. We can't imagine that there is a more energizing and congenial place to pursue your talents and dreams anywhere in the country.

The M.F.A. program offers students opportunities to publish in an online journal called Barnstorm , as well as intern at arts/cultural organizations and the university research department, as well as teach in community schools. A select number of students are chosen to teach UNH undergraduate writing courses and to work in the University's Writing Center.

The program admits an average of 15 new students a year, which creates a writing community of 45 student writers.

The fiction program centers on your fiction. The one goal of our two years together is to make your fiction stronger, more aesthetically powerful, and yes, more publishable. The small 10-person workshop, intense conferencing with multiple award-winning faculty such as Ann Joslin Williams and Tom Paine, craft seminars that range from "Joyce and Chekhov" to Novellas and Contemporary Short Story Collections", special topics classes on "American Short Fiction by Women" and "Sentence Experiments in Literary Fiction", an esteemed reading series that brings authors such as Dan Chaon and Elissa Schappell to class and campus, our nationally known literary magazine Barnstorm: all of this is here simply to advance your fiction. Maybe it is because we are in the Granite State, but what is notable in our program is not just how hard students work on their own fiction, but how much effort goes into their response to the work of their peers. Writers here care deeply about each other as people, and the production of honest work that captures life on the page.

Our narrative nonfiction program embraces a wide variety of forms, from memoir to travel writing, literary journalism to the personal essay and all of its permutations. Our focus, however, is not on labels but on nurturing your talent and developing your skills with the goal of helping you craft rich, compelling and publishable essays, stories and books. In short, we toil together to make facts dance. In our workshops and seminars we ask our students to read broadly and push themselves beyond their comfort zone, to experiment and exercise an array of literary muscles, to employ the imagery of a poet, the drama of a novelist and the content drive of a journalist. Our classes are small (average size is ten) and students meet frequently with instructors in individual conferences. As practical as the state of New Hampshire, our program emphasizes not only the art of writing narrative nonfiction, but also how to sell it. In one course students will learn how to write a book proposal and in others how to pitch travel stories and personal essays. The UNH nonfiction faculty is diverse in its expertise but united in its passion for reading and writing the literature of fact, and for sharing that passion.

We offer poetry workshops limited to 10 students and small seminars in craft and poetics in a dynamic, individual-oriented system that emphasizes intensive conferencing. Students have the chance to work with master teachers like the award-winning poets Mekeel McBride and David Rivard. We believe in grounding our students in the widest possible range of poetic technique and approach—with seminars offered in areas such as translation, 20th-century poetic movements, and ecstatic poetry—and no preconceived notions as to how anyone should write (other than well!). The poetic tradition of New England—one of the richest and most expansive in the world—serves as a backdrop for all our efforts. This is an area teeming with great poets, with numerous weekly opportunities for students to attend readings and lectures in the art.

Requirements for the Program

Degree requirements.

Students are required to complete four workshops, a form and theory course in their major genre, and electives that may include additional writing courses or courses from the English department's offerings in other fields (such as literature, linguistics, or composition studies), and complete a thesis. There is no foreign language requirement.

May be repeated.

Teaching assistants are required to take ENGL 910 Practicum in Teaching College Composition as one of their electives.

The M.F.A. thesis is a book-length, publishable manuscript. For fiction writers, the thesis could be a collection of short stories, a story cycle (linked stories), or a novel. For nonfiction writers, the thesis could be a collection of themed essays and/or magazine articles or a book of creative nonfiction. For poets, the thesis would be a book-­length collection of poems. The minimum length of the thesis is 150 pages for fiction and nonfiction writers and 45 pages for poets. Students will work closely with a thesis adviser as they write and pass an oral defense of the thesis, a defense conducted by a three-­member thesis committee of writing faculty. Students will also conduct a public reading of their thesis in an event organized by the writing faculty.

Student Learning Outcomes

• Have a firm grasp of all the elements of craft whether fiction, poetry or nonfiction, including narrative structure, imagery, dramatic tension, efficient dialogue, and believable character.
• Demonstrate expertise in the stylistic functions of language, including the use of simile and metaphor, unique language as opposed to clichés, resonating images or details, using all points of view, whether first, third or omniscient.
• Understand the role of research and external content to provide context, layers, and credibility.
• Be able to significantly revise work.
• Have experience reading out loud and presenting to an audience.
• Be able to flourish in the workplace for jobs in publishing, editing, communication, public relations, television, screenwriting, social media, news, advertising or any job where a writer is needed.

Application Requirements & Deadlines

Applications must be completed by the following deadlines in order to be reviewed for admission:

• Fall : Jan. 15
• Spring : N/A
• Summer : N/A
• Special : N/A

Application fee : $65

Campus : Durham

New England Regional : RI VT

Accelerated Masters Eligible : No

New Hampshire Residents

Students claiming in-state residency must also submit a Proof of Residence Form . This form is not required to complete your application, but you will need to submit it after you are offered admission, or you will not be able to register for classes.

Transcripts

If you attended UNH or Granite State College (GSC) after September 1, 1991, and have indicated so on your online application, we will retrieve your transcript internally; this includes UNH-Durham, UNH-Manchester, UNH Non-Degree work and GSC. 

If you did not attend UNH, or attended prior to September 1, 1991, then you must upload a copy (PDF) of your transcript in the application form. International transcripts must be translated into English.

If admitted , you must then request an official transcript be sent directly to our office from the Registrar's Office of each college/university attended. We accept transcripts both electronically and in hard copy:

• Electronic Transcripts : Please have your institution send the transcript directly to [email protected] . Please note that we can only accept copies sent directly from the institution.
• Paper Transcripts : Please send hard copies of transcripts to: UNH Graduate School, Thompson Hall- 105 Main Street, Durham, NH 03824. You may request transcripts be sent to us directly from the institution or you may send them yourself as long as they remain sealed in the original university envelope.

Transcripts from all previous post-secondary institutions must be submitted and applicants must disclose any previous academic or disciplinary sanctions that resulted in their temporary or permanent separation from a previous post-secondary institution. If it is found that previous academic or disciplinary separations were not disclosed, applicants may face denial and admitted students may face dismissal from their academic program.

Letters of recommendation: 3 required

Recommendation letters submitted by relatives or friends, as well as letters older than one year, will not be accepted.

Personal Statement/Essay Questions

Prepare a brief but careful statement regarding:

• Reasons you wish to do graduate work in this field, including your immediate and long-range objectives.
• Your specific research or professional interest and experiences in this field.

Additional Department Requirements

Fiction: Please submit at least two separate pieces, i.e. two short stories, part of a novel or novella and a short story. Non-Fiction: At least two separate non-fiction pieces, i.e. feature articles, essays, or newspaper stories. Poetry: Ten to fifteen poems

Important Notes

All applicants are encouraged to contact programs directly to discuss program-specific application questions.

International Applicants

Prospective international students are required to submit TOEFL, IELTS, or equivalent examination scores. English Language Exams may be waived if English is your first language. If you wish to request a waiver, then please visit our Test Scores webpage for more information.

Explore Program Details

Faculty directory.

Students in the MFA program are invited to become involved in the production of the UNH online literary journal, Barnstorm . Barnstorm was founded by MFA graduate students and continues to be entirely student run under faculty advisor Tom Payne. The position of Editor-in-Chief pays a stipend of $3,500 per year.

While we do not adhere to a particular style or manifesto, Barnstorm strives to publish the best poetry, fiction, and non-fiction. Previous contributors include both renowned and emerging writers. Barnstorm also publishes weekly literary columns from our staff via our blog. To learn more about Barnstorm and its publications, visit our website at barnstormjournal.org.

Internships & Opportunities

The portsmouth music hall internship.

A paid, year-long internship at one of New England’s premier arts organizations—The Music Hall’s two literary series,  Writers on a New England Stage  and  Writers in the Loft,  employ an MFA student to assist in marketing and production.  This is a great opportunity for a literary- and marketing-minded student with sharp writing and interpersonal skills to further develop their skills and resume while working with the Music Hall’s award-winning professionals. The PMH intern engages in a wide range of marketing and event activities, from press release writing and blogging about authors to distributing collateral including posters, as well as researching specialty markets and occasionally going out to pick up a sandwich for the author on an event night. The position pays $4,000 for the year, and is funded through the generosity of an anonymous UNH alumnus.

Visit the Writers on a New England Stage website .

Research Development and Communications Internships

The  UNH Office of Research Development and Communications  offers a number of internships to graduate English students each year. Interns work an average of at least 10 hours per week over the course of the year (a minimum of 500 hours for the entire year), including the summer. The yearly salary is approximately $6000. Intern responsibilities include reviewing and editing grant proposals to federal funding agencies such as the National Science Foundation and the National Institutes of Health, writing communications pieces on behalf of the Research Office, and working with graduate students applying for federal funding. Interested candidates should possess excellent writing/editorial skills. Professional experience as a writer/editor is a plus. The positions are open to both current and incoming students, and applications are accepted in late April/early May. Because this position is funded with Work Study funds, you must have filed a FAFSA form in order to apply. Students holding Teaching Assistantships may not apply for this position.

Read Free or Die

Read Free or Die  is a monthly reading series created and hosted by the students of UNH's MFA program to showcase writing from across the genres.  Traditionally held once a month in the upstairs of The Press Room in historic downtown Portsmouth, NH, the series provides an intimate space and the opportunity for MFA students to share both voice and craft.  Each reading features two poets, two fiction writers, and two non-fiction writers.   Read Free or Die is a free event.  For more information visit the  Facebook page  for the series.

MFA Student Successes

December, 2023: Nico Bailey (MFA '22)  published their debut story "Pas De Deux" in the Kelsey Review, and it has been nominated for a Pushcart Prize.  Congratulations, Nico!

April, 2022:  Austin Bolton's  (MFA '22) short story, "If Ever You Should Leave," is getting published by the literary magazine Change Seven at the start of July.  Congratulations, Austin!

October, 2021:  Christina Keim  (MFA '20) has co-authored a book with Sally Benton.   The Athletic Equestrian: Over 30 Exercises for Good Hands, Power Legs, and Superior Seat Awareness   is set to be released in January, 2022 by Trafalgar Square Books.   https://www.horseandriderbooks.com/store/the-athletic-equestrian.html

September, 2021: Our first student to earn her MFA,  Midge Goldberg  (MFA '06), has just had her third book of poems published by Kelsay Books.   To Be Opened After My Death  is available at Amazon  https://www.amazon.com/Be-Opened-After-My-Death/dp/195435391X/ref=sr_1_3

September, 2021:  Samantha DeFlitch's (MFA '18) second manuscript was named a finalist in the National Poetry Series.  The news release is at  https://nationalpoetryseries.org/congratulations-to-the-winners-of-the-2021-national-poetry-series/ .  

February, 2021:  Samantha DeFlitch's (MFA '18) first full-length book of poetry has been published! Confluence is available for pre-order at http://broadstonebooks.com/Samantha_DeFlitch.html Congratulations, Sam!

November, 2020: Bill Price  (MFA '21) has had four pieces published since joining the MFA program.  Congratulations, Bill!

“The Ferryman’s Coin.” Showbear Family Circus,  Nov. 2020 “Nature’s Glory.” Ripples in Space,  Aug. 2020 “The Knocking.” Beyond Words,  May 2020 “I, Leave.” National Veterans Creative Arts Festival,  Nov. 2019

November, 2020: Paulna Valbrun  (MFA '20) had two pieces published.   “Afrodite” and “Church for Sinner’s.” The latter essay was published by a popular literary magazine in Kenya! https://www.midnightandindigo.com/afrodite/ https://jaladaafrica.org/2020/12/04/church-for-sinners-by-paulna-valbrun/

March, 2020: Morgan Plessner's (MFA '19) manuscript is to be published on March 24th, 2020!  Body of the Moon is available at  https://www.amazon.com/Body-Moon-Morgan-Leigh-Plessner/dp/B0863TKRQT . Congratulations, Morgan!

February, 2020: Joshua Foreman (MFA '17) and his writing partner Ryan Starrett started working with the History Press while he pursued his MFA at UNH. They have published three narrative history books ( https://foremanstarrett.com/books/ ) with them.  The most recent publication - Hidden History of New Orleans - in Feb. 2020. Josh also began teaching in the Communication Department at Mississippi State University in August. 

January, 2020: Danley Romero (MFA '21) had his short story, "Fin, or A Thing Like Music" published in the Massachusetts Review's 60th anniversary issue and it was nominated for a Pushcart Prize!  Congratulations, Danley!

November, 2019: Heidi Turner's (MFA '21) first book was published by Heritage Future and won the 2019 Great Story Project.   The Sacred Art of Trespassing Barefoot   is available for purchase at  https://www.amazon.com/Sacred-Trespassing-Barefoot-Great-Project/dp/1732856419 .  Congratulations, Heidi!

October, 2019: Congratulations to  Tyler Paterson  (MFA '20)!  The publishing  company Retreat West out of London officially nominated his short story "Seedlings" for the Pushcart Prize.

August, 2019: Jason Tandon's  (MFA '07) new book of poetry was published by Black Lawrence Press.  "The Actual World" is available now.  Jason currently teaches in the Writing Program at Boston University.   https://www.blacklawrence.com/the-actual-world/  |  https://jasontandon.com/

February, 2017: Kaely Horton's (MFA '18) short story "Canvassing" will be published in May's edition of RipRap.  Kaely also wrote an article on teaching which is the first runner-up for the Donald Murray Prize and is getting published in the spring issue of Writing on the Edge with commentary from Peter Elbow.

May, 2017: Congratulations to Ben Ludwig (MFA 2017) on the publication of his novel Ginny Moon , Park Row Books, May 2017! 

May, 2017: Brian Evans-Jones , Poetry MFA 2016, has won the poetry section of the 2017 Maureen Egen Writers Exchange Award from Poets & Writers.

May, 2017: Alix McManus's (MFA Fiction) short story "Rosemary and the Red Pens" was recently published in Gravel Magazine.  Congratulations, Alix!

April, 2017: Rose Whitmore , Fiction MFA 2013, won a Stegner Fellowship at Stanford University, 2017. 

February, 2017: Amy Sauber (MFA '14) wins Pen/Robert J. Dau Short Story Prize for her story "State Facts of the New Age".  Information about the prize can be found at https://pen.org/2017-penrobert-j-dau-short-story-prize-emerging-writers/  Congratulations, Amy!

November, 2016: Brittany Smith's story 'The Fruit Grove Girl' gets published in The Bangalore Review.  The story can be read at http://bangalorereview.com/2016/11/fruit-grove-girl/  Congratulations, Brittany!

September, 2016: Amy Sauber's (MFA '14) story 'State Facts for the New Age' gets published in The Rumpus.  Congratulations, Amy!  The story can be found at http://therumpus.net/2016/09/rumpus-original-fiction-state-facts-for-th…  

April, 2016: Midge Goldberg (MFA '06) recently published a book of poetry, Snowman's Code, which won the Richard Wilbur Poetry Award. Midge was our very first MFA student to earn her degree!  The book was published by University of Evansville Press and can be found on Amazon at: http://www.amazon.com/Snowmans-Code-Midge-Goldberg/dp/0930982754/ref=sr…

February 2016: Benjamin Ludwig's FOREVER GIRL, pitched as The Curious Incident of the Dog in the Nighttime meets Room, told from the perspective of an adopted autistic teenage girl who's plotting to get herself kidnapped by her birth mother, pre-empted by Liz Stein on an exclusive 3-day submission, in a major deal (WE) by Jeff Kleinman at Folio Literary Management; translation rights with Molly Jaffa at Folio Literary Management. 

September, 2015: Congratulations to UNH's very first student to earn her MFA in Writing almost 10 years ago!   Midge Goldberg recently published a children's book, My Best Ever Grandpa , with Azro Press of N.M. The book was illustrated by Valori Herzlich. Here's s a link to the publisher's announcement page: http://www.azropress.com . 

May, 2015: Much congrats to Sonia Scherr , MFA ’13, who has been awarded a Fulbright Fellowship! Scherr, who was an alternate in the competition last year, will conduct research in Morocco in order to write a historically informed Young Adult novel about the relationship between Jewish and Muslim Moroccans during the Holocaust.

January, 2015: Benjamin Ludwig's book, titled "Sourdough" won the Clay Reynolds Novella Prize from Texas Review Press.  The book is for sale on Amazon http://www.amazon.com/Sourdough-Benjamin-Ludwig/dp/1680030140/ref=sr_1_1 ...  Congratulations, Benjamin!

November, 2014: Congratulations to Caro Clark (MFA '13) who recently received a McDowell Fellowship for the spring!

September, 2014: Congratulations to Bryan Parys (MFA '10) for landing a job as an editor/writer at Berklee College of Music in the department of digital strategy and communications. Bryan also recently signed a contract to publish his thesis with Cascade Books.  More details to come!

August, 2014: Craig Brown (MFA '11) published an article in Dispatch Magazine called "Cruising the Coast: Three Days Sailing on the Victory Chimes , America's Windjammer".  A scan of the article can be found at /sites/cola.unh.edu/files/media/Dispatch_-_Cruising_the_Coast.pdf.

August, 2014: Rose Whitmore (MFA '13) recently had an essay published in The Sun, and was awarded a work-study scholarship in non-fiction to the Bread Loaf Writer's conference. 

July, 2014: Congratulations to Caro Clark (MFA '13) who's Glimmer Train story won first place in the new writer's contest!  First place won $1500 and publication in issue #94.  The announcement of the winners can be found at http://lib.store.yahoo.net/lib/glimmertrain/May2014SSA-Winners.pdf

July, 2014: Maria Chelko's (MFA '10) poems have appeared in these journals: The Ampersand Review, Anti-, Birdfeast, The Freeman, Revolver, Sixth Finch, and Washington Square Review. She was also awarded a scholarship to the Bread Loaf Writers' Conference this summer. 

July, 2014: Congratulations to Nathan Webster (MFA '09) who was hired as a full time lecturerer for the English department at UNH!  Nate has published the following: 

• Daily Beast, Jan. 11. "How the War Comes Home.”
• The Rumpus, July 4. "Bedrooms of the Fallen." http://therumpus.net/2014/07/bedrooms-of-the-fallen-by-ashley-gilbertso…
• Wrath Bearing Tree, July 10. "Foreshadows from Iraq." http://wrathbearingtree.wordpress.com/2014/07/10/foreshadowing-in-iraq-…

July, 2014: Erin Somers' (MFA '13) story, "Astronauts in Love" was published by One Teen Story this month. Link: http://www.oneteenstory.com

June, 2014: Congratulations to Karina Borowicz (MFA '09) for winning the Codhill Poetry Award for her book of poetry titled Proof .  It was also a finalist for the National Poetry Series!  The press release can be found at http://www.sunypress.edu/p-6030-proof.aspx .  The Amazon link is at http://www.amazon.com/Proof-Karina-Borowicz/dp/1930337752/ref=sr_1_1?ie…

June, 2014: William Stratton (MFA '12) published his first collection of poems titled Under the Water Was Stone.   http://wintergoosepublishing.com/now-available-under-the-water-was-ston…

 April, 2014: Great news from Sarah Stickney (MFA '10) that the book she co-translated with Diana Thow and Eugene Ostashevsky, The Guest in The Wood by Italian poet Elisa Biagini just Won the Best Translated Book Award for 2014. Congratulazioni, Sarah! http://www.rochester.edu/College/translation/threepercent/index.php?id=…

April, 2014: Caro Clark (MFA '13) won the Luso-American fiction scholarship to attend the Disquiet International writing conference in Lisbon this summer. You can read about the conference here: http://disquietinternational.org . The scholarship pays for transportation to and from Portugal and all fees associated with the two-week program.  Caro will have the chance to work with Denis Johnson, Josip Novakovich, Padgett Powell, and others while there. And in further good news: Glimmer Train also picked up one of her stories stories recently. 

March, 2014: Emily Bradley , who received her MFA in creative nonfiction from UNH in 2012, published an essay in the March/April issue of Yankee Magazine. The illustrated feature, titled “When My Father Calls,” tells of her father’s relationship with a chipmunk in the years after her mother died while revealing the ways we reconfigure our lives in the wake of grief.   http://www.yankeemagazine.com/

November, 2013: Jason Tandon '07 has published his third book of poems, Quality of Life, with Black Lawrence Press.  Here's the link to his publishers announcement page: http://www.blacklawrence.com/quality-of-life/

October, 2013: Jennie Latson '13 signed a contract with Simon & Schuster for her book The Boy Who Loved Too Much.  This tale of a boy with Williams Syndrome, the so-called "friendliness disorder," and his mother was her MFA thesis project. For over two years she immersed herself in the lives of the two, traveling with them to Michigan for a summer camp, spending weekends with them in their Connecticut home, monitoring how this child who knows no skepticism, loves everyone, navigates a world that requires caution. The book will be published in early 2015.

September, 2013: Rose Whitmore '13 (fiction) has won the William Peden Prize from The Missouri Review for her short story "The Queen of Pacific Tides." Learn more.

September, 2013: Jeremy Parker , a new MFA student this year, was a semi-finalist in the 2013 Raymond Carver Short Story Contest run by Carve Magazine . Out of over 1,000 submissions, the editors chose 5 winners, 5 honorable mentions, and 23 semi-finalists.

July, 2013: Laurin Becker Macios , MFA poetry alum, is the Program Director for Mass Poetry, an organization supporting poets and poetry in Massachusetts. Her poems have recently been published in 34th Parallel, Pif, and Five2One Magazine. In Sept. 2013 she will be spending two weeks at the Martha's Vineyard Writer's Residency in Edgartown.

July, 2013: Alan Schulte , MFA nonfiction alum, was hired for a permanent, tenure track position at Franklin Pierce University as Assistant Professor of Composition and Director of the Wensberg Writing Center. He is also the Faculty Adviser of Nevermore, the University's Literary Journal.

July 2013: Maria Chelko , MFA poetry alum, just won a 2013 PSA New York Chapbook Fellowship for her manuscript, Manhattations. Mary Ruefle selected it.  Here's a link to the announcement: http://www.poetrysociety.org/psa/awards/chapbook_fellowship/

June 2013: Congrats to recent grad Erin Somers , who is featured in "Writing Lessons" on the Ploughshares blog. "Writing Lessons" features essays by writing students about lessons learned, epiphanies about craft, and the challenges of studying writing. You can view Erin's post here: http://blog.pshares.org/index.php/writing-lessons-erin-somers/ .

March 2013: Congratulations to David Bersell , who has been awarded the much coveted nonfiction scholarship to the Tin House Writer's Workshop this summer. David will spend the week working with Cheryl Strayed, author of the memoir Wild and the Rumpus column Dear Sugar. Quite the coup for David and well deserved.

January 2013: Emily Robbins Bradley , MFA nonfiction alum, was hired at the New Hampshire Institute of Art as their "Instruction and Reference Specialist" in their college library.  She also teaches  composition there.  She had a short essay featured on the video series "In Place" which is part of the larger online journal "Extracts: Daily Dose of Lit."

January, 2013: Kristina Reardon , MFA fiction alum, was awarded the 2012 Aetna Works-in-Progress Grant for a short story collection, awarded by the UConn Department of English.  She was also awarded the 2012 Tinker Foundation Pre-Dissertation grant to translate fiction in Buenos Aires, Argentina.  Her translations of the short story "The Surprise" by Lili Potpara (from the Slovenian) & "The Vision" by Carmen Boullosa (from the Spanish) are published in World Literature Today (September 2012).  She also has an essay on literary translation published on WLT's "Translation Tuesday" blog.  

January, 2013: Dustin Martin , MFA fiction alum, was hired as a staff assistant to the Donor Relations team for the Faculty of Arts and Sciences at Harvard University.

January, 2013: Sarah Stickney , MFA poetry alum, has publications in Rhino, and Portland Review.  In October she acted as a simultaneous French interpreter for the Megaflorestais international forestry conference.  She was recently hired as a tenure-track professor at St. John's College in Annapolis.

January, 2013: Alan Schulte , MFA nonfiction alum, landed a position as Visiting Assistant Professor of Composition and Director of the Wensberg Writing Center at Franklin Pierce University. He has also been assigned as Faculty Adviser of Nevermore, the University's Literary Journal.

January, 2013: Edward Manzi, MFA poetry alum, had poems published in Brush Fire, Paper Nautilus , and The Bakery .  He also had a poem nominated for the Pushcart Award.

November, 2012: Jennifer Latson , a 3rd-year MFA in nonfiction candidate, has a BIG story in the Nov/Dec issue of Yankee magazine. The subject: Tuttle's farm in Dover, told from Lucy Tuttle's point of view. The story began in an essay writing workshop, was revised in Sue Hertz's people and place workshop last spring and sent to Yankee in the summer. They loved it!

August, 2012: Tim Horvath , MFA alum, landed a full-time teaching gig at the New Hampshire Institute of Art. He also just published his latest, a collection of short fiction called Understories .

June, 2012: Rose Whitmore , a fiction MFA who will graduate in May '13, has THREE success stories! Her short story "The Queen of Pacific Tides" will be published in the summer issue of The Missouri Review and her essay "The Lost Coast" will appear in Fourth Genre. Rose has also been accepted to the Bread Loaf Writers' Conference this summer. Nonfiction MFA Jennifer Duffy has also been accepted to Bread Loaf.

June, 2012: Jennifer Latson , a nonfiction MFA who will graduate in May '13, will publish "Blood Ties to the Land," a nonfiction narrative about Tuttle's Farm in Dover told through 67-year-old Lucy Tuttle's point of view, in the December issue of Yankee Magazine .

June, 2012: Alan Schulte , a nonfiction MFA who graduated in December '11, has published his essay "The Point of Failure" in the online journal Junklit .

April, 2011: Ryan Flaherty , MFA '10, has published a new book of poetry, What's This, Bombardier? He also has a poem featured on BOMBlog Word Choice .

February, 2011: Kristina Reardon's (MFA Dec. 2010) essay White Goddess Ghosts will be published in the Montreal Review . Kristina wrote the piece for her UNH travel writing class last summer in Cambridge, England.

February, 2011: Bryan Parys (MFA ’10) won a Fair Trade essay contest , which awarded him $2,000 in fair trade goods. He was also named a contributing scholar for a new online publication called State of Formation . Most recently his article “Superman of the House” was published by the Gooden Men Project Magazine .

November, 2010: Ryan Flaherty , MFA ’10, has three poems in POOL : http://www.poolpoetry.com/ , had a poem featured on Verse Daily : http://www.versedaily.org/2010/conditionals.shtml and an essay published in Columbia : http://columbiajournal.org .

November, 2010: The World after Czeslaw Milosz , a chapbook by Maria Chelko , MFA ’10, won the 2010 Dream Horse Press National Chapbook Contest. Dream Horse Press will publish the book in the Spring/Summer of 2011.

May, 2010: Marla Cinilia was awarded a Bread Loaf Writers Conference scholarship based on the merit shown in her fiction. Only 12 spots are available for the conference, chosen from a pool of hundreds nation-wide.

May, 2010: Kristina Reardon and Sarah Stickney have received prestigious Fulbright Scholarships that will provide them support to conduct research abroad during the 2010-11 academic year. Learn more.

February, 2010: Amy VanHaren , a member of the MFA’s first graduating class in 2007, recently published her piece “Rescue on the Ridge” in AMCOutdoors . While Amy is not working on the book from which this piece is excerpted, she is using her writing skills as the social media manager at Stonyfield Farm, one of the nation’s leaders in organic agriculture and retail dairy products

February, 2010: MFA nonfiction writer Nathan Webster has had his thesis accepted for publication by The Truth About The Fact: International Journal of Literary Nonfiction (Loyola Marymount University, LA). "Suspicions, After Curfew" is slated for publication in the Spring 2010, Volume V Number I issue. Here’s what the editors wrote to Nathan: "We received hundreds of submissions from the international literary community, including impressive narratives about life in South Africa, Sri Lanka, China, Canada, Great Britain and the United States. Your work was one of only 21 pieces selected."

February, 2010: Jason Tandon , MFA ’07, was pleased that Garrison Keillor read one of his poems from his book Give Over the Heckler and Everyone Gets Hurt on The Writer’s Almanac.

February, 2010: Emily Robbins , MFA ’11, published her essay “The Way Home” in the Northern New England Review , Volume 31.

January, 2010: MFA nonfiction writer Ryan Flaherty recently published two chapbooks, Live, from the Delay and Novas. He also has poems coming out this spring in three journals: Colorado Review, Ninth Letter, and Handsome. He has also been awarded PEN New England's Discovery Award in Poetry. Each year, established authors sponsor newcomers in their field and this year poet Peter Covino selected Ryan and will introduce him at the 31st Annual Discovery celebration. The award is based on the promise of the discoveree’s potential.

October, 2009: MFA student Bryan Parys published "The Last Word or, The Eternal Present Tense" in The (Non)fiction 500 section of the journal Like Water Burning .

September, 2009: MFA alum Brian Wilkins '06G, '09G is a poet; his former college roommate, Ian Terrell, is a Web developer. Together, they've created a literary magazine for the iPhone, which plays an audio recording of a poem, essay, or short story as the reader scrolls along with the text. "The best part about poetry or any literature really is going to a reading and getting to hear the author's voice," says Wilkins. The first issue of "Scarab" includes a poem by Charles Simic, UNH professor emeritus. Read the story

June, 2009: MFA fiction writer Kristina Reardon , who will enter her second year in the program this fall, has published two stories, "Easter 1941" and "A Bit of Kindness," in the New Voices section of the summer edition of the Newport Review: http://www.newportreview.org/?new-voices/kreardon.html . Kristina has also won a scholarship from the Centre for Slovene at the University of Ljubljana and will spend the month of July there this summer researching material for her thesis manuscript.

February, 2009: MFA poet Maria Barron won the 2009 LUMINA Poetry contest. LUMINA is a literary journal published by Sarah Lawrence College. The contest was judged by poet, Ilya Kaminsky. Maria's poems placed both first and second, earning Maria the invitation to read at Sarah Lawrence in April.

February, 2009:MFA poet Mark Gosztyla crossed genre lines into nonfiction when he stumbled into a story about two 50-year-old unsolved murders in Somersworth, NH. For over a year Mark pursued the mysterious deaths, both on his own and in nonfiction workshops, publishing a series in Foster's Daily Democrat in June of '08. That series, titled “Shame and Silence,” won first place “for highest achievement in investigative reporting” in New England Press Association’s 2008 Annual Better Newspaper Contest.

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15 Best Creative Writing MFA Programs in 2024

May 15, 2024

Whether you studied at a top creative writing university or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? If you’re considering an MFA, this article walks you through the best full-time, low residency, and online Creative Writing MFA programs in the United States.

What are the best Creative Writing MFA programs?

Before we get into the meat and potatoes of this article, let’s start with the basics. What is an MFA, anyway?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications typically require a sample portfolio, usually 10-20 pages (and sometimes up to 30-40) of your best writing. Moreover, you can receive an MFA in a particular genre, such as Fiction or Poetry, or more broadly in Creative Writing. However, if you take the latter approach, you often have the opportunity to specialize in a single genre.

Wondering what actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then, you finish the degree with a thesis project. Thesis projects are typically a body of polished, publishable-quality creative work in your genre—fiction, nonfiction, or poetry.

Why should I get an MFA in Creative Writing?

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

Fourth: resources. MFA programs are often staffed by brilliant, award-winning writers; offer lecture series, volunteer opportunities, and teaching positions; and run their own (usually prestigious) literary magazines. Such resources provide you with the knowledge and insight you’ll need to navigate the literary and publishing world on your own post-graduation.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers—and share feedback, advice, and moral support—in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name recognition.

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

FULLY FUNDED MFA PROGRAMS

1) johns hopkins university , mfa in fiction/poetry.

This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Many grads publish their first book within three years (nice). No nonfiction MFA (boo).

• Location: Baltimore, MD
• Incoming class size: 8 students (4 per genre)
• Admissions rate: 4-8%
• Alumni: Chimamanda Adichie, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center

The only MFA that offers full and equal funding for every writer. It’s three years long, offers a generous yearly stipend of $30k, and provides full tuition plus a health insurance stipend. Fiction, poetry, playwriting, and screenwriting concentrations are available. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $4,000 for the summer.

• Location : Austin, TX
• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
• Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. All students receive full funding, including tuition, a living stipend, and subsidized health insurance. The Translation MFA , co-founded by Gayatri Chakravorti Spivak, is also two years long but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 2.7-3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

Best MFA Creative Writing Programs (Continued) 

4) university of michigan.

Anne Carson famously lives in Ann Arbor, as do the MFA students in UMichigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $25,000 stipend, summer funding, and health care.

This is a 2-3-year program in either fiction or poetry, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Location: Ann Arbor, MI
• Incoming class size: 18 (9 in each genre)
• Acceptance rate: 2%
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University

Brown offers an edgy, well-funded program in a place that only occasionally dips into arctic temperatures. All students are fully funded for 2 years, which includes tuition remission and a $32k yearly stipend. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.  Fiction and Poetry Tracks are offered as well.

• Location: Providence, RI
• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

6) University of Arizona

This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It’s in “ the lushest desert in the world, ” and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona’s dry heat is good for arthritis.

This notoriously supportive program is fully funded. Moreover, teaching assistantships that provide a salary, health insurance, and tuition waiver are offered to all students. Tucson is home to a hopping literary scene, so it’s also possible to volunteer at multiple literary organizations and even do supported research at the US-Mexico Border.

• Location: Tucson, AZ
• Incoming class size: usually 6
• Acceptance rate: 1.2% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University 

With concentrations in fiction and poetry, Arizona State is a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Moreover, it encourages cross-genre study.

Funding-wise, everyone has the option to take on a teaching assistantship position, which provides a tuition waiver, health insurance, and a yearly stipend of $25k. Other opportunities for financial support exist as well.

• Location: Tempe, AZ
• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university.

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU also has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes. Concentrations in poetry, fiction, and creative nonfiction are available.

• Location: New York, NY
• Incoming class size: ~60; 20-30 students accepted for each genre
• Acceptance rate: 6-9%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers. Finally, teaching positions and fellowships are available to help offset the high tuition.

• Incoming class size: 110
• Acceptance rate: not publicized (boo)
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence 

Sarah Lawrence offers a concentration in speculative fiction in addition to the average fiction, poetry, and nonfiction choices. Moreover, they encourage cross-genre exploration. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere, and many teaching and funding opportunities are available.

• Location: Bronxville, NY
• Incoming class size: 30-40
• Acceptance rate: not publicized
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11) bennington college.

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer. The rest of the time, you’ll be spending approximately 25 hours per week on reading and writing assignments. Students have the option to concentrate in fiction, nonfiction, or poetry. Uniquely, they can also opt for a dual-genre focus.

The tuition is $23,468 per year, with scholarships available. Additionally, Bennington offers full-immersion teaching fellowships to MFA students, which are extremely rare in low-residency programs.

• Location: Bennington, VT
• Acceptance rate: 53%
• Incoming class: 25-35
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres, including screenwriting, poetry, fiction, and nonfiction. In addition, each student is matched with a faculty mentor who works with them one-on-one throughout the semester.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 in tuition a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Location: Santa Fe, NM
• Incoming class size : 21
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

VCFA is the only graduate school on this list that focuses exclusively on the fine arts. Their MFA in Writing offers concentrations in fiction, poetry, and nonfiction; they also offer an MFA in Literary Translation and one of the few MFAs in Writing for Children and Young Adults . Students meet twice a year for nine days, in January and July, either in-person or online. Here, they receive one-on-one mentorship that continues for the rest of the semester. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition for the full two-year program is approximately $54k.

• Location : Various; 2024/25 residencies are in Colorado and California
• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso.

UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Accordingly, this program is geared toward serious writers who want to pursue teaching and/or publishing. Intensive workshops allow submissions in Spanish and/or English, and genres include poetry and fiction.

No residencies are required, but an optional opportunity to connect in person is available every year. This three-year program costs about $25-30k total, depending on whether you are an in-state or out-of-state resident.

• Location: El Paso, TX
• Acceptance rate: “highly competitive”
• Alumni: Watch alumni testimonies here

15) Bay Path University

This 2-year online, no-residency program is dedicated entirely to nonfiction. Featuring a supportive, diverse community, Bay Path offers small class sizes, close mentorship, and an optional yearly field trip to Ireland.

There are many tracks, including publishing, narrative medicine, and teaching creative writing. Moreover, core courses include memoir, narrative journalism, food/travel writing, and the personal essay. Tuition is approximately $31,000 for the entire program, with scholarships available.

• Location: Longmeadow, MA
• Incoming class size: 20
• Alumni: Read alumni testimonies here

Best MFA Creative Writing Programs — Final Thoughts

Whether you’re aiming for a fully funded, low residency, or completely online MFA program, there are plenty of incredible options available—all of which will sharpen your craft while immersing you in the vibrant literary arts community.

Hoping to prepare for your MFA in advance? You might consider checking out the following:

• Best English Programs
• Best Colleges for Creative Writing
• Writing Summer Programs
• Best Writing Competitions for High School Students

Inspired to start writing? Get your pencil ready:

• 100 Creative Writing Prompts 
• 1 00 Tone Words to Express Mood in Your Writing
• 60 Senior Project Ideas
• Common App Essay Prompts

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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Summer Writing Residency in Coastal New England - Summer 2024

Wylie Center & Tupper Manor, located on the beautiful North Shore of Massachusetts

Additional Navigation

Our writing seminar is sold out..

Workshops in memoir, flash nonfiction, fiction writing, poetry, healing narratives, writing about place, and family stories.

Melanie Brooks: “The Healing Possibilities of Writing: A Workshop on Stories of Health and Trauma"  

Charles Coe : "Effective Metaphors, Strong Images: Why They Work and How to Create Them" 

María Luisa Arroyo Cruzado: “poetry as memoir: creating narrative poems from your lived experience" for poets and memorists

Suzanne Strempek Shea : “It’s All About Me! A Workshop on the Flash Essay” and “Help! I’m So Stuck! Ways to Swerve Around Roadblocks" for fiction and nonfiction writers  

Tommy Shea: “The Talk of the Town: Finding Inspiration on Location”

MFA Director: Leanna James Blackwell

and Special Guests!

Our seminar will take place at the Wylie Center & Tupper Manor on the campus of Endicott College, located on the beautiful North Shore of Massachusetts. The Center is five minutes from the historic town of Beverly, ten minutes from Salem, and a little over an hour from Boston.

• A variety of immersive, all-morning writing workshops with MFA and guest faculty
• Afternoon “Writers’ Lounge,” where writers can meet one-on-one with an instructor or just relax, read, and write
• Late afternoon “Tea and Talks” with literary readings, book talks and craft discussions, panels, and presentations
• A mid-week break for outings (have a picnic on the beach, visit a museum in Salem, plan a hike)
• Evenings to explore the cafes, pubs, and restaurants of the nearby downtown
• End-of-week student reading and festive celebration

First-half workshops are held Monday – Wednesday, August 5 – 7 Second-half workshops are held Thursday – Saturday, August 8 – 10

Students choose a different workshop for each half (or may choose the same one, if it’s offered twice)

Suzanne Strempek Shea "Help! I'm So Stuck!" (offered first half )

A traditional workshop aimed at helping writers through and beyond a piece, or a section of a manuscript, that's been proving difficult. Both nonfiction and fiction writers welcome as we put the microscope to the writer's work via pieces submitted in advance for reading and preparing suggestions. We'll also look at roadblocks - why they happen and how to swerve around them in future writing. **Maximum of six writers, fiction and nonfiction

"It's All About Me!" (offered second half)

A generative workshop focusing on the short essay and (most importantly) on you! Using examples of writing inspired by all elements of the self, we'll use the short essay form to create self-portraits, some of which might inspire future exploration of the many facets of who we are. Recommended for those who want to learn more about and practice the short form. Plan to leave with a clutch of completed pieces or starts. **Any number of writers allowed

Tommy Shea "Talk of the Town" (offered both halves)

This generative workshop will inspire writers to see ideas everywhere. Get out and about with your notebook as you meet Tommy daily in a different part of a town on the North Shore. We’ll start with a brainstorming session to get your idea gears turning while taking in locations including a dock, a neighborhood, a business, and a community vibe. After meeting in one of those locations and generating ideas for pieces of writing, you’ll head off to soak up more about your chosen subject and then sit down to write on your own. Tommy and all participants will meet up the end of each session to talk about the process of what you found and wrote, and the poem, short story, magazine piece, or one-act play you might have started. Be ready to do some exploring, noticing, and using it all. **Maximum of six writers. Same locations to be visited in both halves, and will be announced as you board the van each morning of the workshop.

Melanie Brooks “The Healing Possibilities of Writing: A Workshop on Stories of Health and Trauma” (offered both halves)

Stories of medical, physical, or psychological challenges and trauma will be the focus of this generative workshop. In a compassionate and supportive space, writers will engage in reading and writing exercises that begin peeling back the layers of their experiences and helping them uncover the powerful stories they have to tell. Participants will discuss the challenges of confronting the vulnerability, fear, and pain that inevitably accompany the journey to bring hard stories to the page and learn strategies for taking care of themselves in the process. **Maximum of six writers.

María Luisa Arroyo Cruzado “Poetry as Memoir” (offered first half)

In this dynamic, writing-intensive workshop with multilingual Boricua poet and essayist María Luisa, writers will venture into their memories and experiences, not as excavators but rather as intuitive conduits. Timed automatic writing, free associative writing, and other creative exercises will enable participants at any stage in their writing to find new ways to enrich the expressive power of their voice, rediscover the joy of language, and shape their personal memories into artful poetic forms. Writers will generate a series of memoir poems or one long memoir poem for sharing and respectful, fruitful feedback. Open to writers working in all genres; no previous experience with writing poetry is required. **Any number of writers allowed

Charles Coe  "Effective Metaphors, Strong Images: Why The Work and How to Create Them" (offered second half)

An interactive craft workshop, with exercises and prompts, focusing on how to create and use striking metaphors and indelible images that will take your writing to the next level (for prose writers and poets alike). Learn techniques to transform "competent" writing into writing that jumps off the page with vitality. Students will generate new work and also have the opportunity to bring in poems and short essays for feedback and revising. **Any number of writers welcome.

  Lodging

Single rooms with queen bed: $119 per night at the Wylie Center & Tupper Manor

Breakfast, all-day snacks and refreshments, and lunch are provided by the Wylie Center at $70 per day. Dinners are on your own in town.

  Tuition

Current Bay Path University MFA students pay the cost of tuition for a 3-credit elective: MFA668: Summer Field Seminar. 

Tuition for all other participants is $995 .

  A $100 nonrefundable deposit/administrative travel fee is required of all writers and students to reserve your space. Space is limited and reservations go quickly!

For more information or to reserve your spot:

Contact: MFA Director Leanna James Blackwell Email: [email protected]

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MFA in Creative Writing | Summer 2024 Reading Series

• Performance
• Visiting Artist

New England College’s MFA in Creative Writing program hosts the 2024 Summer Reading Series, featuring readings by the program’s highly talented writers. The week culminates with a reading by Victoria Chang, the 2024 Elizabeth Yates McGreal Writer-in-Residence.

Dates: Friday, July 12–Friday, July 19, 2024 Time: 7:30 p.m. for all sessions Locations: John Lyons Learning Commons, 55 Depot Hill Road, and the Rosamond Page Putnam Center for the Performing Arts, 10 Weare Road, in Henniker, NH Admission: FREE and open to the public

Friday, July 12 John Lyons Learning Commons | Chen Chen and Tara Ison

Chen Chen is the author of When I Grow Up I Want to Be a List of Further Possibilities  (BOA Editions, 2017) , which was longlisted for the National Book Award and won the Thom Gunn Award, among other honors. Bloodaxe Books has just released the UK edition. He is also the author of four chapbooks, most recently You MUST Use the Word Smoothie (Sundress Publications, 2019) and GESUNDHEIT!  (with Sam Herschel Wein and out now from Glass Poetry Press). His work appears in many publications, including  Poetry , Poem-a-Day, The Best American Poetry (2015 and 2019), and The Best American Nonrequired Reading (2017). He has received a Pushcart Prize and fellowships from Kundiman and the National Endowment for the Arts. He holds an MFA from Syracuse University and a PhD from Texas Tech University. He teaches at Brandeis University as the Jacob Ziskind Poet-in-Residence and co-runs the journal, Underblong. He lives in Waltham, Massachusetts, with his partner, Jeff Gilbert, and their pug, Mr. Rupert Giles.

Tara Ison is the author of three novels: A Child out of Alcatraz , The List , and Rockaway ; the essay collection Reeling Through Life: How I Learned to Live, Love, and Die at the Movies ; and the short story collection Ball . Her work has appeared in Tin House, BOMB, The Kenyon Review, Salon, Black Clock, O, the Oprah Magazine, Electric Lit, and several anthologies. She is the recipient of multiple Yaddo fellowships, the PEN Southwest Award for Creative Nonfiction, and two NEA fellowships. She is also the co-writer of the cult classic movie Don’t Tell Mom the Babysitter’s Dead . Ison is a Professor of Creative Writing at Arizona State University.

Saturday, July 13 Putnam Center for the Performing Arts | Andrew Morgan and David Ryan

Andrew Morgan is a professor, poet, editor, and volunteer whose work can be found in magazines such as Conduit ,  Verse ,  Slope ,  Stride ,  Fairy Tale Review , New World Writing ,  Post Road, Pleiades  (as part of a “Younger American Poets” feature)   and is the recipient of a  Slovenian Writer’s Association Fellowship, which sponsored a month-long writing residency in the country’s capital city of Ljubljana. Currently an Associate Professor of Creative Writing at New England College, his first book, Month of Big Hands , was published by Natural History Press in 2013.

David Ryan is the author of the short story collection, Animals in Motion (Roundabout Press) and Malcolm Lowry’s Under the Volcano: Bookmarked (Ig Publishing). His fiction has appeared in Esquire , Tin House , BOMB , Fence , Denver Quarterly , and Alaska Quarterly Review , among others, and has been anthologized in Flash Fiction Forward (W.W. Norton), Boston Noir 2: The Classics (Akashic Books), and The Mississippi Review: 30 Years . His essays, reviews, and interviews have appeared in The Paris Review , Tin House , BOMB , BookForum , The Oxford Encyclopedia of American Fiction (Oxford University Press), and others. A founding editor of the literary magazine, Post Road , he currently edits the Fiction and Theatre sections.

Sunday, July 14 John Lyons Learning Commons | Jennifer Militello and Chika Unigwe

Jennifer Militello is the author of the poetry collection The Pact (Tupelo Press/Shearsman Books, 2021) and the memoir Knock Wood (Dzanc Books, 2019), winner of the Dzanc Nonfiction Prize. She is also the author of four previous collections of poetry, including A Camouflage of Specimens and Garments (Tupelo Press, 2016), called “positively bewitching” by Publishers Weekly  and Body Thesaurus (Tupelo Press, 2013), named one of the best books of 2013 by Best American Poetry . Her poems and nonfiction have appeared in Best American Poetry, Best New Poets, The Nation, The New Republic, The Paris Review, POETRY , and Tin House .

Chika Unigwe was born in Enugu, Nigeria. She was educated at UNN and KUL (Belgium) and earned her PhD from Leiden University, Holland. Widely translated, she has won many awards for her writing. Her books include  The Middle Sister ,  On Black Sisters’ Street,  and  Better Never than Late . She is Creative Director of the Awele Creative Trust, and she was a judge for the Man Booker International Prize in 2016. In 2016–2017, she was Bonderman Professor of Creative Writing at Brown University.

Monday, July 15 John Lyons Learning Commons | Paige Ackerson-Kiely and Anna Qu

Paige Ackerson-Kiely is the author of three collections of poetry— In No One’s Land (Ahsahta, 2007); My Love is a Dead Arctic Explorer (Ahsahta, 2012); Dolefully, A Rampart Stands (Penguin, 2019); and other works of poetry and prose. Her poems have appeared in numerous national and international journals, and she’s received grants and fellowships from Poets & Writers , Boomerang, Vermont Arts Council, and others. Paige is especially interested in the prose poem and is currently at work on a collection concerned with middle age and the history of transportation. She lives in New York City and directs the MFA in Writing Program at Sarah Lawrence College.

Anna Qu is a Chinese-American writer. Her debut memoir, Made in China: A Memoir of Love and Labor was published in 2021 by Catapult. Publisher’s Weekly hailed the memoir as “the arrival of a new voice,” and Time has called it a must-read for the summer. Her work has appeared in the Threepenny Review , Lumina , Kartika , Kweli , and Vol.1 Brooklyn , among others. She holds an MFA from Sarah Lawrence College and teaches workshops at Catapult and Sackett Street Writers’ Workshop.

Tuesday, July 16–Thursday, July 18 John Lyons Learning Commons | MFA Student Readings

Friday, july 19 putnam center for the performing arts | victoria chang, the 2024 elizabeth yates mcgreal writer-in-residence.

Victoria Chang’s most recent book of poems is With My Back to the World (Farrar, Straus & Giroux, 2024). Her prior book of poetry is The Trees Witness Everything (Copper Canyon Press, 2022). Her nonfiction book, Dear Memory (Milkweed Editions), was published in 2021. Her book of poems, OBIT (Copper Canyon Press, 2020), received the Los Angeles Times Book Prize, the Anisfield-Wolf Book Award in Poetry, and the PEN/Voelcker Award. It was also a finalist for the Griffin International Prize and the National Book Critics Circle Award, as well as longlisted for the National Book Award. She has received a Guggenheim Fellowship and the Chowdhury International Prize in Literature. She is the Bourne Chair in Poetry at Georgia Tech and Director of Poetry@Tech.

More Events

Jimmy Carter Birthday Celebration

October 01, 2024

2024 New Hampshire Legislative Election Forum

October 16, 2024

Three-Year BSN: Virtual Information Session

May 21, 2025

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26 Best Things To Do In Voronezh, Russia

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The city of Voronezh is situated on the Voronezh River in southwestern Russia. Its a city filled with many fun and exciting activities for family and friends touring, not to forget the lone traveller. It includes places like Alyye Parusa, museums like the Korabl’-Muzey Goto Predestinatsiya and other historical landmarks like the red-brick neo-gothic Ramon Palace and The Annunciation Cathedral one of the tallest Eastern Orthodox churches in the world. The city is rich in history and mystery awaiting your explorative skills to uncover some of the hidden activities and places that a tourist would not easily find. Whatever it is that brings you to the city of Voronezh, you will not miss out on what to do or where to explore. It has something for everyone. Read on to find a list of top things to do in Voronezh, Russia.

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Top 10 Muslim-Friendly Hotels In Moscow, Russia

• 10 Best Beach Resorts In Russia
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Table Of Contents

• 1. Check out the first battle ship of the Russian Navy
• 2. Explore the Alyye Parusa
• 3. Visit the Voronezh Aquarium
• 4. Tour the lovely Annunciation Cathedral
• 5. Catch a show at Voronezh State Theater of Opera
• 6. Marvel at the nuns' choir at St. Alexey of Akatov Women’s Monastery
• 7. Look around the Kramskoy Museum of Fine Arts
• 8. Appreciate the architecture of Uspenskiy Admiralty Temple
• 9. Admire nature at Voronezh State Nature Biosphere Sanctuary
• 10. Have a fun day out at Voronezh Central Park
• 11. Meet The Kitten from Lizyukov Street
• 12. Savour the delectable dishes at Garmoshka
• 13. Try Therapeutic Chair No 0001 Monument
• 14. Grab fresh bakes at the Central Market
• 15. Watch a live play at the Voronezh Chamber Theatre
• 16. Explore the Arsenal Museum
• 17. Visit the Zoopitomnik Chervlenyy Yar
• 18. Check out the Voronezh Regional Local Lore Museum
• 19. Seek blessings at the Church of St. Nicholas
• 20. Take a stroll on the romantic Stone Bridge
• 21. Enjoy the view by the Voronezh River
• 22. Visit the Durov House Museum
• 23. Explore the unique Statue of Pushkin
• 24. Take the kids to the Museum of Theatral Doll of Veselov
• 25. Grab a bite at the infamous Brugger
• 26. Have a good time at DJA+GO Bar+Kitchen

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Daniel, a sports enthusiast with a passion for football, finds enjoyment in exploring new places, listening to music, and reading novels.

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Voronezh city, Russia places of interest

More information about Voronezh .

Voronezh places of interest

Voronezh city center.

Lenin Square, Plekhanovskaya and Kirov Streets form Voronezh city political and business center. The city and the region administration as well as the Voronezh region Duma and Voronezh city Duma are situated here.

Voronezh State Opera and Bailey Theater matches the official style of Lenin Square. Opened in 1931, the theater moved into this building in 1961.

Voronezh city latest news and posts from our blog:

9 September, 2015 / Kalacheevskaya Cave - the longest cave in Voronezh region .

10 May, 2010 / Voronezh oblast palace of the princess photos .

South-East Railway administration building

The building of the South-East Railway administration designed by M. Troitskii in stalinesque classicism in the middle of the twentieth century, is now the architectural symbol of Voronezh.

Nikitin Literary Museum

Address: 3, Plekhanovskaya Street.

The building, popularly known as “the Magistrate” was built in the middle of the 18th century and was originally a two-storey till 1795. It was once a seat of city administration, there were the Prosecutor’s offices, the Voronezh Provincial Archives, the offices of the local public self-government institutions and the Provincial Museum of the Local Lore.

After 1917, the building was rebuilt into a hotel and, since 1984, it has become the Literary Museum named after Nikitin. It holds the expositions telling the story of life and arts of thegreat Russian writers who were born, lived and worked in Voronezh - Koltsov, Nikitin, the Nobel Prize Winner Ivan Bunin and Andrey Platonov.

Nikitin Memorial House

Address: 19, Nikitinskaya Street.

The poet and his father built it in 1844. Since 1844, when he had to leave the Seminary and till his death in 1861 Ivan Nikitin was forced to earn his living and to support his parents by holding and managing the inn for the peasants and petty traders.

Still, hard work and material difficulties could not destroy young man’s poetic talent. Just at this house Nikitin wrote his numerous long and short poems and concluded his autobiographic story “The Seminarist’s Diary”.

The Memorial House was inaugurated in 1924. Among its relics are different personal belongings of the poet, his domestic articles, letters, manuscripts and the earliest editions of his works.

Marshak House

Address: 72, Karl Marx Street, former Sadovaya (Gardens) Street.

It is a three-storey building in a modern style of the beginning of the 20th century with the characteristic semi-ovals of the front entrance. In 1989, a memorial plate was placed there with the picture where the portrait of the writer is surrounded by the images of his most popular heroes.

Samuil Marshak was born in Voronezh in 1887 (the house of his parents has not survived) and later lived in Ostrogozhsk and studied in England. When the First World War began Marshak returned to Voronezh, and stayed in his uncle’s house on Sadovaya Street. There he worked on translations of English poetry and old popular ballads.

Due to the strong eye-sightedness Marshak was released from the military service but still served his country as a social worker helping the refugees from the Western provinces of Russia then occupied by the German troops.

Mandelshtam House

Address: 4b, Shveynikov Street.

In this plain little house of Ye. Vdovin, an agronomist, Osip Mandelshtam, one of the greatest Russian poets of the 20th century, and his wife rented lodging during their exile to Voronezh in 1934-1935. Communication with the actors of the Voronezh Drama Theaterwhere he served as the head of the Literary Material Office was for Mandelshtam his dearest joy and but the only possible distraction.

He was sure that the Shveynikov Street that he called “a street-hole” would be named after him one day. Another memorial plate is placed on the 13, Frederick Engels Street where in the flat #39 the Mandelshtams also lived.

Nikitinskaya Square

In the very center of Voronezh city there is a Nikitinskaya Square. It takes its name from the monument created by the sculptor Shuklin in 1911 in tribute to Ivan Nikitin, a famous Russian poet of the 19th century.

At this square there also situated one of the most popular of the city movie-theaters - “Proletary”. In its architecture two different styles are interestingly combined: the original one - the modem of the beginning of the 20th century (architect M. Zamyatnin) with the sculptures of the Muses, and the constructivism of the middle of the same century (architect Lvov) with its synthesis of glass and concrete.

Rostropovitches Musical School

Address: 41, Revolution Avenue.

The building was specially designed for the Musical School before the First World War and later, in the middle of the 20th century, it was reconstructed. In 2002, the School was named after Rostropovitches whose former house is not far from it.

Three generations of the outstanding musicians lived there. Vitold Rostropovitch was the founder of the Voronezh piano school. His son Leopold was himself a well-known Russian violoncellist and composer but his greatest achievement was that he brought up, educated and trained his own son Mstislav to become one of the outstanding violoncellists and conductors of our time.

Mstislav Rostropovitch is now an Honorary Citizen of Voronezh. He is known to provide aid and support for the development of different cultural initiatives and social programs of the city.

Voronezh city of Russia photos

Voronezh South-East Railway administration

Author: Mikhail Maksimov

Voronezh Marshak house

Author: Sergey Bobrov

Voronezh Proletary movie theater

Voronezh theaters

Voronezh State Opera and Bailey Theater

Author: Akim Sviridov

Voronezh State Koltsov Drama Theater

Author: Nikolay Hatuntsev

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Russian Offensive Campaign Assessment, June 25, 2024

Nicole Wolkov, Grace Mappes, Christina Harward, Karolina Hird, and Frederick W. Kagan

June 25, 2024, 7pm ET  

Click here to see ISW’s interactive map of the Russian invasion of Ukraine. This map is updated daily alongside the static maps present in this report.

Click here to see ISW’s 3D control of terrain topographic map of Ukraine. Use of a computer (not a mobile device) is strongly recommended for using this data-heavy tool.

Click here to access ISW’s archive of interactive time-lapse maps of the Russian invasion of Ukraine. These maps complement the static control-of-terrain map that ISW produces daily by showing a dynamic frontline. ISW will update this time-lapse map archive monthly.

Note: The data cut-off for this product was 1:30pm ET on June 2. ISW will cover subsequent reports in the June 26 Russian Offensive Campaign Assessment.

Two major international bodies—the International Criminal Court (ICC) and the European Court of Human Rights (ECHR) — announced decisions on June 25 confirming Russia's long-term perpetration of war crimes and human rights violations in Ukraine.  The ICC's Pre-Trial Chamber II (the chamber in charge of the ICC's Ukraine-related investigations and prosecutions) announced on June 25 that it had issued arrest warrants for former Russian Defense Minister and current Security Council Secretary Sergei Shoigu and Chief of the Russian General Staff Army General Valery Gerasimov for "the war crime of directing attacks at civilian objects" in Ukraine.[1] The ICC noted that there is reasonable evidence to believe that both Shoigu and Gerasimov bear individual responsibility for the war crimes of causing incidental harm to civilians and damage to civilian objects and the crime of inhumane acts, both of which are violations of the Rome Statute. The ICC also emphasized that even in the case of Russian forces targeting "installations that may have qualified as military objectives at the relevant time," the incidental civilian harm was excessively weighed against the expected military advantage—contrary to the international legal principle of proportionality.[2] The ICC concluded that there are reasonable grounds to believe that Shoigu's and Gerasimov's military decision-making intentionally inflicted serious bodily harm and suffering on Ukraine's civilian population.

The ECHR's Grand Chamber also ruled on June 25 that Russia has committed various human rights violations in Crimea since the beginning of its illegal occupation of the peninsula in February 2014.[3] The ECHR found that Russian officials and forces in Crimea committed numerous violations of the European Convention of Human Rights, including violations of the right to life, prohibition of inhumane or degrading treatment, right to liberty and security, right to no punishment without law, right to respect for private and family life, right to freedom of religion, right to freedom of expression, right to freedom of assembly, right to property, right to education, and right to freedom of movement, among other human rights violations. The ECHR's ruling emphasized that the evidence that the Ukrainian government has provided to the court amounts to "a pattern or system of violations" perpetrated by Russia in Crimea. The decision is the first in which any international legal body has recognized Russia's widescale and systemic violation of human rights spanning over a decade in occupied Crimea.[4]

Russia and Venezuela signed a memorandum of understanding (MOU) aimed at countering "coercive measures," likely to demonstrate to the West that the Kremlin holds influence in the Western hemisphere.  Russian Foreign Minister Sergey Lavrov and Venezuelan Foreign Minister Yvan Gil met on June 11 during the BRICS summit and signed the MOU, which the Russian Ministry of Foreign Affairs (MFA) described as an intent to develop a joint strategy combating "unilateral coercive measures" through informational channels and diplomatic means. Both Venezuela and Russia offered oddly limited details regarding the specifics of the MOU.[5] The Venezuelan MFA announced the MOU on its social media accounts on June 11 but deleted the announcement from its official website, and the Russian MFA reported on the original Lavrov-Gil meeting on June 11 but did not announce the MOU until June 25.[6] The MOU itself is also vague; the Russian MFA's readout of the MOU does not define "unilateral coercive measures."[7] This Russian-Venezuelan MOU and Russian posturing in South America follows a Russian naval port call to and military exercises near Havana, Cuba on June 12-17, after which the Russian navy was rumored to stop in Venezuela.[8] The Kremlin has recently indicated its interest in expanding cooperation with Venezuela, and the Kremlin likely intends for this new MOU to forward Russian narratives about a new multipolar world in a country that does not identify with the Russian World ( Russkiy Mir ) or alternative "Eurasian security architecture" rhetorical lines.[9]

Ukrainian forces conducted a drone strike on a Russian ammunition depot in Voronezh Oblast on June 25 and recently conducted strikes on Pantsir-S1 air defense systems in Belgorod Oblast with unspecified weapons.  Ukraine's Main Military Intelligence Directorate (GUR) reported on June 25 that it struck a field ammunition depot in Olkovatka, Voronezh Oblast, and geolocated footage published on June 25 shows a smoke plume near Olkovatka.[10] Russian opposition outlet  Astra  reported that an unspecified source stated that GUR conducted the strike with two drones and that the drones struck two ammunition warehouses that held over 3,000 shells.[11]  Radio Liberty  published satellite imagery from June 25 showing at least two fires at the Olkhovatka ammunition depot.[12] Voronezh Oblast Governor Alexander Gusev claimed that unspecified explosives detonated far from civilian buildings in Olkhovatsky Raion after Ukrainian forces conducted strikes on two unspecified cities.[13]

The Ukrainian National Guard reported on June 25 that Ukrainian forces struck two Pantsir-S1 anti-aircraft systems in the Kharkiv direction on unspecified dates.[14] The Ukrainian National Guard posted photos of the aftermath of the strikes, which were geolocated to near Dubovoe (just south of Belgorod City) and Borisovka (west of Belgorod City).[15] Ukrainian forces reportedly struck the Pantsir system in Dubovoe on June 22.[16] It is unclear what munitions Ukrainian forces used to strike the Pantsir systems, however. A Ukrainian OSINT Telegram account geolocated the position of the Pantsir system near Dubovoe in January 2024 after footage appeared of the air defense system repelling a Ukrainian missile strike — suggesting that Russian forces have not moved the Pantsir system in the past six months.[17]

Russia imposed countersanctions against 81 European Union (EU)-based news outlets on June 25 following EU sanctions against four Russian state-affiliated news outlets on June 24. [18]   The Russian Ministry of Foreign Affairs (MFA) announced that it had blocked access to EU-based media outlets, including: Germany's  Der Spiegel  and  Die Welt ; Denmark's  Berlingske ; Spain's  El Mundo ,  El Pais , and EFE;  Italy's  La Repubblica ; Poland's  Belsat ; France's  Le Monde ,  Radio France , and  Agence France-Presse  (AFP); Estonia's EER and  Delfi ; and more general sites including  Politico 's European service,  Svoboda Satellite Package , and  EU Observer .[19] The Russian MFA noted that these sanctions are specifically in response to the EU blocking Kremlin-affiliated news sites  RIA Novosti ,  Rossiskaya Gazeta , and  Izvestia , but did not mention the new EU sanctions against the  Voice of Europe  — the joint venture of Kremlin-affiliate Artem Marchevsky and former pro-Russian Ukrainian MP Viktor Medvedchuk.[20]

Dagestan Republic Head Sergei Melikov ordered investigations into the personal records of senior Dagestani officials following the June 23 likely Wilayat Kavkaz terrorist attacks in Dagestan, indicating that the Kremlin may be intensifying efforts to address Islamist extremist threats in the North Caucasus as it attempts to maintain a veneer of stability and normalcy.  Melikov stated in a June 25 address to the People's Assembly of Dagestan that he ordered an audit of the personal files of "everyone who holds leadership positions in Dagestan, including deputies of the People's Assembly."[21] Melikov dismissed Dagestan's Sergokalinsky district head Magomed Omarov on June 24 after Russian sources reported that that two of his sons were identified as two of the Makhachkala attackers whom Russian law enforcement killed during the attack.[22] Russian security services reported on June 25 that they detained Omarov and Russian law enforcement reported that Omarov may face charges of aiding terrorists.[23] A Russian insider source claimed that the Kremlin is "reconsidering its approach" to preventing extremism in the North Caucasus and "raising more questions" about Melikov who has yet to curb the "growing radical sentiment among [Dagestan's] youth" following the June 23 Dagestan terrorist attacks.[24] ISW assessed that the Kremlin is attempting to maintain a veneer of stability and normalcy in response to the Dagestan terror attack and posture Russia's alleged multiethnic and multi-religious unity.[25] Russian milbloggers widely criticized local officials who they claimed are aware of rising extremism and also criticized Dagestani youth policy for its alleged endorsement of youth mixed martial arts fight clubs, which they claim breeds extremist ideology.[26] Russian milbloggers' outrage at Dagestani authorities is a tacit admission that they are not interested in amplifying the Kremlin's efforts to link the June 23 Dagestan terrorist attacks to external actors such as Ukraine or the West.

The European Union (EU) officially started accession negotiations for Ukraine and Moldova on June 25. [27]   Belgian Foreign Minister Hadja Lahbib also noted that the EU Council has approved the draft for a joint EU-Ukraine security agreement in addition to opening accession negotiations.[28]

Armenian Foreign Minister Ararat Mirzoyan met with Lithuania-based Belarusian opposition leader Svitlana Tsikhanouskaya on June 20 in Vilnius amid deteriorating Armenian-Belarusian relations. [29]   Armenian Foreign Ministry Spokesperson Ani Badalyan published images of the meeting on X (formerly Twitter) on June 20.[30] Tsikhanouskaya's press service reported that she and Mirzoyan discussed cooperation between "Belarus' democratic forces" and Armenia's government, parliament and civil society."[31] Tsikhanouskaya also stated that the people of Armenia and Belarus "deserve a free, democratic, and European future."[32] The Armenian MFA's decision to publicize Mirzoyan's meeting with Tsikhanouskaya is a public indication of Armenian outrage at Belarusian actions. Armenian Prime Minister Nikol Pashinyan directly accused Belarus of helping Azerbaijan prepare for the 2020 Nagorno-Karabakh War on May 22 after Belarusian President Alexander Lukashenko stated during his May 2024 state visit to Azerbaijan that he and Azerbaijani President Ilham Aliyev conversed before the 2020 Nagorno-Karabakh War and concluded that Azerbaijan could be victorious.[33]  Politico  reported on June 13, citing leaked documents, that Belarus provided Azerbaijan with artillery equipment, electronic warfare (EW) systems, and drones between 2018 and 2022, which Azerbaijan reportedly used in recent conflicts in Nagorno-Karabakh and against Armenia.[34]

Key Takeaways:

• Two major international bodies—the International Criminal Court (ICC) and the European Court of Human Rights (ECHR) — announced decisions on June 25 confirming Russia's long-term perpetration of war crimes and human rights violations in Ukraine.
• Russia and Venezuela signed a memorandum of understanding (MOU) aimed at countering "coercive measures," likely to demonstrate to the West that the Kremlin holds influence in the Western hemisphere.
• Ukrainian forces conducted a drone strike on a Russian ammunition depot in Voronezh Oblast on June 25 and recently conducted strikes on Pantsir-S1 air defense systems in Belgorod Oblast with unspecified weapons.
• Russia imposed countersanctions against 81 European Union (EU)-based news outlets on June 25 following EU sanctions against four Russian state-affiliated news outlets on June 24.
• Dagestan Republic Head Sergei Melikov ordered investigations into the personal records of senior Dagestani officials following the June 23 likely Wilayat Kavkaz terrorist attacks in Dagestan, indicating that the Kremlin may be intensifying efforts to address Islamist extremist threats in the North Caucasus as it attempts to maintain a veneer of stability and normalcy.
• Armenian Foreign Minister Ararat Mirzoyan met with Lithuania-based Belarusian opposition leader Svitlana Tsikhanouskaya on June 20 in Vilnius amid deteriorating Armenian-Belarusian relations
• Ukrainian forces recently regained lost positions in Vovchansk, and Russian forces recently advanced near Siversk and Avdiivka.
• A Russian milblogger claimed that the Russian Volunteer Society for Assistance to the Army, Aviation, and Navy of Russia (DOSAAF) will begin training unspecified Russian military personnel on October 1, 2024.

We do not report in detail on Russian war crimes because these activities are well-covered in Western media and do not directly affect the military operations we are assessing and forecasting. We will continue to evaluate and report on the effects of these criminal activities on the Ukrainian military and the Ukrainian population and specifically on combat in Ukrainian urban areas. We utterly condemn Russian violations of the laws of armed conflict and the Geneva Conventions and crimes against humanity even though we do not describe them in these reports.

• Russian Main Effort – Eastern Ukraine (comprised of three subordinate main efforts)
• Russian Subordinate Main Effort #1 – Push Ukrainian forces back from the international border with Belgorod Oblast and approach to within tube artillery range of Kharkiv City
• Russian Subordinate Main Effort #2 – Capture the remainder of Luhansk Oblast and push westward into eastern Kharkiv Oblast and encircle northern Donetsk Oblast
• Russian Subordinate Main Effort #3 – Capture the entirety of Donetsk Oblast
• Russian Supporting Effort – Southern Axis
• Russian Air, Missile, and Drone Campaign
• Russian Mobilization and Force Generation Efforts
• Russian Technological Adaptations
• Activities in Russian-occupied areas
• Ukrainian Defense Industrial Base Efforts

Russian Information Operations and Narratives

• Significant Activity in Belarus

Russian Main Effort – Eastern Ukraine

Russian Subordinate Main Effort #1 – Kharkiv Oblast   ( Russian objective: Push Ukrainian forces back from the international border with Belgorod Oblast and approach to within tube artillery range of Kharkiv City)

Ukrainian forces recently advanced within Vovchansk(northeast of Kharkiv City) amid continued fighting in northern Kharkiv Oblast on June 25. Geolocated footage published on June 25 indicates that Ukrainian forces recently marginally advanced along Soborna Street in central Vovchansk.[35] Fighting continued north of Kharkiv City near Lyptsi and Hlyboke and northeast of Kharkiv City near Vovchansk and Tykhe on June 25.[36] A Russian milblogger claimed that Russian forces conducted the fifth strike using a FAB-3000 glide bomb with a unified planning and correction module (UMPC) against Ukrainian forces in Vovchansk, although ISW cannot independently confirm that Russian forces used a FAB-3000 in the strike.[37]

Ukrainian Kharkiv Group of Forces Spokesperson Colonel Yuriy Povkh stated on June 23 that the Russian military intends to transfer elements of the "9th Motorized Rifle Brigade of the 51st Army" to the Kharkiv direction.[38] Povkh stated that Russian forces have transferred Russian units from Kherson Oblast and other unspecified directions to the Kharkiv direction. Ukrainian Khortytsia Group of Forces Spokesperson Lieutenant Colonel Nazar Voloshyn similarly reported on June 25 that Russian forces intend to transfer elements of the 155th Naval Infantry Brigade (Pacific Fleet) and the "9th Motorized Rifle Brigade of the 51st Army" to the Kharkiv direction to compensate for heavy Russian losses.[39] ISW recently observed reports that the Russian military transferred elements of the 155th Naval Infantry Brigade and 9th Motorized Rifle Brigade (1st Donetsk People's Republic Army Corps [DNR AC]) from west and southwest of Donetsk City to the Kharkiv direction but has not observed any reporting on the Russian "51st Army."[40] The Ukrainian officials' statements suggest that the Russian military may have subordinated the 9th Motorized Rifle Brigade to the possibly resurrected Second World War-era "51st Army." The Russian military is currently undergoing large-scale reforms, however, including the creation of new combined arms army level formations, and Ukrainian sources' references to a "51st Army" may constitute an early indicator that Russia has formed another combined arms army for deployment to Ukraine.[41]

Russian Subordinate Main Effort #2 – Luhansk Oblast  (Russian objective: Capture the remainder of Luhansk Oblast and push westward into eastern Kharkiv Oblast and northern Donetsk Oblast)

Russian forces reportedly advanced along the Kupyansk-Svatove-Kreminna line on June 25, but there were no confirmed changes to the frontline in this area. Russian forces conducted offensive operations northeast of Kupyansk near Synkivka; southeast of Kupyansk near Pishchane, Stepova Novoselivka, and Stelmakhivka; west of Svatove near Kopanky and Andriivka; northwest of Svatove near Hrekivka, Makiivka, and Nevske; west of Kreminna near Torske and Terny; and south of Kreminna near the Serebryanske forest area on June 24 and 25.[42] A Russian milblogger claimed that elements of the Russian 423rd Motorized Rifle Regiment (4th Tank Division, 1st Guards Tank Army, Moscow Military District [MMD]) advanced westward to Stelmakhivka and began fighting within the settlement, but ISW has not observed confirmation of this claim.[43]

Russian Subordinate Main Effort #3 – Donetsk Oblast  (Russian objective: Capture the entirety of Donetsk Oblast, the claimed territory of Russia’s proxies in Donbas)

Russian forces recently advanced southeast of Siversk during a platoon-sized mechanized assault. Geolocated footage published on June 24 shows Ukrainian forces repelling a platoon-sized mechanized assault comprised of four armored fighting vehicles (AFVs) south of Spirne (southeast of Siversk) during which Russian forces marginally advanced.[44] Russian milbloggers continued to claim that Russian forces are fighting and advancing within Rozdolivka (south of Siversk), and ISW observed geolocated confirmation that Russian forces had entered the southeastern part of the settlement as of June 23.[45] The Ukrainian General Staff reported that Russian forces continued ground attacks northeast of Siversk near Bilohorivka; east of Siversk near Verkhnokamyanske; southeast of Siversk near Spirne and Vyimka; and south of Siversk near Rozdolivka on June 24 and 25.[46] Elements of the 2nd Separate Air Assault (VDV) Battalion of the 119th VDV Regiment (106th VDV Division) continue operating in and around Rozdolivka.[47]

Russian forces continued offensive operations near Chasiv Yar on June 25 but did not make any confirmed advances. Ukrainian and Russian sources reported continued fighting north of Chasiv Yar near Kalynivka; east of Chasiv Yar near Ivanivske; and southeast of Chasiv Yar near Andriivka and Klishchiivka on June 24 and 25.[48] Elements of the Russian 98th VDV Division reportedly continue operating in Kanal Microraion (easternmost Chasiv Yar), while elements of the "Sever-V" Volunteer Brigade (Russian Volunteer Corps) are reportedly operating north of Chasiv Yar near Hryhorivka.[49]

Russian forces continued offensive operations in the Toretsk direction on June 25 but did not make any confirmed advances. Russian milbloggers claimed that Russian forces have reached the outskirts of Pivnichne after seizing Shumy (both southeast of Toretsk), although ISW has not yet observed visual confirmation that Russian forces have reached Pivnichne.[50] The Ukrainian General Staff reported that Russian forces attacked near Pivnichne and Pivdenne (just south of Pivnichne) on June 24 and launched 11 guided glide bombs at Toretsk on June 25.[51]

Russian forces recently made marginal advances northwest of Avdiivka. Geolocated footage posted on June 24 shows that Russian forces advanced in a field area just north of Sokil (northwest of Avdiivka).[52] Russian milbloggers amplified geolocated images on June 25 that also confirm that Russian forces hold positions along the O0544 Ocheretyne-Pokrovsk road just northwest of Ocheretyne (northwest of Avdiivka).[53] Russian milbloggers claimed that Russian forces are advancing near Yasnobrodivka (west of Avdiivka) and have partially encircled Ukrainian forces in the area.[54] Russian and Ukrainian sources reported continued fighting north of Avdiivka near Oleksandropil; northwest of Avdiivka near Yevhenivka, Novooleksandrivka, Vozdvyzhenka, Sokil, and Novoselivka Persha; west of Avdiivka near Umanske and Yasnobrodivka; and southeast of Avdiivka near Karlivka, Nevelske, and the Karlivske Reservoir.[55]

Russian sources claimed that Russian forces advanced west of Donetsk City on June 25, but ISW has not observed visual confirmation of these claims. Russian milbloggers claimed that Russian forces advanced northwards along Tolstoy, Hryhorii Skovoroda, and Lomonosov streets in eastern Krasnohorivka (west of Donetsk City),.[56] Ukrainian military observer Yuryi Butusov posted footage on June 25 of Ukrainian forces reportedly repelling a Russian mechanized attack in the Kurakhove (west of Donetsk City) direction on an unspecified date and noted that Ukrainian troops destroyed up to seven units of Russian heavy equipment during the attack.[57] Russian and Ukrainian sources reported continued fighting in Krasnohorivka and near Heorhiivka (both west of Donetsk City) and southwest of Donetsk City near Kostayntynivka and Paraskoviivka on June 24 and 25.[58] Elements of the Russian 5th Motorized Rifle Brigade (1st Donetsk People's Republic Army Corps [DNR AC]) reportedly continue operating near Krasnohorivka.[59]

Limited positional engagements continued in the Donetsk-Zaporizhia Oblast border area near Urozhaine and Staromayorske (both south of Velyka Novosilka) on June 25.[60] A Russian milblogger claimed that Russian forces are advancing west of Staromayorske and moving towards central Urozhaine along Sadova and Stepova streets, although ISW has not observed visual evidence of Russian gains here.[61]

Russian Supporting Effort – Southern Axis  (Russian objective: Maintain frontline positions and secure rear areas against Ukrainian strikes)

Positional fighting continued in western Zaporizhia Oblast near Robotyne, Verbove (east of Robotyne), and Mala Tokmachka (northeast of Robotyne) on June 25, but there were no changes to the frontline.[62]

Fighting continued in the east (left) bank of Kherson Oblast, including near Krynky, on June 25, but there were no changes to the frontline.[63]

Russian Air, Missile, and Drone Campaign  (Russian Objective: Target Ukrainian military and civilian infrastructure in the rear and on the frontline)

Ukrainian Air Force Commander Lieutenant General Mykola Oleschuk stated on June 25 that Ukrainian air defense forces have shot down nearly 86 percent of all the Shahed drones that Russian forces have launched at Ukraine since January 1, 2024.[64] Oleschuk noted that of the 2,277 Shaheds that Russia has launched, Ukraine has shot down 1,953, mostly due to the efforts of Ukrainian mobile fire groups.

Russian Mobilization and Force Generation Efforts  (Russian objective: Expand combat power without conducting general mobilization)

A Russian milblogger claimed that the Russian Volunteer Society for Assistance to the Army, Aviation, and Navy of Russia (DOSAAF) will begin training unspecified Russian military personnel on October 1, 2024.[65] DOSAAF has been involved in Russian military recruitment efforts and will likely become more involved in military training.[66] The milblogger also suggested that the Russian brigades and regiments will start forming motorcycle units up to the platoon echelon. The milblogger claimed that the Russian military has already created an experimental motorcycle platoon in the 5th Motorized Rifle Brigade (1st Donetsk People's Republic Army Corps [DNR AC] and stated that the platoon uses motorcycles in combat operations, to deliver materiel to the frontline, and to evacuate wounded personnel.

The Russian military continues to advertise Russian military service with promises of large payments and the suspension of debts, loans, and criminal charges. A Russian milblogger posted a Russian military recruitment advertisement advertising a 1.3 million ruble (about $14,700) one-time payment, a 210,000 ruble (about $2,400) monthly salary, the suspension of judicial proceedings on debts and loans, and the possibility of expunging a criminal record.[67] Russian Federation Council approved a law on December 23, 2022, that suspends legal proceedings against mobilized servicemen and volunteers who participate in the war, and President Vladimir Putin signed a law on March 23, 2024, that releases individuals from criminal liability if they are called up for mobilization or sign military service contracts.[68]

Ukrainian military observer Kostyantyn Mashovets provided additional detail on June 25 regarding the Russian Airborne (VDV) forces' use of assault companies, which he initially introduced on June 20 by discussing a VDV training manual he reportedly has analyzed.[69] Mashovets stated that a "classic" VDV assault company usually consists of five assault platoons.[70] Mashovets noted that a classic VDV assault company consists of one assault platoon, one fire support platoon, a reconnaissance platoon, and a drone platoon that utilizes quadcopters and first-person view (FPV) drones.[71] Mashovets stated that each platoon consists of roughly 19 personnel, except for the fire support platoon that is staffed with roughly 29 personnel. Mashovets stated that Russian VDV forces often attack in groups of one or two platoons, but rarely use all five due to difficult combat conditions and high personnel turnover rates due to Russian losses.[72]

Russian Technological Adaptations  (Russian objective: Introduce technological innovations to optimize systems for use in Ukraine)

Russian state-owned defense conglomerate Rostec announced on June 25 that it delivered a new batch of Malva 152mm self-propelled guns mounted on wheeled chassis to the Russian armed forces.[73] Rostec claimed that the wheeled chassis are more maneuverable than tracked artillery mounts and are cheaper to maintain. Rostec reported that the Malva self-propelled gun has a capacity of at least 30 rounds and has a "simultaneous fire attack mode" that allows it to fire several shells on different trajectories simultaneously.

Ukrainian Defense Industrial Efforts  (Ukrainian objective: Develop its defense industrial base to become more self-sufficient in cooperation with US, European, and international partners)

ISW is not publishing coverage of Ukrainian defense industrial efforts today.

Activities in Russian-occupied areas  (Russian objective: Consolidate administrative control of annexed areas; forcibly integrate Ukrainian citizens into Russian sociocultural, economic, military, and governance systems)

Russian authorities continue to forcibly deport Ukrainian children to Russia or relocate them deeper into occupied Ukraine. The Kherson Oblast occupation administration claimed on June 24 that St. Petersburg Governor Alexander Beglov presented Russian passports to ten 14-year-old children from occupied Kherson Oblast in St. Petersburg, emphasizing that Russian authorities are forcibly passportizing the Ukrainian children they deport.[74] Russian Education Minister Sergei Kravtsov reportedly claimed that Russian authorities will take about 1,000 children from occupied Luhansk, Donetsk, Kherson, and Zaporizhia oblasts to the "Red Carnation" children's camp in occupied Berdyansk, Zaporizhia Oblast in Summer 2024.[75] The EU-sanctioned Artek Children's Camp in occupied Crimea is reportedly supervising the modernization of the "Red Carnation" camp.[76] The Kadiivka, Luhansk Oblast occupation municipal administration claimed on June 23 that the "Helping Hand" charity, the Russian Civic Chamber, and Moscow City government organized the deportation of 25 disabled children and their parents from occupied Kadiivka to Moscow under the guise of cultural trips.[77] Luhansk People's Republic (LNR) sources claimed on June 24 that Russian authorities took 115 Ukrainian children from occupied Krasnodon to the "Parus" camp in occupied Yevpatoria, Crimea, and plan to take more than 900 Krasnodon children to Yevpatoria in Summer 2024.[78] Ukrainian Zaporizhia Oblast Military Administration Head Ivan Fedorov stated on June 24 that Russian authorities are deporting Ukrainian children to Chechnya and the Kabardino-Balkaria Republic under the guise of vacations.[79] The Ukrainian Resistance Center stated on June 25 that Russian authorities plan to deport more than 12,000 children from occupied Luhansk Oblast to Russia under the guise of vacations in the Summer of 2024.[80] Ukrainian Deputy Prime Minister Iryna Vereshchuk stated on June 25 that Ukrainian authorities have returned about 800 of at least 20,000 Ukrainian children whom Russian authorities have deported to Russia.[81]

The Kremlin continues efforts to integrate occupied Ukraine into the Russian economy and industry. Russian President Vladimir Putin met with Kherson Oblast occupation administration head Vladimir Saldo on June 25 and stated the occupation administration's priorities are to organize gas supply to residential and industrial sectors, restore energy supplies, and construct housing and industry.[82] Saldo claimed that the occupation administration is developing a program with Russian-state owned gas company Gazprom and Chornomornaftogaz, a subsidiary of Ukrainian state-owned oil and gas company Naftogaz that Russian authorities seized in 2014, to bring gas pipelines to occupied Kherson Oblast.

Russian authorities continue to force Ukrainian children to undergo patriotic education. The Ukrainian Resistance Center stated on June 22 that Russian authorities have forced over 10,000 children in occupied Donetsk Oblast to join the "Young Republic" ( Molodaya Respublika ) organization.[83] The "Young Republic" is reportedly aimed at the patriotic education of Ukrainian children, and the Ukrainian Resistance Center compared it to the Soviet-era Komsomol.[84]

Russian officials continue efforts to blame Ukraine for a war crime that did not occur in order to discredit Ukraine to its partners, disregarding the Russian Ministry of Defense (MoD)'s own report on the incident.[85] Senior Russian officials, including Russian Permanent Representative to the United Nations (UN) Vasily Nebenzya, Foreign Minister Sergey Lavrov, Ministry of Foreign Affairs (MFA) Spokesperson Maria Zakharova, and Russian Presidential Aide Yuri Ushakov, all attempted to blame the Ukraine and the United States for an ATACMS strike against occupied Sevastopol, Crimea, on June 23 that Russian authorities reported injured more than 150 civilians.[86] Nebenzya also stated that he will discuss the Sevastopol strike at the next UN Security Council meeting, likely in a continued pattern of Russian attempts to weaponize international organizations for information operations aimed at villainizing Ukraine.[87] These Russian officials are attempting to frame the ATACMS strike as a deliberate targeting of civilians in occupied Crimea despite the Russian MoD's reporting that Russian air defenses partially intercepted the missile, knocking the missile off its intended flight path and causing the casualties.[88]

The Russian Investigative Committee released on June 25 the "results" of its investigation into the downing of a Russian Il-76 transport plane in January 2024, likely timing this announcement to amplify the information operation discrediting Ukraine and the US.[89] The Investigative Committee claimed that Ukraine shot down an Il-76 allegedly transporting Ukrainian prisoners-of-war with US-provided Patriot air defense missiles. Russia has not provided evidence of the presence of Ukrainian POWs on the Il-76 flight in January, and Ukrainian officials have previously noted that many POWs on the alleged flight log had been exchanged prior to the crash.[90]  

Significant activity in Belarus  (Russian efforts to increase its military presence in Belarus and further integrate Belarus into Russian-favorable frameworks and Wagner Group activity in Belarus)

Russian Foreign Minister Sergey Lavrov met with Belarusian President Alexander Lukashenko and Belarusian National Assembly members to discuss Union State integration and bilateral cooperation during his visit to Minsk, Belarus on June 25.[91] Lavrov stated that Russia and Belarus have created 28 Union State programs and identified 31 Union State priority areas.[92] Lavrov emphasized the role of international organizations, accusing the United Nations (UN) and Organization for Security and Co-operation in Europe (OSCE) of degradation and reporting that the first act during the Shanghai Cooperation Organization (SCO) summit in July 2024 will be to admit Belarus as a full member.[93]

Lukashenko met with People's Republic of China (PRC) Peking University Community Party Secretary Hai Ping in Minsk on June 25 to discuss educational, biotechnological, chemical, and technological cooperation as well as drone manufacturing with the PRC.[94] Lukashenko stated that Belarus and the PRC intend to establish a center for fundamental research through this partnership.[95]

Note: ISW does not receive any classified material from any source, uses only publicly available information, and draws extensively on Russian, Ukrainian, and Western reporting and social media as well as commercially available satellite imagery and other geospatial data as the basis for these reports. References to all sources used are provided in the endnotes of each update.

[1] https://www.icc-cpi.int/news/situation-ukraine-icc-judges-issue-arrest-warrants-against-sergei-kuzhugetovich-shoigu-and

[2] https://guide-humanitarian-law.org/content/article/3/proportionality/#:~:text=Proportionality%20is%20a%20core%20legal,the%20consequences%20of%20the%20action.

[3] https://hudoc.echr.coe.int/#{%22documentcollectionid2%22:[%22GRANDCHAMBER%22,%22CHAMBER%22],%22itemid%22:[%22001-234982%22]}

[4] https://www.nytimes.com/2024/06/25/world/europe/russia-crimea-european-human-rights-court.html; https://armyinform.com dot ua/2024/06/25/rozgromne-rishennya-rf-zaznala-shhe-odniyeyi-porazky-na-mizhnarodnij-areni/; https://www.facebook.com/margarita.sokorenko/posts/pfbid02YR7WTi5vgsedUmsoYpGqFkemKpNQeZMrfTMuyfPcuWGUVQps1xGopTgDvHiqAaSfl

[5] https://t.me/MID_Russia/42518; https://mid dot ru/ru/maps/ve/1959237/

[6] https://t.me/MID_Russia/41602; https://mid dot ru/ru/foreign_policy/news/1955904/; https://t.me/MID_Russia/42518; https://t.me/CancilleriaVE/25958; https://mppre dot gob.ve/2024/06/11/venezuela-rusia-suscriben-instrumento-luchar-medidas-coercitivas-unilaterales/; https://web.archive.org/web/20240612205852/https://mppre.gob.ve/2024/06/11/venezuela-rusia-suscriben-instrumento-luchar-medidas-coercitivas-unilaterales

[7] https://mid dot ru/ru/maps/ve/1959237/; https://t.me/MID_Russia/42518

[8] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-6-2024; https://abcnews.go.com/Business/wireStory/russian-warships-leave-havanas-port-after-5-day-111192438

[9] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-february-10-2024; https://understandingwar.org/backgrounder/russian-offensive-campaign-assessment-august-17-2023; https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-february-20-2024; https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-6-2024; https://isw.pub/UkrWar062124

[10] https://t.me/DIUkraine/4015; https://twitter.com/EjShahid/status/1805512749293744545; https://twitter.com/EjShahid/status/1805512869384991055; https://x.com/bayraktar_1love/status/1805504626378363356 ; https://x.com/bayraktar_1love/status/1805505862313582828; https://t.co/yFNooTkiqy; https://t.co/vrQ6Sxoflw

[11] https://t.me/astrapress/58317

[12] https://t.me/radiosvoboda/63722

[13] https://t.me/gusev_36/2389

[14] https://t.me/ngu_war_for_peace/18708

[15] https://x.com/bayraktar_1love/status/1805520576007577853 ; https://x.com/blinzka/status/1805554264686657750; https://t.me/kiber_boroshno/8785; https://x.com/bayraktar_1love/status/1805567037260845555

[16] https://euromaidanpress dot com/2024/06/22/russian-pantsir-s-air-defense-system-reportedly-hit-in-belgorod-oblast/; https://t.me/belpepel/6363

[17] https://en.defence-ua dot com/events/more_osint_power_ukrainians_strike_down_a_pantsir_s1_air_defense_position_russians_had_compromised_six_months_ago-10965.html; https://t.me/DniproOfficial/2254?single

[18] https://mid dot ru/ru/foreign_policy/news/1959391/#sel=7:1:BDV,114:5:lov; https://t.me/MID_Russia/42524; https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-24-2024; https://eur-lex.europa.eu/eli/reg/2024/1428/oj; https://eur-lex.europa dot eu/legal-content/EN/TXT/?uri=OJ:L_202401776; https://www.consilium.europa.eu/en/press/press-releases/2024/05/17/russia-s-war-of-aggression-against-ukraine-council-bans-broadcasting-activities-in-the-european-union-of-four-more-russia-associated-media-outlets/

[19] https://mid dot ru/ru/foreign_policy/news/1959391/#sel=7:1:BDV,114:5:lov; https://t.me/MID_Russia/42524

[20] https://www.washingtonpost.com/world/2024/06/03/russia-europe-far-right-espionage/

[21] https://meduza dot io/news/2024/06/25/v-dagestane-proveryat-lichnye-dela-chinovnikov-i-deputatov-posle-togo-kak-synovey-glavy-odnogo-iz-rayonov-zapodozrili-v-uchastii-v-terakte

[22] https://t.me/tass_agency/256917 ; https://meduza dot io/news/2024/06/24/glava-dagestana-otpravil-v-otstavku-glavu-sergokalinskogo-rayona-ego-synovey-podozrevayut-v-napadeniyah-v-mahachkale-i-derbente

[23] https://t.me/tass_agency/256981

[24] https://t.me/kremlin_sekret/15352

[25] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-24-2024

[26] https://t.me/rybar/61246 ; https://t.me/wargonzo/20705 ; https://t.me/RVvoenkor/71058 ; https://t.me/notes_veterans/17787

[27] https://x.com/vonderleyen/status/1805511550385451180

[28] https://video.consilium.europa.eu/event/en/27555; https://suspilne dot media/776587-rada-es-shvalila-proekt-bezpekovoi-ugodi-z-ukrainou/

[29] https://x.com/ArmSpoxMFA/status/1803812660049244360 ; https://belsat dot eu/ru/news/20-06-2024-svetlana-tihanovskaya-vstretilas-s-ministrom-inostrannyh-del-armenii

[30] https://x.com/ArmSpoxMFA/status/1803812660049244360

[31] https://tsikhanouskaya dot org/ru/news/svetlana-tixanovskaya-vstretilas-s-ministrom-inostrannyx-del-armenii.html

[32] https://tsikhanouskaya dot org/ru/news/svetlana-tixanovskaya-vstretilas-s-ministrom-inostrannyx-del-armenii.html

[33] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-may-22-2024

[34] https://www.politico.eu/article/leaked-documents-reveal-belarus-armed-azerbaijan-against-ally-armenia/

[35] https://t.me/VARVARGROUP/266; https://x.com/Bielitzling/status/1805587882024767684

[36] https://www.facebook.com/GeneralStaff.ua/posts/pfbid0gVdFbcSLfZiWcYxoppU8QNMpyJ9Ps1GsENX6iup4RodNmquNKbbn4Na2ji4THBBSl ; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0QZi1dojtpeUzMmkms7PHFxoZCt4CcxPQzZPhVT182wMPxtsTW9mDb2UuypotVUjVl ; https://t.me/wargonzo/20706 ; https://t.me/dva_majors/46045

[37] https://t.me/RVvoenkor/71138

[38] https://www.ukrinform dot ua/rubric-ato/3877746-rf-hoce-priednati-do-svoih-sil-u-napramku-harkova-pidrozdili-9-motostrileckoi-brigadi-vijskovi.html

[39] https://www.ukrinform dot ua/rubric-ato/3877746-rf-hoce-priednati-do-svoih-sil-u-napramku-harkova-pidrozdili-9-motostrileckoi-brigadi-vijskovi.html

[40] https://understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-18-2024

[41] https://www.understandingwar.org/backgrounder/russia%E2%80%99s-military-restructuring-and-expansion-hindered-ukraine-war

[42] https://www.facebook.com/GeneralStaff.ua/posts/pfbid0gVdFbcSLfZiWcYxoppU8QNMpyJ9Ps1GsENX6iup4RodNmquNKbbn4Na2ji4THBBSl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0QZi1dojtpeUzMmkms7PHFxoZCt4CcxPQzZPhVT182wMPxtsTW9mDb2UuypotVUjVl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02cmiWKiRjr38ZBD9sWgVrFyyRSEhAEnr4mnTzXVp43GVaMj9f3eXhPne3PvHhhnNcl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid024ut5GaK3qPVVdYixYfJ8tt9TsfcVoLEv8ozKcHyo2ouCTkHCfCa3QGqpZewYKfKBl

[43] https://t.me/motopatriot/24216; https://t.me/motopatriot/24220

[44] https://x.com/nevedimka123/status/1805315002502365661; https://x.com/klinger66/status/1805382779292860905

[45] https://t.me/RVvoenkor/71152; https://t.me/dva_majors/46045; https://t.me/motopatriot/24224; https://t.me/ZA_FROHT/30524; https://t.me/RVvoenkor/71126

[46] https://www.facebook.com/GeneralStaff.ua/posts/pfbid0gVdFbcSLfZiWcYxoppU8QNMpyJ9Ps1GsENX6iup4RodNmquNKbbn4Na2ji4THBBSl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02FV6XiZ9adVApWgQx7qz2H3tqjHeksbGviDHbNYsDV2xBZiVdLVpQUK4iF9wCvCjHl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid024ut5GaK3qPVVdYixYfJ8tt9TsfcVoLEv8ozKcHyo2ouCTkHCfCa3QGqpZewYKfKBl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0QZi1dojtpeUzMmkms7PHFxoZCt4CcxPQzZPhVT182wMPxtsTW9mDb2UuypotVUjVl;   https://www.facebook.com/GeneralStaff.ua/posts/pfbid024ut5GaK3qPVVdYixYfJ8tt9TsfcVoLEv8ozKcHyo2ouCTkHCfCa3QGqpZewYKfKBl

[47] https://t.me/creamy_caprice/5897; https://t.me/vdv_106/1116  ; https://t.me/boris_rozhin/127964; ttps://t.me/RVvoenkor/71126

[48] https://www.facebook.com/GeneralStaff.ua/posts/pfbid0QZi1dojtpeUzMmkms7PHFxoZCt4CcxPQzZPhVT182wMPxtsTW9mDb2UuypotVUjVl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02FV6XiZ9adVApWgQx7qz2H3tqjHeksbGviDHbNYsDV2xBZiVdLVpQUK4iF9wCvCjHl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid024ut5GaK3qPVVdYixYfJ8tt9TsfcVoLEv8ozKcHyo2ouCTkHCfCa3QGqpZewYKfKBl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0gVdFbcSLfZiWcYxoppU8QNMpyJ9Ps1GsENX6iup4RodNmquNKbbn4Na2ji4THBBSl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02cmiWKiRjr38ZBD9sWgVrFyyRSEhAEnr4mnTzXVp43GVaMj9f3eXhPne3PvHhhnNcl; https://t.me/wargonzo/20706; https://t.me/dva_majors/46045; https://t.me/RVvoenkor/71200

[49] https://t.me/RVvoenkor/71200 (Kanal Microraion); https://t.me/boris_rozhin/127929 (Hryhorivka)

[50] https://t.me/sashakots/47515; https://t.me/epoddubny/20234

[51] https://www.facebook.com/GeneralStaff.ua/posts/pfbid024ut5GaK3qPVVdYixYfJ8tt9TsfcVoLEv8ozKcHyo2ouCTkHCfCa3QGqpZewYKfKBl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02cmiWKiRjr38ZBD9sWgVrFyyRSEhAEnr4mnTzXVp43GVaMj9f3eXhPne3PvHhhnNcl

[52] https://t.me/creamy_caprice/5896; https://t.me/pidrozdilshadowoficial/557

[53] https://t.me/boris_rozhin/127973; https://t.me/milinfolive/124802

[54] https://t.me/voenkorKotenok/57178; https://t.me/wargonzo/20706

[55] https://t.me/voenkorKotenok/57178; https://t.me/dva_majors/46045; https://t.me/wargonzo/20706;https://t.me/RVvoenkor/71152;  https://www.facebook.com/GeneralStaff.ua/posts/pfbid02cmiWKiRjr38ZBD9sWgVrFyyRSEhAEnr4mnTzXVp43GVaMj9f3eXhPne3PvHhhnNcl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0QZi1dojtpeUzMmkms7PHFxoZCt4CcxPQzZPhVT182wMPxtsTW9mDb2UuypotVUjVl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02FV6XiZ9adVApWgQx7qz2H3tqjHeksbGviDHbNYsDV2xBZiVdLVpQUK4iF9wCvCjHl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid024ut5GaK3qPVVdYixYfJ8tt9TsfcVoLEv8ozKcHyo2ouCTkHCfCa3QGqpZewYKfKBl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0gVdFbcSLfZiWcYxoppU8QNMpyJ9Ps1GsENX6iup4RodNmquNKbbn4Na2ji4THBBSl

[56] https://t.me/z_arhiv/27132; https://t.me/RVvoenkor/71152

[57] https://t.me/ButusovPlus/11369

[58] https://www.facebook.com/GeneralStaff.ua/posts/pfbid024ut5GaK3qPVVdYixYfJ8tt9TsfcVoLEv8ozKcHyo2ouCTkHCfCa3QGqpZewYKfKBl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0gVdFbcSLfZiWcYxoppU8QNMpyJ9Ps1GsENX6iup4RodNmquNKbbn4Na2ji4THBBSl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0QZi1dojtpeUzMmkms7PHFxoZCt4CcxPQzZPhVT182wMPxtsTW9mDb2UuypotVUjVl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02cmiWKiRjr38ZBD9sWgVrFyyRSEhAEnr4mnTzXVp43GVaMj9f3eXhPne3PvHhhnNcl;

https://t.me/wargonzo/20706; . https://t.me/voenkorKotenok/57178

[59] https://t.me/Sladkov_plus/10777

[60] https://www.facebook.com/GeneralStaff.ua/posts/pfbid0QZi1dojtpeUzMmkms7PHFxoZCt4CcxPQzZPhVT182wMPxtsTW9mDb2UuypotVUjVl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02FV6XiZ9adVApWgQx7qz2H3tqjHeksbGviDHbNYsDV2xBZiVdLVpQUK4iF9wCvCjHl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid02cmiWKiRjr38ZBD9sWgVrFyyRSEhAEnr4mnTzXVp43GVaMj9f3eXhPne3PvHhhnNcl; https://t.me/dva_majors/46045; https://t.me/rybar/61266

[61] https://t.me/rybar/61266

[62] https://www.facebook.com/GeneralStaff.ua/posts/pfbid02FV6XiZ9adVApWgQx7qz2H3tqjHeksbGviDHbNYsDV2xBZiVdLVpQUK4iF9wCvCjHl; https://www.facebook.com/GeneralStaff.ua/posts/pfbid0QZi1dojtpeUzMmkms7PHFxoZCt4CcxPQzZPhVT182wMPxtsTW9mDb2UuypotVUjVl; https://t.me/rusich_army/15408; https://t.me/DnevnikDesantnika/12125; https://t.me/wargonzo/20706

[63] https://www.facebook.com/GeneralStaff.ua/posts/pfbid0gVdFbcSLfZiWcYxoppU8QNMpyJ9Ps1GsENX6iup4RodNmquNKbbn4Na2ji4THBBSl; https://t.me/SJTF_Odes/10156; https://t.me/SJTF_Odes/10156;

[64] https://t.me/ComAFUA/321

[65] https://t.me/Sladkov_plus/10769

[66] https://understandingwar.org/backgrounder/russian-offensive-campaign-assessment-may-13-2023 ; https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-february-3-2024

[67] https://t.me/rusich_army/15416

[68] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-december-23 ; https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-22-2024

[69] https://t.me/zvizdecmanhustu/1965 ; https://isw.pub/UkrWar062024

[70] https://t.me/zvizdecmanhustu/1975

[71] https://t.me/zvizdecmanhustu/1976 ; https://t.me/zvizdecmanhustu/1977 ; https://t.me/zvizdecmanhustu/1978

[72] https://t.me/zvizdecmanhustu/1976

[73] https://t.me/rostecru/7713

[74] https://t.me/VGA_Kherson/23002

[75] https://t.me/sons_fatherland/15158

[76] https://www.consilium.europa.eu/en/press/press-releases/2024/06/24/14th-package-of-sanctions-on-russia-s-war-of-aggression-against-ukraine-eu-lists-additional-69-individuals-and-47-entities/; https://t.me/sons_fatherland/15158

[77] https://stakhanov dot su/news/city_news/35267-25-osobennyh-detey-iz-stahanova-posetili-moskvu.html; https://t.me/sons_fatherland/15190

[78] https://lug-info dot ru/news/bolee-sta-detej-iz-krasnodonskogo-rajona-otpravilis-otdyhat-v-detskij-lager/; https://t.me/sons_fatherland/15207

[79] https://t.me/ivan_fedorov_zp/8692

[80] https://sprotyv.mod.gov dot ua/vorog-prymusovo-denatsyfikovuvatyme-ukrayinskyh-ditej/

[81] https://suspilne dot media/775933-ukraina-povernula-lise-800-iz-blizko-20-tisac-vikradenih-rosieu-ditej/

[82] https://t.me/SALDO_VGA/3608 ; http://kremlin dot ru/events/president/news/74403

[83] https://sprotyv dot mod.gov.ua/kreml-organizovuye-armiyu-pidtrymky-na-tymchasovo-okupovanyh-terytoriyah/

[84] https://dobro dot ru/organizations/10058888/info; https://sprotyv dot mod.gov.ua/kreml-organizovuye-armiyu-pidtrymky-na-tymchasovo-okupovanyh-terytoriyah/

[85] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-24-2024; https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-23-2024; https://t.me/mod_russia/40203; https://web.archive.org/web/20240624002326/https://t.me/mod_russia/40203

[86] https://t.me/tass_agency/256817; https://t.me/MID_Russia/42504; https://t.me/tass_agency/256910; https://t.me/tass_agency/256912; https://t.me/tass_agency/256940; https://t.me/tass_agency/256919

[87] https://t.me/tass_agency/256797; https://t.me/MID_Russia/42504

[88] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-24-2024; https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-june-23-2024; https://t.me/mod_russia/40203; https://web.archive.org/web/20240624002326/https://t.me/mod_russia/40203

[89] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-january-24-2024

[90] https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-january-25-2024; https://understandingwar.org/backgrounder/russian-offensive-campaign-assessment-january-26-2024; https://www.understandingwar.org/backgrounder/russian-offensive-campaign-assessment-january-24-2024

[91] https://t.me/MID_Russia/42528 ; https://t.me/MID_Russia/42535; https://t.me/MID_Russia/42522

[92] https://t.me/MID_Russia/42526; https://t.me/MID_Russia/42521

[93] https://t.me/MID_Russia/42528 ; https://t.me/MID_Russia/42535; https://t.me/tass_agency/256893 ; https://t.me/belta_telegramm/254732; https://t.me/tass_agency/256929

[94] https://t.me/pul_1/12763 ; https://t.me/pul_1/12765

[95] https://t.me/belta_telegramm/254788; https://t.me/belta_telegramm/254741; https://tass dot ru/mezhdunarodnaya-panorama/21194089

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New England College
2024-2025 Graduate and Professional Studies Catalog | (80 credits) Additional Creative Writing Programs     Program Description The New England College Master of Fine Arts in Creative Writing program is more than a graduate degree program: it is transformative education for writers. The Master of Fine Arts (MFA) program offers a rigorous graduate education in Creative Writing that is based on progressive pedagogy, individualized study, and academic/artistic mentorship. The program’s academic model is studio/research, integrating substantial work in the academic study and creative production of literary art. The Program’s academic format combines brief residential learning experiences on the New England College campus with individualized, home-based mentorship study. The Program’s educational model provides our students with an ideal structure for their academic coursework and individual development as writers-featuring an immersive, community-based educational experience in the residential setting, as well as independent home-based study that is supported by one-on-one faculty mentorship in a natural format for the writing life. The MFA Creative Writing Program’s progressive pedagogy and comprehensive curriculum guide students’ individual development in the study, process, practice, and profession of Creative Writing. Program graduates are well-prepared for the writing life and the pursuit of their individual goals and professional aspirations. The Master of Fine Arts Creative Writing Program offers five primary areas of concentration for single-genre course of study: Fiction, Nonfiction, Poetry, Writing for Stage and Screen, and Interdisciplinary Literary Arts. The MFA also offers a dual-genre option for students who wish to study two individual genres. The Master of Fine Arts is a terminal degree in the field of Creative Writing, and it requires at least two years (five campus residencies) of intensive full-time study and the completion of at least 64 credits for a single-genre degree or two and a half years (six campus residencies) of intensive full time study and the completion of at least 80 credits for a dual-genre degree. Learning Outcomes Upon graduation from the Master of Fine Arts in Creative Writing, students will be able to: Produce and revise original works of literature through an exploratory process culminating in the completion of a substantial body of high‐quality literary work. Engage in rigorous critical discourse surrounding their own writing and the writing of others while developing an in-depth understanding of the writer’s craft and its use in the writing process. Locate their writing in historical, theoretical, and cultural contexts through an understanding of the movements that influence the writing, reading, and critical reception of literary works. Actively engage in academic, geographic, and cultural literary communities as they contribute to the advancement of the literary arts. Demonstrate the skills, knowledge, and discipline necessary for a successful postgraduate professional life in creative writing Interdisciplinary Literary Arts Non-Fiction Writing for Stage and Screen Creative Writing Dual‐genre Core 48 credits in   EN 5311 - Mentorship Study: Creative Writing Credits: 4 or 8 (Coursework in Mentorship Study must be completed in both primary and secondary genres) 20 credits in   EN 6411 - Residency Study: Creative Writing Credits: 4 12 credits in   EN 7051 - Mentorship Study: Thesis Development Credits: 4 or 8 EN 7130 - Final Residency: Lecture, Public Reading, and Thesis Defense Credits: 0 Creative Writing Course Map Creative Writing: Dual-Genre, MFA Course Map     252 IMAGES The Best 15 Creative Writing MFA Programs in 2023 MFA in Creative Writing Update: Time and Perspective How to Survive Your M.F.A. in Creative Writing Mfa Programs MFA Program in Creative Writing and Literature MFA Creative Writing Program Marks 10th Anniversary VIDEO S.4 ENGLISH REVISION- CREATIVE WRITING ||NEW CURRICULUM||FINAL PREPARATIONS MFA in Creative Writing: Michael Heiss BA & BFA in Creative Writing / Narrative Arts at Boise State University Q6 MFAs Too White Why David Foster Wallace Hates MFA Programs Q1 Stylistic Mark of MFA program COMMENTS Creative Writing, MFA The MFA in Creative Writing at New England College, founded in 2002, is one of the country's oldest and most highly esteemed low residency programs. We boast a small and selective program that allows us to sustain a close-knit, supportive community. Students are individually mentored by accomplished, award‐winning faculty members who are ... 2024 Best Creative Writing Schools in the New England Region 36.8% Growth in Graduates. Wellesley College is one of the best schools in the country for getting a degree in creative writing. Wellesley is a small private not-for-profit college located in the large suburb of Wellesley. A Best Colleges rank of #88 out of 2,217 schools nationwide means Wellesley is a great college overall. Creative Writing MFA Intensive study and practice of fiction and poetry writing with award-winning and nationally renowned faculty at the most diverse university in New England. UMass Boston's Creative Writing MFA offers you an intense, 3-year program and focused opportunity to further your commitment to writing as the center of your professional life. Creative Writing, Non-Fiction Track, M.F.A. The New England College Master of Fine Arts in Creative Writing program is more than a graduate degree program: it is transformative education for writers. The Master of Fine Arts (MFA) program offers a rigorous graduate education in Creative Writing that is based on progressive pedagogy, individualized study, and academic/artistic mentorship. Stonecoast MFA in Creative Writing Stonecoast connects emerging writers with award-winning authors to create a uniquely inclusive and challenging low-residency MFA in creative writing. Our innovative curriculum and supportive community will propel your writing forward. You'll work with writers who care deeply about the power of telling stories to reimagine and reshape the ... Program: Creative Writing, Single-genre Track, M.F.A. The New England College Master of Fine Arts in Creative Writing program is more than a graduate degree program: it is transformative education for writers. The Master of Fine Arts (MFA) program offers a rigorous graduate education in Creative Writing that is based on progressive pedagogy, individualized study, and academic/artistic mentorship. PDF Master of Fine Arts in Creative Writing The New England College MFA Creative Writing Program offers a rigorous and dynamic graduate education with tracks in fiction, nonfiction, and poetry as well as a dual-genre option. If you are seeking an intimate graduate education free of hierarchy, this might be the right program for you. Our low faculty-to-student ratio, combined with immersive Fully Funded MFA Programs in Creative Writing Here is the list of 53 universities that offer fully-funded MFA programs (Master's of Fine Arts) in Creative Writing. University of Alabama (Tuscaloosa, AL): Students admitted to the MFA Program are guaranteed full financial support for up to 4-years. Assistantships include a stipend paid over nine months (currently $14,125), and full payment ... MFA Programs Database: 255 Programs for Creative Writers Our list of 255 MFA programs for creative writers includes essential information about low-residency and full-residency graduate creative ... Every week a new publishing professional shares advice, anecdotes, insights, and new ways of thinking about writing and the business of books. ... England. Core Faculty Includes: Poetry: Lucy English, Tim ... Writing (M.F.A.) A paid, year-long internship at one of New England's premier arts organizations—The Music Hall's two literary series, Writers on a New England Stage and Writers in the Loft, employ an MFA student to assist in marketing and production. This is a great opportunity for a literary- and marketing-minded student with sharp writing and ... 15 Best Creative Writing MFA Programs in 2024 1) Johns Hopkins University, MFA in Fiction/Poetry. This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Creative Writing, M.F.A The M.F.A. fiction specialization at Brooklyn College is a two-year course that maintains an enrollment of 30 students. While every member of the ongoing and visiting faculty works according to their methods, we are united in our conviction that newer writers need a balance of encouragement and serious, thoroughly considered feedback. New England College MFA in Creative Writing New England College MFA in Creative Writing, Henniker, New Hampshire. 284 likes · 1 talking about this · 16 were here. New England College's Master of Fine Arts in Creative Writing program delivers a... Summer Writing Residency in Coastal New England For more information or to reserve your spot: Contact: MFA Director Leanna James Blackwell. Email: [email protected]. 588 Longmeadow Street Longmeadow, MA. Learn about Bay Path University's MFA in Creative Nonfiction Summer Writing Residency in Coastal New England. MFA in Creative Writing New England College's MFA in Creative Writing program hosts the 2024 Summer Reading Series, featuring readings by the program's highly talented writers. The week culminates with a reading by Victoria Chang, the 2024 Elizabeth Yates McGreal Writer-in-Residence. Dates: Friday, July 12-Friday, July 19, 2024 Time: 7:30 p.m. for all sessions Locations: John Lyons Learning Commons, 55 Depot ... Wilkes U. or New England College MFA? : r/AskLiteraryStudies I am having some mild success in writing and I am considering honing my craft even further through attending an MFA program next fall or possibly in 2022. I prefer low residency, and so far I am most interested in Wilkes University or New England College. Since Poets & Writers did away with its rankings system, I am not sure which one of these ... Program: Creative Writing, Dual-genre Track, M.F.A. The New England College Master of Fine Arts in Creative Writing program is more than a graduate degree program: it is transformative education for writers. The Master of Fine Arts (MFA) program offers a rigorous graduate education in Creative Writing that is based on progressive pedagogy, individualized study, and academic/artistic mentorship ... 26 Best Things To Do In Voronezh, Russia 7. Look around the Kramskoy Museum of Fine Arts. View this post on Instagram. A post shared by Olgabr (@olgabr2106) The Kramskoy Museum of Fine Arts is Voronezh's famous theatre and art school. It is full of history and art that portrays the Voronezh region with rich and diverse characteristics. Voronezh city, Russia places of interest Samuil Marshak was born in Voronezh in 1887 (the house of his parents has not survived) and later lived in Ostrogozhsk and studied in England. When the First World War began Marshak returned to Voronezh, and stayed in his uncle's house on Sadovaya Street. There he worked on translations of English poetry and old popular ballads. Russian Offensive Campaign Assessment, August 26, 2024 Download the PDF. Russian Offensive Campaign Assessment, August 26, 2024. Nicole Wolkov, Davit Gasparyan, Karolina Hird, Grace Mappes, and George Barros. August 26, 2024, 7:30pm ET. Click here to see ISW's interactive map of the Russian invasion of Ukraine. This map is updated daily alongside the static maps present in this report. Creative Writing The New England College Master of Fine Arts in Creative Writing program is more than a graduate degree program: it is transformative education for writers. The Master of Fine Arts (MFA) program offers a rigorous graduate education in Creative Writing that is based on progressive pedagogy, individualized study, and academic/artistic mentorship. Russian Offensive Campaign Assessment, June 25, 2024 The Russian MFA noted that these sanctions are specifically in response to the EU blocking Kremlin-affiliated news sites RIA Novosti, Rossiskaya Gazeta, and Izvestia, but did not mention the new EU sanctions against the Voice of Europe — the joint venture of Kremlin-affiliate Artem Marchevsky and former pro-Russian Ukrainian MP Viktor ... Program: Creative Writing: Dual-Genre, MFA 98 Bridge Street Henniker, NH 03242 603.428.2000 About NEC About Contact Us Apply Visit essay homework paper phd project resume review study thesis