ghurbat essay in urdu

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Ghurbat poetry.

Ghurbat poetry is a powerful genre that captures the universal human experience of pain and longing caused by poverty. Through poignant imagery and metaphors, it evokes a deep sense of melancholy and despair, referencing themes of darkness, hunger, and oppression. Despite this, it offers a sense of resilience and hopes in the face of adversity, questioning the fairness of a world that allows such deprivation to exist. you can read ghurbat ghazals nazams and sher poetry At Mawraa.com, our ghurbat poetry collection inspires us to recognize the strength of the human spirit to overcome such struggles and serves as a poignant reminder of the power of language to connect us to our shared humanity.

Jo Bhalay Gumaan Nah De Sakay Unhein Vote Dein

Yeh Qarz-E-Kaj-Kulahi Kab Talak Ada Hoga

Khatm Har Acha Bura Ho Jaega

Latest poetry, ab us ko wo bholi baatain yaad delana theek nahi, mujhe aisa lutf ata kia keh jo hijr tha na wisaal tha, tumhare bad es ka khandar acha nahi lagta, tumhain jab kabhi milain fursateen, mere dil se bujh utar do, badal badal ghomay per ghar loot ke aana bholay na, kia kare meri masehai bhi karne wala, join the global urdu adab community, be the first to know about latest urdu news, blogs, books, events and much more....

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Ghurbat Poetry & Shayari in Urdu

Ghurbat Poetry & Shayari in Urdu & English has great significance among readers. It is a reason that they download, share Ghazals & Nazms with their friends and family members. Besides 2 lines Ghurbat Shayari in Urdu, they can also send Ghurbat poetry images to their loved ones.

Top Ghurbat Poetry by Famous Poets

No one can deny the importance of poetry in literature. It is a perfect medium to express our thoughts and feelings to another person. When talking about Ghurbat poetry or, it does not need an introduction. Several renowned poets have written Ghurbat Shayari in Urdu, Ghazals and Nazms.

In Pakistan, India and other countries, there is a huge fan base of Ghurbat Shayari in Urdu. However, the best part about 2 lines Ghurbat poetry in Urdu & English is that the poet can deliver a message in text to his/her audience in simple words. In the modern era of technology and connectivity, the sharing of Ghurbat poetry images over WhatsApp and other social media platforms is increased. However, on our website, you can simply download Ghurbat poetry in Urdu, Hindi & English without any hassle.

The classification of poetry in the form of different tags helps a reader to pick his/her favorite poem or verses from the large collection of poetry. It is a reason that we have sorted out Urdu Shayari as per different tags. Read the poetry from different topics as per your choice or preference. Besides Ghurbat poetry, you can view poetry from other tags starting with Alphabet “G” such as Ghaltan poetry , Ghari poetry , Gharoor poetry and others.

• Poetry شاعری

Mein Ne Ghurbat Ke Chahray Pe: Ghazal by Abdullah Faran

by Ravi Magazine · Published 12th February 2022 · Updated 13th February 2022

Mein Ne Ghurbat Ke Chahray Pe: Ghazal by Abdullah Faran [GCU FSc-II]

میں نے غربت کے چہرے پر بدبختی کا سوال دیکھا ہے قسمت کی دہلیز پر ننگے جسموں کو بےحال دیکھا ہے, دیکھا ہے میں نے ہر عروج کے مقدر میں تنزّل کو تاریخ کے صفحات پر کسرٰی کا زوال دیکھا ہے, دیکھا ہے میں نے دہشت کے مارے بچھتی لاشوں کو فاقوں کی جنگ لڑتے جذبوں کا ارتحال دیکھا ہے, اونچے محلوں میں بیٹھ کر بدبختی کا چرچا کرنے والے کیا غربت کی چکی میں پستے مفلس کا حال دیکھا ہے؟, مرے دیس میں ناداری ہے، بے حالی ہے مگر امید کا میں نے نیا اک سال دیکھا ہے, دیکھا ہے میں نے مستِ مئے اطہر ہوا فارانؔ میں نے خودی میں جھومتا اقبال دیکھا ہے, عبداللہ فارانؔ.

Tags: GCU Lahore Ghazal Ravians Urdu Poetry شاعری

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Topics موضوعات

Search keywords.

poetry on poverty in urdu Ghurbat Poetry

read poetry on poverty in urdu

آج پھر مارے گی ماں مٌجھے

گاٶں میں آیا ہے اِک کھلونے والا

aaj phir mary gi maan mujhy

gaon main aya hai ik khilony wala

روٹی کو ڈھونڈتا ہٌوا کوڑے کے ڈھیر پر

دیکھا ہے اک چاند کا ٹکڑا ابھی ابھی

roti ko dhundta huwa korry kay dher par

dekha hai ik chand ka tukrra abhi abhi

تیرے ہوۓ بھی اے خالق

مٌجھ پہ ہر شخص نے خٌدائی کی

tery hoty huwy bhi aye khaliq

mujh pay har shakhs nay khudai ki

وہ اکثر دِن میں بچوں کو سٌلا دیتی ہے اس ڈر سے

گلی میں پھر کھلونے بیچنے والا نہ آ جاۓ

vo aksar din main bachon ko sula deti hai iss dar say

gali main phir khilonay baichny wala na aa jaye

poetry on poverty in urdu

مٌفلس کے بدن کو بھی ہے چادر کی ضرورت

اب کھٌل کے مزاروں پہ یہ اعلان کیا جاۓ

muflis kay badan ko bhi hai chadar ki zarurat

ab khul ky mazaron pay ye elan kiya jaye

بھوک پھرتی ہے میرے مٌلک میں ننگے پاٶں

رزق ظالم کی تجوری میں چھٌپا بیٹھا ہے

bhok phirti hai mery mulk main nangy paon

rizk zalim ki tajori main chupa baitha hai

ممکن ہے ہمیں گاٶں بھی پہچان نہ پاۓ

بچپن میں ہی ہم گھر سے کمانے نِکل آۓ

mumkin hai hamain gaon bhi pehchan na paye

bachpan main hi ham ghar say kamany nikal aaye

Ghurbat shayari

غٌربت نے میرے بچوں کو تہذیب سِکھا دی

سہمے ہٌوۓ رہتے ہیں شرارت نہیں کرتے

ghurbat nay mery bachon ko tehzeeb sikha di

sehmy huvy rehty hain shrart nahi karty

سو گۓ بچے غریب کے جلدی سے یہ سن کر

فرشتے آتے ہیں خوابوں میں روٹیاں لے کر

so gaye bachay ghareeb kay jaldi say ye sun kar

farishtay aatay hain khwabon main rotiyan lay kar

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Contribution of Ghalib in Urdu Literature

Writers’ are many but only few are most prominent and have immensely touched one’s heart with feelings of pain, pleasure, romance, hatred, aggression, welfare, security and everything happening around us. Urdu Literature is an ocean of beautiful expressions – this art has been bestowed to the famous Urdu poet of all time Mirza Asadullah Khan Ghalib. His times are of the mughals era, which then forced out by the Brits and then the Indian rebels in 1857(British Colonial rule). This article is a delightful appreciation on Ghalib’s contributions towards Urdu poetry and literature, while, highlighting the shimmering reflections of his philosophy in his writings.

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Both Mirza Ghalib and Muhammad Iqbal are brand names in the field of literature written in Urdu and Persian languages. Both have achieved a legendary status not only in the subcontinent but across the world. They made experiments in both form and content in poetry. They represent the best that has been written in these languages and have set a bench mark for the prospective poets for all times to come. They have many things in common between them which is validated by the fact that Iqbal dedicates a poem on Ghalib and he features in his famous poem Javid Nama too. For Ghalib creating poetry is like drawing the heart blood from the veins of speech and Iqbal shared this understanding with him. Ghalib believes in creating meaning out of nowhere which makes his poetry enriching. If Ghalib is a master in creating meaning, Iqbal not only adds meaning to things but he is a poet with a message also. His poetry has meaning as well as message. Both of them are rebels in terms of the style and themes. Emerson"s famous adage, "Who so would be a man must be a non-conformist" fits well to both the poets due to their originality and freshness. The present paper attempts to compare the two poets by critically analysing their biographies, their beliefs about poetry, the contribution that they made to both Urdu and Persian languages and above all the thematic concerns. The study shall also attempt to evaluate critically their poetry so as to foreground the common things between them.

SKIREC Publication- UGC Approved Journals

The only person can make history who breaking the boundations of this traditional world prepares a new face with the gust of emotion. Such personalities prepare a new world with miraculous strength, aura and ebullience, undoubtedly. Mirza Asadullah Beg Khan Ghalib was one of such personalities, whose couplets rooted into Urdu Literature so deeply and became huge tree having branches of love, philosophy, satire, irony, and departure, the flowers of those branches have spreaded their fragrance in the form of sher-o-shairi that has intoxicated almost all the learned and scholars of the world. He was the person who pitched the milestones of love and philosophy so perfectly. The whole life of Ghalib was full of struggle. However, he never accepted defeat and continued his pen touching the softest surface of heart and never avoided any circumstance of life. Although he had thorny life that anguished him every time yet he cattered beautiful roses to others with the power of his writing skill. In his writings, the moments of meeting and departure walk together hand in hand that touches stilled water of man's emotions and makes everyone the fan of his writing skill. The life for him was not more than a companion of vagabond. His responsibilities, wishes of respect and fame could never stop him following different kinds of life style with his hobbies and habits. Perhaps this is only the reason his couplets are not mere a collection of words but this is a beautiful work of emotions and draws a complete picture of man's life. It is said that Mughalean period gave three things to India and these are Taj Mahal, Urdu language and Mirza Ghalib. 'hogā koī aisā bhī ki 'ġhālib' ko na jaane, shā.ir to vo achchhā hai par badnām bahut hai.' There is hardly anybody who would not be acquainted with 'Ghalib'. He is great poet, but equally ill reputed. 1 The full name of Mirza Ghalib was Mirza Asad Ullah Beg Khan Alias Ghalib, His couplets never aimed at cheap popularity but that had a deep literature inside with purified words. The poets who generally taking the name of Ghalib quotes shallow couplets will be shocked to know that Ghalib had composed major portions of his couplets by the name Asad. Ghalib was the most interesting character of URDU literary world in India, his arrival and departure to Urdu literary world has been

SMART M O V E S J O U R N A L IJELLH

Abstract The present paper is an attempt to give credit to Ghalib as the one who not only popularised the genre of Ghazal but also increased it canvas tremendously. This paper also delineates Ghalib as the last representative of Mughal’s cultural and aesthetic accomplishments. Further it has been shown how Ghalib though being a genius, always showed thirst for knowledge in all forms. As a result his poetry warrants a full and elaborate appreciation by our modern generation. This paper aspires to show how his poetry appeals to the modern man via his peculiar symbols and imagery. Attempt is made to show how his poetry uniquely integrates ideas and expression in a subtle manner, fusing sensation and emotion resulting in a poetry where ideas become feeling. The paper strives to show how uniquely Ghalib penetrates the depths of the objects of beauty as well as the depths of his own conscious, thus triggering the spiritual sense which is the greatest of poetic credits.

Prof. Irfan Ahmad

Sardar was a rebel, freedom fighter, pacifist, radical activist, storywriter, critic and documentary filmmaker at once. But, above all, he was a poet endowed with exquisite imagination, one of the brightest stars on the firmament of twentieth-century Urdu poetry. Like all great poets he was a prophet engaged in unraveling the mysteries and ambiguity of human drama. The principal theme of his poetry was compassion, love, perseverance and sensitivity surviving amidst the callous inhumanity of our times.

namrata dey roy

Mirza Asadullah Khan Ghalib, whose shairs and gazals still encapsulate the Indian hearts was the eye-witness to the rise and fall of first Indian Movement of 1857. Being the court of the last Mughal Emperor Bahadur Shah Zafar, he was considered as the great classical and the first modern poet in Urdu of India. His famous book (better say diary) Dastambu was a document of the critical period of 1857 Sepoy Mutiny. Initially a sycophantic Anglophile, Ghalib was deeply horrified and dumb-founded by the mass-slaughter, rape and loot of the blood hungry British Army. Being Muslim elite with keen sense of personal honour Ghalib at first could not support the active resistance of the Sepoys. But his idea went a sea-change perceiving the severe domination and onslaught of the British. The end of a glorious dynasty, the pang, the suffering, poverty, the barbarity of the British – was vividly described by Ghalib in his Dastambu and his shairs. This gradual change or better say oscillation from worshipper of the British to the resisting voice against the colonizers can be termed as enactment of ‘adopt-adapt-adept’ phase in a miniature form.

Safdar Ahmed

In the nineteenth century, Muslim modernist reformers sought to ground an agenda for social and political rejuvenation in a return to the spirit of the early Muslim community. However, the influence of this quest for communal regeneration on theological discourses was, in some cases, less notable than its influence upon projects for cultural and social reform. One area of focus for Indian modernists of the nineteenth century was literature and the literary arts, including poetry, which were now deemed relevant to notions of cultural health, authenticity and decline. Under the dictum that a people's condition is reflected in their language, the themes of moral degeneration and reform came to have a strong bearing on the indigenous valuation of poetry and the literary arts, challenging the criteria upon which such literature was judged. In this paper, I will analyse how the modernist agenda for social reform led to the birth of a new literary romanticism in Urdu poetry.

Prashant .Keshavmurthy

AbstrAct: This article aims to get at the voice of Ghanī Kashmīrī (d. 1669), the most famous poet of the Persian language ghazal from Kashmir and one of the foremost practitioners of the early modern ghazal style that called itself Speaking the Fresh or Speaking Anew. 1 Literary studies recognizes " voice " as designating the relationship between the narrator or narrators and their diegetic universe or universes, between a tale's teller(s) and the tale-world(s). 2 It is only by specifying the logic of these relations that we may then specify the overarching logic of an author's voice. In the generic context of the pre-nineteenth-century Persian ghazal, voice designates the relations between the many personae the speaker might adopt and the topoi (maḍmūn, pl. maḍāmīn) he adapts. We judge the attitude he takes toward these personae on the basis of the tropes or figures of speech he uses because they signal the degree and quality of his adaptations of them. In the early modern Persian ghazal, more than any other period in Persian literary history, these tropes and the metaphors and syntactical patterns they are embedded in signal a reflexive distance between the poet and his personae.

Bibliotheca Orientalis

Saeedeh Shahnahpur

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Showing results for "Gurbat"

travelling (to foreign countries), going abroad, emigration, being far from (one's) home or native country, the state or condition of a stranger, or foreigner, or exile

Gurbat-diida

one who has seen or experienced exile or poverty

Gurbat-zadagii

अ. फा. स्त्री.बेवतनी, परदेस में होना, निर्धनता, कंगाली।

Gurbat-zada

impoverished, indigent, migrant, poor

Gurbat-nasiib

those in exile, the one who away from home town, the one who has suffered by travelling trouble

Gurbat-pasand

وطن سے دُوری کو پسند کرنے والا ، مسافرت کا شوقین .

Gurbat-andar-vatan

(تصوّف) وہ حالت جب انسان صفاتِ خدا میں محو ہو کر صفاتِ بشری سے علیحدہ ہو جاتا ہے

سیلانی جیوڑا؛ مارا مارا پھرنے والا۔.

strangeness, uncommonness, unfamiliarity, rarity

Garaa.ibaat

غرائب (رک) کی جمع الجمع ، عجائبات .

Gair-baataa.n

بدکلامی ، گالی.

shaam-e-Gurbat

the evening that passed in travel, the evening that passed in exile, metaphorically: hard time, the trouble time

dasht-e-Gurbat

wilderness of poverty, exile

حاملہ ، بُوجھ اٹھانے والی.

ga.Daa-baTaa.ii

division of produce (or a crop) without threshing, by stacking the sheaves in proportionate shares

ghar baiThe kii tanKHvaah

۔ وہ تنخواہ جو بغیر خدمت ملے۔

god baiThnaa

گود بٹھانا (رک) کا لازم ، لے پالک ہونا ، متبنّیٰ ہونا.

gaad baiThnaa

sediments to settle at the bottom

god biThaanaa

زانوؤں پر بٹھانا، لے پالک بنانا

Gariib-tariin

Gurraa bataanaa.

ناغہ کرنا ، غیرحاضری کرنا ؛ فاقہ کرنا .

Gurra bataanaa

مہینے کی پہلی یا آخری تاریخ کا وعدہ کرنا ، ٹال مٹول کرنا ، بہانہ کرنا ، آج کل کرنا .

Gariib tere tiin naam , jhuuTaa , paajii , be-iimaan

غریب کو لوگ حقارت سے یاد کرتے ہیں ؛ غریب کی ہمیشہ ہر طرح کی بے عزّتی ہوتی ہے .

Meaning of See meaning Gurbat in English , Hindi & Urdu

ग़ुर्बत • غُرْبَت.

Origin : Arabic

Plural : Gurbato.n

Word Family : G-r-b

Pictorial Reference

Feel free to upload images to enhance visual representation of meaning. let’s build the first online dictionary of urdu words where readers literally ‘see’ meanings along with reading them. if you have pictures that make meanings crystal clear, feel free to upload them here. our team will assess and assign due credit for your caring contributions.">, english meaning of gurbat.

Noun, Feminine

• travelling (to foreign countries), going abroad, emigration , being far from (one's) home or native country, the state or condition of a stranger, or foreigner, or exile
• humility , lowliness

Example • Krishn Chand ko aurat, jawani... chandni-raat se hi muhabbat nahin balki ghurbat se bhi ek manfi qism ka ishq hai

• misery , woe , wretchedness

Sher Examples

ġhurbat kī ThanDī chhāñv meñ yaad aa.ī us kī dhuup

qadr-e-vatan huī hameñ tark-e-vatan ke baad

ghurbat ki ThanDi chhanw mein yaad aai us ki dhup

qadr-e-watan hui hamein tark-e-watan ke baad

sab ne ġhurbat meñ mujh ko chhoḌ diyā

ik mirī bekasī nahīñ jaatī

sab ne ghurbat mein mujh ko chhoD diya

ek meri bekasi nahin jati

merī ġhurbat ko sharāfat kā abhī naam na de

vaqt badlā to tirī raa.e badal jā.egī

meri ghurbat ko sharafat ka abhi nam na de

waqt badla to teri rae badal jaegi

ग़ुर्बत के हिंदी अर्थ

संज्ञा, स्त्रीलिंग

• निर्धनता, ग़रीबी , निस्सहाय, होने की अवस्था, दरिद्रता, कंगाली , निरुपाय होने की अवस्था
• बेबस होने का भाव, ऐसा जीवन जिसमें कोई पूछनेवाला न हो, उदासी
• मुसीबत, परेशानी

उदाहरण • कृष्णचंद को औरत, जवानी... चाँदनी-रात ही से मुहब्बत नहीं बल्कि ग़ुर्बत से भी एक मनफ़ी क़िस्म का इश्क़ है

• बहुत ही विचित्र होना, अनोखापन, नयापन
• विनम्रता प्रकट करना, भोलापन
• (सूफ़ीवाद) तलब-ए-मक़सूद को कहते हैं और बाज़ इससे मजबूरी-ओ-गिरिफ़्तारी त'यीन-ओ-बो'द अज़ मब्दा मुराद लेते हैं

غُرْبَت کے اردو معانی

• وطن سے دوری، سفر، پردیس، مسافرت
• بیکسی، کسمپرسی، اداسی
• مصیبت، پریشانی

مثال • کرشن چند کو عورت، جوانی۔۔۔ چاندنی رات ہی سے محبت نہیں بلکہ غربت سے بھی ایک منفی قسم کا عشق ہے

• عجیب و غریب ہونا، انوکھاپن ، نیا پن
• فروتنی، بھولا پن
• (تصوّف) طلب مقصود کو کہتے ہیں اور بعض اس سے مجبوری و گرفتاری تعیین و بُعد از مبدأ مراد لیتے ہیں

Urdu meaning of Gurbat

• vatan se duurii, safar, pardes, musaafirat
• bekasii, kasampursii, udaasii
• musiibat, pareshaanii
• Gariibii, mufalisii, tangdastii
• ajiib-o-Gariib honaa, anokhaapan, nayaapan
• firotnii, bholaapan
• (tasavvuph) talab maqsuud ko kahte hai.n aur baaaz is se majbuurii-o-giraftaarii ta.ii.iin-o-buad az mabdaa-e-muraad lete hai.n

Synonyms of Gurbat

Antonyms of gurbat, rhyming words of gurbat, compound words of gurbat, related searched words, today's vocabulary.

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common people, public, masses

[ lockdown ke waqt men Hindustani Hukoomat ne gharib awam ka khas khayal rakha ]

impudent, saucy, uncivil, rude

[ Shakir ek gustakh ladkaa hai ]

proposal of marriage, message, mission, advice, news

[ Naushad ke liye har jagah se shadi ke paigham aate hain magar us ne abhi tak haan nahin kiya hai ]

Khaandaanii.

renowned family, familial, ancestral, hereditary

[ Meri nazar mein ek ladka hai jo ki khandani hai wo is saal UPSC ke imtihan mein baith raha hai ]

lapse (of a period), expiration (of a term)

[ inqiza davaon ka istemal nahin karna chahiye ]

masterpiece

[ Tulsii Das ka Raam Charit Maans aalami shohrat-yafta shah-para hai ]

explanation, elucidation, clarity (of speech)

[ wazir ki saraahat ke bad leader khamosh ho gaye ]

application, beg, request

[ Chaprasi ne chhutti ke liye ahalkaar se darkhwast ki ]

inhabitant, resident, dweller, citizen

[ Jangal ke katne se jangli bashindon ki taadaad kam hoti ja rahi hai ]

recalling or removal from office, recall, dismissal

[ BarKhaast mulaazimo.n ko bahaal kar diyaa gayaa hai ]

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Tags for Gurbat

English meaning of Gurbat , Gurbat meaning in english, Gurbat translation and definition in English. Gurbat का मतलब (मीनिंग) अंग्रेजी (इंग्लिश) में जाने | Khair meaning in hindi

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aaj ik aur baras biit gayā us ke baġhair

jis ke hote hue hote the zamāne mere

Mirza Ghalib

1797 - 1869 | Delhi , India

Legendary Urdu poet occupying a place of pride in worldwide literature. One of the most quotable poets having couplets for almost all situations of life

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• TOP 20 SHAYARI 20

Image Shayari 45

Non prevalent ghazals 238

Qadir Nama 1

Mukhammas 1

Non prevalent Sher 59

dil-e-nadan tujhe hua kya hai

Aah ko chahiye ek umr asar hote tak.

hazaron KHwahishen aisi ki har KHwahish pe dam nikle

koi ummid bar nahin aati

Ye na thi hamari qismat ki visal-e-yar hota, sher-o-shayari 379.

ham ko ma.alūm hai jannat kī haqīqat lekin

dil ke ḳhush rakhne ko 'ġhālib' ye ḳhayāl achchhā hai

hum ko malum hai jannat ki haqiqat lekin

dil ke KHush rakhne ko 'ghaalib' ye KHayal achchha hai

ishq ne 'ġhālib' nikammā kar diyā

varna ham bhī aadmī the kaam ke

Ghalib, a worthless person, this love has made of me

otherwise a man of substance I once used to be

ishq ne 'ghaalib' nikamma kar diya

warna hum bhi aadmi the kaam ke

• Translation

mohabbat meñ nahīñ hai farq jiine aur marne kā

usī ko dekh kar jiite haiñ jis kāfir pe dam nikle

In love there is no difference 'tween life and death do know

The very one for whom I die, life too does bestow

mohabbat mein nahin hai farq jine aur marne ka

usi ko dekh kar jite hain jis kafir pe dam nikle

is sādgī pe kaun na mar jaa.e ai ḳhudā

laḌte haiñ aur haath meñ talvār bhī nahīñ

is sadgi pe kaun na mar jae ai KHuda

laDte hain aur hath mein talwar bhi nahin

hazāroñ ḳhvāhisheñ aisī ki har ḳhvāhish pe dam nikle

bahut nikle mire armān lekin phir bhī kam nikle

I have a thousand yearnings , each one afflicts me so

Many were fulfilled for sure, not enough although

bahut nikle mere arman lekin phir bhi kam nikle

ہاں نفس باد سحر شعلہ فشاں ہو

Bas ki faalumma-yurid hai aaj, manzur hai guzarish-e-ahwal-e-waqai, ai shahnshah-e-asman aurang, kalkatte ka jo zikr kiya to ne ham-nashin, hai jo sahab ke kaf-e-dast pe ye chikni dali, ek garm aah ki to hazaron ke ghar jale, yaran-e-nabi se rakh tawalla billah, dukh ji ke pasand ho gaya hai ghaalib, us rishte mein lakh tar hun balki siwa, yaran-e-nabi mein thi ladai kis mein, botal ki dua, aadha musalmaan, delhi mein gadhe bahut hain, ulloo ko gaali deni bhi nahi aati, aam: jise gadha bhi nahi khata, khush ho ai bakht ki hai aaj tere sar sehra, charkh tak dhum hai kis dhum se aaya sehra, ham-nashin tare hain aur chand shahabudin khan.

Aahang-e-Ghalib

Aaina-e-Afkar-e-Ghalib

Kalam-e-Ghalib Par Nai Raushani

Aaina-e-Ghalib

Aasan Ghalib

Aasar-e-Ghalib

Abr-e-Gohar Bar

Adabi Khutoot-e-Ghalib

Afadaat-e-Ghalib

Afadat-e-Ghalib

Afkar-e-Ghalib

hazaaro.n KHvaahishe.n aisii ki har KHvaahish pe dam nikle bahut nikle mire armaan lekin phir bhii kam nikle

hu.ii muddat ki 'Gaalib' mar gayaa par yaad aataa hai vo har ik baat par kahnaa ki yuu.n hotaa to kyaa hotaa

ham ko ma.aluum hai jannat kii haqiiqat lekin dil ke KHush rakhne ko 'Gaalib' ye KHayaal achchhaa hai

phir usii bevafaa pe marte hai.n phir vahii zindagii hamaarii hai

daa.im pa.Daa hu.aa tire dar par nahii.n huu.n mai.n KHaak aisii zindagii pe ki patthar nahii.n huu.n mai.n

ibn-e-maryam hu.aa kare ko.ii mere dukh kii davaa kare ko.ii

go haath ko jumbish nahii.n aa.nkho.n me.n to dam hai rahne do abhii saaGar-o-miinaa mire aage

ta.ngi-e-dil kaa gila kyaa ye vo kaafir-dil hai ki agar ta.ng na hotaa to pareshaa.n hotaa

mehrbaa.n ho ke bulaa lo mujhe chaaho jis vaqt mai.n gayaa vaqt nahii.n huu.n ki phir aa bhii na sakuu.n

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Oct 13, 2017

Ghurbat ne sikha di hai mere bachon ko.

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Syed Ali Hussain Shah Ali

Sham-e-ghurbat

Sham-e-ghurbat, Urdu Nazam By Syed Ali Hussain Shah Ali

Sham-e-ghurbat is a famous Urdu Nazam written by a famous poet, Syed Ali Hussain Shah Ali. Sham-e-ghurbat comes under the Sad, Social category of Urdu Nazam. You can read Sham-e-ghurbat on this page of UrduPoint.

سید علی حسین شاہ علی

دیکھتا ہوں چھا رہی ہے ہر طرف

شام غربت آج ہندوستان میں

یہ بھی کوئی زندگی ہے جب نہیں

خشک ٹکڑا قسمت انسان میں

سینکڑوں فاقوں کے مارے جا بسے

قوم کے فرزند قبرستان میں

حاکموں کے سگ ہیں پلتے دودھ پر

آپ کی دولت سے انگلستان میں

پر تمہیں ملتی نہیں نان جویں

جان آئے کس طرح سے جان میں

مال و دولت جا رہا ہے رات دن

لٹ کے انگلستان میں جاپان میں

سب غلامی کے کرشمے ہیں علیؔ

آج غربت ہے جو ہندوستان میں

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Related Syed Ali Hussain Shah Ali Poetry

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داستان مزدور

Syed Ali Hussain Shah Ali - سید علی حسین شاہ علی

Dastan Mazdur

ہم کیا مانگتے ہیں

Hum Kya Mangte Hain

You can read Sham-e-ghurbat written by Syed Ali Hussain Shah Ali at UrduPoint. Sham-e-ghurbat is one of the masterpieces written by Syed Ali Hussain Shah Ali. You can also find the complete poetry collection of Syed Ali Hussain Shah Ali by clicking on the button 'Read Complete Poetry Collection of Syed Ali Hussain Shah Ali' above.

Sham-e-ghurbat is a widely read Urdu Nazam. If you like Sham-e-ghurbat, you will also like to read other famous Urdu Nazam.

You can also read Sad Poetry , If you want to read more poems. We hope you will like the vast collection of poetry at UrduPoint; remember to share it with others.

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