- To improve a situation
- To understand a phenomena
It usually involves defining an issue, investigating, presenting and analysing information in order to develop a set of recommendations (actions)
- A case study
- An investigation
- An experiment
- Abstract
- Introduction
- Aims
- Method
- Results
- Discussion
- Conclusion… etc.
What is the difference between an essay and a report.
Reports are typically used to present the findings from a particular project, experiment, or investigation in a systematic way. Essays are used to develop a discussion of a topic or build an argument.
Reports present information in a different way from an essay. Whilst essays are generally quite fluid in terms of structure, enabling the author to explore a topic through a series of paragraphs, a report will be highly structured with section headings and subheadings that have a clear function. Reports often use tables, bullet points and graphics to present information.
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When in college, you will expect to receive various assignments that require a different approach when writing. One of the assignments is essay and report writing which might confuse many students. Although their structure is almost similar, their content differs and you should not confuse one with the other.
Students are encouraged on reading essays to improve writing and understand the various types of essays and their purposes. Essays are divided into four categories, namely the argumentative essay, an expository, narrative, and descriptive. Each type serves a certain purpose and a writer must stay within that purpose in the writing process. The writer presents their ideas about a topic.
A report does not rely on a personal idea but it entirely presents information concerning an issue. The information provided must the backed by facts and one of the best ways to present the facts is to use numbers and data.
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Writing format.
The writer goes on to write the body of the essay and uses paragraphs. Each paragraph transitions into the next and it could contain between three to five paragraphs, with each covering a specific point. The writer summarizes the essay in the concluding statement and then adds references.
Use of figures and diagrams.
Because a report must be based on facts and not opinions, a writer provides evidence to the facts using several ways. They create tables with figures, they use graphs and illustrations . At some point, they even use bullet points and use numbered or labeled headings and subheads.
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Published on September 4, 2020 by Jack Caulfield . Revised on July 23, 2023.
An essay is a focused piece of writing designed to inform or persuade. There are many different types of essay, but they are often defined in four categories: argumentative, expository, narrative, and descriptive essays.
Argumentative and expository essays are focused on conveying information and making clear points, while narrative and descriptive essays are about exercising creativity and writing in an interesting way. At university level, argumentative essays are the most common type.
Essay type | Skills tested | Example prompt |
---|---|---|
Has the rise of the internet had a positive or negative impact on education? | ||
Explain how the invention of the printing press changed European society in the 15th century. | ||
Write about an experience where you learned something about yourself. | ||
Describe an object that has sentimental value for you. |
In high school and college, you will also often have to write textual analysis essays, which test your skills in close reading and interpretation.
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Argumentative essays, expository essays, narrative essays, descriptive essays, textual analysis essays, other interesting articles, frequently asked questions about types of essays.
An argumentative essay presents an extended, evidence-based argument. It requires a strong thesis statement —a clearly defined stance on your topic. Your aim is to convince the reader of your thesis using evidence (such as quotations ) and analysis.
Argumentative essays test your ability to research and present your own position on a topic. This is the most common type of essay at college level—most papers you write will involve some kind of argumentation.
The essay is divided into an introduction, body, and conclusion:
The example below is a paragraph from the body of an argumentative essay about the effects of the internet on education. Mouse over it to learn more.
A common frustration for teachers is students’ use of Wikipedia as a source in their writing. Its prevalence among students is not exaggerated; a survey found that the vast majority of the students surveyed used Wikipedia (Head & Eisenberg, 2010). An article in The Guardian stresses a common objection to its use: “a reliance on Wikipedia can discourage students from engaging with genuine academic writing” (Coomer, 2013). Teachers are clearly not mistaken in viewing Wikipedia usage as ubiquitous among their students; but the claim that it discourages engagement with academic sources requires further investigation. This point is treated as self-evident by many teachers, but Wikipedia itself explicitly encourages students to look into other sources. Its articles often provide references to academic publications and include warning notes where citations are missing; the site’s own guidelines for research make clear that it should be used as a starting point, emphasizing that users should always “read the references and check whether they really do support what the article says” (“Wikipedia:Researching with Wikipedia,” 2020). Indeed, for many students, Wikipedia is their first encounter with the concepts of citation and referencing. The use of Wikipedia therefore has a positive side that merits deeper consideration than it often receives.
An expository essay provides a clear, focused explanation of a topic. It doesn’t require an original argument, just a balanced and well-organized view of the topic.
Expository essays test your familiarity with a topic and your ability to organize and convey information. They are commonly assigned at high school or in exam questions at college level.
The introduction of an expository essay states your topic and provides some general background, the body presents the details, and the conclusion summarizes the information presented.
A typical body paragraph from an expository essay about the invention of the printing press is shown below. Mouse over it to learn more.
The invention of the printing press in 1440 changed this situation dramatically. Johannes Gutenberg, who had worked as a goldsmith, used his knowledge of metals in the design of the press. He made his type from an alloy of lead, tin, and antimony, whose durability allowed for the reliable production of high-quality books. This new technology allowed texts to be reproduced and disseminated on a much larger scale than was previously possible. The Gutenberg Bible appeared in the 1450s, and a large number of printing presses sprang up across the continent in the following decades. Gutenberg’s invention rapidly transformed cultural production in Europe; among other things, it would lead to the Protestant Reformation.
A narrative essay is one that tells a story. This is usually a story about a personal experience you had, but it may also be an imaginative exploration of something you have not experienced.
Narrative essays test your ability to build up a narrative in an engaging, well-structured way. They are much more personal and creative than other kinds of academic writing . Writing a personal statement for an application requires the same skills as a narrative essay.
A narrative essay isn’t strictly divided into introduction, body, and conclusion, but it should still begin by setting up the narrative and finish by expressing the point of the story—what you learned from your experience, or why it made an impression on you.
Mouse over the example below, a short narrative essay responding to the prompt “Write about an experience where you learned something about yourself,” to explore its structure.
Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.
Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.
A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.
The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.
A descriptive essay provides a detailed sensory description of something. Like narrative essays, they allow you to be more creative than most academic writing, but they are more tightly focused than narrative essays. You might describe a specific place or object, rather than telling a whole story.
Descriptive essays test your ability to use language creatively, making striking word choices to convey a memorable picture of what you’re describing.
A descriptive essay can be quite loosely structured, though it should usually begin by introducing the object of your description and end by drawing an overall picture of it. The important thing is to use careful word choices and figurative language to create an original description of your object.
Mouse over the example below, a response to the prompt “Describe a place you love to spend time in,” to learn more about descriptive essays.
On Sunday afternoons I like to spend my time in the garden behind my house. The garden is narrow but long, a corridor of green extending from the back of the house, and I sit on a lawn chair at the far end to read and relax. I am in my small peaceful paradise: the shade of the tree, the feel of the grass on my feet, the gentle activity of the fish in the pond beside me.
My cat crosses the garden nimbly and leaps onto the fence to survey it from above. From his perch he can watch over his little kingdom and keep an eye on the neighbours. He does this until the barking of next door’s dog scares him from his post and he bolts for the cat flap to govern from the safety of the kitchen.
With that, I am left alone with the fish, whose whole world is the pond by my feet. The fish explore the pond every day as if for the first time, prodding and inspecting every stone. I sometimes feel the same about sitting here in the garden; I know the place better than anyone, but whenever I return I still feel compelled to pay attention to all its details and novelties—a new bird perched in the tree, the growth of the grass, and the movement of the insects it shelters…
Sitting out in the garden, I feel serene. I feel at home. And yet I always feel there is more to discover. The bounds of my garden may be small, but there is a whole world contained within it, and it is one I will never get tired of inhabiting.
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Though every essay type tests your writing skills, some essays also test your ability to read carefully and critically. In a textual analysis essay, you don’t just present information on a topic, but closely analyze a text to explain how it achieves certain effects.
A rhetorical analysis looks at a persuasive text (e.g. a speech, an essay, a political cartoon) in terms of the rhetorical devices it uses, and evaluates their effectiveness.
The goal is not to state whether you agree with the author’s argument but to look at how they have constructed it.
The introduction of a rhetorical analysis presents the text, some background information, and your thesis statement; the body comprises the analysis itself; and the conclusion wraps up your analysis of the text, emphasizing its relevance to broader concerns.
The example below is from a rhetorical analysis of Martin Luther King Jr.’s “I Have a Dream” speech . Mouse over it to learn more.
King’s speech is infused with prophetic language throughout. Even before the famous “dream” part of the speech, King’s language consistently strikes a prophetic tone. He refers to the Lincoln Memorial as a “hallowed spot” and speaks of rising “from the dark and desolate valley of segregation” to “make justice a reality for all of God’s children.” The assumption of this prophetic voice constitutes the text’s strongest ethical appeal; after linking himself with political figures like Lincoln and the Founding Fathers, King’s ethos adopts a distinctly religious tone, recalling Biblical prophets and preachers of change from across history. This adds significant force to his words; standing before an audience of hundreds of thousands, he states not just what the future should be, but what it will be: “The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.” This warning is almost apocalyptic in tone, though it concludes with the positive image of the “bright day of justice.” The power of King’s rhetoric thus stems not only from the pathos of his vision of a brighter future, but from the ethos of the prophetic voice he adopts in expressing this vision.
A literary analysis essay presents a close reading of a work of literature—e.g. a poem or novel—to explore the choices made by the author and how they help to convey the text’s theme. It is not simply a book report or a review, but an in-depth interpretation of the text.
Literary analysis looks at things like setting, characters, themes, and figurative language. The goal is to closely analyze what the author conveys and how.
The introduction of a literary analysis essay presents the text and background, and provides your thesis statement; the body consists of close readings of the text with quotations and analysis in support of your argument; and the conclusion emphasizes what your approach tells us about the text.
Mouse over the example below, the introduction to a literary analysis essay on Frankenstein , to learn more.
Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.
If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!
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At high school and in composition classes at university, you’ll often be told to write a specific type of essay , but you might also just be given prompts.
Look for keywords in these prompts that suggest a certain approach: The word “explain” suggests you should write an expository essay , while the word “describe” implies a descriptive essay . An argumentative essay might be prompted with the word “assess” or “argue.”
The vast majority of essays written at university are some sort of argumentative essay . Almost all academic writing involves building up an argument, though other types of essay might be assigned in composition classes.
Essays can present arguments about all kinds of different topics. For example:
An argumentative essay tends to be a longer essay involving independent research, and aims to make an original argument about a topic. Its thesis statement makes a contentious claim that must be supported in an objective, evidence-based way.
An expository essay also aims to be objective, but it doesn’t have to make an original argument. Rather, it aims to explain something (e.g., a process or idea) in a clear, concise way. Expository essays are often shorter assignments and rely less on research.
The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.
Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.
If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.
Caulfield, J. (2023, July 23). The Four Main Types of Essay | Quick Guide with Examples. Scribbr. Retrieved June 24, 2024, from https://www.scribbr.com/academic-essay/essay-types/
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What is the difference between an essay and a report.
Essays differ from reports in a number of ways:
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Essay is "a short piece of writing on a particular subject." based on Oxford Dictionaries definition
However I don't know exactly what a report is. is it "information about something:"( https://dictionary.cambridge.org/us/dictionary/english/report )?
what is the difference between them especially in academia
Briefly, an essay is often a piece of writing where the author is discussing a statement or presenting a point of view. In schools it is usually formal and factual, but the student gets the opportunity to express their opinion as long as it is supported with valid examples and data.
On the other hand, a report is a collection of facts, data, and often involves the results of a survey or questionnaire. It should be formal and neutral and presented in such a way that the reader finds the relevant pieces of information as quickly and as easily as possible.
"Report" is more general than "essay" and can have a wider range of connotations or implications, so it may need more adjectives or context around it as compared with an essay, for the listener's understanding. An essay is most often understood to be a relatively short piece of writing on a certain topic, while a report can be spoken, written, short, long, and so on. Reports have a wider range of usage than essays, which are commonly found in academic or literary contexts. Reports are common in media, institutions, scientific contexts, organizations, and so on.
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President Joe Biden and Republican Donald Trump went right to mixing it up on policy — and each other — in their first presidential debate of the 2024 campaign.
This combination of photos shows Republican presidential candidate former President Donald Trump, left, and President Joe Biden during a presidential debate hosted by CNN, Thursday, June 27, 2024, in Atlanta. (AP Photo/Gerald Herbert)
President Joe Biden, right, and Republican presidential candidate former President Donald Trump, left, participate in a presidential debate hosted by CNN, Thursday, June 27, 2024, in Atlanta. (AP Photo/Gerald Herbert)
Republican presidential candidate former President Donald Trump gestures during a presidential debate with Joe Biden, Thursday, June 27, 2024, in Atlanta. (AP Photo/Gerald Herbert)
President Joe Biden speaks during a presidential debate with Republican presidential candidate former President Donald Trump, Thursday, June 27, 2024, in Atlanta. (AP Photo/Gerald Herbert)
Republican presidential candidate former President Donald Trump, left, and President Joe Biden, right, speak simultaneously during a presidential debate hosted by CNN, Thursday, June 27, 2024, in Atlanta. (AP Photo/Gerald Herbert)
WASHINGTON (AP) — The presidential debate was a re-run that featured two candidates with a combined age of 159, but it went especially poorly for one of them, President Joe Biden .
Already fighting voter concerns about his age, Biden, 81, was halting and seemed to lose his train of thought Thursday night, sparking quick concerns among Democrats about the man they hope will keep former President Donald Trump from returning to office. For his part, Trump made repeated false claims and provocative statements. But Trump seemed smoother and more vigorous than Biden, who is only three years older than the Republican ex-president.
The debate covered a wide range of topics and included a former president — Trump — not backing down from his vows to prosecute members of Congress and even the man he was debating. But the overarching theme was the difference between the candidates’ performance.
The latest on the Biden-Trump debate
Here are some takeaways from the face-off.
Presidential debates are often scored on style and impression more than substance. Trump was confident and composed, even as he steamrolled facts on abortion and immigration with false assertions, conspicuous exaggerations and empty superlatives. Biden was often halting, his voice raspy, even when he had the facts on his side. He had difficulty finishing his arguments and marshalling his attacks.
Trump’s supporters have seemed unconcerned about his relationship with the truth, and his performance and delivery helped him. Biden’s supporters consistently express concern about the president’s age and capacity and he did little to reassure them.
One of the first glimpses viewers got of Biden was when he lost his train of thought while making his case on tax rates and the number of billionaires in America — trailing off and looking down at his lectern before mumbling briefly and saying “we finally beat Medicare.” When he tried to finish his point, he was cut off because of the time limits.
At other times, Biden made some puzzling non sequiturs that seemed to undercut what the campaign has said are his strong points, including the economy and abortion rights. As Biden critiqued Trump’s economic record, the president suddenly pivoted to Afghanistan and how Trump “didn’t do anything about that” — although the botched withdrawal of Afghanistan is widely considered one of the lowest points of Biden’s presidency.
Later, as Biden singled out state restrictions on abortion, he confusingly pivoted to immigration and referred to a “young woman who was just murdered” by an immigrant. It was unclear what point he was trying to make.
Trump was cruising through the opening of the debate when he suddenly stumbled over the question of how he would reassure voters that he would respect his oath of office after the Jan. 6, 2021, attack on the U.S. Capitol.
He continued to engage in denialism about the attack and refused to denounced those who attacked police and stormed the building by breaking doors and windows. He suggested that those charged will somehow be found one day to be innocent.
More than 1,400 people have been charged with federal offenses stemming from the riot. Of those, more than 850 people have pleaded guilty to crimes, including seditious conspiracy and assaulting police officers. About 200 others have been convicted at trial.
Trump tried to avoid addressing the issue. He defended the people who stormed the Capitol, blaming Biden for prosecuting them. “What they’ve done to some people who are so innocent, you ought to be ashamed of yourself,” Trump told Biden.
Trump warned that the members of the congressional committee that investigated Jan. 6 could face criminal charges, as could Biden himself.
Biden shot back: “The only person on this stage who’s a convicted felon is the man I’m looking at.”
Trump didn’t back down from his vow to seek vengeance. Coupled with his refusal to condemn the Jan. 6 attackers, it made for a stark moment.
Asked if he would accept the results of the election, Trump said, “if it’s a fair and legal and good election, absolutely,” which notably is not an unqualified yes.
In what may well be a first in a presidential campaign, Trump called the president, Biden, a “criminal” and said he could well be prosecuted after he leaves office. Biden then brought Trump’s recent criminal trial in New York in which prosecutors presented evidence that Trump had sex with a porn actor.
“I didn’t have sex with a porn star,” Trump said.
Abortion is an issue Democrats think could help deliver a victory in November. Trump in 2016 campaigned on overturning Roe v. Wade, and as president appointed three Supreme Court justices who provided the deciding votes revoking the 49-year right to the procedure. In response to a question from the moderators, Trump vowed not to go further if he returns to the White House, where his administration would have the authority to outlaw the abortion pill mifepristone, which is widely used.
Overturning Roe is one of Trump’s greatest political vulnerabilities, but on Thursday the former president contended everyone was happy with what he did.
“As far as abortion’s concerned it’s back to the states,” Trump said, contending the Founding Fathers would have been happy with the end of Roe. “Everybody wanted it brought back.”
That’s not true. Polls have shown significant opposition to overturning Roe and voters have punished Republicans in recent elections for it. “The idea that the founders wanted the politicians to be the ones making the decisions about women’s health is ridiculous,” Biden shot back.
In a unanimous decision this month, the Supreme Court preserved access to mifepristone, a pill that was used in nearly two-thirds of all abortions in the U.S. last year.
Until Thursday, Trump had not detailed his position on access to the medication, but during the debate he indicated he supported the justices’ decision, saying: “I will not block it.”
But when it was his turn to speak, Biden stumbled through his explanation of Roe, which he said “had three trimesters” — a lost opportunity for the Democrat to make a strong rhetorical case on an issue vital for his party.
“The first time is between a woman and a doctor,” Biden continued. “Second time is between a doctor and an extreme situation. A third time is between the doctor, I mean, between the women and the state.”
In recent months, Biden has tried to reverse his poor public standing over his handling of immigration, first by endorsing a bipartisan Senate proposal with some of the toughest border restrictions in recent memory and then, after that legislation collapsed, taking executive action to clamp down on migrants seeking asylum at the southern border.
What to know about the 2024 Election
But as Biden tried to tout the progress he’s made, particularly the 40% drop in illegal border crossings since his border directive was implemented this month, Trump invoked his trademark dark and catastrophic rhetoric to paint a portrait of a chaotic border under Biden’s watch.
For example, Trump argued that the migrants arriving at the U.S. border are coming from “mental institutions” and “insane asylums” — a frequent refrain of his at rallies for which he has offered no evidence. He also claimed the U.S.-Mexico border is the “most dangerous place anywhere in the world” and cited examples of immigrants in the U.S. illegally who had committed violent crimes.
Though some immigrants do commit horrific crimes, a 2020 study published by the National Academy of Sciences found “considerably lower felony arrest rates” among people in the United States illegally than among legal immigrants or native-born. But Trump often benefits from his certitude.
The debate began with Biden defending his record on the economy, saying he inherited an economy that was “in a freefall” as it was battered by the coronavirus pandemic and that his administration put it back together again.
But after Biden touted his administration’s accomplishments — such as lowering the cost of insulin and the creation of millions of new jobs — Trump boasted that he oversaw the “greatest economy in the history of our country” and defended his record on the pandemic.
Biden retorted: “He’s the only one who thinks that.” But Trump responding by attacking him on inflation, arguing that he inherited low rates of inflation when he came into office in January 2021 yet prices “blew up under his leadership.”
Biden — whose deceased son, Beau, served in Iraq — had one of his most forceful moments when he went on the attack against Trump’s reported comments in 2018 that he declined to visit a U.S. military cemetery in France because veterans buried there were “suckers” and “losers.”
It was an argument that Biden, then the Democratic challenger, made against Trump in their first 2020 debate and one that the incumbent president has regularly used against Trump, framing him as a commander in chief who nonetheless disparages veterans. “My son was not a loser, was not a sucker,” Biden said. “You’re the sucker. You’re the loser.”
Trump responded that the publication that initially reported this comments, The Atlantic, “was a third-rate magazine” and had made up the quotes. But undercutting Trump’s retort is the fact that his former chief of staff, John Kelly, confirmed those private remarks in a statement last fall.
Follow the AP’s coverage of the 2024 election at https://apnews.com/hub/election-2024 .
Advertisement
The congressman, who lost to George Latimer, was the first “squad” member to fall, in a painful defeat for the Democratic left.
By Nicholas Fandos
Representative Jamaal Bowman of New York became the first member of the House’s progressive “squad” to lose a seat in Congress on Tuesday, dealing a stinging defeat to the Democratic left after a brutal intraparty fight.
The contest on the outskirts of New York City centered on Democrats’ disagreements over Israel’s war in Gaza. Progressive groups raced to try to save Mr. Bowman, a leading voice against the war. Pro-Israel political groups pumped record-shattering sums into defeating him.
But by the end, it devolved into a broader spat over race and class that tested the Democratic coalition. Mr. Bowman’s opponent, the Westchester County executive, George Latimer, also benefited from old-fashioned local alliances and a series of embarrassing missteps by the incumbent.
Here are five takeaways from the results.
After the Oct. 7 Hamas-led attacks, political groups aligned with Israel issued a message to its critics like Mr. Bowman: Moderate your views or prepare for stiff political opposition.
Tuesday’s result showed that was no idle threat.
The American Israel Public Affairs Committee, Democratic Majority for Israel and other affiliated organizations ultimately spent more than $16 million to defeat Mr. Bowman, more than any outside group has ever put into a House race.
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Undergraduate courses.
Composition courses that offer many sections (ENGL 101, 201, 277 and 379) are not listed on this schedule unless they are tailored to specific thematic content or particularly appropriate for specific programs and majors.
Tuesday and Thursday, 11 a.m.-12:15 p.m.
Sharon Smith
ENGL 151 serves as an introduction to both the English major and the discipline of English studies. In this class, you will develop the thinking, reading, writing and research practices that define both the major and the discipline. Much of the semester will be devoted to honing your literary analysis skills, and we will study and discuss texts from several different genres—poetry, short fiction, the novel, drama and film—as well as some literary criticism. As we do so, we will explore the language of the discipline, and you will learn a variety of key literary terms and concepts. In addition, you will develop your skills as both a writer and researcher within the discipline of English.
In this section of English 201, students will use research and writing to learn more about problems that are important to them and articulate ways to address those problems. The course will focus specifically on issues related to the mind, the body and the relationship between them. The topics we will discuss during the course will include the correlation between social media and body image; the efficacy of sex education programs; the degree to which beliefs about race and gender influence school dress codes; and the unique mental and physical challenges faced by college students today. In this course, you will be learning about different approaches to argumentation, analyzing the arguments of others and constructing your own arguments. At the same time, you will be honing your skills as a researcher and developing your abilities as a persuasive and effective writer.
Monday/Wednesday/Friday 1-1:50 p.m.
Gwen Horsley
English 201 will help students develop the ability to think critically and analytically and to write effectively for other university courses and careers. This course will provide opportunities to develop analytical skills that will help students become critical readers and effective writers. Specifically, in this class, students will:
Students will improve their writing skills by reading essays and applying techniques they witness in others’ work and those learned in class. This class is also a course in logical and creative thought. Students will write about humankind’s place in the world and our influence on the land and animals, places that hold special meaning to them or have influenced their lives and stories of their own families and their places and passions in the world. Students will practice writing in an informed and persuasive manner, in language that engages and enlivens readers by using vivid verbs and avoiding unnecessary passives, nominalizations and expletive constructions.
Students will prepare writing assignments based on readings and discussions of essays included in "Literature and the Environment " and other sources. They may use "The St. Martin’s Handbook," as well as other sources, to review grammar, punctuation, mechanics and usage as needed.
Tuesday and Thursday 9:30-10:45 a.m.
Paul Baggett
For generations, environmentalists have relied on the power of prose to change the minds and habits of their contemporaries. In the wake of fires, floods, storms and droughts, environmental writing has gained a new sense of urgency, with authors joining activists in their efforts to educate the public about the grim realities of climate change. But do they make a difference? Have reports of present and future disasters so saturated our airwaves that we no longer hear them? How do writers make us care about the planet amidst all the noise? In this course, students will examine the various rhetorical strategies employed by some of today’s leading environmental writers and filmmakers. And while analyzing their different arguments, students also will strengthen their own strategies of argumentation as they research and develop essays that explore a range of environmental concerns.
S17 Tuesday and Thursday 12:30-1:45 p.m.
S18 Tuesday and Thursday 2-3:15 p.m.
Jodi Andrews
In this composition class, students will critically analyze essays about food, food systems and environments, food cultures, the intersections of personal choice, market forces and policy and the values underneath these forces. Students will learn to better read like writers, noting authors’ purpose, audience organizational moves, sentence-level punctuation and diction. We will read a variety of essays including research-intensive arguments and personal narratives which intersect with one of our most primal needs as humans: food consumption. Students will rhetorically analyze texts, conduct advanced research, reflect on the writing process and write essays utilizing intentional rhetorical strategies. Through doing this work, students will practice the writing moves valued in every discipline: argument, evidence, concision, engaging prose and the essential research skills for the 21st century.
Michael S. Nagy
English 221 is a survey of early British literature from its inception in the Old English period with works such as "Beowulf" and the “Battle of Maldon,” through the Middle Ages and the incomparable writings of Geoffrey Chaucer and the Gawain - poet, to the Renaissance and beyond. Students will explore the historical and cultural contexts in which all assigned reading materials were written, and they will bring that information to bear on class discussion. Likely themes that this class will cover include heroism, humor, honor, religion, heresy and moral relativity. Students will write one research paper in this class and sit for two formal exams: a midterm covering everything up to that point in the semester, and a comprehensive final. Probable texts include the following:
Monday, Wednesday and Friday noon-12:50 p.m.
April Myrick
A survey of the history of literature written for children and adolescents, and a consideration of the various types of juvenile literature. Text selection will focus on the themes of imagination and breaking boundaries.
Randi Anderson
In English 240 students will develop the skills to interpret and evaluate various genres of literature for juvenile readers. This particular section will focus on various works of literature at approximately the K-5 grade level. We will read a large range of works that fall into this category, as well as information on the history, development and genre of juvenile literature.
Readings for this course include classical works such as "Hatchet," "Little Women", "The Lion, the Witch and the Wardrobe" and "Brown Girl Dreaming," as well as newer works like "Storm in the Barn," "Anne Frank’s Diary: A Graphic Adaptation," "Lumberjanes," and a variety of picture books. These readings will be paired with chapters from "Reading Children’s Literature: A Critical Introduction " to help develop understanding of various genres, themes and concepts that are both related to juvenile literature and also present in our readings.
In addition to exposing students to various genres of writing (poetry, historical fiction, non-fiction, fantasy, picture books, graphic novels, etc.) this course will also allow students to engage in a discussion of larger themes present in these works such as censorship, race and gender. Students’ understanding of these works and concepts will be developed through readings, research, discussion posts, exams and writing assignments designed to get students to practice analyzing poetry, picture books, informational books and transitional/easy readers.
Tuesday and Thursday 12:30-1:45 p.m.
This course provides a broad, historical survey of American literature from the early colonial period to the Civil War. Ranging across historical periods and literary genres—including early accounts of contact and discovery, narratives of captivity and slavery, poetry of revolution, essays on gender equality and stories of industrial exploitation—this class examines how subjects such as colonialism, nationhood, religion, slavery, westward expansion, race, gender and democracy continue to influence how Americans see themselves and their society.
Required Texts
Steven Wingate
Students will explore the various forms of creative writing (fiction, nonfiction and poetry) not one at a time in a survey format—as if there were decisive walls of separation between then—but as intensely related genres that share much of their creative DNA. Through close reading and work on personal texts, students will address the decisions that writers in any genre must face on voice, rhetorical position, relationship to audience, etc. Students will produce and revise portfolios of original creative work developed from prompts and research. This course fulfills the same SGR #2 requirements ENGL 201; note that the course will involve a research project. Successful completion of ENGL 101 (including by test or dual credit) is a prerequisite.
Jodilyn Andrews
This course introduces students to the craft of writing, with readings and practice in at least two genres (including fiction, poetry and drama).
Amber Jensen, M.A., M.F.A.
This course explores creative writing as a way of encountering the world, research as a component of the creative writing process, elements of craft and their rhetorical effect and drafting, workshop and revision as integral parts of writing polished literary creative work. Student writers will engage in the research practices that inform the writing of literature and in the composing strategies and writing process writers use to create literary texts. Through their reading and writing of fiction, poetry and creative nonfiction, students will learn about craft elements, find examples of those craft elements in published works and apply these elements in their own creative work, developed through weekly writing activities, small group and large group workshop and conferences with the instructor. Work will be submitted, along with a learning reflection and revision plan in each genre and will then be revised and submitted as a final portfolio at the end of the semester to demonstrate continued growth in the creation of polished literary writing.
Tuesday 6-8:50 p.m.
Danielle Harms
Techniques, materials and resources for teaching English language and literature to middle and secondary school students. Required of students in the English education option.
Thursdays 3-6 p.m.
This course introduces students to contemporary works by authors from various Indigenous nations. Students examine these works to enhance their historical understanding of Indigenous peoples, discover the variety of literary forms used by those who identify as Indigenous writers, and consider the cultural and political significance of these varieties of expression. Topics and questions to be explored include:
Possible Texts
Tuesdays 2-4:50 p.m.
Jason McEntee
Do you have an appreciation for, and enjoy watching, movies? Do you want to study movies in a genre-oriented format (such as those we typically call the Western, the screwball comedy, the science fiction or the crime/gangster, to name a few)? Do you want to explore the different critical approaches for talking and writing about movies (such as auteur, feminist, genre or reception)?
In this class, you will examine movies through viewing and defining different genres while, at the same time, studying and utilizing different styles of film criticism. You will share your discoveries in both class discussions and short writings. The final project will be a formal written piece of film criticism based on our work throughout the semester. The course satisfies requirements and electives for all English majors and minors, including both the Film Studies and Professional Writing minors. (Note: Viewing of movies outside of class required and may require rental and/or streaming service fees.)
In this workshop-based creative writing course, students will develop original fiction based on strong attention to the fundamentals of literary storytelling: full-bodied characters, robust story lines, palpable environments and unique voices. We will pay particular attention to process awareness, to the integrity of the sentence, and to authors' commitments to their characters and the places in which their stories unfold. Some workshop experience is helpful, as student peer critique will be an important element of the class.
Wednesday 3-5:50 p.m.
With the publication of Horace Walpole’s "The Castle of Otranto " in 1764, the Gothic officially came into being. Dark tales of physical violence and psychological terror, the Gothic incorporates elements such as distressed heroes and heroines pursued by tyrannical villains; gloomy estates with dark corridors, secret passageways and mysterious chambers; haunting dreams, troubling prophecies and disturbing premonitions; abduction, imprisonment and murder; and a varied assortment of corpses, apparitions and “monsters.” In this course, we will trace the development of Gothic literature—and some film—from the eighteenth-century to the present time. As we do so, we will consider how the Gothic engages philosophical beliefs about the beautiful and sublime; shapes psychological understandings of human beings’ encounters with horror, terror, the fantastic and the uncanny; and intervenes in the social and historical contexts in which it was written. We’ll consider, for example, how the Gothic undermines ideals related to domesticity and marriage through representations of domestic abuse, toxicity and gaslighting. In addition, we’ll discuss Gothic texts that center the injustices of slavery and racism. As many Gothic texts suggest, the true horrors of human existence often have less to do with inexplicable supernatural phenomena than with the realities of the world in which we live.
Flexible Scheduling
Nathan Serfling
Since their beginnings in the 1920s and 30s, writing centers have come to serve numerous functions: as hubs for writing across the curriculum initiatives, sites to develop and deliver workshops and resource centers for faculty as well as students, among other functions. But the primary function of writing centers has necessarily and rightfully remained the tutoring of student writers. This course will immerse you in that function in two parts. During the first four weeks, you will explore writing center praxis—that is, the dialogic interplay of theory and practice related to writing center work. This part of the course will orient you to writing center history, key theoretical tenets and practical aspects of writing center tutoring. Once we have developed and practiced this foundation, you will begin work in the writing center as a tutor, responsible for assisting a wide variety of student clients with numerous writing tasks. Through this work, you will learn to actively engage with student clients in the revision of a text, respond to different student needs and abilities, work with a variety of writing tasks and rhetorical situations, and develop a richer sense of writing as a complex and negotiated social process.
Engl 572.s01: film criticism, engl 576.st1 fiction.
In this workshop-based creative writing course, students will develop original fiction based on strong attention to the fundamentals of literary storytelling: full-bodied characters, robust story lines, palpable environments and unique voices. We will pay particular attention to process awareness, to the integrity of the sentence and to authors' commitments to their characters and the places in which their stories unfold. Some workshop experience is helpful, as student peer critique will be an important element of the class.
Thursdays 1-3:50 p.m.
This course will provide you with a foundation in the pedagogies and theories (and their attendant histories) of writing instruction, a foundation that will prepare you to teach your own writing courses at SDSU and elsewhere. As you will discover through our course, though, writing instruction does not come with any prescribed set of “best” practices. Rather, writing pedagogies stem from and continue to evolve because of various and largely unsettled conversations about what constitutes effective writing and effective writing instruction. Part of becoming a practicing writing instructor, then, is studying these conversations to develop a sense of what “good writing” and “effective writing instruction” might mean for you in our particular program and how you might adapt that understanding to different programs and contexts.
As we read about, discuss and research writing instruction, we will address a variety of practical and theoretical topics. The practical focus will allow us to attend to topics relevant to your immediate classroom practices: designing a curriculum and various types of assignments, delivering the course content and assessing student work, among others. Our theoretical topics will begin to reveal the underpinnings of these various practical matters, including their historical, rhetorical, social and political contexts. In other words, we will investigate the praxis—the dialogic interaction of practice and theory—of writing pedagogy. As a result, this course aims to prepare you not only as a writing teacher but also as a nascent writing studies/writing pedagogy scholar.
At the end of this course, you should be able to engage effectively in the classroom practices described above and participate in academic conversations about writing pedagogy, both orally and in writing. Assessment of these outcomes will be based primarily on the various writing assignments you submit and to a smaller degree on your participation in class discussions and activities.
Thursdays 3–5:50 p.m.
Katherine Malone
This course explores the rise of the New Woman at the end of the nineteenth century. The label New Woman referred to independent women who rebelled against social conventions. Often depicted riding bicycles, smoking cigarettes and wearing masculine clothing, these early feminists challenged gender roles and sought broader opportunities for women’s employment and self-determination. We will read provocative fiction and nonfiction by New Women writers and their critics, including authors such as Sarah Grand, Mona Caird, George Egerton, Amy Levy, Ella Hepworth Dixon, Grant Allen and George Gissing. We will analyze these exciting texts through a range of critical lenses and within the historical context of imperialism, scientific and technological innovation, the growth of the periodical press and discourse about race, class and gender. In addition to writing an argumentative seminar paper, students will complete short research assignments and lead discussion.
In this course, we will explore the voices of female authors and characters in contemporary literature of war. Drawing from various literary theories, our readings and discussion will explore the contributions of these voices to the evolving literature of war through archetypal and feminist criticism. We will read a variety of short works (both theoretical and creative) and complete works such as (selections subject to change): "Eyes Right" by Tracy Crow, "Plenty of Time When We Get Home" by Kayla Williams, "You Know When the Men are Gone" by Siobhan Fallon, "Still, Come Home" by Katie Schultz and "The Fine Art of Camouflage" by Lauren Johnson.
Numbers, Facts and Trends Shaping Your World
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Pew Research Center conducted this study to understand Americans’ attitudes about U.S. government, such as its size and role.
This report is based primarily on a survey of 8,709 adults, including 7,166 registered voters, from April 8 to 14, 2024. Some of the analysis in this report is based on a survey of 8,638 adults from May 13 to 19, 2024.
Everyone who took part in these surveys is a member of the Center’s American Trends Panel (ATP), an online survey panel that is recruited through national, random sampling of residential addresses. This way nearly all U.S. adults have a chance of selection. The survey is weighted to be representative of the U.S. adult population by gender, race, ethnicity, partisan affiliation, education and other categories. Read more about the ATP’s methodology .
Here are the questions used for the report and its methodology .
While the economy, immigration and abortion have emerged as major issues in the 2024 election, Joe Biden and Donald Trump also have dramatically different ideas about the size and role of government.
These differences reflect decades-old divisions between Democrats and Republicans over the scope of government.
Among registered voters, large majorities of Biden supporters – roughly three-quarters or more – favor a bigger, more activist government.
Trump supporters, by comparable margins, take the opposing view on all three questions.
The Pew Research Center survey of 8,709 adults – including 7,166 registered voters – conducted April 8-14, 2024, examines Americans’ views of the role and scope of government , the social safety net and long-term trends in trust in the federal government .
Democratic support for bigger government is little changed in the last five years but remains higher than it was a decade ago. Republicans’ views have shifted less over the last 10 years.
Among all adults, about three-quarters of Democrats and Democratic-leaning independents favor a bigger government, up from about six-in-ten in 2014 and 2015. The share of Republicans and Republican leaners who prefer a bigger government has increased only modestly over the same period.
Democratic support for bigger government, while slightly lower than in 2021 (78%), remains at nearly its highest level in five decades. During Bill Clinton’s presidency in the 1990s, fewer than half of Democrats said they preferred a bigger government with more services.
Voters continue to express very different views about government’s role in specific areas than about the government generally.
A large majority of voters (80%) – including 82% of Biden supporters and 78% of Trump supporters – say that in thinking about the long-term future of Social Security, benefits should not be reduced in any way.
However, Biden supporters are more likely than Trump supporters to say Social Security should cover more people with greater benefits.
Most Americans (65%) continue to say the federal government has a responsibility to make sure all Americans have health care coverage.
Democrats overwhelmingly (88%) say the federal government has this responsibility, compared with 40% of Republicans.
The share of Republicans who say the government has a responsibility to provide health coverage has increased 8 percentage points since 2021, from 32% to 40%.
There are wide income differences among Republicans in opinions about the government’s role in health care:
When asked how the government should provide health coverage, 36% of Americans say it should be provided through a single national program, while 28% say it should be through a mix of government and private programs. These views have changed little in recent years.
Democrats continue to be more likely than Republicans to favor a “single payer” government health insurance program (53% vs. 18%).
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Weekly updates on the world of news & information
6 facts about presidential and vice presidential debates, biden, trump are least-liked pair of major party presidential candidates in at least 3 decades, cultural issues and the 2024 election, more than half of americans are following election news closely, and many are already worn out, most popular, report materials.
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ABOUT PEW RESEARCH CENTER Pew Research Center is a nonpartisan fact tank that informs the public about the issues, attitudes and trends shaping the world. It conducts public opinion polling, demographic research, media content analysis and other empirical social science research. Pew Research Center does not take policy positions. It is a subsidiary of The Pew Charitable Trusts .
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The difference Between report and essay is discussed here in detail: An essay is a brief literary composition, which is used to describe, present, argue, and analyse the idea or topic. Conversely, a report is a formal and concise document consisting of findings from the practical research. It aims at investigating and exploring the problem ...
Difference Between Essays and Reports in a Table. Reports. Essays. Reports are written with a specific purpose and audience in mind. Essays are written to demonstrate that the author fully understands the research question and can answer it with research. All reports start with a purpose but also include details of events/results of research.
Main Difference between Essay and Report. An essay serves as a concise literary composition for presenting and analyzing ideas, while a report is a formal document that communicates research findings. Essays blend subjective analysis with personal ideas, while reports maintain objectivity by relying on past research and current data.
Key Differences: Report vs Essay. While both reports and essays involve research, analysis, and communication of ideas, there are key differences in their purpose, structure, and approach: Purpose: Reports aim to present factual information and analysis to inform decision-making, while essays explore ideas, theories, and arguments to provoke ...
Report vs Essay: Purpose and Audience. Before we get into the specifics, look at the purposes and target audiences of reports and essays. Thus, helping us understand the core difference between a report and an essay. Purpose of Reports: Reports are documents designed to give out information.
Essays don't usually include tables, charts, or diagrams. Reports usually include descriptions of the methods used. Essays don't usually refer to the methods you used to arrive at your conclusions. The discussion in a report often comments on how the report research could be improved and extended, and may evaluate the methods and processes used.
For a generalised audience. Meaning is conveyed through text. Meaning constructed through sentences. Students often ask the question, What is the difference between a report and an essay? Here we have a helpful summary of the main differences between essays and reports presented in a table and a video.
What is a report? The main purpose for a report is to be informative. The biggest difference between reports and essays is the structure used; An essay is usually written in continuous text, but a report is broken into sections; Essays discuss ideas, but reports present the information that is available on a subject
Table of distinctions between reports and essays. Reports. Essays. Reports have a table of contents. Essays do not. Reports are divided into headed and numbered sections and, sometimes, sub-sections. The format is IMRaD (see below). Essays are not divided. However, you may have separate headed appendices.
A good way to understand the key features of reports is to see how they differ from essays as a type of academic writing. Reports are…. Essays are…. Formally structured. Informative and fact-based. Written with a specific purpose and reader in mind. Written in a style appropriate to each section. Always include section headings.
An essay tends to focus on concepts, issues and/or theory. The focus of a report is more concrete: the report looks at an issue in a real-world context. Essays, especially business essays, often use real-world examples to illustrate a concept or theory but a conceptual, or abstract, idea is the focus. Business reports often focus on a case ...
6. In terms of tone and style, essays are often more personal, allowing for the writer's voice and opinion to shine through. They require critical thinking, evaluation, and a clear line of argument. Reports are more factual and objective. They focus on presenting data, evidence, and facts without the inclusion of personal opinions or emotions. 11.
An essay is produced based on the author's subjective appraisal of theories and previous study on the topic, as well as thoughts from other individuals. In contrast, a report is factual and impartial, drawing on both current and historical facts and study. An essay discusses a topic in a non-fictional way while presenting basic information ...
Here is a comparison table that summarizes the main differences between essays and reports: A piece of writing that gives the author's own argument. A piece of writing that gives information about a particular subject. Essays are typically shorter than reports and are more focused on the author's perspective and argument.
A good way to understand the key features of reports is to see how they differ from essays as a type of academic writing. Reports are…. Essays are…. Formally structured. Informative and fact -based. Written with a specific purpose and reader in mind. Written in a style appropriate to each section. Always include sectio n headings. Sometimes ...
An essay is written to present writer's personal ideas and opinions while a report is written to provide information about a certain issue. Another significant difference between essay and report is the format. A report is divided into sections, headings, and sub-headings, but an essay is never divided into sections and headings; it has ...
Key Differences Between Essays and Reports. The following are key differences between essays and reports: Purpose: Essays aim to persuade, inform, or entertain, while reports primarily aim to inform, analyze, or propose solutions. Structure: Essays consist of an introduction, body paragraphs, and a conclusion, whereas reports consist of an ...
A report can be written about anything; a business issue, a recent event, a piece of research, however it is likely to be one or more of the following in character: Informative. Defining or establishing the facts surrounding a current situation. Explanatory. Exploring and explaining a situation and suggesting a range of possible actions.
Essays are used to develop a discussion of a topic or build an argument. Reports present information in a different way from an essay. Whilst essays are generally quite fluid in terms of structure, enabling the author to explore a topic through a series of paragraphs, a report will be highly structured with section headings and subheadings that ...
The writer summarizes the essay in the concluding statement and then adds references. The format of a report is different and starts with an executive summary, where a writer gives a summary of the report. An index page follows, which contains the table of contents and then the introduction comes next. It discusses the origin and the components ...
An essay is a focused piece of writing designed to inform or persuade. There are many different types of essay, but they are often defined in four categories: argumentative, expository, narrative, and descriptive essays. Argumentative and expository essays are focused on conveying information and making clear points, while narrative and ...
Answer. Essays differ from reports in a number of ways: Essays require the writer to argue, defend or justify a point of view with respect to a particular topic or question. An essay includes an introduction, body paragraphs and a conclusion. In essays, headings are not normally used, so each new idea needs to be introduced within the paragraph ...
The dictionaries aren't particularly informative here, but there's a bunch of information online if you search for "essay vs. report". The specifics may vary, but usually an essay is a continuous piece of prose presenting an argument, while a report presents information and can include things like bullet points, tables and charts.
Natasha Perez, a trainer and former jockey, explains the differences between Thoroughbred and Quarter Horse racing, and the different strategies used to ride each breed.
But the overarching theme was the difference between the candidates' performance. The latest on the Biden-Trump debate. The debate was a critical moment in Joe Biden and Donald Trump's presidential rematch to make their cases before a national television audience. ... "Second time is between a doctor and an extreme situation. A third time ...
A similar misreading of a debate performance came from the first debate between George W. Bush and Mr. Gore, when a number of political analysts praised Mr. Gore for his command of the facts and ...
After the Oct. 7 Hamas-led attacks, political groups aligned with Israel issued a message to its critics like Mr. Bowman: Moderate your views or prepare for stiff political opposition.
Focus on the relationships between world environments, land, animals and humankind. Read various essays by environmental, conservational and regional authors. Produce student writings. Students will improve their writing skills by reading essays and applying techniques they witness in others' work and those learned in class.
These differences reflect decades-old divisions between Democrats and Republicans over the scope of government. Among registered voters, large majorities of Biden supporters - roughly three-quarters or more - favor a bigger, more activist government. 74% say they would rather have a bigger government providing more services.